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Sue Cleaver

Susan Owen (née Cleaver; born 2 September 1963) is an English actress, psychotherapist, and author best known for her long-running as in the , which she portrayed from 2000 until her departure in 2025. Over her 25-year tenure on the show, Cleaver's portrayal of the resilient, no-nonsense factory worker and mother became a cornerstone of the series, earning her widespread recognition in British television. Beyond Coronation Street, she has appeared in notable TV roles such as in A Touch of Frost, Band of Gold, dinnerladies, and Casualty, and has returned to the stage in productions including (as Mother Superior in 2024) and Snake in the Grass (2025). Born in , , Cleaver was adopted as a baby, an experience that influenced her early life with challenges related to identity and attachment, leading her to reconnect with her birth mother in her twenties before the latter's death. She later pursued formal education, earning O-levels and A-levels, and trained as an actress at the Manchester Metropolitan School of Theatre, where she developed her skills before breaking into professional roles in the . Cleaver has also built a parallel career as a qualified psychotherapist, a pursuit she began training for in 2015 while continuing her acting work, and she has shared insights from her personal struggles with anxiety through her 2024 memoir A Work in Progress. In her , Cleaver has been married twice—first to actor James Quinn, with whom she has a son, , and later to television lighting technician Brian Owen, whom she met on the set—and she has been open about her journey toward and reinvention in her 60s. Her public profile expanded further with appearances on reality shows such as I'm a Celebrity...Get Me Out of Here! in 2022, where she finished as runner-up, and as a guest on in 2024. Following her exit from , Cleaver has expressed enthusiasm for embracing new adventures, including further theatre work and writing.

Early life and education

Early years and adoption

Sue Cleaver was born Claire Grieve on 2 September 1963 in , , . At just 10 days old, she was by Fred and John Cleaver, a young couple who already had a five-year-old son named , and she was renamed Susan Cleaver. Raised in a loving adoptive in , Cleaver later described her upbringing as stable and affectionate, though she noted it did not fully alleviate underlying feelings of difference stemming from her . In 1986, at the age of 23, Cleaver reconnected with her birth mother, Lesley Sizer Grieve, through an extraordinary coincidence while working on a theatre production. Her co-star, Michael Harbour—Lesley's husband—noted a striking resemblance between Cleaver and his wife after she casually mentioned her during a ; upon learning Cleaver's birth details, he confirmed the and arranged their meeting. Lesley, who had placed Cleaver for as a 17-year-old single mother, welcomed her warmly, and the two shared an emotional reunion that lasted until the early hours. This discovery also revealed Cleaver's half-sister, actress —Lesley and Michael's daughter, born five years after Cleaver's birth—as well as another half-sister, forging new family bonds that Cleaver has maintained closely. Cleaver has reflected on the adoption's profound influence on her sense of identity, describing it as triggering an that left her feeling inherently different, even within her supportive adoptive family, and drove her to seek validation in challenging ways during her youth. Despite this, she emphasized that the reconnection expanded rather than disrupted her family dynamics, viewing her adoptive mother as her sole "true " while embracing Lesley—until her passing at the onset of the —as an additional maternal figure without jealousy or conflict.

Dramatic training

After leaving school, where she earned O-levels and A-levels, Cleaver spent time abroad, working as a in at age 17, an experience that contributed to a period of self-discovery and sparked her interest in . Upon returning to , she pursued formal dramatic training at the Manchester Metropolitan School of Theatre in the early 1980s. Her adoptive family's encouragement and later revelations about her birth family's deep ties to the theatre world further motivated her commitment to the craft. At the school, formerly known as Manchester Polytechnic School of Theatre, Cleaver immersed herself in a that emphasized foundational techniques, including voice, movement, and development, preparing students for both and screen work. This rigorous environment allowed her to refine her skills through practical exercises and ensemble training, fostering a disciplined approach to performance that would define her career. One notable early stage experience during her training came in 1986, when, in her early twenties, she auditioned and secured a minor role as a soldier in a production of at Manchester's Royal Exchange Theatre, starring as Oedipus. This opportunity provided hands-on exposure to professional theatre dynamics, including collaboration with established actors and the demands of live performance, marking a pivotal step in applying her school-honed techniques.

