Booksmart
Booksmart is a 2019 American coming-of-age comedy film directed by Olivia Wilde in her feature-length directorial debut, written by Emily Halpern, Sarah Haskins, Susanna Fogel, and Katie Silberman.[1][2] It stars Beanie Feldstein and Kaitlyn Dever as Molly and Amy, two high-achieving high school best friends who, realizing on the eve of graduation that their academic focus left them socially isolated, embark on a chaotic night of partying to catch up on experiences they skipped.[3][4] The film premiered at South by Southwest on March 10, 2019, and was theatrically released by Annapurna Pictures on May 24, 2019.[2][5] Produced on a budget of $6 million, Booksmart grossed $24.9 million worldwide, achieving profitability despite opening weekend earnings of $6.9 million that fell short of broader commercial expectations amid competition from blockbusters like Aladdin.[1][3] Critically acclaimed for its sharp humor, authentic portrayal of female friendship, and strong performances by Feldstein and Dever, the film holds a 96% approval rating on Rotten Tomatoes based on 384 reviews.[3] It received nominations including a Golden Globe for Feldstein in Best Actress – Musical or Comedy, and won Best First Feature at the 2020 Film Independent Spirit Awards.[6][7] Post-release discourse highlighted debates over its box office performance, with some attributing underperformance to inadequate marketing by distributor Annapurna Pictures and audience familiarity with male-dominated teen comedies, rather than inherent quality or appeal.[8][9] No major production controversies emerged, though the film's emphasis on academic overachievers critiquing their own social shortcomings resonated as a counterpoint to narratives glorifying unchecked hedonism in similar genres.[2]Synopsis
Plot Summary
Booksmart centers on best friends Amy and Molly, two academically focused high school seniors who, on their final day of classes, discover that socially active classmates like Theo, Tanner, and Annabelle have also secured admissions to elite universities such as Yale and Georgetown.[10] Realizing they have prioritized studies over fun, the pair resolves to attend a party at classmate Nick's house that evening to experience the high school social life they missed.[1] After preparing at Molly's home—dressing in costumes and ingesting ecstasy pills acquired earlier—they inadvertently join a chaotic yacht gathering hosted by Gigi, where drug effects cause Molly to pass out amid awkward interactions.[10] Revived the next morning, Amy and Molly persist in their quest, stumbling into a peer's murder mystery dinner theater before a series of mishaps, including accidentally riding with Principal Brown following the projection of pornography at a house, forces them to seek alternative transport from teacher Ms. Fine to reach Nick's event.[10] At the party, revelations emerge about classmates' balanced lives of achievement and partying, while interpersonal tensions peak: Amy witnesses her crush Ryan kissing Nick, igniting a rift with Molly; Amy later explores her attraction to Hope but vomits during an intimate moment; Molly flirts with and kisses Jared.[10] A police raid disrupts the gathering; Amy creates a diversion by stripping, leading to her arrest, but Molly secures her release using funds from selling Molly's expensive dress.[10] The friends rush to their graduation ceremony, where Molly delivers the class president's speech, acknowledging her prior judgments. In the aftermath, Amy reconciles with Hope, who reveals her own vulnerabilities, and the duo shares a final meal, embracing Amy's impending gap year in Botswana with renewed appreciation for their bond and individual paths.[10]Cast and Characters
Principal Cast
Beanie Feldstein plays Molly Davidson, the driven valedictorian and class president seeking to balance academic success with social experiences on her final night of high school.[1] Kaitlyn Dever portrays Amy Antsler, Molly's loyal best friend and a Yale commit who confronts personal insecurities including her sexuality during their adventure.[1] The duo's performances emphasize a authentic buddy-comedy dynamic, bolstered by Feldstein and Dever's real-life friendship formed through intensive preparation and rehearsals.[11][12] Jessica Williams appears as Miss Fine, the empathetic teacher offering guidance to the protagonists.[13] Jason Sudeikis stars as Principal Jordan Brown, the school's authoritative yet relatable administrator.[1] Lisa Kudrow depicts Charmaine Antsler, Amy's supportive but oblivious mother.[1] Will Forte embodies Doug Antsler, Amy's enthusiastic and well-meaning father.[1] These roles provide comedic adult perspectives contrasting the leads' youthful escapades.[14]Supporting Roles
