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ShadowMachine

ShadowMachine is an and production studio founded in by Campodonico and , with headquarters in , , and an additional studio in . The company specializes in a range of techniques, including stop-motion, , /, and live-action, creating content for feature films, television series, commercials, and music videos. Renowned for its innovative world-building, comedic storytelling, and artist-driven approach, ShadowMachine has produced over 200 episodes of Adult Swim programming, including the Emmy- and Annie Award-winning anthology series Robot Chicken. Key television credits also encompass Netflix's BoJack Horseman, TBS's Final Space, and FX's Little Demon, alongside the HBO Max reboot of Clone High and Apple TV+'s Strange Planet. The studio's most prominent feature film project is Guillermo del Toro's Pinocchio (2022), a stop-motion adaptation produced in collaboration with Netflix and The Jim Henson Company, which marked ShadowMachine's first Academy Award nomination and win for Best Animated Feature in 2023. The film also secured victories at the BAFTA Awards, Golden Globes, Annie Awards, and Critics' Choice Awards, highlighting the studio's expertise in stop-motion animation.

History

Founding and early years

ShadowMachine was founded in 1999 by longtime collaborators and Corey Campodonico in , , as a boutique stop-motion studio. The duo, who had known each other since grade school and shared interests in and comedy, started the company in a garage with a focus on producing and commercials for clients seeking distinctive, handmade visual styles. In its early years, ShadowMachine operated as a two-person operation, emphasizing independent shorts and experimental projects that highlighted innovative stop-motion techniques and irreverent humor. These initial efforts built a reputation for high-quality, artisanal animation within the and industries, allowing the founders to refine their collaborative process before scaling up. The studio's breakthrough came in 2005 with the launch of , a stop-motion series for that introduced ShadowMachine to television production. This project necessitated rapid expansion, growing the initial team and establishing a robust animation pipeline to handle the demands of episodic television while maintaining the company's signature DIY aesthetic.

Growth and expansion

In the 2010s, ShadowMachine expanded significantly through strategic partnerships, particularly its collaboration with on the adult animated series , which debuted in August 2014 and became a critical and commercial success. This partnership marked a pivotal shift toward high-profile streaming content, enabling the studio to its operations and invest in dedicated . To support the demands of the series, ShadowMachine established an additional facility in , in 2015, drawn by the region's deep pool of stop-motion and talent; the studio's primary base remains in , . These in-house facilities allowed for greater control over pipelines and contributed to the studio's ability to handle multiple series simultaneously, including subsequent projects like . The studio's growth extended into feature films with its high-profile collaboration with director on , a stop-motion adaptation announced in October 2018 after an earlier iteration of the project stalled. This marked ShadowMachine's formal entry into theatrical features, leveraging its expertise in stop-motion to realize del Toro's vision; the film premiered at film festivals in 2022 before a limited theatrical release and streaming debut in December 2022, earning widespread acclaim and an Academy Award for Best Animated Feature. The project underscored ShadowMachine's evolution from television-focused work to ambitious cinematic endeavors, enhancing its reputation in the animation industry. By the early 2020s, ShadowMachine continued its upward trajectory with new developments, including the announcement in August 2024 of , an adult animated comedy series reuniting the creative team with , which premiered on August 22, 2025, and was renewed for a second season ahead of its debut. Additionally, in January 2024, the studio partnered with , , and actor on an animated feature film set in , which advanced to distribution by November 2024. These initiatives reflect ongoing expansion into diverse formats and international-flavored storytelling. During this period, ShadowMachine's production and workers unionized with and the Motion Picture Editors Guild in 2022, marking key steps in workforce professionalization and supporting a broader slate of productions across its and locations.

