Sumaithaangi
Sumaithaangi (transl. Bearer of Burdens) is a 1962 Indian Tamil-language drama film written and directed by C. V. Sridhar.[1][2] The story centers on a happy-go-lucky young man who falls in love with his professor's daughter but is compelled by financial hardships to make repeated sacrifices, including forgoing his job and personal desires, with support from his brother.[3][4] Starring Gemini Ganesan in the lead role as Balu, the film also features Devika as Radha, R. Muthuraman in a key supporting role, alongside L. Vijayalakshmi, Nagesh, and K. Sarangapani.[5][1] Produced by Kovai Chezhiyan under his banner, it was cinematographed by A. Vincent and edited by N. M. Shankar, with music composed by Viswanathan–Ramamoorthy and lyrics by Kannadasan.[1][6] The film explores profound themes of familial responsibility, endurance, and emotional turmoil, marking a notable entry in Sridhar's oeuvre of character-driven dramas during the early 1960s Tamil cinema landscape.[7]Background and development
Literary origins
The film Sumaithaangi is adapted from the novel of the same name by Tamil author and journalist Ra. Ki. Rangarajan. The novel was serialized in the popular Tamil weekly magazine Kumudam prior to the film's 1962 release.[8] At its core, the novel explores the life of a young, lighthearted man whose romantic aspirations are overshadowed by heavy family responsibilities and economic pressures. He falls in love with his professor's daughter, receiving support from his brother, yet must endure repeated sacrifices to support his kin amid financial instability. This premise underscores themes of personal endurance and the weight of familial duty, portraying the protagonist as a "bearer of burdens" (sumaithaangi in Tamil).[3]Pre-production
Pre-production for Sumaithaangi occurred prior to its 1962 release. C. V. Sridhar, serving as both writer and director, adapted Ra. Ki. Rangarajan's novel Sumaithaangi—serialized in the Tamil magazine Kumudam.[1][8] Kovai Chezhiyan produced the film under his Visalakshi Films banner.[1] Gemini Ganesan was cast in the lead role.[9]Synopsis and cast
Plot
The film centers on Babu, a carefree college student portrayed by Gemini Ganesan, who falls in love with Radha, the daughter of his former schoolteacher Rathnavel, played by Devika. Their budding romance unfolds amid Babu's youthful exuberance and academic life.[3] The narrative shifts dramatically with the family's financial distress, as elder brother Ramu supports their retired father, mother, and siblings, compelling Babu to abandon his studies and assume responsibility for the household. To sustain the family, Babu resorts to menial odd jobs, enduring financial hardship and emotional strain as he prioritizes familial duty over personal aspirations. Faced with mounting pressures, Babu makes profound sacrifices, including rejecting his deep affection for Radha to enter an arranged marriage with Indira Devi for economic stability; however, the wedding fails upon revelation of her concealed epilepsy, leading to betrayal by her family and a severe emotional breakdown that tests the limits of his resilience. In the climax, overwhelmed by successive burdens including further family obligations, Babu seeks refuge in spirituality, ultimately joining the Catholic priesthood at La Salette Church in Kodaikanal where he finds purpose, though his family locates him during a procession. Over its 160-minute runtime, the film traces Babu's transformative journey through life's stages, from carefree youth to burdened maturity, emphasizing themes of sacrifice and endurance.[9]Cast
The lead roles in Sumaithaangi are portrayed by Gemini Ganesan as Babu, the central protagonist who grapples with the heavy emotional and financial burdens of his family amid personal aspirations; Devika as Radha, his love interest who embodies the elusive promise of happiness thwarted by societal constraints; and R. Muthuraman as Ramu, the devoted elder brother providing steadfast support to the household.[9] Supporting cast members include L. Vijayalakshmi as Lakshmi, Babu's sister, whose presence underscores the familial ties; K. Sarangapani as the retired family father; V. S. Raghavan as Rathnavel, Radha's father and former schoolteacher whose disapproval heightens the romantic tension; Leelavathi as the family matriarch, offering maternal guidance amid hardships. Additional roles are filled by Nagesh in a comedic supporting part as a friend, marking one of his early notable appearances shortly after his 1960 debut; K. Balaji as a business owner; and actors like Raja portraying acquaintances that enrich the domestic ensemble.[1] The casting reflects Gemini Ganesan's shift toward dramatic characterizations following his breakthrough in comedic successes like Missiamma (1955).[10] Devika's role here served as an early career breakthrough, cementing her status as a prominent Tamil leading lady in the 1960s.[11] Overall, the film employs approximately 20 speaking roles to emphasize its intricate family dynamics and collective struggles.[1]Production
Filming