Acting career

Early television roles

Sue Cleaver made her television debut in 1994, appearing as Patten's Receptionist in the episode "Nothing to Hide" of the ITV crime drama series , where she shared scenes with . This small guest role marked her entry into professional screen acting following her dramatic training at the Manchester Metropolitan School of Theatre. In the mid-1990s, Cleaver took on a supporting role as Jan in the drama series Band of Gold, a gritty portrayal of life in a red-light district that aired from 1995 to 1997. By the late 1990s, she secured recurring television parts, including Duty Sgt. Standish in the police procedural The Cops (1998), where she appeared across multiple episodes as a no-nonsense , and a guest role as Sue in the medical drama Casualty (1999). These roles highlighted her versatility in dramatic and procedural genres amid the competitive 1990s British television landscape, where emerging actors frequently navigated a mix of guest spots and short-term contracts to build visibility. Cleaver also featured as Glenda, a petulant coworker, in the sitcom dinnerladies from 1998 to 2000, created by , providing in a factory setting alongside stars like . Reflecting on this period, Cleaver has described her early experiences as privileged opportunities in high-profile productions, though they involved the challenges of sporadic work and in supporting characters typical for up-and-coming performers in the era's limited casting pools.

Coronation Street tenure

Sue Cleaver was cast as , a no-nonsense working-class single mother, in the , making her on-screen debut on 3 May 2000. The role drew on Cleaver's prior television experience, which had showcased her comedic timing and dramatic range in guest appearances. Over the next 25 years, she portrayed Eileen in more than 2,256 episodes, establishing the character as a fixture at No. 11 , where she navigated life's ups and downs with sharp wit and resilience. Eileen's storylines centered on her tumultuous relationships, family conflicts, and humorous mishaps, blending drama and comedy to reflect everyday struggles. Key arcs included her ill-fated romance with Pat Phelan, whose dark secret as a murderer led to intense peril and betrayal in 2016–2018. Family dramas highlighted her bonds with sons , a roguish often entangled in schemes, and , whose as in 2001 sparked emotional confrontations and ongoing support amid his complex life choices. Comedic elements shone through Eileen's sarcastic dealings with a revolving door of lodgers and neighbors, such as her clashes with the Platt family and her sister , providing levity amid heavier plots like the 2025 death of her sister , which prompted deep reflection on loss. Behind the scenes, Cleaver formed close bonds with co-stars, including orchestrating Ryan Thomas's return as for her final episodes to give a heartfelt send-off. She shared lighthearted memories, like exchanging rude notes in a secret book with ( McDonald) during downtime to ease tense shoots, and evolving character from a straightforward mum to a more layered figure through collaborative script discussions. In January 2025, Cleaver announced her departure after 25 years, citing a desire to pursue new opportunities and avoid . Her final scenes, filmed in June 2025, aired on 6 June, depicting relocating to with for a fresh start, an exit Cleaver described as empowering and true to the character's growth. Reflecting on the role's impact, she noted it transformed her career, allowing her to connect with audiences through Eileen's relatable humanity while challenging her as an actress to balance humor and heartbreak.

Later acting projects

Throughout her tenure on Coronation Street, Cleaver balanced her long-running role with select guest appearances in other scripted television productions. In 2018, she provided a voice cameo as herself in the live Halloween special episode "Dead Line" of the dark comedy anthology series , where her character receives a mysterious phone call as part of the episode's plot. This brief but memorable contribution showcased her ability to blend her public persona with the series' twisty narrative style. Cleaver also ventured into theatre during this period, taking on prominent stage roles that allowed her to explore characters outside the soap opera format. In 2024, she starred as the no-nonsense Mother Superior in the UK and Ireland tour of the musical Sister Act, a production based on the 1992 film, where she received praise for her commanding performance and comedic timing opposite television presenter AJ Odudu as Deloris Van Cartier. Following her exit from Coronation Street in June 2025 after 25 years as , Cleaver quickly transitioned to new acting opportunities, signaling her intent to focus on theatre. She joined the cast of Alan Ayckbourn's Snake in the Grass as the scheming sister Annabel, performing in a headline production at Theatr in and the Octagon Theatre in , alongside former actress . This role marked her return to Ayckbourn's works, building on her earlier stage experience and highlighting her versatility in dramatic ensemble pieces.