Productions

Feature films

ShadowMachine has produced a select number of feature films, leveraging its expertise in stop-motion animation to create distinctive visual styles for both standalone animated projects and hybrid contributions to live-action works. The studio's most prominent feature is (2022), a stop-motion adaptation of Carlo Collodi's classic tale, co-directed by and Mark Gustafson. Produced in collaboration with and distributed by , the film premiered at the on October 15, 2022, before its global streaming release on November 9, 2022, with a runtime of 117 minutes. ShadowMachine's involvement began in 2012, following an introduction through , though the project faced development challenges over approximately 10 years before greenlit production. The studio employed innovative techniques, including 3D-printed replacement faces for puppets to achieve over 120 expressions per character, alongside mechanical armatures for more fluid movements in figures like . With a estimated at $35 million, the film required coordination among about 375 artists across 60 shooting units, addressing challenges such as fabricating puppets in three countries and scaling historical Italian costumes for the WWII-era setting. In 2019, ShadowMachine contributed animated sequences to the live-action comedy , directed by . The studio created a stop-motion segment depicting the protagonists' drug-induced hallucination, featuring Barbie-inspired dolls modeled after the lead actresses and , with rigid limbs to evoke a sense of entrapment. This sequence, inspired by 's dreamlike visuals, was produced over five months by a team of 30 animators, using 12-inch dolls with multiple silicone bodies and heads built on life-size bedroom sets. Among upcoming projects, ShadowMachine is producing The Buried Giant (TBA), a stop-motion animated adaptation of Kazuo Ishiguro's 2015 fantasy novel, directed by for . Announced in February 2023, the film follows an elderly couple's journey in a mist-shrouded, post-Arthurian where memories fade, with del Toro co-writing the script alongside . Additionally, ShadowMachine is set to produce an untitled animated feature, announced in January 2024 as Mattel Films' first theatrical animated film based on the children's series. The project, a stop-motion production in partnership with Jennifer Lopez's , stars voicing the title character in a story set in , emphasizing themes of overcoming obstacles through teamwork. In November 2024, acquired distribution rights following a bidding war.

Television series

ShadowMachine has established itself as a key player in adult animated television, producing innovative series that blend stop-motion, 2D animation, and techniques to explore satirical, philosophical, and comedic narratives. The studio's television output emphasizes character-driven stories and experimental visuals, often collaborating with networks like , , and Peacock to deliver Emmy-recognized content. One of ShadowMachine's foundational projects is , a stop-motion series created by and that premiered on in 2005, with 11 seasons through 2022 followed by quarterly specials continuing as of 2025. The show features rapid-fire parodies of pop culture, toys, and celebrities, with ShadowMachine handling production for key seasons, including the in-house animation of over 230 episodes and specials across 11 seasons and ongoing quarterly specials. Its format, which has earned multiple Emmy nominations and awards, including a nomination for Outstanding Animated Program for specials like Robot Chicken: Star Wars Episode III in 2011, highlights the studio's expertise in efficient stop-motion workflows. In 2014, ShadowMachine partnered with and to produce BoJack Horseman, an adult animated dramedy created by that ran for six seasons until 2020, comprising 77 episodes. The series follows the titular anthropomorphic horse, a faded star grappling with and , employing a pioneering 2D style that mixes fluid character designs with stark, expressive backgrounds to underscore its philosophical themes of regret, fame, and . ShadowMachine's team, led by executives and Corey Campodonico, contributed to the show's visual innovation, earning multiple Primetime Emmy nominations for Outstanding Animated Program. Building on this success, ShadowMachine animated from 2019 to 2022, a female-led adult comedy created by that aired initially on before moving to , totaling 30 episodes over three seasons. Centered on two anthropomorphic bird best friends navigating adulthood, relationships, and self-discovery in an urban setting, the series showcases ShadowMachine's vibrant, hand-drawn aesthetic with surreal elements like talking produce and dream sequences, emphasizing themes of female empowerment and . The production highlighted the studio's ability to support creator-driven visions, with contributions from the team. More recent efforts include , a 2023 Freeform created by that consisted of 10 episodes before its cancellation. Produced in collaboration with Bandera Entertainment, the series follows a young woman inheriting her father's cult and attempting to rebrand it as a positive wellness movement, with ShadowMachine delivering sharp, stylized 2D animation that satirizes influencer culture and family dynamics. In 2024, ShadowMachine ventured into puppet-based animation with In the Know, an 8-episode Peacock satire created by , Brandon Gardner, and . The series depicts a fictional host (voiced by Woods) interviewing celebrities in a mix of stop-motion puppets and live-action, critiquing media authenticity and public radio tropes; ShadowMachine's animators, including lead Brian Leif Hansen, crafted the puppets and integrated them seamlessly with real-world elements for a hybrid visual style. The show premiered on January 25, 2024, marking Peacock's first adult animated original. In a departure to children's programming, ShadowMachine produced seasons 2 and 3 of The Tiny Chef Show (2023–2025), a stop-motion series on Nickelodeon following a tiny chef preparing miniature dishes in his garden, created by Adam Reid. ShadowMachine produced Long Story Short, a Netflix adult animated comedy that premiered on August 22, 2025, reuniting the BoJack Horseman creative team including Bob-Waksberg, Tornante Company, and studio executives Bulkley and Campodonico. The anthology-style series explores a dysfunctional family's history through time-spanning vignettes, blending humor with emotional depth in a multi-year narrative arc that revisits siblings from childhood to adulthood. The series has been renewed for a second season.

