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Show Dogs

Show Dogs is a 2018 American live-action/animated directed by , in which Max, a tough voiced by , partners with FBI agent Frank Martin, played by , to infiltrate the "Canine Games," a high-profile , and dismantle an exotic animal smuggling operation led by a villainous . The film blends elements of undercover with , featuring anthropomorphic humor and celebrity voices including , , and . Released theatrically on May 18, 2018, by Global Road Entertainment, Show Dogs earned approximately $17.8 million domestically and $39.1 million worldwide, marking a modest financial return relative to its production scale but underperforming expectations for a family-targeted release. Critics panned the movie for its formulaic script, uneven tone, and reliance on lowbrow gags, resulting in a 16% approval rating on based on aggregated reviews decrying it as "insufferable" and lacking originality even within the genre. The film gained notoriety shortly after release due to backlash over scenes portraying routine dog show genital inspections, where Max is coached to "relax" and mentally escape to a "happy place" without resisting touch, prompting accusations from groups like the National Center on Sexual Exploitation that it inadvertently groomed young audiences to tolerate inappropriate physical contact. In response, distributor Global Road edited out the most contentious elements, including dialogue implying enjoyment, and re-released revised prints to theaters amid calls for boycotts and screenings being pulled by some chains. This episode highlighted tensions between comedic intent rooted in real dog show practices and post-#MeToo sensitivities regarding consent and boundary education for children.

Story and Characters

Plot Summary

Max, a rugged serving as a with the New York Police Department, leads a botched operation to rescue a kidnapped baby panda from an international animal smuggling ring, resulting in the panda's recapture by the criminals. To recover the panda, Max is reluctantly paired with FBI agent Frank Martin, whose unorthodox methods clash with Max's solitary style. A critical lead points to the smugglers planning to auction the panda at the exclusive Canine Games, an international held in . Max enters the competition undercover as a primped show , with Frank posing as his handler, requiring Max to master the refined behaviors, grooming standards, and judging criteria of the show world—far removed from his street-tough instincts. Throughout the event, Max interacts with eccentric competitors and handlers, gathering intelligence on the smugglers while advancing in the pageant rounds, which test , conformation, and . Tensions escalate as Max confronts corrupt insiders and rival entrants tied to the , forcing him and to balance their cover with urgent action to prevent the panda's sale and dismantle the operation.

Voice Cast and Character Descriptions

The animated Show Dogs employs a voice comprising actors, comedians, and musicians to portray its ensemble of anthropomorphic and human agents. Principal characters include the rugged K-9 officer Max and his FBI handler , central to the undercover at the Dog Show-inspired event. Supporting roles feature various show dogs and avian sidekicks, contributing to the 's comedic narrative.
CharacterVoice ActorDescription
Max (Chris Bridges)A macho, solitary assigned to go undercover as a primped show dog to rescue a kidnapped panda cub.
FrankMax's human partner, an FBI agent inexperienced with dogs who must learn to collaborate during the mission.
DaisyAn energetic competing in the dog show and developing a romantic interest in Max.
PhilippeA sophisticated Standard and veteran show dog who aids Max in navigating the competition's .
SprinklesA diminutive, enthusiastic or similar small breed participating in the show events.
PersephoneA flamboyant Xoloitzcuintli (Mexican hairless dog) known for her dramatic personality in the pageant.
Additional voices include as Mattie, Frank's FBI colleague, and as Dante, a imposing Mastiff judge figure. The cast's diverse backgrounds lend distinct inflections to the animal characters, emphasizing traits like toughness for Max and elegance for Philippe.

Production

Development and Pre-Production

The for Show Dogs was written by Max Botkin and . The concept originated from Botkin during a casual family dinner in , where he spontaneously pitched the premise of a rugged forced undercover as a pampered show dog, envisioning a fish-out-of-water buddy comedy. Producer Philip Von Alvensleben further developed the script and shared it with Deepak Nayar, who appreciated its humor and family-oriented potential, drawing from his experience on projects like . Nayar then attached director , known for family films such as (2002) and (2011), who saw the project as a nostalgic return to live-action comedies amid the prevalence of animation. In June 2016, Show Dogs entered under Global Road Entertainment and Riverstone Pictures, with an initial release targeted for November 10, 2017. was slated to commence in September 2016 but began on November 28 at Pinewood Studio , following location scouting in and ; the studio, operational since 2015, hosted key set constructions including the main arena. included intensive starting 16 weeks prior to filming, led by trainer Michael Alexander, who selected and prepared animals for the hybrid live-action/ format involving talking characters. This phase emphasized practical effects integration with animation to achieve a grounded yet fantastical tone suitable for family audiences.