Austin Crute plays Alan, a classmate characterized by his eccentric and often ridiculed behavior, which underscores the protagonists' initial social detachment and provides comic relief through awkward interactions.[15] Noah Galvin portrays George, Alan's companion in performative oddities, contributing to ensemble scenes that amplify the film's depiction of high school misfits and their failed attempts at fitting in.[16] Their duo's antics, including a bizarre talent show-style act, heighten the chaotic energy of group settings without driving the central narrative.[1] Billie Lourd embodies Gigi, an erratic and omnipresent partier whose unpredictable appearances inject surreal humor and disrupt the protagonists' plans, facilitating key comedic escalations in party environments.[17] Gigi's over-the-top demeanor, marked by hallucinatory monologues and physical comedy, supports the film's exploration of uninhibited nightlife through recurring, incidental encounters.[1] Jason Sudeikis appears as Principal Brown, the school authority figure whose dual role as an off-duty rideshare driver leads to ironic overlaps with student escapades, advancing plot progression via unexpected authority-subordinate dynamics. This portrayal adds layers of surprise and humor to nocturnal sequences, contrasting administrative rigidity with personal vulnerabilities.[18] Additional supporting performers include Skyler Gisondo as Jared, a well-meaning but socially clumsy aspirant whose enthusiasm fuels misguided group efforts, and Molly Gordon as Annabelle ("Triple A"), a popular figure whose interactions reveal hidden alliances.[1] These roles collectively populate the ensemble-driven party scenes, where their exaggerated traits propel comedic misunderstandings and collective frenzy, distinguishing them from the leads' introspective arc.[3]
Production
Development and Pre-Production
The screenplay for Booksmart originated from writers Emily Halpern and Sarah Haskins, who penned an early draft dated November 24, 2008, drawing from their observations of intense female friendships among ambitious young women.[19] The script gained early industry buzz in 2009 for its fresh take on teen comedy dynamics but stalled without advancing to production, circulating among producers amid a landscape favoring male-centric narratives.[20] Revived nearly a decade later, Annapurna Pictures acquired the project in early 2018, greenlighting it with actress Olivia Wilde attached to direct her feature debut.[21] Wilde, pitching to Annapurna executives, positioned Booksmart as a high-stakes evolution of the genre—likening it to Training Day for its gritty authenticity in depicting high school hierarchies—while emphasizing a deliberate shift toward a "female gaze" that prioritized genuine emotional intimacy over objectifying tropes common in prior teen films like Superbad.[22][23] To align with modern teen realities, including evolving social dynamics and technology, the script received revisions from Susanna Fogel and Katie Silberman, Wilde's collaborator, ensuring relevance without diluting the core premise of overachievers confronting their social isolation on the eve of graduation.[24] This iterative process, spanning the project's dormant years and culminating in the 2018 greenlight, reflected broader industry challenges in producing female-led comedies, with the final pre-production budget set at $6 million.[25][26]Casting Process
Casting director Allison Jones, known for her work on ensemble-driven comedies including Freaks and Geeks and films by Judd Apatow, led the process of assembling the cast for Booksmart.[27][28] Director Olivia Wilde credited Jones with curating a "perfect ensemble" of actors capable of portraying quirky, authentic teenagers.[28] Beanie Feldstein and Kaitlyn Dever were cast as leads Molly and Amy in early 2018, selected for their ability to embody studious overachievers in a relatable manner without caricature.[21][29] Wilde prioritized performers who could convey the nuanced dynamics of high-achieving Gen Z teens, emphasizing genuine emotional depth over exaggerated tropes.[29] The supporting cast, featuring Billie Lourd as Gigi, Skyler Gisondo, Molly Gordon, and others, was chosen to form a diverse group reflecting inclusive teen social circles, with announcements continuing into May 2018.[28] This selection addressed the challenge of capturing multifaceted peer interactions central to the film's narrative.[28] Casting wrapped ahead of principal photography, which began in Los Angeles in May 2018, allowing time for pre-production bonding to enhance on-set chemistry.[30]Filming and Locations
