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Sick Again

"Sick Again" is a by the English rock band Led Zeppelin, released as the eighth and final track on their sixth studio album, , on February 24, 1975. Written by vocalist and guitarist , the song addresses Plant's observations of underage groupies in —referred to as the "L.A. Queens"—who frequently sought encounters with the band, expressing a sense of pity for their vulnerability amid the excesses of rock stardom. Physical Graffiti, issued by , marked Led Zeppelin's first release on their own label and became their most commercially successful album, topping charts in multiple countries and achieving multi-platinum status. The album's production, spanning sessions at and other studios from 1973 to 1974, featured innovative techniques like John Bonham's dynamic drumming and John Paul Jones's multi-instrumental contributions, with "Sick Again" showcasing Page's aggressive riffing and Plant's raw, blues-inflected vocals. In live settings, "Sick Again" became a staple of Led Zeppelin's performances during their 1975 and 1977 North American tours, often extending into extended jams that highlighted the band's improvisational prowess. It was notably played at their final concert at Knebworth in August 1979, a recording of which was released on September 12, 2025 as part of the Live EP to commemorate the 50th anniversary of Physical Graffiti. The track has been covered by artists including The Black Crowes with Page in 1999 and Sun Kil Moon in 2015, underscoring its enduring influence in rock music.

Background and development

Inspiration

The inspiration for "Sick Again" stemmed from Led Zeppelin's experiences during their 1973 North American Tour, particularly encounters with a group of teenage groupies in known as the "L.A. Queens." These young fans, who frequented the rock scene seeking associations with musicians for fleeting fame and excitement, increasingly included girls in their mid-teens and even as young as 12 or 13, a shift that observed with growing unease. In a 1975 interview, Plant expressed pity for these girls, describing the exploitative underbelly of the L.A. rock culture where transient interactions often led to harmful consequences for the participants. He stated, "I feel a bit sorry for them... It’s a shame to see these young chicks bungle their lives away in a flurry and rush," highlighting his concern over the rapid and destructive pace of their involvement. Plant further lamented the changing scene, noting, "One minute she’s 12 and the next minute she’s 13 and over the top. Such a shame," and contrasted it with earlier, less jaded experiences by saying, "L.A. infested with jaded 12-year-olds is not the L.A. that I really dug."

Writing process

The writing of "Sick Again" occurred in early 1974, shortly after Led Zeppelin's exhausting 1973 concluded, as the band took a six-month break before reconvening for pre-album preparations. channeled his reflections on the 's chaotic experiences into the lyrics during this period, marking a transitional phase in the band's creative workflow following the release of in 1973. Plant handled the solo authorship of the lyrics, a common element in Led Zeppelin's songwriting dynamic, while provided the musical foundation through riffs and structures developed collaboratively in rehearsals. This approach aligned with the broader process for , where Plant's words were layered onto Page's instrumental ideas during informal sessions, allowing the song to emerge as a high-energy closer for the album's second disc and its rock-oriented side. Initial drafts centered on personal anecdotes from Plant's encounters with underage groupies on the , but the themes evolved into a wider critique of rock stardom's excesses, with Plant expressing sympathy for the "L.A. Queens" ensnared in the lifestyle. In a 1975 interview, Plant described the song as a "sour" of ' underbelly, transforming raw tour memories into poignant commentary on fleeting youth and fame's illusions. This evolution underscored Plant's growing introspection, balancing vivid imagery with emotional depth to complete the track by spring 1974.

Recording and production

Sessions

The recording sessions for "Sick Again" occurred in 1974 at , a secluded country house in , , where Led Zeppelin utilized Ronnie Lane's Mobile Studio to capture the track amid the extended production of their album Physical Graffiti, which spanned from late 1973 through early 1975. These sessions built on initial rehearsals at the same location starting in November 1973, allowing the band to develop new material in a creative, isolated environment that fostered improvisation. Jimmy Page oversaw production, emphasizing a raw and energetic aesthetic achieved through multi-tracking of guitars and extensive overdubs to layer the instrumentation, with much of the drumming recorded in the estate's echoing for added depth. This approach reflected Page's studio expertise, honed from years of session work, and aimed to preserve the band's live intensity despite the controlled setting. The sessions were marked by challenges, including fraying band dynamics from the exhaustion of their 1973 North American tour, compounded by issues and interpersonal tensions that occasionally disrupted progress—such as a roadie crashing John Bonham's car and inducing among the members. Robert Plant's lyrical input, drawing from personal experiences, was incorporated during these recordings to shape the song's themes. Despite these hurdles, "Sick Again" was finalized as a 4:43-minute track in one or two takes, selected for its high energy to anchor the double album's second disc.