Television specials

ShadowMachine has produced several standalone animated television specials, often emphasizing stop-motion techniques and satirical or -themed content. One of its earliest contributions in this area is the Christmas Special (2005), a 22-minute -themed installment featuring a compilation of comedic sketches reimagining Christmas tropes, such as a stop-motion depiction of gone awry and parodies of films. This special, directed by and , marked an early showcase for ShadowMachine's stop-motion expertise, blending irreverent humor with detailed puppet animation. Building on the success of the series, ShadowMachine contributed to additional holiday specials within the franchise, including Robot Chicken's DP Christmas Special (2008), which explores absurd origins of like the first holiday celebration involving biblical figures in a chaotic stop-motion narrative. These specials, typically airing during the holiday season on , highlight ShadowMachine's ability to deliver high-volume sketch animation with intricate and rapid production timelines, often incorporating guest voices from celebrities like (voiced by ) in satirical segments. In more recent years, ShadowMachine expanded into family-oriented standalone specials, such as 5 More Sleeps 'til (2021), a 21-minute CGI-animated holiday tale based on Jimmy Fallon's children's book, where a young boy navigates excitement and mishaps in the days leading to alongside his and . Produced in collaboration with Electric Hot Dog and , the special premiered on and emphasizes whimsical storytelling with vibrant digital , capturing the anticipation of the holiday season through expressive character designs and lighthearted . This project demonstrates ShadowMachine's versatility beyond adult-oriented content, adapting its production capabilities for broader audiences while maintaining high-quality visual storytelling.

Music videos

ShadowMachine's contributions to music videos have emphasized animated storytelling, often blending stop-motion, 2D animation, and surreal visuals to enhance artists' creative visions. In its early years, the studio focused heavily on music video production, leveraging innovative techniques to create distinctive, artist-driven pieces that pushed the boundaries of accompaniment. A key example is the 2011 music video for Jane's Addiction's "Irresistible Force," directed by Pete Conlon, where ShadowMachine managed design and to deliver a high-energy, abstract sequence aligning with the track's intensity. The same year, the studio produced Korn's "," also directed by Conlon, featuring bold 2D that captured the song's chaotic and aggressive themes through dynamic character movements and visual effects. In 2012, ShadowMachine handled production for ZZ Ward's "Put the Gun Down," integrating 2D animation with live-action footage to craft a narrative-driven video that explored themes of tension and release, directed by studio co-founder . This project exemplified the studio's versatility in hybrid formats, allowing for seamless fusion of real and animated elements to amplify the blues-infused track. By , ShadowMachine created the visualizer for Beck's "" from the album , employing ethereal 2D animation with natural motifs and dreamlike sequences to evoke and serenity, uploaded officially via the studio's channel. These collaborations underscore ShadowMachine's role in fostering artistic , prioritizing surreal and technical precision in short-form animated content for musicians.

Commercials and advertising

ShadowMachine's commercial division has produced numerous branded content pieces since the studio's founding in 1999, specializing in stop-motion animation to create engaging, narrative-driven advertisements for major clients including , , Hallmark, , and Farmers Insurance. These projects often emphasize whimsical and high values, contributing to the studio's reputation in the industry. A cornerstone of ShadowMachine's advertising portfolio is its ongoing collaboration with Southern California Honda Dealers on the "Happy Honda Days" holiday campaign, launched in 2012 and continuing annually through at least 2015. Drawing inspiration from Rankin/Bass holiday specials, the spots employ stop-motion techniques to depict festive scenarios where a live-action Honda dealer interacts with animated characters, highlighting the brand's helpful service in humorous, heartwarming ways. For instance, the 2012 spot "Angry Elf" features a frustrated elf whose tantrum leads to a dealership visit, while the 2013 "Penguin" installment shows the dealer charming a lost penguin to facilitate a delivery to Santa; the four-spot 2013 package extended this theme with additional holiday-themed narratives. By 2015, the campaign's third year included "Helpful Time of Year," reinforcing the integration of practical effects and animation to evoke nostalgia and promote seasonal sales. These efforts, produced in partnership with agency Secret Weapon Marketing and directed by Jed Hathaway, have become a seasonal staple, blending live-action elements with meticulously crafted stop-motion puppets and sets. Beyond automotive advertising, ShadowMachine has delivered innovative campaigns for consumer brands, often merging with live-action for impact. In 2018, the studio partnered with Team One to create three 30-second stop-motion spots for littleBits' Inventor Kits, showcasing inventive play through detailed and dynamic sets to appeal to young audiences and educators. Earlier projects include work for Hallmark and , where the studio's expertise in character-driven enhanced promotional narratives. These advertisements exemplify ShadowMachine's approach to , prioritizing creative techniques like stop-motion to differentiate client messaging in competitive markets.