Principal photography for Booksmart began in May 2018 and lasted 26 days, primarily in the Los Angeles area to evoke the authentic suburban milieu of the story's high school protagonists. Filming centered on practical locations in the San Fernando Valley, including exteriors around San Fernando High School captured at night and on weekends to avoid interfering with school operations, as well as a Pasadena residence at 1000 East San Pasqual Street standing in for lead character Molly's home. Additional sites encompassed Glendale for urban sequences and Marina del Rey for waterfront elements, selected to ground the narrative in relatable Southern California realism rather than constructed sets.[31][32] The production utilized an ARRI Alexa Mini digital camera paired with Panavision anamorphic lenses to deliver a dynamic, widescreen aesthetic that amplified the film's chaotic energy during party and pursuit scenes. Night shoots dominated the schedule for the central one-night odyssey, necessitating efficient lighting setups to maintain pace amid extended hours. This approach prioritized immersive, fluid visuals over stylized artifice, reflecting director Olivia Wilde's emphasis on capturing spontaneous teen dynamics in real environments.[33] Logistical hurdles arose from the abbreviated timeline, which required rigorous pre-shoot rehearsal to coordinate complex group sequences with young ensemble members. To bolster authenticity in the leads' friendship, stars Beanie Feldstein and Kaitlyn Dever shared living quarters during production at Wilde's suggestion, fostering off-camera rapport that informed their performances. No major weather disruptions were reported, though the compressed window heightened demands on crew efficiency for exterior work.[34][35][32]Post-Production and Music
The editing of Booksmart was performed by Brent White and Jamie Gross, who assembled the footage to heighten the film's comedic rhythm through precise cuts that amplified the protagonists' misadventures and emotional beats.[13] Visual effects were kept minimal, primarily consisting of enhancements for surreal sequences; the hallucinatory drug trip scene featured hand-drawn animation outsourced to ShadowMachine, the studio responsible for BoJack Horseman, to evoke a distorted, dreamlike quality amid the chaos.[36] Additional VFX support came from Temprimental Films for management and The Resistance VFX for production elements.[37] The musical score was composed by Dan the Automator (Dan Nakamura), blending electronic and orchestral elements to underscore tension and levity, with the original motion picture score released in June 2019 via Lakeshore Records. Licensed tracks incorporated a mix of contemporary indie, pop, and hip-hop to reflect the high school milieu, including "Slip Away" by Perfume Genius during a pivotal emotional moment, "Tempo" by Lizzo for party energy, and "Come Down" by Anderson .Paak to heighten adventurous sequences, fostering an authentic, youthful vibe without over-relying on period-specific nostalgia.[38][39] Post-production wrapped in early 2019, enabling the film's world premiere at the South by Southwest Film Festival on March 10, 2019.[40]Themes and Analysis
Core Narrative Themes
The central theme of Booksmart centers on the resilience and evolution of friendship amid adolescent transitions, embodied by protagonists Molly and Amy, whose decade-long bond as academic overachievers is tested during a single night of attempted debauchery before graduation. Initially, their relationship exhibits codependency, with Molly's domineering Type-A tendencies overriding Amy's emerging desire for autonomy, particularly in exploring her lesbian identity; this dynamic leads to conflicts exacerbated by logistical mishaps, such as botched party invitations and hallucinatory escapades, demonstrating causally how rigid overplanning disrupts interpersonal harmony and forces vulnerability.[41][42] By dawn, mutual apologies and supportive gestures—Amy aiding Molly's romantic pursuit, Molly yielding to Amy's independence—reaffirm their connection, illustrating character growth through recognition that enduring friendships require balancing collective rituals with individual pursuits rather than unilateral control.