Sharon Acker
Sharon Acker (April 2, 1935 – March 16, 2023) was a Canadian actress renowned for her work in film, television, and theater, particularly her portrayal of Chris, the unfaithful wife of Lee Marvin's character, in the 1967 thriller Point Blank.[1][2] Born Sharon Eileen Acker in Toronto, Ontario, she was adopted at age nine and educated at Davisville Public School, John Fisher Public School, and Northern Vocational School, where she studied art before graduating in 1953.[2][1] Acker's acting career began in the 1950s with stage work, including a touring production of The Male Animal, followed by her film debut in the 1957 British comedy Lucky Jim, an adaptation of Kingsley Amis' novel in which she appeared after performing in the stage version.[1][3] Over the next decades, she built a prolific television presence, guest-starring on series such as Star Trek: The Original Series (as Odona in the 1969 episode "The Mark of Gideon"), The Rockford Files, Gunsmoke, The Wild Wild West, and Murder, She Wrote.[4][1] She also had recurring roles, including as Lenore in Executive Suite (1976–1977) and as Virginia in The New Perry Mason (1973–1974), where she played the iconic secretary Della Street opposite Monte Markham's Perry Mason.[2][4] In film, beyond Point Blank, Acker appeared in titles like the horror slasher Happy Birthday to Me (1981) as the mother of the protagonist and The First Power (1990).[1] Acker, who also worked as a model early in her career, was married to actor and producer Peter J. Elkington and is survived by her daughters, casting director Kim Everest and Gillian Macdonald.[2] She passed away in a Toronto retirement home at age 87.[2][1]Early life
Birth and family background
Sharon Eileen Acker was born on April 2, 1935, in Toronto, Ontario, Canada.[5][6] She was adopted at the age of nine and raised by her adoptive parents, Aileen and Jim Acker, in an urban Toronto household during the tail end of the Great Depression, a period marked by economic hardship that shaped many Canadian families' experiences.[2][6] Acker's immediate family included her adoptive brother, Gary Acker. She had a sister, Marg, and brothers John, Al, and Gene (the latter predeceased her).[6] From a young age, Acker developed a passion for the arts, studying art and nurturing an early interest in performance.[6]Education and early career interests
Sharon Acker attended several public schools in Toronto during her early education, including Davisville Public School and John Fisher Public School. She later enrolled at Northern Vocational School, where she completed a four-year commercial art program, graduating in 1953. This formal training in commercial art fostered her creative inclinations and provided a foundation in visual arts that influenced her later pursuits.[2][7] From a young age, Acker showed a strong interest in the arts, particularly drawing and design, which aligned with her commercial art studies. This passion extended to performance and modeling; she began working as a model in Canada, finding the profession both engaging and financially rewarding during her post-graduation years. These early endeavors in modeling highlighted her poise and visual appeal, serving as an entry point into the entertainment industry while she explored broader artistic opportunities.[8][9] In the mid-1950s, seeking expanded prospects in modeling and performance, Acker relocated to London, England, marking a pivotal transition from her educational background to pre-professional activities abroad. This move allowed her to immerse herself in a vibrant creative scene, building on her Canadian experiences.[8]Career
Stage and modeling beginnings
Sharon Acker began her professional acting career in Toronto in 1956, debuting on television in the CBC's adaptation of Anne of Green Gables, where she played the role of Mrs. Stacey.[2] That same year, she joined the Stratford Shakespeare Festival in Ontario, performing in a small role in Henry V alongside future Star Trek actor William Shatner.[8] The festival's tour took the company to Europe, after which Acker remained in London to advance her stage work.[1] There, she appeared in a theatrical adaptation of Kingsley Amis' novel Lucky Jim, marking an early breakthrough in the UK theatre scene.[10] She recreated her stage role as Christine Callaghan in the 1957 film version directed by John Boulting, which served as her screen debut and led to a seven-year contract with British producers.[11] Acker continued with additional stage productions in London during this period, honing her craft before transitioning to further opportunities.[12] In the late 1950s, Acker returned to Canada, reprising her role in a 1958 broadcast of Anne of Green Gables and making other television appearances on CBC, solidifying her presence in Canadian media.[13] Alongside her theatre and television work, Acker pursued modeling, which complemented her early professional endeavors in Toronto and London.[8]Film roles