Filming and Animation Process

Principal photography for Show Dogs commenced at Pinewood Studio , where sets were constructed for key environments including the main stage arena, dog pound, and a Las Vegas rooftop party, alongside green screen stages. Additional filming occurred at locations around such as Alexandra Dock in Newport, The Depot, , the Cory Building, and a hangar at RAF . Exterior shots were captured over nine days in , including streets and the Caesar’s Palace Pool Bar. The production featured real dogs performing all actions on set, with trainers ensuring authentic behaviors captured through live-action filming. incorporated () to enhance expressions, specifically adding eyebrows, movements for , and eye shapes to simulate talking , while preserving the natural 100% real-dog performances. were handled by LipSync Post, which delivered the full VFX pipeline, including the elements onto the live footage, along with and overall finishing. The department, credited on the film, involved roles such as animators, artists, and cleanup artists from studios like Anibrain VFX, focusing on integrating the digital animations seamlessly with the live-action animal movements.

Release and Distribution

Initial Theatrical Release

Show Dogs premiered at the International Film Festival on May 10, 2018, followed by a premiere on May 13, 2018, before its wide theatrical release in the United States and on May 18, 2018. Distributed by Global Road Entertainment, the film received a PG rating from the of America for some action, language, and suggestive and rude humor. It launched alongside major competitors including Deadpool 2 and Book Club. The movie opened across 3,212 theaters, grossing $6,023,972 in its first weekend in , which fell below pre-release projections of $7–9 million. Global Road Entertainment handled domestic distribution, with the studio promoting the animated through trailers emphasizing its voice cast featuring and . Initial marketing positioned the film as a buddy-cop adventure centered on a entering a prestigious undercover.

Post-Controversy Edits and Re-Releases

Following the backlash that emerged on May 21, 2018, from advocacy groups including the , which criticized scenes depicting the protagonist dog Max being instructed to tolerate genital touching during a mock inspection, Global Road Entertainment announced edits to on May 23, 2018. The studio confirmed the removal of two specific scenes where Max's handler encourages him to "go into the zone" and lift his leg to allow private parts inspection, framing it as necessary desensitization for competition judging, which opponents argued normalized inappropriate physical contact with strangers. These alterations were implemented immediately for the film's second week of U.S. theatrical release, starting , 2018, affecting prints distributed to cinemas and resulting in a runtime reduction of approximately one minute. The edited version eliminated the direct references to genital handling while preserving the overall progression, with the studio stating the changes addressed concerns without altering the story's core message of and . Critics of the original scenes, including parent bloggers and organizations like , welcomed the cuts as a correction to content that could mislead children on boundaries of personal space and , though some noted the edits did not retroactively address screenings of the unedited version. The modified cut carried over to all subsequent home media releases, including digital download, DVD, and Blu-ray formats launched in August 2018, ensuring no unedited versions were available for purchase or streaming post-theatrical run. No wide theatrical re-release occurred after the initial 2018 run, which concluded by early June amid poor box office performance exacerbated by the scandal, but the edited home video edition received no further alterations or promotional re-launches. This response marked a rare instance of mid-theatrical edits for a major release, driven by public pressure rather than regulatory mandates, highlighting sensitivities around child-oriented media depictions of bodily autonomy.

Commercial Performance

Box Office Results

Show Dogs was released theatrically in the United States and Canada on May 18, 2018, by Global Road Entertainment, opening in 3,212 theaters. It earned $6,023,972 in its opening weekend, placing sixth at the domestic box office behind competitors including Deadpool 2 and Book Club, despite projections estimating $7–9 million. The film ultimately grossed $17.8 million domestically, representing approximately 45% of its worldwide total. Internationally, Show Dogs generated $21.3 million across various markets, with its highest earnings from regions such as the and . The worldwide reached $39.2 million against a reported of $5.5 million, yielding a return roughly seven times the budget before marketing and distribution costs. However, the film's performance declined sharply after its debut, with a 49% drop in its second weekend amid emerging controversies, limiting its theatrical run to under $18 million in .

