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Stylo G

Stylo G (born , ) is a British-Jamaican , grime, and known for blending with urban . in , , he relocated to at the age of in , where he immersed himself in the underground scene. As the son of the late and pioneer Poison Chang, who was murdered in 1998, Stylo G draws from a rich musical heritage influenced by s like Shabba Ranks and Supercat. Stylo G first gained recognition in 2004 with his debut single "My Yout," featuring Ice Kid and Sickman, which became a radio and online hit in the UK grime and dancehall circuits. His breakthrough came in 2011 with the underground anthem "Call Mi a Yardie," a carnival staple that showcased his energetic flow and Jamaican patois. In 2013, he signed with 3 Beat/Universal and released "Soundbwoy," which peaked at number 18 on the UK Singles Chart and earned him acclaim as a rising talent from outlets like The Guardian. Subsequent hits include "Move Back" (2014) and "Touch Down" (2018) with The FaNaTiX, the latter remixed with Nicki Minaj and Vybz Kartel, highlighting his growing international appeal.) Throughout his career, Stylo G has collaborated with prominent figures across genres, including Sean Paul and Spice on the 2019 "Dumpling" remix, Vybz Kartel, Shaggy, Major Lazer, and Clean Bandit. He has released mixtapes such as Detention (2022) and singles like "Mirchi" (2020), an Indian-dancehall fusion, expanding his global reach. In recent years, Stylo G has maintained momentum with performances at events like the 2025 Gambia concert series and new releases including "We Rise Again" with his brother Kodi Starr in 2025, while also investing personally by purchasing an upscale apartment in Kingston, Jamaica, in 2023. His work continues to bridge UK and Jamaican music scenes, establishing him as a key figure in modern dancehall.

Early life

Childhood in Jamaica

Jason McDermott, known professionally as Stylo G, was born on July 16, 1985, in Spanish Town, Jamaica. He spent his early childhood in this vibrant town, deeply immersed in the local culture of dancehall and reggae music. As the son of renowned reggae and dancehall artist Poison Chang, Stylo G was exposed to the sounds of Jamaican music from a young age through his father's influence and performances. He often joined his father on stage as early as age seven, absorbing the energy of live shows without any formal music training, relying instead on informal listening to ragga artists like Shabba Ranks and Super Cat, as well as his father's work. His younger brother, Kodi Starr, also pursued a career in music, sharing in the family's artistic legacy. The murder of Poison Chang in 1998, when Stylo G was just 13, brought profound emotional hardship to the family and ultimately prompted their decision to relocate abroad. This tragedy marked a pivotal shift, severing direct ties to the Jamaican music scene that had shaped his formative years.

Move to the UK and family background

In 2000, at the age of 15, Jason McDermott, known professionally as Stylo G, relocated from Spanish Town, Jamaica, to Peckham in South London along with his younger brother, Kodi Starr, following the murder of their father, the reggae artist and producer Poison Chang. Upon arrival, Stylo G experienced a period of cultural adjustment, noting that the vibrant, multicultural environment of Peckham initially felt reminiscent of Jamaica, yet required adapting to distinctly British urban elements, such as local fashion trends like Air Force One trainers, which became emblematic of his emerging style. Settlement in the area brought challenges associated with inner-city life, including navigating poverty and the fast-paced dynamics of South London's youth culture, which contrasted with his Jamaican upbringing and prompted a gradual integration into the local scene. Family dynamics played a central role in this transition, with Stylo G maintaining a close bond with his brother Kodi Starr, a member of the production duo Crazy Cousins, who frequently collaborated with him on early music projects, providing both emotional and creative support. Their shared relocation strengthened their partnership, influencing Stylo G's dual cultural identity rooted in Jamaican heritage and British influences. While specific details on his mother's involvement are limited, the family's collective move underscored a commitment to stability amid tragedy. During his early years in Peckham, Stylo G was introduced to the UK's grime and rap scenes through local influences, where he began experimenting with blending dancehall rhythms at a faster 140 BPM tempo to align with grime's energy, fostering his development within the underground urban music community. This exposure to diverse sounds in Peckham's multicultural setting helped shape his artistic perspective, bridging his Caribbean roots with British street culture.