Media and writing career

Reality television and panel shows

In 2022, Sue Cleaver participated in the twenty-second series of the reality show I'm a Celebrity...Get Me Out of Here!, entering the Australian on the first day and being eliminated on the sixteenth day, ultimately finishing in ninth place. During her time in the camp, she confronted personal fears, including a longstanding of snakes, which she later reflected on as a pivotal experience in overcoming self-doubt. Cleaver was exempted from certain Bushtucker Trials, such as eating challenges, due to her diagnosis, which required her to wear a . Cleaver transitioned further into non-scripted television as a regular panellist on ITV's starting in 2024, following prior guest appearances in 2010, 2015, and 2023. On the show, she has openly discussed personal experiences, including her as a newborn, emotional reunions with her birth family, health challenges like and weight fluctuations, and lifestyle changes such as . Beyond these, Cleaver has appeared as a guest on various chat and panel shows, including multiple visits to This Morning to discuss her career and personal life, where she shared details of her family reunions and , and comedic panel formats like in 2012 and 2016. In 2023, she joined the BBC Two reality series Pilgrimage: The Road to the Lost City of , undertaking a spiritual journey with other celebrities to explore faith and personal reflection. These opportunities underscore her growing presence as a relatable media personality, bolstered by her established popularity from .

Published works

In 2024, Sue Cleaver published her debut book, A Work in Progress: 'I'm not past my prime, and neither are you!', through , with a release date of September 26. The work serves as a and guide, drawing on Cleaver's personal experiences to address midlife challenges faced by women, including feelings of invisibility, underestimation, and diminished confidence. Through reflective anecdotes, she explores themes of aging gracefully, overcoming anxiety, and fostering empowerment, emphasizing that midlife represents a phase of growth rather than decline. Cleaver shares life lessons from her career and personal journey, offering practical advice on building self-assurance and shifting mindsets to reclaim value in later years. The book interweaves Cleaver's stories—such as navigating self-doubt in her professional life—with broader insights on emotional and societal pressures on women over 50, positioning midlife as an opportunity for reinvention. It advocates for self-kindness and proactive mindset changes, with stating in promotional discussions that the title reflects her ongoing personal evolution. Key sections highlight anecdotes on confidence-building, such as learning to dismiss fleeting negative thoughts, to inspire readers feeling silenced or overlooked. Upon release, A Work in Progress received positive early reception, earning a 4.1 out of 5 rating on Amazon UK based on over 160 customer reviews, praised for its honest, relatable tone and motivational impact. Promotional activities included serializations in The Mirror, where discussed behind-the-scenes career insights tied to the book's themes, and appearances on ITV's to elaborate on midlife empowerment. She also featured in interviews with Prima magazine and , sharing how the writing process helped her embrace vulnerability and promote women's stories in midlife.

Personal life

Family and relationships

Cleaver married James in 1993, and the couple welcomed their son, , in 1998. Their ended in in 2003 after ten years together. Following the , Cleaver and Quinn maintained an amicable relationship, even collaborating professionally in a 2009 stage production titled Marriages Made in Hell. Cleaver has described her ongoing role as a to Elliot, now in his late twenties, as central to her life, emphasizing the strong bond they share despite the family changes. Cleaver is also a grandmother to four grandchildren. Cleaver married lighting technician Brian Owen, whom she met on the set of , following her from Quinn. The couple, who left their prior relationships to be together, reside in a cozy home in with their , George Paws. Cleaver has spoken about the supportive family dynamic they have built, integrating Owen into her life with Elliot while prioritizing her parental responsibilities. Her experiences with adoption in childhood have subtly shaped her appreciation for the families she has formed as an adult.

