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Stringer Davis

Stringer Davis (4 June 1899 – 29 August 1973) was an English best known for his recurring role as the mild-mannered Mr. Stringer, the devoted companion and assistant to , in four 1960s film adaptations of Agatha Christie's novels starring his wife, . Born James Buckley Stringer Davis in , he was educated at , where he received military training, and volunteered for service in August 1918 during the final months of . After the war, Davis pursued acting, beginning his career on before making his film debut in the 1938 biographical drama Charles and Mary. In his forties during , he served with the British Expeditionary Force in France, including evacuation from , and later with the East Africa Command. Davis's screen career gained prominence through his marriage to Rutherford, whom he wed in following a 15-year ; the couple, who had no children, remained devoted until his death and frequently appeared together in films and theatre. His most notable roles came in the series directed by George Pollock: Murder, She Said (1961), (1963), Murder Most Foul (1964), and (1964), where he portrayed the helpful librarian Mr. Stringer who aids Rutherford's eccentric detective. Over his career, Davis appeared in nearly 30 films, often in supporting roles as butlers, clerks, or gentle eccentrics, including (1948) and (1954). He died in , , at the age of 74.

Early life

Birth and family

James Buckley Stringer Davis was on 4 June 1899 in , , . He was the only child of George William Davis (1871–1948), a clerk at the , and Ethel Buckley Deakin (1872–after 1939), daughter of James Buckley Deakin of . The Davis family traced its heritage to origins at Well Close in , , with ancestral ties dating back to the . Stringer grew up in a middle-class household in , influenced by his father's stable banking profession.

Education

Davis received his formal education at , an independent boarding school located in , . He was a member of the school's cadet force and received military training there. By 1918, Davis had completed his schooling and transitioned to initial adult pursuits as the First World War concluded.

Military service

World War I

Davis volunteered for military service in August 1918, shortly after completing his education at , where he had participated in cadet training as preparation for officer service. He was commissioned as a in the 3rd Battalion, , and deployed to the front lines in the closing stages of the war. His enlistment came at a pivotal moment, as the Allied forces were advancing toward victory amid intense fighting on the Western Front. Davis's experiences were shaped by the war's imminent end; he arrived in time to witness the final push but avoided prolonged combat due to the signed on 11 November 1918, which halted hostilities just weeks after his . Following the armistice, his service continued into the postwar period, involving duties in before his in September 1919. This brief tenure marked a formative entry into life for the 19-year-old Davis, transitioning him from school cadet to active in one of Britain's regiments.

World War II

At the outbreak of , Davis re-enlisted in the , leveraging his prior experience from to serve actively despite being in his forties. He was deployed with the British Expeditionary Force to France, where he participated in the early campaigns against the German advance. Davis was among the British troops involved in the in June 1940, surviving the perilous retreat from the beaches on what coincided with his 41st birthday, 4 June. This operation marked a critical moment in his wartime service, as the East Yorkshire Regiment's battalions, including those in the 50th (Northumbrian) , faced intense combat before the withdrawal of over 338,000 Allied soldiers. Following , Davis continued his service with the 50th (Northumbrian) Division headquarters as an entertainments officer, a role that built on his pre-war background and WWI resilience to boost troop morale. He organized and led the "T.T. Concert Party and Stage Band," delivering more than 800 performances across 16 countries in theaters of operation including and Northwest Europe, sustaining efforts until the war's conclusion in 1945. This contribution highlighted his adaptability, transitioning from frontline combat to cultural support amid campaigns like the and the liberation of .

Acting career

Stage work

Stringer Davis began his stage career in the as a with the Oxford Repertory , where he also took on directing duties in repertory productions at venues including , , and . During this period, while performing in Ben Travers's 1927 farce Thark at the , Davis first met fellow actor , sparking a professional partnership that featured early collaborative performances in . Their association grew over the ensuing years, with the two appearing together in various stage works amid Davis's pre-war commitments. Davis's early broadcast appearance came in 1938 with a role as George Dyer in the BBC's live television drama Charles and Mary, an adaptation of excerpts from Joan Temple's play about the lives of Charles and Mary Lamb. Leading up to , his theatre engagements focused on character parts in provincial repertory, honing a style suited to understated, reliable supporting roles. His interrupted this trajectory, but following the war, Davis returned to the stage in the late 1940s, resuming repertory performances alongside Rutherford until the couple increasingly shifted toward screen opportunities.

Film and television roles

Davis transitioned to film in the late 1940s, debuting in (1948) as a museum attendant, a role that showcased his knack for understated supporting characters. His screen career flourished in the 1950s and 1960s, encompassing over 20 productions where he frequently collaborated with his wife, , in roles that highlighted their real-life chemistry. These appearances often cast him as a reliable companion or functionary, building on his stage-honed presence to bring quiet dignity to the screen. Beyond the adaptations, Davis took on varied supporting parts that exemplified his gentle-mannered style as a specializing in loyal, unassuming figures. In (1957), he portrayed Emmett, the devoted at a rundown cinema, contributing to the film's nostalgic charm. Similarly, in The V.I.P.s (1963), he played the Hotel Waiter, providing subtle emotional support in a scene with Rutherford's Duchess amid the ensemble drama at . Other notable early cameos included a vicar in Curtain Up (1952), roles that underscored his talent for evoking quiet integrity without dominating the narrative. Davis's television work was more limited, primarily consisting of brief post-film-era appearances that echoed his film persona. He featured alongside Rutherford in the 1965 TV movie The Stately Ghosts of England, playing a supporting role in the lighthearted supernatural tale. These outings reinforced his reputation for understated, dependable performances in collaborative settings.