Personnel

"Sick Again" was performed by the core members of Led Zeppelin: on lead and backing vocals, on electric guitar, on bass guitar, and on drums. The track was produced by , with executive production by Peter Grant. Engineering credits include for the sessions at using Ronnie Lane's Mobile Studio, and Keith Harwood for recording and mixing at in . For the original CD release in the mid-1980s, Joe Sidore handled the mastering, while oversaw the digital remastering for 1990s reissues. No additional session musicians contributed to the recording of "Sick Again."

Musical style and lyrics

Instrumentation and structure

"Sick Again" exemplifies Led Zeppelin's style infused with elements, driven by a prominent in and a of 113 beats per minute. The track's adheres to a classic verse-chorus form, featuring an introductory , four verses interspersed with five choruses, a bridge, an extended section, and an outro that reprises verse elements. Clocking in at 4 minutes and 43 seconds, the song showcases dynamic contrasts typical of the band's "light and shade" approach, transitioning from tense, riff-heavy verses to explosive, anthemic choruses. Central to the instrumentation is Jimmy Page's aggressive guitar work, played on a guitar amplified through stacks, delivering distorted and a fiery solo that builds intensity over the E major framework. John Paul Jones provides a prominent, walking bass line that locks tightly with the riff, adding propulsion and bluesy undertones. John Bonham's heavy, powerful drumming anchors the track with thunderous fills and a relentless groove, often cited as one of his standout performances for its raw energy. Robert Plant's soaring, strained vocals cut through the mix, heightening the song's visceral drive during choruses and the solo.

Lyrical themes

The lyrics of "Sick Again," written by and with Plant providing the words, center on the experiences of young groupies known as the "L.A. Queens" in the rock scene, portraying their allure alongside the perils of exploitation and rapid . Plant depicts these teenagers as painted ladies navigating a deceptive environment, with lines such as "Holding you back from the dream house world" underscoring a sense of concern for how the rock lifestyle impedes their personal growth and authenticity. In a 1975 interview, Plant explained that the song reflects his sympathy for these girls, noting, "If you listen to 'Sick Again,' the words show I feel a bit sorry for them... Such a shame. They haven’t got the style that they had in the old days." Central themes include pity for the transient and destructive nature of fame in the rock world, where youthful enthusiasm devolves into a "downhill slide" amid the excesses of the industry. Plant highlighted the "sour" undercurrent of as a "City of the Fallen Angels," drawing from the band's observations during their U.S. tours, and contrasted it with earlier, more vibrant interactions from 1968. This commentary critiques the cyclical self-destruction inherent in the scene, as evoked through the repetitive phrase "sick again," which emphasizes the repetitive pattern of indulgence and regret without resolution. In a February 1975 interview, Plant described the track as capturing "ourselves and what we see in ," blending admiration with a poignant awareness of its darker implications.

Release and reception

Commercial performance

"Sick Again" was released on February 24, 1975, as the final track on the second disc of Led Zeppelin's double album , issued by their label. The album debuted at number three on the chart before ascending to number one, where it remained for six non-consecutive weeks. Although "Sick Again" was not issued as a standalone single, it gained exposure through the album's strong radio airplay and enduring popularity, with Physical Graffiti certified 16 times platinum by the RIAA for 16 million units shipped in the United States and exceeding 37 million copies worldwide. The track has appeared in subsequent releases, including the 1993 Led Zeppelin Box Set 2 compilation, the 2015 deluxe remastered edition of Physical Graffiti, and the July 2025 Physical Graffiti 50th Anniversary Live EP, featuring a live recording from the band's final 1979 Knebworth concert, contributing to its digital-era visibility with approximately 5.2 million streams on Spotify as of November 2025.