Health challenges and legal matters

Sue Cleaver has publicly discussed her long-standing struggles with anxiety and mental health issues, which she attributes to years of self-doubt and emotional challenges. In her 2024 memoir A Work in Progress, Cleaver details how anxiety affected her daily life and career decisions, including repeatedly turning down opportunities due to fear and low self-esteem. In the memoir, she also revealed that at age 17, she had an abortion after becoming pregnant by a 35-year-old man, describing the experience as one where she was taken advantage of and which contributed to her lifelong anxiety and insecurities. She has credited therapy with helping her overcome these issues, emphasizing self-compassion as a key to building confidence in her 60s. In interviews, Cleaver has described anxiety as a persistent battle that influenced her personal growth, particularly after navigating high-profile roles that amplified her insecurities. Cleaver's weight loss journey, spanning the 2010s and 2020s, has been marked by discussions on body image and health improvements rather than restrictive dieting. She lost three stone (approximately 42 pounds) through lifestyle changes, including adopting a Mediterranean diet that reduced her from a UK size 16 to size 12 before appearing on I'm a Celebrity... Get Me Out of Here! in 2022. Cleaver has emphasized avoiding obsession with weight, instead focusing on sustainable habits like giving up alcohol to eliminate hangovers and support overall well-being. Her transformation drew public attention, but she has expressed discomfort with unauthorized use of her image in weight loss scam ads, highlighting ongoing body image sensitivities. In recent years, Cleaver has shared glimpses of her healthier routines, such as fridge contents rich in fresh produce, underscoring a positive shift in self-perception. In March 2010, Cleaver was arrested for drink-driving after being stopped by police at around 2 a.m. while nearly twice the legal alcohol limit. She appeared at in April 2010, where she pleaded guilty to driving with excess alcohol and expressed deep shame over the incident. The court imposed a 17-month driving ban, which could be reduced to 13 months upon completion of a drink-drive rehabilitation course, along with a £1,000 fine and £100 in costs and surcharge.

Philanthropy

Patronages and campaigns

Sue Cleaver has served as a patron for Prevent since March 2024, motivated by her personal connections to numerous women affected by the disease, many at unexpectedly young ages. In this role, she supports the charity's efforts to fund research into the prediction, prevention, and early detection of , while raising public awareness about risk factors and the importance of screening. Cleaver has participated in promotional campaigns, including posts encouraging women to prioritize mammograms and self-checks, emphasizing that is the most common cancer in the UK. Her advocacy with Prevent Breast Cancer includes high-profile events, such as a visit to the Hospital breast screening unit in October 2024 alongside co-patron and the , where she highlighted the need for advanced imaging facilities. In December 2024, Cleaver attended the groundbreaking ceremony for the National Breast Imaging Academy in , joining survivor Rebecca Hartley and local MP to symbolically advance the project aimed at training specialists and improving early detection nationwide. These appearances underscore her commitment to translating personal health insights—drawn from her own experiences with medical challenges—into broader awareness initiatives. Cleaver is also a long-standing patron of When You Wish Upon a Star, a children's that grants wishes to seriously ill or disabled young people across the . Her involvement dates back at least to the , focusing on supporting the organization's mission to create magical experiences that provide joy and respite for families. A notable example of her engagement was attending the charity's event in December 2017, where she greeted children and helped foster a festive atmosphere as a celebrity patron. Through this role, Cleaver contributes to amplifying the charity's visibility and encouraging public support for wish fulfillment programs.