Reception

Critical Reviews

The animated film Show Dogs (2018) received overwhelmingly negative reviews from critics, earning a 16% approval rating on based on 61 reviews. On , it scored 31 out of 100 from 14 critics, with only one positive review, seven mixed, and six negative. Aggregators reflected broad consensus on the film's technical shortcomings and tonal inconsistencies, though some acknowledged minor appeal for young audiences. Critics frequently lambasted the animation quality as subpar and uninspired, with FlickFilosopher.com describing it as "embarrassingly bad " marred by pratfalls and reliance on . RogerEbert.com's awarded it 0.5 out of 4 stars, criticizing the lazy script and bizarre messaging, particularly scenes implying tolerance of non-consensual genital touching during inspections as a in undercover adaptation. The Arizona Republic's review gave it 1 out of 5 stars, highlighting jarring voice performances and a disconnect between and elements that undermined the intent. Common complaints included a formulaic plot blending buddy-cop tropes with satire, executed without originality; MovieBabble noted miscast celebrity voices like Will Arnett's gruff clashing with the material's juvenile humor. DMovies.org observed charming animal designs overshadowed by "pervasive effects" and failure to deliver comedic bite. While a minority praised isolated gags or lighthearted , the prevailing view positioned Show Dogs as a low-effort entry in the talking-animal genre, inferior even to similar fare.

Audience Response and Accolades

The response to Show Dogs was largely unfavorable, with aggregate scores reflecting broad disappointment. On , the film earned a 27% audience score from over 1,000 verified ratings, underscoring dissatisfaction with its script, animation quality, and pacing. users similarly rated it 4.0 out of 10 based on more than 5,300 votes, frequently criticizing the formulaic storytelling and voice performances while noting its appeal primarily to very young children or pet lovers seeking undemanding . Positive feedback, though limited, came from select viewers who praised the film's adventurous tone and canine-centric humor as suitable for preschoolers, with some user reviews highlighting its potential as a one-time watch for kids despite adult-oriented flaws. Regarding accolades, Show Dogs received one notable nomination for Favorite Family Movie at the 2018 , a fan-voted honor recognizing popular , but it did not secure the win, which went to another animated . The film otherwise lacked significant awards recognition from industry bodies, with no nominations from outlets like the Academy of Motion Picture Arts and Sciences or the Golden Globes.

Controversies

Depiction of Dog Show Procedures

In the film Show Dogs, the titular dog show procedures are portrayed as a series of performative and preparatory stages required for competition success, centered on the protagonist Max, a infiltrating the Westminster-style . Handlers groom entrants extensively, including and styling to enhance appearance, while competitors learn to "" (stand in a posed ) and (move in a ) to showcase standards. Judging involves individual examinations where dogs must remain composed as evaluators assess , , and conformation by running hands over the body, checking teeth, lifting the for rear inspection, and palpating the genitals in males to verify and normality—depicted as essential for advancing but initially distressing to Max, who resists until coached. A key sequence emphasizes tolerance training: Max's mentor, a poodle named Daisy, instructs him to "go to his happy place" and dissociate mentally during genital handling by strangers, framing it as a necessary adaptation for show dogs to feign enjoyment and avoid disqualification for reactivity. This mirrors real (AKC) conformation judging, where male dogs are required to have two fully descended testicles, necessitating manual verification, but the film's anthropomorphic narrative equates the dog's compliance with overcoming personal boundaries for victory. The depiction extends to group competitions, where top dogs from breed classes vie in variety groups before Best in Show, with judges selecting based on subjective ideals of perfection derived from breed standards. Max's arc involves mastering these rituals undercover, blending humor from his novice errors—like improper posing—with tension from the invasive checks, ultimately portraying dog shows as a glamorous yet demanding arena where physical inspection is normalized as routine. Critics, including the , argued this framing risked desensitizing child audiences to non-consensual touching by presenting endurance of discomfort as aspirational.