Awards and nominations

Academy Awards

ShadowMachine received its first Academy Award nomination and subsequent win for its work on the stop-motion animated feature film (2022), directed by and Mark Gustafson. At the held on March 12, 2023, was nominated in the Best Animated Feature category alongside The Bad Guys, Marcel the Shell with Shoes On, , and . The film ultimately won the award, marking the first victory for a stop-motion animated feature in this category since in 2009 and highlighting a resurgence in recognition for the labor-intensive animation technique. In his acceptance speech, co-director emphasized the artistry of , stating, "Animation is humble and pure and simple," while crediting the collaborative spirit behind the production. Co-director Mark Gustafson also acknowledged ShadowMachine's Portland-based team, noting, "I want to thank ShadowMachine and the crew up in . It’s so good to know that this art form, that we love so much, , is very much alive and well." This win represented a milestone for ShadowMachine, underscoring its expertise in stop-motion craftsmanship on a global stage.

Primetime Emmy Awards

ShadowMachine has garnered significant recognition at the for its contributions to television , with a focus on stop-motion techniques and innovative storytelling in series like . The studio's work on the series earned multiple wins in the early years of the Outstanding Short-Form Animated Program category, including victories in 2009 for "Robot Chicken's Half-Assed Christmas Special" and in 2010 for "Dear Consumer (Robot Chicken's Full-Assed Christmas Special)." These awards highlighted the studio's pioneering stop-motion production, led by founders and Corey Campodonico. In addition to program-level honors, ShadowMachine animators received several Primetime Emmys for Outstanding Individual Achievement in Animation for Robot Chicken episodes, such as Sarah E. Meyer's 2006 win for "Easter Basket" and Thomas Smith's 2007 win for "Lust for Puppets." These individual accolades underscored the studio's technical excellence in and during its production of the show's first five seasons. The studio's collaboration on Netflix's also brought Emmy nominations, notably in 2019 for Outstanding Animated Program for the episode "," which integrated sophisticated writing with seamless voice acting to explore themes of grief and self-reflection. This recognition affirmed ShadowMachine's role in blending emotional depth with fluid 2D animation across the series' six seasons. In 2024, ShadowMachine secured a juried Primetime Emmy for Outstanding Individual Achievement in Animation () for its stop-motion work on Peacock's In the Know, with lead animator Jan Maas honored for bringing nuanced puppet performances to the series. The studio's efforts in this category, spanning over 15 nominations overall, continue to emphasize its expertise in stop-motion innovation for adult-oriented television. Robot Chicken has earned additional wins in later years, including the 2018 Primetime Emmy for Outstanding Short Form Animated Program for "The Robot Chicken Special: Look Who's Walking."

Annie Awards and other recognitions

ShadowMachine has earned numerous , recognizing excellence in animation, particularly for its work on feature films and television series. For the 2023 film , a ShadowMachine production, the studio received wins for Best in a Feature (awarded to Tucker Barrie) and Production Design in a Feature (credited to , Mark Gustafson, and Curt Enderling) at the 50th Annual . The film also secured additional honors that year, including Best Feature and Best Direction, highlighting ShadowMachine's contributions to stop-motion craftsmanship. The studio's television series BoJack Horseman amassed multiple Annie Awards from 2015 to 2020, with notable wins for Outstanding Achievement in Direction and Writing. For instance, in 2019 (46th Annual Annie Awards), it won Best General Audience Animated Television/Broadcast Production for the episode "The Dog Days Are Over" and Outstanding Achievement for Voice Acting (Will Arnett for "Free Churro"). Earlier seasons earned recognition for storyboarding and writing, such as the 2018 win for Writing in a Television/Broadcast Production for "Time's Arrow." These accolades underscore ShadowMachine's role as executive producer in delivering innovative adult animation. Beyond the Annie Awards, ShadowMachine has received diverse industry honors. In June 2024, the City of proclaimed June 12 as ShadowMachine Studios Day, celebrating the studio's contributions to the local animation community and its global impact. In 2025, ShadowMachine was honored with a Leadership Award at the LOFA Awards by the for the Arts, recognizing its ongoing leadership and educational initiatives in . The studio's work has also been celebrated at the , with producer Farnaz Fahid earning a Gold Clio in 2018 for Theatrical Partnerships and Collaboration on a promotional project. For , ShadowMachine contributed to BAFTA nominations in 2023, including a win for Best Animated Feature Film at the , along with nods for Original Score and Production Design. Additionally, ShadowMachine's short-form animation projects, such as episodes from , have received recognition at animation festivals and awards, including nominations for Best Animated Short Subject at the .

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