Personal life

Marriage to Margaret Rutherford

Stringer Davis and Margaret Rutherford's relationship began in 1930 during their work in repertory theatre, evolving into a 15-year courtship marked by professional collaboration and personal challenges, including opposition from Davis's mother and the interruptions of World War II. Their romance, which Rutherford later described as one that "took a long time to bloom," was deepened by shared stage experiences, such as their time together at the Oxford Playhouse. The war's end provided the impetus for commitment, as separation heightened their resolve. They married on March 26, 1945, when Rutherford was 53 and was 46. Following the wedding, the couple continued their professional partnership, with Rutherford leveraging her influence to secure small but recurring roles for in films and stage productions. Notable examples include his portrayal of the village librarian Mr. Stringer in the 1961 film , a character created specifically for him as Rutherford's on-screen companion. This mutual professional support extended to other joint appearances, reinforcing their bond through shared creative endeavors. In their domestic life, Davis and Rutherford established a supportive home environment, residing first in the 1950s at Old Hall in , , before moving to Elm Close in [Gerrards Cross](/page/Gerrards Cross), . Davis provided emotional stability during Rutherford's periods of depression, while she championed his acting pursuits, creating a partnership of reciprocal encouragement that sustained both their careers and personal well-being. Their life together emphasized companionship and quiet domesticity amid their theatrical commitments.

Later years

In the 1960s, as Margaret Rutherford's health declined due to , Stringer Davis devoted himself to her full-time care, managing her daily needs at their home in , . He tended to her through a prolonged period of memory loss and disorientation, ensuring she remained comfortable in familiar surroundings until her passing. Rutherford died on 22 May 1972, at the age of 80, from complicated by her condition, leaving Davis profoundly bereft after nearly three decades of . Overwhelmed by , he reportedly struggled in the immediate aftermath, relying on the of close companions to navigate his loss. Following Rutherford's death, Davis shared his home with Lang-Davis, a former housekeeper and aspiring who had assisted the couple in Rutherford's and became his steadfast companion thereafter. This arrangement provided him emotional stability during a time of personal transition. In the early , Davis significantly curtailed his acting pursuits, prioritizing his well-being and recovery over professional commitments, with his film career effectively winding down to focus on private life.

Death

Final illness

In the year following Margaret Rutherford's death in May 1972, Stringer Davis, who had devotedly cared for her during her illness, was reported to be inconsolable, contributing to his emotional strain in . At age 74, Davis spent his final months at the couple's home in , . He died there on 29 1973.

Burial and tributes

He was interred in the churchyard of St James Church in , , in a plot within the central circle of the second half of the churchyard next to the path, alongside his wife, the actress Dame , who had been buried there the previous year following her death in May 1972. Following his death, Davis was remembered in film circles for his gentle-mannered persona, particularly in his portrayals of timid supporting characters such as the librarian Mr. Stringer in the film series alongside Rutherford.

Filmography

Miss Marple films

Stringer Davis portrayed the character of Mr. Stringer, a mild-mannered village and devoted to , in four MGM film adaptations of Agatha Christie's works during the early 1960s. These films were (1961), (1963), (1964), and (1964), all directed by George Pollock and loosely inspired by Christie's Miss Marple stories. Mr. Stringer served as a supportive to , played by Davis's real-life wife , often providing comic relief through his timid yet loyal demeanor and assisting her in investigations with gentle, adoring reliability. The character's inclusion stemmed from Rutherford's contract stipulation that her husband be cast in a recurring role, emphasizing the ensemble dynamic alongside regulars like Charles Tingwell as Inspector Craddock. Produced by as light-hearted mysteries blending humor and suspense, the series highlighted Rutherford's eccentric portrayal of the sleuth, with Davis's Mr. Stringer adding warmth to the proceedings without altering the core Christie-inspired plots significantly. Critics noted Davis's performance as adequate and fitting for the timorous role, contributing effectively to the ' charm as a steady to Rutherford's energy.

Other appearances

Stringer Davis appeared in over 20 films throughout his career, frequently portraying mild-mannered supporting characters such as officials, attendants, and clerks, often alongside his wife in non-Miss Marple productions. His roles emphasized gentle, unassuming personalities that complemented Rutherford's more eccentric performances. Early in his film career, Davis debuted in the 1948 comedy , playing the Museum Attendant in a story about a encountering human society. He continued with small but noticeable parts in comedies and dramas, including the projectionist Emmett in (1957), a nostalgic tale of a struggling family cinema. Other early roles included the Reverend Rich in The Happiest Days of Your Life (1950) and the Vicar in Curtain Up (1952). In (1959), a satirical look at , he portrayed a Reporter, adding to the film's ensemble of quirky workers. During the 1960s, as his wife's stardom grew, Davis secured roles in higher-profile films outside the series. In The V.I.P.s (1963), he played a Hotel Waiter at during a fog-delayed night of drama among the elite. That same year, in the satire The Mouse on the Moon, he appeared as the 1st Delegate in a of Grand Fenwick's parody. His final film role was an uncredited appearance as the Italian Gardener in (1967), a starring . He also had a brief, uncredited as Mr. Stringer in (1965), a loose adaptation featuring as , where he reunited onscreen with Rutherford as . Additional 1960s roles included the Goodwood Steward in Just My Luck (1957, released later in some contexts but filmed earlier) and uncredited parts in other productions. On television, Davis made early appearances in live BBC dramas, including George Dyer in Charles and Mary (1938) and Merriman in (1946), showcasing his stage-honed skills in period pieces before transitioning to film. These roles highlighted his versatility in character acting, though he remained best known for his supportive presence in Rutherford's projects.

References

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