Allegations of Promoting Grooming

In the film Show Dogs, the protagonist Max, a Rottweiler police dog, undergoes training for a Westminster-style dog show competition, including scenes depicting the standard judging procedure for male dogs, where handlers lift the hind leg to allow genital inspection. Max is instructed by his handler to "assume the position" and enter a "zen place" to tolerate the touching without reaction, accompanied by a countdown mechanism to maintain composure. These elements drew criticism for potentially normalizing grooming behaviors, as the phrasing and scenario could encourage children to comply with similar instructions from adults involving private areas. The (NCOSE), an advocacy organization focused on combating , condemned the scenes on May 22, 2018, stating they conveyed a "troubling message that grooms children for " by promoting detachment during inappropriate touching. Similarly, Lauren's Kids, a nonprofit dedicated to preventing founded by actress —a survivor and Florida —issued a statement on the same day accusing the film of sending a "disturbing message to kids" that could undermine abuse prevention education, such as teaching children to say "no" or "stop" to unwanted contact. Pediatric experts, including those from , echoed these concerns in a May 23, 2018, advisory, warning that the portrayal contradicted body-safety training by suggesting compliance with authority figures overrides . Parent bloggers and social media users amplified the backlash starting May 21, 2018, after early screenings, with some theaters like Regal Cinemas pulling screenings temporarily amid petitions garnering thousands of signatures demanding edits. Critics argued the film's PG rating and family-oriented marketing failed to account for how anthropomorphic animals and direct address to young viewers might blur lines between canine procedures and human interactions, potentially desensitizing children to predatory tactics like dissociation or positional compliance. Defenders, including some film reviewers, countered that the scenes accurately reflected real dog show protocols without intent to endorse human abuse, viewing the outrage as overinterpretation of a comedic, non-literal context. The allegations highlighted tensions between educational intent on animal competitions and unintended implications for child audiences, with NCOSE and similar groups citing empirical data on grooming patterns—such as abusers using games or authority to gain compliance—as basis for their interpretation.

Public and Organizational Backlash

The backlash against Show Dogs emerged rapidly following its May 18, 2018, theatrical release, primarily driven by parental complaints on and blogs decrying scenes that depicted a undergoing genital as part of a competition preparation, with instructions to remain and not react. Critics among these groups argued that the subplot mirrored tactics used in child grooming for , potentially normalizing inappropriate touching for young audiences. Organizational criticism amplified the outcry, with the (NCOSE), a nonprofit focused on combating sexual exploitation, issuing a public statement on May 22, 2018, condemning the film for conveying a "troubling message that grooms children for " by portraying compliance with unwanted physical contact as a path to success. Similarly, Lauren's Kids, a prevention organization founded by actress , highlighted the film's promotion of a harmful message about tolerance on the same date. Public actions included a Change.org petition launched on May 21, 2018, demanding the film's removal from theaters, which garnered signatures by framing the plot as endorsing child grooming behaviors under the guise of family entertainment. In response to mounting pressure, an independent theater chain in Australia, Reading Cinemas, withdrew screenings of the film on May 23, 2018, citing concerns over the controversial content despite its PG rating. The swift and widespread nature of the backlash, fueled by online sharing among parents and advocacy networks, underscored sensitivities around media depictions of consent and bodily autonomy in content aimed at children.

Studio Response and Broader Implications

Global Road Entertainment, the film's distributor, responded to the backlash by swiftly editing out the offending scenes, pulling prints from theaters on May 23, 2018, just days after the May 18 release, and reissuing a revised version starting May 25. The changes specifically eliminated two sequences in which the protagonist dog Max is coached to mentally detach ("go to his place") and tolerate genital inspection by judges, elements criticized for echoing tactics used in grooming and scenarios. In a statement, the studio affirmed: "We have made a number of edits to Show Dogs to remove the controversial humor that prompted some groups to call for a of the film." The rapid alterations underscored the vulnerability of family-oriented films to reputational damage from perceived insensitivity, where accusations of promoting inappropriate behavior can eclipse poor critical reception and jeopardize ancillary markets like home video sales. This incident marked a rare instance of mid-theatrical-run edits driven by audience and advocacy pressure, similar to isolated precedents like the 1993 film The Program, highlighting how parental networks and organizations such as the can influence content post-release. Broader implications extended to heightened public discourse on body autonomy and in children's media, with critics arguing the original scenes inadvertently normalized silence during unwanted touching, even in a non-human context mimicking real canine show standards set by bodies like the . Advocacy groups leveraged the uproar to reinforce messages against grooming, emphasizing that films targeting young audiences must avoid any implication of acquiescence to boundary violations, potentially setting a cautious for anthropomorphic in . Despite the edits, the controversy contributed to the film's underwhelming performance and lingering stigma as an example of tone-deaf humor in family entertainment.

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