Musical career

Early releases and underground scene (2008–2018)

Stylo G, born Jason McDermott, began his music career in the UK with his debut single "My Yout" in 2004, featuring Ice Kid and Sickman, which gained recognition in grime and dancehall circuits. He emerged more prominently in the underground scene around 2008, building from London's vibrant dancehall community after moving from Jamaica as a teenager. He initially gained traction through local performances and collaborations, building a foundation as a rapper and producer influenced by his Jamaican roots. In 2013, he signed his first major record deal with 3Beat Productions, an urban/dance label known for artists like Skepta, marking a pivotal step toward wider exposure. This signing came after years of independent releases, allowing him to refine his sound in south London's studios. His early singles highlighted his dancehall style adapted for UK audiences. In late 2011, he released the underground hit "Call Mi a Yardie," which received strong support on radio, TV, and online platforms, establishing his presence in the scene. Following the 3Beat deal, "Soundbwoy" dropped in May 2013 as his label debut, peaking at number 18 on the UK Singles Chart and showcasing his energetic flow over a bass-heavy beat produced by Diztortion. Later that year, he followed with "Move Back," and in November 2014, "Call Mi a Leader" arrived, paying homage to reggae icon Bob Marley while blending patois lyrics with contemporary production. Stylo G actively participated in the underground grime and dancehall circuits, including a performance at the Red Bull Culture Clash in 2012 alongside Rita Ora and Usher, which amplified his buzz among UK urban crowds. He built further momentum through mixtapes, such as the 2015 "Lion Eye Dancehall Mixtape (Jamaicans in Britain Edition)," a free compilation of 14 tracks that fused Jamaican influences with British street sounds and featured collaborations highlighting his versatility. These efforts helped him connect with fans in clubs and on platforms like SoundCloud, where he shared raw, unpolished works to cultivate a dedicated following. Despite these releases, Stylo G faced limited commercial success in his early years, navigating the challenges of bridging Jamaican dancehall rhythms with the faster-paced UK grime scene. His collaborations with grime artists like Wretch 32, Chipmunk, and Giggs demonstrated this fusion, but mainstream breakthrough remained elusive until later hits, as he prioritized authenticity over quick fame in an underground landscape dominated by established genres.

Breakthrough and mainstream success (2019–2022)

Stylo G achieved his breakthrough in late 2018 with the remix of "Touch Down," featuring Nicki Minaj and Vybz Kartel and released in December 2018, which propelled the original October 2018 track to viral success across streaming platforms and social media in 2019, amassing millions of views and streams.) This solidified his presence in the UK dancehall scene. Later that year, his single "Dumpling" emerged as a major hit, ranking third on the Jamaica Observer's list of top dancehall songs of 2019 and dominating Caribbean airplay with its infectious rhythm and lyrics celebrating body positivity. These releases marked a shift from underground buzz to mainstream visibility, building on his earlier MOBO Award win for Best Reggae Act in 2014, which had first highlighted his fusion of Jamaican roots and UK sounds. In September 2019, Stylo G faced a setback when Jamaican police raided the Airbnb residence he was staying at in Caymanas Estate, St. Catherine, based on reports of illegal firearms; he was briefly detained but released without charges after no weapons were found. Despite the incident, his momentum continued, bolstered by a feature on the Toddla T remix of Stormzy's "Own It" alongside Burna Boy, which extended his reach into the UK grime and Afrobeats audiences. His earlier collaboration with Clean Bandit on "Come Over" (2014) also saw re-exposure through playlists and retrospectives amid his rising profile. The year 2020 saw further consolidation with "Too Hot," a high-energy track that showcased his signature dancehall flow and earned strong streaming numbers, contributing to over 10 million plays for his catalog that year on platforms like Spotify. In 2021, "Dash It" highlighted his evolving production style, blending trap influences with traditional riddims and achieving notable rotation on UK urban radio. These singles underscored his commercial peak, with cumulative streams surpassing 50 million by mid-2022, establishing key milestones in global dancehall accessibility. By 2022, Stylo G expanded his footprint through features on Sean Paul's album Scorcha and Chip's mixtape Snakes & Ladders, enhancing his collaborative stature in the genre. He performed at major UK events like the Liverpool Jamaica Street Carnival and international festivals such as Dream Wknd in Malta, alongside select shows in Jamaica that connected him back to his roots. This period cemented his transition to mainstream success, with consistent chart presence on UK urban compilations and growing international tours.