Principal photography for Sumaithaangi commenced in mid-1962 in Madras (now Chennai) and lasted approximately three months, aligning with the film's release later that year. The production primarily took place in the city, leveraging its urban and coastal settings to reflect the story's themes of sacrifice and hardship. Key locations included Marina Beach, where several emotional scenes, including the song sequence "Mayakkama Kalakkama," were filmed at night to capture the introspective mood.[12] Interiors depicting the poverty-stricken home and temple were shot on studio sets in Madras, allowing for controlled environments to portray intimate family dynamics and spiritual elements. The shoot faced challenges from budget constraints, prompting efficient scheduling that minimized downtime and the strategic use of natural lighting to heighten the dramatic tone without additional costs. Cinematographer A. Vincent's black-and-white photography excelled in highlighting subtle facial expressions of sacrifice, contributing to the film's emotional depth through stark contrasts and soft shadows.[1] Post-production proceeded swiftly, with editing by N. M. Shankar completed shortly before the film's December 7, 1962, release, ensuring timely delivery.Crew
The film was written and directed by C. V. Sridhar, a prominent Tamil filmmaker renowned for his youth-oriented dramas that explored themes of romance and personal sacrifice.[13] Sridhar's screenplay adapted Ra. Ki. Rangarajan's novel of the same name, with his dual role as writer and director ensuring fidelity to the source material's emotional core focused on familial burdens and resilience.[14] Production was led by Kovai Chezhiyan under Visalakshi Films, marking one of his early ventures as a producer in Tamil cinema before he became the first president of the Tamil Film Producers Council.[1][15] Cinematography was handled by A. Vincent.[1] Music was composed by Viswanathan–Ramamoorthy, with lyrics by Kannadasan. Editing was handled by N. M. Shankar, who assembled the film's narrative to maintain its dramatic pacing and emotional depth.[1]Soundtrack
Composition
The soundtrack of Sumaithaangi was composed by the duo Viswanathan–Ramamoorthy, renowned for their light music style that incorporated elements of Carnatic classical music to add emotional layers to film scores.[16][17] M. S. Viswanathan's training in Carnatic music under Neelakanda Bhagavathar influenced their approach, blending traditional ragas with orchestral arrangements to evoke depth in themes of sacrifice and familial bonds.[16] The lyrics were penned by Kannadasan, who wrote eight songs tailored to the film's narrative of burden and love, using poetic imagery to heighten emotional resonance without overt didacticism.[17] These compositions featured melodic structures that transitioned smoothly between pallavi and charanam, often employing semi-classical motifs to mirror the protagonist's internal struggles.[16] Recording sessions took place in Madras studios in 1962, utilizing a full orchestra with strings and percussion to support playback singers P. B. Sreenivas and S. Janaki.[17][18] The process emphasized live instrumentation to capture nuanced expressions, resulting in tracks that enhanced dramatic peaks through melancholic ragas like those evoking pathos in sacrifice sequences.[16] The songs were integrated at key plot junctures, such as moments of revelation or emotional climax, to propel the story forward while maintaining narrative rhythm, a hallmark of 1960s Tamil cinema scoring. Note that the duet originally titled "Endhan Paruvathin Kelvikku" was replaced with "Endhan Paarvaiyin Kelvikku" in the final film.[17] The overall soundtrack runs approximately 29 minutes, comprising eight melodic pieces that underscore the film's thematic core.[18]Track listing
The soundtrack of Sumaithaangi features eight tracks on its vinyl release, showcasing the prominent playback voices of P. B. Sreenivas for male leads and S. Janaki for female roles.[19] Key songs include "Manithan Enbavan", sung by P. B. Sreenivas and picturized on Gemini Ganesan at Marina Beach, and the duet "Endhan Paarvaiyin Kelvikku" by P. B. Sreenivas and S. Janaki.[20] The tracks are listed below in approximate sequence as per the film's narrative progression, with durations typically ranging from 2.5 to 6 minutes.| No. | Title | Singer(s) | Duration | Notes |
|---|---|---|---|---|
| 1 | Manithan Enbavan | P. B. Sreenivas | 3:25 | Opening philosophical number picturized on Gemini Ganesan at Marina Beach.[20] |
| 2 | Endhan Paarvaiyin Kelvikku | P. B. Sreenivas, S. Janaki | 3:24 | Romantic duet featuring the leads (replaced original "Endhan Paruvathin Kelvikku").[21] |
| 3 | Mayakkama Kalakkama | P. B. Sreenivas | 2:39 | Light-hearted sequence with comedic elements.[20] |
| 4 | Puriyadhu | P. B. Sreenivas | 4:41 | Reflective solo on confusion and emotions. |
| 5 | Raadhaikkettra Kannano | S. Janaki | 3:26 | Melodic solo highlighting the female protagonist's longing.[20] |
| 6 | Maambazhathu Vandu | P. B. Sreenivas, S. Janaki | 3:30 | Playful duet evoking rural romance.[22] |
| 7 | En Annai Seidha Paavam | S. Janaki | 3:37 | Emotional plea centered on maternal themes.[23] |
| 8 | Malaiyai Padaithavan | S. Janaki | 6:14 | Climactic devotional piece for dramatic closure. |