Sharon Acker's entry into film marked a natural progression from her early stage performances in England, where she recreated her theatrical role as Christine Callaghan in the 1957 British comedy Lucky Jim, directed by John Boulting and adapted from Kingsley Amis's novel.[12][14] A significant breakthrough came a decade later with her portrayal of Lynne, the betraying ex-wife of protagonist Walker (played by Lee Marvin), in John Boorman's 1967 neo-noir thriller Point Blank. Acker's character embodies emotional complexity, as her infidelity and subsequent remorse drive key plot tensions in the film's stark, revenge-driven narrative, collaborating with Marvin to highlight themes of trust and retribution.[1][15][16] In the late 1960s and 1970s, Acker took on varied supporting roles in independent and Canadian productions, including Pamela in the coming-of-age comedy The First Time (1969), directed by James Neilson, and Adele in the psychological drama The Act of the Heart (1970), directed by Paul Almond, where she explored themes of faith and isolation alongside Geneviève Bujold.[17][18] By the early 1980s, she shifted toward genre leads, playing Tilla Vrain, the supportive wife of a heart surgeon pioneering an artificial heart implant, in the science fiction drama Threshold (1981), directed by Richard Pearce and co-starring Donald Sutherland and Jeff Goldblum; and Estelle Wainwright, the overbearing mother in the teen slasher Happy Birthday to Me (1981), directed by J. Lee Thompson, which became a cult favorite for its gory set pieces.[19][20][1][21] Post-1980s, Acker's feature film appearances became sporadic and dwindled, with Happy Birthday to Me serving as her final cinematic role before she concentrated on television work through the 1990s.[1][22][2]Television roles
Sharon Acker began her television career in Canada during the mid-1950s, appearing in anthology series and dramatic adaptations broadcast on CBC.[23] In 1956, she debuted on screen as the teacher Mrs. Stacey in a CBC production of Anne of Green Gables, marking her entry into the medium's early live television format.[23] Throughout the late 1950s and 1960s, she continued to feature in Canadian anthology programs such as Festival, where she took on varied guest roles that showcased her dramatic range in short-form storytelling.[24] Transitioning to American television in the late 1960s, Acker gained prominence through guest appearances in high-profile series. Her most iconic role came in 1969 as Odona, a desperate inhabitant of an overpopulated planet, in the Star Trek: The Original Series episode "The Mark of Gideon," a performance that highlighted her appeal in science fiction narratives exploring ethical dilemmas.[2] This exposure solidified her presence in genre television, drawing on her poised delivery to convey complex emotional depth. In the early 1970s, Acker secured a recurring lead role as Della Street, Perry Mason's loyal secretary, in the short-lived CBS revival The New Perry Mason (1973–1974), stepping in after Barbara Hale's tenure in the original series.[2] The series, starring Monte Markham as Mason, ran for only 15 episodes and received mixed reception for its updated format, though Acker's portrayal was noted for maintaining the character's steadfast professionalism amid the reboot's challenges.[25] Following this, Acker's television work shifted toward a mix of guest spots and recurring characters in both action and mystery genres during the 1980s. She appeared as Anne, a key human ally, in the pilot episodes of Galactica 1980 (1980), contributing to the sci-fi sequel's exploration of interstellar threats on Earth.[26] In 1985, she guest-starred as A.G. Sanford, a district attorney entangled in a kidnapping plot, on Knight Rider.[27] The following year, Acker played the scheming Wilhelmina Fraser in the Murder, She Wrote episode "Keep the Home Fries Burning" (1986), embodying a villainous innkeeper in the show's signature whodunit style.[28] Acker's later career emphasized character-driven parts in long-form series, including recurring roles in soap operas such as Days of Our Lives, where she portrayed Pamela Fouchier from 1987 to 1988, and The Young and the Restless as Dr. Grace Sundell.[29] These appearances extended her television presence into the early 1990s, reflecting a broader pivot to episodic and serialized formats after her peak in feature films, where her dramatic experience enhanced her adaptability to nuanced, ongoing character arcs.[30]Personal life and death
Marriages and family
Sharon Acker married Austin Ronald MacDonald in November 1956 in London, England.[5] The couple had two daughters, Kirsten (known as Kim) Everest, a casting director, and Gillian Macdonald.[31] They divorced in 1969.[5] Acker married filmmaker Peter J. Elkington on August 23, 1973, in Los Angeles, California.[5] The marriage lasted until Elkington's death on February 11, 2001.[32] The couple had no children together, but Acker became stepmother to Elkington's daughters, Kim Elkington and Caitlin Elkington Levy.[6] Acker was survived by her daughters Kim and Gillian, granddaughter Alexis White, great-granddaughter Berkeley White, and stepdaughters Kim and Caitlin.[1]Death
Sharon Acker died on March 16, 2023, at the age of 87 in a retirement home in her native Toronto, Canada.[2][22] The cause of her death was not publicly disclosed, in accordance with statements from her family.[1][11] Her daughter, casting director Kim Everest, confirmed the passing to media outlets, noting Acker's longtime residence in Toronto where she had returned after years in the United States.[2][11] Acker's cousin, David Glover, also verified the news in a personal tribute shared on social media, which contributed to broader public awareness.[1] The death was formally announced in early April 2023 through reputable entertainment publications, including The Hollywood Reporter and Deadline.[2][22]Filmography
Films
Sharon Acker's film credits encompass a range of feature films and made-for-television movies, presented here in chronological order.- 1957: Lucky Jim - Role: Christine Callaghan; Director: John Boulting; Notable co-stars: Ian Carmichael, Terry-Thomas.[33]
- 1961: 1 + 1 (Exploring the Kinsey Reports) - Role: Unspecified; Director: Leslie Martinson; Notable co-stars: Multiple interviewees (documentary-style).