Recent work and collaborations (2023–present)

In 2023, Stylo G continued to build momentum with a series of vibrant singles that blended his signature dancehall energy with contemporary production. His collaboration with production duo Banx & Ranx on "Dirty Dance," released in October, captured club-ready rhythms and earned playlist placements across streaming platforms, highlighting his knack for infectious hooks. Similarly, "100 Grand" featuring DJ Crown Prince and 1Takennandos, dropped in March and filmed in Dubai, showcased his international flair with lyrics celebrating success and luxury, further solidifying his crossover appeal. These tracks contributed to his streaming metrics, with "Dirty Dance" amassing millions of plays on Spotify alone. Transitioning into 2024 and 2025, Stylo G maintained a steady output of singles and features, prioritizing quality over volume amid the ongoing dancehall revival. In March 2024, he teamed up with Nadia Rose and DJ Assassin for "Love It," a playful track that fused UK rap and dancehall elements, released via DAM Records and praised for its rhythmic synergy. By June 2025, "Yaad Man" with Blizzi Gxd emerged as a summer anthem, evoking Jamaican roots with its raw, island-infused vibe and produced under Blizzi God Records, quickly gaining traction on YouTube with over 100,000 views for its official video. Most recently, in November 2025, "We Rise Again" featuring Kodi Starr—his brother—addressed themes of resilience in the face of natural disasters affecting Jamaica, released as a single that resonated with the diaspora and supported relief efforts. This period saw no full-length albums, but a deliberate focus on EPs and standalone releases allowed for experimentation and rapid audience engagement. Stylo G's recent collaborations underscored his global reach and versatility within dancehall circles. Beyond "Dirty Dance" and "Love It," he contributed to DJ Tygga Ty's Motif Riddim in August 2025 with "Position," a track that joined features from artists like Iwaata and Mr. Vegas, emphasizing high-energy flows over the riddim's pulsating beat. Internationally, his work extended to locations like Dubai, where "100 Grand" was shot, and Gambia, where he performed live shows in January 2025 alongside Jahmiel, drawing thousands and strengthening his African fanbase. In August 2025, he joined Oritsé Williams, Ivorian Doll, and The FaNaTiX on "Bad Girl Anthem," a bold empowerment track that blended Afrobeats influences and charted on UK urban playlists. Currently, Stylo G remains active on the performance circuit, headlining events that celebrate Jamaican culture. He performed at For The Love of Jamaica 2025 on November 16 in Wembley, UK, alongside Alesha Dixon and Cashh, with proceeds aiding hurricane relief. In a recent interview with The Fix in London, he discussed his long-term career investments, including launching Warning Records in 2024 and mentoring emerging artists, while reflecting on the sustainability of his independent streak post-Atlantic affiliations. His streaming presence has grown amid dancehall's resurgence, with tracks like "Yaad Man" and "We Rise Again" boosting his monthly listeners on Spotify to over 1 million, signaling sustained impact in the genre.

Artistry

Musical style and influences

Stylo G's music is characterized by a fusion of dancehall and reggae, infused with grime, UK rap, hip-hop, and electronica elements that reflect his Jamaican roots and British upbringing. His sound often features energetic rhythms derived from Jamaican riddims, combined with the raw energy of UK beats, creating a crossover style that appeals to both Caribbean and British audiences. Lyrics typically mix patois with English, emphasizing themes of street life, resilience, and triumph, delivered over productions that blend dubstep basslines, R&B gloss, and uptempo 140 BPM patterns. In recent years, his style has incorporated Afrobeats influences, adding rhythmic layers that enhance the global dancehall appeal. His artistic influences draw heavily from his family heritage and the multicultural music scenes of Jamaica and the UK. The reggae legacy of his father, Poison Chang—a Jamaican dancehall and jungle artist—served as a primary inspiration, shaping Stylo G's foundational love for reggae soundsystems and toasting traditions. Jamaican artists such as Shaggy and Sean Paul further influenced his dancehall approach, providing models for infectious hooks and party anthems. On the UK side, grime pioneers like Wiley and Dizzee Rascal impacted his early style, introducing gritty lyricism and fast-paced flows that he adapted into his hybrid sound. Additional nods to UK garage, drum and bass, and electronica reflect his immersion in London's rave culture. Stylo G's sound has evolved from grime-dominant underground tracks in his early career to more polished dancehall productions aimed at mainstream success. Upon moving to the UK as a teenager, he initially embraced the grime scene, collaborating with MCs and creating raw, energetic fusions as heard in early works like "My Yout." Over time, he shifted toward embracing his Jamaican heritage more fully, refining his dancehall elements with broader electronic and hip-hop integrations to achieve crossover appeal, as seen in tracks like "Soundbwoy." This progression has positioned dancehall as a credible contemporary genre in the UK, on par with grime and dubstep.