Critical analysis

Upon its release in 1975, "Sick Again" received praise in contemporary reviews for its raw, compulsive hard rock energy, capturing Led Zeppelin's signature intensity, though it was often overshadowed by more prominent tracks like "Kashmir" on Physical Graffiti. In a Rolling Stone feature, Robert Plant elaborated on the song's lyrics, expressing sympathy for the "young girls" navigating the excesses of the Los Angeles scene, quoting lines such as "Clutching pages from your teenage dream in the lobby of the Hotel Paradise," which underscored a reflective edge beneath the driving riff. Later analyses, such as Stephen Davis's 1985 biography Hammer of the Gods, contextualized "Sick Again" within Led Zeppelin's hedonistic mid-1970s era, portraying it as a product of the band's indulgent lifestyle and encounters with groupies, while offering mixed assessments of its lyrical maturity—praised for but critiqued for reveling in without deeper . In modern retrospectives since 2000, the track has been reevaluated for its unfiltered power, particularly in remastered editions that highlight its gritty production and Jimmy Page's aggressive guitar work; described it as "the meanest, most decadent rocker they ever recorded," contributing to the album's enduring 5/5 rating and appreciation as a high point of Zeppelin's raw aggression. However, in light of contemporary views on and , the song's have drawn criticism, with some describing it as having "aged terribly" due to its references to underage groupies. Aggregate critic scores for hover around 4/5 on sites like , with "Sick Again" frequently cited for exemplifying the band's late-period vitality.

Live performances and legacy

Concert history

"Sick Again" debuted during Led Zeppelin's 1975 North American Tour, making its live premiere on January 18, 1975, at the Metropolitan Sports Center in , where it followed "" as the second song in the setlist. The track quickly became a staple of the band's performances, appearing in 36 of the tour's 37 shows and serving as a high-energy opener to the main set, energizing audiences with its raw, riff-driven intensity. The song remained a regular feature throughout the 1975 European leg, including all five nights at London's Arena on May 17, 18, 20, 23, and 24, where it maintained its position early in the setlist, often transitioning seamlessly from "" to showcase the band's tight rhythm section and Jimmy Page's aggressive guitar work. By the 1977 North American Tour, "Sick Again" had evolved into a mid-set highlight, frequently introduced with an segue from "The Rover" and performed in all 44 concerts, adapting to Robert Plant's soaring vocals and the group's extended improvisations amid the tour's high-decibel energy. "Sick Again" received its final full-band performance during the 1979 Knebworth Festival, appearing in both shows on August 4 and 11, where the band delivered extended jams emphasizing Page's intricate solos and the song's bluesy undercurrents. This rendition from August 4 was later featured on the official Led Zeppelin DVD released in 2003 and re-released in September 2025 on the Live EP to commemorate the 50th anniversary of Physical Graffiti, preserving the performance's dynamic interplay for posterity. The track was subsequently dropped from setlists for the band's 1980 European Tour, marking the end of its inclusion in live shows as the group entered an indefinite hiatus following drummer John Bonham's death later that year. Over its four-year run in Led Zeppelin's from 1975 to 1979, "Sick Again" was performed approximately 90 times across various , solidifying its role as a reliable vehicle for the band's live prowess.

Covers and influence

One notable cover of "Sick Again" was performed by alongside during their collaborative tour in 1999. Recorded live at the in on October 18 and 19, this version appears as the third track on the double album , released in 2000 by Musicblitz Records. The rendition preserves the song's raw energy while incorporating Page's improvisational guitar work, extending the instrumental sections beyond the original . Another cover was recorded by on their 2008 album April. The track's aggressive, riff-driven structure has contributed to its influence on later musicians, exemplifying Led Zeppelin's blend of bluesy heaviness and dynamic pacing that shaped the genre. Bands such as have acknowledged drawing from Zeppelin's riff-heavy approach, which informed their own high-octane, guitar-centric sound during the late 1980s and 1990s. "Sick Again" also holds cultural significance for its candid portrayal of rock excess, including the group's encounters with young fans amid the touring lifestyle, themes that echo in depictions of Led Zeppelin's era.

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