Fundraising activities

Sue Cleaver has actively participated in fundraising events for breast cancer research, particularly through her association with Prevent Breast Cancer. In 2024, as a newly appointed patron, she fronted a major appeal contributing to the charity's £3.9 million goal for the construction of the National Breast Imaging Academy, a facility aimed at advancing breast cancer detection and treatment; as of December 2024, £3.58 million had been raised, with an additional £320,000 still needed to complete the project. On 4 December 2024, Cleaver joined breast cancer survivor Rebecca Hartley and local MP Mike Kane for the ground-breaking ceremony at the Wythenshawe Hospital site, marking the start of building work following three years of fundraising efforts. In support of children's charities, Cleaver has collaborated on several initiatives with When You Wish Upon a Star, of which she is a long-standing patron focused on granting wishes to seriously ill children. During the , she attended high-profile events such as the 2017 shopping fundraiser in , where celebrities helped promote donations. In 2019, she joined co-stars like at another annual charity ball hosted by the organization at the Hallmark Hotel in , emphasizing celebrity involvement to drive contributions for wish fulfillment. Extending into the , Cleaver served as a and for the charity's 2021 Bake , encouraging to generate proceeds for children's wishes. Following her increased visibility from appearing on I'm a Celebrity... Get Me Out of Here! in 2022, Cleaver leveraged her status in notable campaigns, including co-hosting the "Off the Cobbles" charity lunch with former co-star in November 2024. Organized by the Variety Vixens fundraisers at The Hotel in and attended by over 230 guests, the event featured personal stories and entertainment, raising more than £11,595 for , to support programs aiding disabled and disadvantaged young people—aligning with her broader patronages in child welfare.

Filmography

Television appearances

Sue Cleaver's television career began with guest appearances in the , transitioning to recurring roles in comedies and dramas before her long-term stint in . Her earliest credited role was as Patten's Receptionist in the episode "Nothing to Hide" of the ITV crime series in 1994. She also appeared briefly as Sister Treece in one episode of that same year. In 1995, Cleaver portrayed Jan in two episodes of the ITV drama series Band of Gold. In 1996, she played in the TV film King Girl. Throughout the late 1990s, she took on several guest and recurring parts, including Standish in the BBC police drama The Cops (1998) and a Waitress in the TV film Reckless: The Movie (1998). Cleaver played the recurring character Glenda, a bread delivery worker, in the BBC sitcom dinnerladies from 1998 to 2000. Other appearances included Sue in the 1999 episode "Mother's Day" of BBC's Casualty, Mrs. Gartside in Children's Ward (1999), Julie Watkins in Peak Practice (1999), and roles in Where the Heart Is (1999) and City Central as Val (2000). In 2000, she also portrayed Sylvia Holland in two episodes of This Is Personal: The Hunt for the Yorkshire Ripper. Cleaver joined ITV's in 2000 as , a role she played until 2025 across more than 2,230 episodes, becoming one of the soap's longest-serving characters.

Film roles

Sue Cleaver's contributions to film are relatively sparse, reflecting her primary focus on television throughout her career. Her notable cinematic appearances occurred in the late 1990s and early , showcasing her versatility in supporting roles within productions. In the 1998 comedy-drama Girls' Night, directed by Nick Hurran, Cleaver portrayed Rita, a friend of the central characters in a story centered on two working-class sisters embarking on a transformative evening out in . This ensemble piece, featuring and , highlighted Cleaver's ability to contribute to heartfelt ensemble dynamics in independent British cinema. Cleaver's subsequent film role came in 2000 with Sally Potter's , where she appeared as a Red Cross Woman in a minor capacity. The film follows a young Jewish girl's journey across amid rising , with Cleaver's brief performance adding to the narrative's depiction of wartime displacement. This marked her final credited feature film appearance as of 2025, underscoring the infrequency of her big-screen work compared to her extensive television portfolio.

Awards and nominations

Soap opera awards

Sue Cleaver has garnered recognition for her long-running portrayal of in the Coronation Street, earning wins and nominations at prominent soap and television awards ceremonies. Her accolades highlight the comedic and dramatic elements of her performance, particularly during the 2000s when her character's storylines gained significant popularity. In 2007, Cleaver won Best Soap Actress at the TVQuick & TVChoice Awards for her role as . That same year, she received the Favourite Female Soap Star award at the TV Now Awards, celebrating her contribution to . Cleaver earned nominations at for Best Actress in both 2006 and 2007, reflecting peer and industry acclaim for her versatile acting in the soap. She was also nominated twice for Most Popular Actress at the , in 2006 and 2007, underscoring public appreciation for her character.

Other recognitions

In the literary field, Cleaver was selected as a judge for the Book of the Year category at The British Book Awards 2024, an honour that highlights her influence beyond acting in cultural and media circles.

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