- 1967: Point Blank - Role: Lynne; Director: John Boorman; Notable co-stars: Lee Marvin, Angie Dickinson.[34]
- 1969: The First Time - Role: Pamela; Director: James Neilson; Notable co-stars: Jacqueline Bisset, Wes Stern.[18]
- 1969: Don't Let the Angels Fall - Role: Cynthia; Director: George Kaczender; Notable co-stars: Arthur Hill, Charmion King.
- 1970: The Act of the Heart - Role: Adele; Director: Paul Almond; Notable co-stars: Geneviève Bujold, Michael Williams.
- 1970: A Clear and Present Danger (TV movie) - Role: Beth Keller; Director: James F. Collier; Notable co-stars: Hal Holbrook, Pat Hingle.
- 1974: The Hanged Man (TV movie) - Role: Carrie Gault; Director: Michael O'Herlihy; Notable co-stars: Steve Forrest, Cameron Mitchell.
- 1976: Our Man Flint: Dead on Target (TV movie) - Role: Sandra Lomax; Director: Edward G. Wood; Notable co-stars: Bob Crane, John Byner.
- 1977: The Hostage Heart (TV movie) - Role: Martha Lake; Director: Bernard L. Kowalski; Notable co-stars: Bradford Dillman, Lorne Greene.
- 1980: Battles: The Murder That Wouldn't Die (TV movie) - Role: Jill Spencer; Director: Ron Winston; Notable co-stars: Richard Boone, Peter Graves.
- 1980: Conquest of the Earth - Role: Anne (archive footage); Director: Sidney Hayers; Notable co-stars: Kent McCord, Barry Van Dyke.
- 1981: Happy Birthday to Me - Role: Estelle Wainwright; Director: J. Lee Thompson; Notable co-stars: Melissa Sue Anderson, Glenn Ford.[21]
- 1981: Threshold - Role: Dr. Nicole Lowell; Director: Richard Pearce; Notable co-stars: Donald Sutherland, Jeff Goldblum.
Television
Sharon Acker's television career began in Canada with appearances on CBC productions in the mid-1950s and continued for over three decades, encompassing regular roles in American prime-time series, guest spots on popular shows, and later work in soaps and Canadian series. Her credits include both one-off episodes and recurring characters, often portraying strong-willed women in drama and mystery genres.[2] She started with early Canadian television, including the 1956 CBC adaptation of Anne of Green Gables as Mrs. Stacey.[35] Throughout the 1960s, Acker appeared in nine episodes of the CBC anthology series Festival (1960–1969) as Helen, and notably played Lady Macduff in a 1961 Festival production of Macbeth opposite Sean Connery.[22][36] Transitioning to U.S. television, Acker guest-starred as Susan Summer in the 1964 Perry Mason episode "The Case of the Deadly Debt."[2] In 1969, she portrayed Odona, a key figure in a plot involving overpopulation, in the Star Trek episode "The Mark of Gideon."[8]| Year | Title | Role | Notes |
|---|---|---|---|
| 1970–1971 | The Bold Ones: The Senator | Erin Stowe | Recurring regular as the wife of Senator Hays Stowe (Hal Holbrook); 7 episodes.[22] |
| 1972 | Hec Ramsey | Nora Muldoon | Guest star in episode "The Century Turns."[17] |
| 1973 | Barnaby Jones | Gail Bloom | Guest star in episode "Perchance to Kill."[37] |
| 1973 | The Stranger (TV movie) | Dr. Bettina Cooke | Lead role in sci-fi thriller.[17] |
| 1973–1974 | The New Perry Mason | Della Street | Recurring regular as Perry Mason's secretary; 15 episodes.[2] |
| 1974 | The Hanged Man (TV movie) | Carrie Gault | Supporting role in Western mystery.[17] |
| 1975 | Barnaby Jones | Laura Vaner | Guest star in episode "Hostage for a Day."[38] |
| 1976–1977 | Executive Suite | Helen Walling | Recurring regular as the wife of corporate executive Dan Walling (Mitchell Ryan); 18 episodes.[30] |
| 1977 | The Hostage Heart (TV movie) | Martha Lake | Lead role in romantic thriller.[17] |
| 1980 | Conquest of the Earth (miniseries) | Anne | Guest star in Battlestar Galactica sequel pilot.[39] |
| 1980 | Battles: The Murder That Wouldn't Die (TV movie) | Jill Spencer | Lead role in mystery. |
| 1982 | Texas | Judith Wheeler | Recurring role in daytime soap; multiple episodes.[40] |
| 1985 | Knight Rider | A.G. Sanford | Guest star in episode "Knight Song."[27] |
| 1986 | Murder, She Wrote | Wilhelmina Fraser | Guest star in episode "Keep the Home Fries Burning."[28] |
| 1987–1988 | Days of Our Lives | Pamela Fouchier | Recurring role in daytime soap.[40] |
| 1988 | Rin Tin Tin K-9 Cop | Alice | Guest star in episode "Rinse and Return."[41] |
| 1989 | Street Legal | Jane Morrison | Guest star in Canadian series.[9] |
| 1992 | The Young and the Restless | Dr. Grace Sundell | Recurring role in daytime soap; final credited appearance.[2] |