Production and songwriting approach

Stylo G has maintained a hands-on role in his music creation throughout his career, beginning with self-production techniques that relied on adapting existing dancehall riddims during his early underground phase in south London. Initially recording vocals over imported Jamaican instrumentals like the Coolie Dance and Egyptian riddims, he transitioned to generating original beats in collaboration with his younger brother, Kodi Starr, a key producer and engineer associated with the Crazy Cousinz collective. This partnership was instrumental in tracks such as "We Rise Again," where Kodi handled production, allowing Stylo G to infuse personal elements into the sound design while leveraging digital audio workstations for accessible, cost-effective creation. His songwriting often centers on themes of resilience and cultural pride, drawing from his Jamaican roots and the challenges of diaspora life, while incorporating autobiographical reflections on the duality of his Jamaican heritage and UK upbringing. Songs like "We Rise Again" address hardships faced by Jamaican communities and the broader diaspora, emphasizing perseverance and unity as a response to adversity. This is complemented by party anthems that celebrate style and social energy, such as "Badman Party" and "Party Nice," which blend patois with cockney influences to evoke communal celebration and identity assertion. Cultural pride manifests in tracks asserting "yardie" authenticity, like "Call Mi a Yardie," highlighting the fusion of Jamaican patois and English slang to narrate his cross-cultural experiences. Stylo G's production and songwriting approach evolved from grassroots DIY efforts to more polished professional workflows following his 2013 signing to 3Beat Records and Universal Publishing Group. In his pre-label days, he independently released mixtapes and singles locally, building a catalog through self-recorded sessions that prioritized raw energy over studio polish. Post-signing, he shifted toward collaborative professional environments, as seen in "Soundbwoy," produced by Dutch beatmaker Diztortion with a remix by Jamaican producer Stephen "Di Genius" McGregor, marking a refinement in riddim adaptation to suit UK dancehall's crossover appeal. This progression maintained his emphasis on customizing riddims—starting from vocal overlays on established ones to co-creating originals—while expanding access to high-end engineering. Technically, Stylo G employs vocal layering to amplify dancehall's rhythmic drive, stacking ad-libs and harmonies for a dense, energetic texture that enhances live performance impact, a staple in his genre fusions. He also integrates samples from reggae classics to bridge generational sounds, such as interpolating Bob Marley and the Wailers' "Could You Be Loved" in "Call Mi a Leader" and Sister Nancy's "Bam Bam" in "Badd," thereby honoring foundational influences while modernizing them for contemporary audiences.