[43][44] Another pivotal theme contrasts obsessive achievement with spontaneous enjoyment, as Molly and Amy grapple with the social costs of prioritizing grades over peer interactions, only to discover that "cool" classmates achieved comparable academic outcomes through diversified efforts. This arc critiques the isolation bred by singular focus on metrics like Yale admission, where protagonists learn that forgoing hedonistic experiences correlates not with superior results but with relational deficits; empirical evidence supports this, with surveys showing over 60% of high school seniors overwhelmed by college application pressures, and more than half ranking the process as their peak stressor, linking such intensity to heightened anxiety and deferred social development.[45][46][47] Their night of chaos yields insight that balanced engagement—integrating fun without abandoning discipline—fosters fuller personal maturity, grounded in the causal reality that unchecked scholasticism yields diminishing returns in well-roundedness. The film further explores subversion of high school archetypes, portraying ostensibly popular students as dimensionally complex rather than archetypal foils, thereby challenging protagonists' elitist assumptions. Characters like Jared, initially mocked for superficiality, reveal entrepreneurial savvy and emotional depth, while Nick's lacrosse prowess coexists with Yale-bound intellect, upending the binary of "party kids" as intellectually vacant.[48][49] This narrative device prompts Molly's growth from judgmental superiority to empathetic openness, emphasizing that stereotypes obscure individual agency and merit, a principle derived from observing how preconceived hierarchies mislead causal attributions of success or failure.[50]Ideological Elements and Critiques
Booksmart incorporates progressive ideological elements, prominently featuring a female-led narrative that prioritizes platonic friendship and personal agency, with humor critiquing male-dominated social dynamics and objectification of women.[51] The film normalizes queer identity through Amy's established lesbian relationship and exploration of attraction, portrayed as a natural aspect of teen life without foregrounding trauma or conversion narratives, earning praise from outlets focused on LGBTQ representation for avoiding stereotypes.[52] Critiques, particularly from conservative and faith-based perspectives, argue that these elements serve to promote hedonism and moral relativism, glamorizing underage drug use—including ecstasy ingestion leading to hallucinations—and sexual promiscuity as essential to adolescent liberation and fun, while downplaying consequences beyond comedic recovery.[53] [54] Plugged In, a Christian media review site, highlighted over 100 profanities, simulated sex acts, and drug references as undermining the film's positive friendship themes, framing the protagonists' shift from academic discipline to partying as an endorsement of instant gratification over sustained responsibility.[53] This portrayal contrasts with causal evidence on teen substance risks: Centers for Disease Control and Prevention data indicate that youth substance use correlates with higher incidences of mental health disorders, physical illnesses, and diminished life outcomes, including overdose and addiction pathways initiated in adolescence.[55] [56] High-risk experimentation, as depicted, links to elevated probabilities of injury, sexually transmitted infections, and juvenile delinquency, outcomes the film sidesteps in favor of redemptive humor.[57] Further analysis points to ideological blind spots, such as class obliviousness; the protagonists' entitled, high-achieving worldview—set amid affluent Los Angeles suburbs—reflects a coastal elite perspective that presumes universal access to "fun" rebellion, potentially alienating working-class viewers and masking broader socioeconomic barriers to the depicted freedoms.[58] Mainstream acclaim for its progressiveness, often from left-leaning critics, tends to overlook these formulaic comedy tropes and risk normalization, prioritizing representational checkboxes over rigorous scrutiny of behavioral incentives.[59]Release and Distribution
Theatrical Release