Discography

Lead singles and EPs

Stylo G's early lead singles emerged from the UK dancehall underground scene, beginning with "My Yout" in 2004, a grime-infused track featuring Icekid and Sickman that gained traction on radio and helped establish his presence among emerging MCs. This was followed by "Soundbwoy" in 2013, produced by Toddla T, which peaked at number 18 on the UK Singles Chart and became a high-energy summer anthem, blending bashment rhythms with crossover appeal and earning endorsements from figures like Usain Bolt and Idris Elba. His breakthrough underground anthem "Call Mi a Yardie" arrived in 2011, a carnival staple showcasing his energetic flow and Jamaican patois. In 2014, "Call Mi a Leader" sampled Bob Marley's "Could You Be Loved," showcasing his songwriting depth and peaking at number 79 on the UK chart as a collaborative effort with producer Dane Ray. His first notable EP, the Lion Eye Dancehall Mixtape (Jamaicans in Britain Edition), arrived in 2015 via Adde Instrumentals, featuring 10 tracks that highlighted his roots in Jamaican sound system culture and included the titular single "Lion Eye," a trap-oriented dancehall cut produced by Black Roots. Other early non-album singles like "Move Back" (2014, UK #81) and "My Number 1 (Love Me Love Me Love Me)" featuring Gyptian (2015, UK #45) further solidified his chart presence, with the latter emphasizing romantic themes over upbeat riddims. Breakthrough came with "Touch Down (Dweet)" in 2018, co-produced with The FaNaTiX, a hypnotic track about arrival and swagger that amassed millions of streams; its 2019 remix featuring Nicki Minaj and Vybz Kartel amplified its global reach, topping dancehall charts and marking a pivotal shift toward mainstream success with over 25 million Spotify plays. In 2019, "Dumpling" followed, a playful dancehall hit whose remix with Sean Paul and Spice boosted its viral appeal on social media, contributing to Stylo G's breakthrough year. The 2020 single "Too Hot" continued this momentum, delivering sultry vibes over a minimalist beat and underscoring his evolving production style amid the pandemic era. In 2022, Stylo G released the Detention Mixtape, a 10-track project that explored introspective themes of struggle and resilience, produced in collaboration with various UK talents and receiving praise for its raw energy in dancehall circles. Recent lead releases include "Hundred Milli (Argos Riddim)" in September 2025, a boastful track reflecting on success produced under his Warning Records imprint, and "We Rise Again" in November 2025 featuring his brother Kodi Starr, a motivational anthem produced by the sibling duo that emphasizes overcoming adversity with uplifting lyrics and traditional dancehall elements. These singles highlight Stylo G's sustained cultural impact, blending UK and Jamaican influences to maintain relevance in the evolving dancehall landscape.

Featured appearances and guest spots

Stylo G has contributed guest vocals and verses to over 20 tracks by other artists across dancehall, electronic, hip-hop, and reggae genres, often blending his Jamaican patois-infused style with diverse productions to expand his reach beyond solo releases. These appearances have frequently introduced his sound to new audiences, with notable mainstream crossovers in the mid-2010s and continued collaborations in the UK and international scenes. In the early 2010s, Stylo G built underground momentum through features on UK-based tracks. In 2011, he appeared on "Blackberry" by Stamma Kid alongside Warning Crew, an early dancehall cut released via Quandon Records. The following year, 2012, saw him guest on "Talk" by Jodie Connor, a high-energy R&B-dancehall fusion produced by Focus and released as part of her remix EP. His 2014 features marked a shift toward broader electronic and pop exposure. On Clean Bandit's "Come Over," Stylo G provided the reggae verse for the electronic group's single, which peaked at number 95 on the UK Singles Chart and helped bridge dancehall with mainstream EDM audiences. That same year, he collaborated with Dillon Francis and Major Lazer on "We Make It Bounce," a moombahton track from Francis's debut album Money Sucks, Friends Rule, emphasizing bouncy rhythms and global party vibes. These outings boosted his visibility in international club scenes. From 2017 to 2018, Stylo G's guests leaned into reggae and UK urban sounds. In 2017, he joined the global remix of "Reggae Night" by Morgan Heritage on their album Avrakedabra, sharing the track with artists like Chubb Rock, Timaya, and Bunji Garlin for a star-studded celebration of roots reggae. In 2018, he featured on "F1" by Smoke Boys from their mixtape Don't Panic II, delivering rapid-fire flows over trap-influenced beats alongside the UK drill collective, which included contemporaries like Headie One on the project. The late 2010s and early 2020s saw Stylo G aligning with prominent UK and Caribbean acts for heightened impact. His 2020 appearance on the Toddla T remix of Stormzy's "Own It" alongside Burna Boy amplified his presence in British hip-hop circles, contributing to broader recognition within award circuits like the MOBOs where he has performed and been nominated for Best Reggae Act. In 2020, he also guested on "Easy to Love (Remix)" by Bulby York featuring Maxi Priest from the album Heart Crafted, adding dancehall flair to a lovers rock remake. Into the 2020s, Stylo G continued high-profile riddim and collaborative work. On Ajji's 2021 album Resurrect, he featured on "Live for the Summer" with Busy Signal, a summery dancehall anthem highlighting party themes. In 2021, he appeared on "Party Ah Keep" by Chip from the mixtape Snakes & Ladders, blending UK rap with his patois delivery. The 2022 track "Pon Di Reel" by Sean Paul on the album Scorcha showcased Stylo G's energetic verse over dancehall production, reinforcing his ties to Jamaican icons. In 2023, he guested on "Rev It" by The FaNaTiX alongside BackRoad Gee, a high-octane UK afrobeats-rap fusion released via GRM Daily. His partnership with producers Banx & Ranx on projects like "Dirty Dance" that year further solidified his role in upbeat, club-oriented dancehall. Most recently, in 2025, Stylo G contributed to the Motif Riddim produced by DJ Tygga Ty, featuring on "Position" amid cuts by artists like Iwaata, Mr. Vegas, and Tanto Metro & Devonte, exemplifying his ongoing involvement in collective riddim sessions that drive dancehall trends. These guest spots have collectively enhanced Stylo G's profile, with collaborations like those with Stormzy and Clean Bandit providing key mainstream breakthroughs and MOBO-related exposure.

Personal life

Residence and privacy

Stylo G has maintained his primary residence in Peckham, South London, since relocating there from Jamaica at the age of 15 in 2000. This South London base remains central to his life, reflecting his long-standing ties to the area's diverse cultural influences that shaped his early career. While he occasionally spends time in Jamaica for professional commitments, such as recording sessions and performances, he acquired an upscale apartment in the Kingston hills in 2023, which he has described as a personal investment in his homeland. In the wake of a high-profile 2019 police raid on an Airbnb property he was renting in Caymanas Estate, St. Catherine, Jamaica—where armed officers searched for weapons but found none, leading to his brief detention and release without charges—Stylo G has adopted a deliberate strategy to avoid public scandals. He documented the incident live on Instagram at the time but has since refrained from similar public confrontations, emphasizing a low-key approach to his public interactions. This event, which prompted his swift return to the UK, underscored his preference for privacy amid rising fame. Stylo G's approach to privacy extends to his limited use of social media for personal matters, with his Instagram account featuring only 39 posts as of late 2025 despite over 291,000 followers, focusing primarily on music releases and professional updates rather than daily life. He has publicly addressed unwanted intrusions, such as a persistent online stalker in 2021, by sharing minimal details to highlight boundaries without escalating drama. His lifestyle centers on a family-oriented routine, often collaborating with his brother Kodi Starr on projects, while no marriages or children have been publicly confirmed as of 2025.

Philanthropy and public image

Stylo G has actively supported Jamaican communities through humanitarian efforts, particularly in response to natural disasters. In November 2025, following the devastation caused by Hurricane Melissa, he and his team donated over 50 barrels of essential supplies, including food and water, to aid recovery efforts on the island. This initiative underscored his commitment to giving back to his roots, building on earlier contributions such as support for Gambia in 2021 and community activities through his foundation during the COVID-19 pandemic. He participated in the "For The Love of Jamaica 2025" benefit event at Boxpark Wembley on November 16, 2025, headlining alongside artists like Alesha Dixon and Cashh to raise awareness and funds for Jamaican causes. This performance highlighted his role in cultural initiatives that promote and support the island's heritage and resilience. Publicly, Stylo G is often portrayed as a resilient ambassador for UK-Jamaican talent, bridging dancehall scenes across borders through his music and personal narrative of overcoming challenges from Spanish Town origins to international success. In a 2025 interview with The Fix, he discussed his strategic investments in his career, including efforts to build buzz in Jamaica as a UK-based artist, emphasizing perseverance and community ties over quick fame. His public image has been shaped by a 2019 incident in Jamaica, where police raided an Airbnb residence he was staying at in Caymanas Estate, St. Catherine, amid reports of disturbances and a search for firearms; the standoff drew media attention but resulted in no reported charges against him. Stylo G has maintained a focus on positive themes in his lyrics, often addressing rising above adversity and promoting unity, which aligns with his selective media engagements that prioritize music discussions over personal controversies.

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