Booksmart had its world premiere at the South by Southwest (SXSW) Film Festival on March 10, 2019, in Austin, Texas, where it received positive early reception from critics and audiences.[2][60] The festival screening served as a key launchpad, generating buzz for the comedy ahead of its commercial rollout.[40] The film received a wide theatrical release in the United States on May 24, 2019, distributed by United Artists Releasing in partnership with Annapurna Pictures.[26][37] It was assigned an R rating by the Motion Picture Association of America (MPAA) for strong sexual content and language throughout, as well as drug use and drinking involving teenagers.[61] Internationally, Booksmart began rolling out in select markets during the summer of 2019, with releases in countries such as the Czech Republic and Slovakia on May 31, followed by broader distribution in Europe and other regions through local partners like Eagle Pictures in Italy and Entertainment One in Canada.[62][60] This staggered strategy positioned the film as a festival-to-theater success, capitalizing on domestic momentum without significant disruptions from later events like the COVID-19 pandemic, given its pre-2020 timeline.[37]Marketing and Promotion
The marketing for Booksmart centered on trailers that evoked the irreverent spirit of Superbad while spotlighting female protagonists in a high-stakes night of rebellion, with the first redband trailer debuting shortly after the film's SXSW premiere to capitalize on early festival acclaim.[63][64] These previews emphasized unfiltered teen humor and the leads' quest for belated adventure, positioning the film as a gender-flipped counterpart to male-driven raunch comedies.[65] The SXSW world premiere in March 2019 fueled promotional momentum, as the event's panels and screenings generated hype through ecstatic early reviews and director Olivia Wilde's on-site advocacy for authentic female friendships.[66][67] This festival exposure informed targeted outreach to youth audiences via social media, where Wilde and the cast amplified themes of overlooked high-achiever rebellion to spark organic discussions.[68] Social media efforts included endorsements from high-profile figures such as Taylor Swift, Ryan Reynolds, and Natalie Portman, who posted calls to action urging viewers to support the film and its depiction of nuanced teen bonds.[69][70] Wilde herself used Twitter to advocate directly, framing the movie as essential viewing for its fresh take on overlooked stories.[71] With a modest promotional approach, the strategy prioritized word-of-mouth over heavy advertising spends, incorporating advanced public screenings to seed audience recommendations among comedy enthusiasts.[72][68] No major brand tie-ins or youth-targeted partnerships were central to the campaign, reflecting a reliance on critical buzz and peer-driven virality to reach demographics interested in indie comedies.[9]Home Media and Streaming
The film became available for digital download and rental on platforms including Amazon Video and iTunes on August 20, 2019.[73][74] Physical home media releases followed on DVD and Blu-ray on September 3, 2019, distributed by 20th Century Studios.[75][76] In North America, home video sales totaled approximately $1.86 million, with DVD units generating $818,461 and Blu-ray units $1,042,710.[77] These figures reflect steady demand for physical copies post-theatrical run, though specific digital rental metrics such as iTunes transactions remain undisclosed in public industry reports. As of October 2025, Booksmart streams on select services including MovieSphere via Amazon Channel, with rental and purchase options available on Amazon Video, Apple TV, Fandango at Home, and Prime Video.[78][79] The title has rotated across video-on-demand platforms without major re-releases or exclusive streaming deals since its initial digital debut, ensuring broad accessibility amid shifting subscription landscapes.[3]Commercial Performance
Box Office Results
Booksmart opened theatrically in the United States on May 24, 2019, across 2,505 theaters, earning $6,933,620 over its first three-day weekend with a per-theater average of $2,766.[26][77] Including the four-day Memorial Day holiday frame, the film grossed $8.69 million.[80] It expanded to a maximum of 2,518 theaters during its run.[77] The film's domestic performance totaled $22,680,962, while international earnings reached $2,278,645, yielding a worldwide gross of $24,959,607 against a reported production budget of $6 million.[26][77] This represented a multiplier of approximately 3.27 times its opening weekend domestically.[77]| Key Box Office Metrics | Value |
|---|---|
| Opening Weekend (3-day, Domestic) | $6,933,620[26] |
| Memorial Day Weekend (4-day, Domestic) | $8,690,000[80] |
| Domestic Total | $22,680,962[26] |
| International Total | $2,278,645[26] |
| Worldwide Total | $24,959,607[26] |
| Production Budget | $6,000,000[77] |