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That Face

That Face is a two-act play by playwright , first performed in 2007, that examines the dysfunction within an affluent family grappling with , emotional , and reversed parent-child roles. The story centers on teenage siblings and , who navigate their mother Martha's and dependency, culminating in a triggered by a incident that draws in their estranged father. Written when Stenham was just 19 as part of the Theatre's Young Writers Programme, the play premiered at the Jerwood Theatre Upstairs, , , on 20 April 2007, directed by Jeremy Herrin. It transferred to the West End's in May 2008 for a limited run, featuring a notable cast including as Martha, as , and as . The production earned critical acclaim for its raw intensity and Stenham's debut prowess, winning the Charles Wintour Award for Most Promising , the for Most Promising , and the TMA Award for Best Play, while receiving a nomination for the Award for Best New Play. Subsequent productions include a 2010 mounting by the Manhattan Theatre Club in New York City and a 2023 revival at the Orange Tree Theatre in London, directed by Josh Seymour, which highlighted the play's enduring relevance in portraying familial bonds strained by loneliness and misplaced affection. Themes of codependency and the psychological toll of parental failure underscore the work's visceral exploration of upper-class fragility, making it a seminal piece in contemporary British drama.

Background and development

Conception and writing

Polly Stenham began writing That Face at the age of 19 in 2005, while enrolled in the Royal Court Theatre's Young Writers Programme as a student at University College London. She drew inspiration from her observations of upper-middle-class British family dynamics, including dysfunction, privilege, and the stigma surrounding mental illness, shaped by her own experiences of parental separation at age 13 and being raised primarily by her father. Although the play explores themes of addiction and emotional turmoil within a wealthy household, Stenham has emphasized that it is not directly autobiographical, instead reflecting broader patterns she witnessed rather than specific personal events. Stenham completed the script in 2006, shortly before her father's death, to whom the play is dedicated, and submitted it as part of the Young Writers Programme, leading to its selection for further development. The work was influenced by dark family dramas she attended with her father, such as Edward Albee's Who's Afraid of Virginia Woolf?, which informed character dynamics like the alcoholic matriarch, as well as her encounters with and . To prioritize the project, she dropped out of that year. The play underwent initial workshopping through the Royal Court's programme under artistic director , who nurtured its expansion from a competition entry into a full production. This development process culminated in rehearsals directed by Jeremy Herrin, who guided the script toward its premiere at the Royal Court in 2007.

Initial reception and awards context

That Face premiered on 20 April 2007 at the Royal Court Jerwood Theatre Upstairs in , directed by Jeremy Herrin. The original featured as the alcoholic mother Martha, as her son Henry, as Mia, alongside Abigail Hood as Alice, as Izzy, and as Hugh. The production, developed through the Royal Court's Young Writers Programme, ran until 19 May 2007 in the intimate upstairs space, marking the debut of 20-year-old Polly Stenham. Following its success at the Royal Court, That Face transferred to the West End's , with previews beginning 1 May 2008 and the official opening on 9 May 2008. The move preserved much of the original cast, including and Smith, while introducing , who replaced as Mia in her professional stage debut. This transfer solidified the play's early momentum, extending its run and broadening its audience reach beyond circles. The premiere earned Stenham immediate acclaim, including the Evening Standard's Charles Wintour Award for Most Promising Playwright in 2007, recognizing her as a bold new voice in British drama. In 2008, she received the for Most Promising Playwright, further affirming That Face as a landmark debut that showcased her prodigious talent for exploring dynamics with raw intensity. These early honors positioned Stenham alongside other young British playwrights who had similarly disrupted the stage at tender ages, establishing her reputation as a prodigy capable of mature, emotionally charged storytelling.

Plot

That Face is structured in two acts. The play opens at Mia's , where she and her friend Izzy haze a younger student named by forcing her to drink and take valium pills stolen from Mia's mother, . Alice overdoses and is hospitalized, leading to Mia's suspension and the involvement of school authorities. At the family's luxurious but decaying home, , an alcoholic and pill-dependent , relies heavily on her adult son Henry, who has assumed a parental role towards her since their from Hugh years earlier. Henry, an aspiring artist, enables Martha's s while managing her erratic behavior and emotional outbursts. Mia resents her mother's neglect and her brother's overprotectiveness. When Hugh, now living in [Hong Kong](/page/Hong Kong) with a new , returns to address the school incident, long-buried family tensions and codependent dynamics surface, forcing confrontations about , abandonment, and reversed roles within the .

Characters

  • Martha: The alcoholic and pill-addicted mother who relies on her children for care and exerts emotional control over the family.
  • Henry: Martha's 18-year-old son, who has dropped out of school to look after her and aspires to be a painter.
  • Mia: Martha's teenage daughter, a boarding school student who gets involved in a school incident using her mother's drugs.
  • Hugh: The estranged father, a successful businessman living abroad, who returns due to the family crisis.
  • Izzy: Mia's school friend, who participates in the incident and develops a relationship with Henry, causing tension.
  • Alice: A 13-year-old boarding school student who becomes the victim of a cruel prank by Mia and Izzy.

Productions

Original London production

That Face premiered at the Royal Court Theatre's Jerwood Theatre Upstairs in on 20 April 2007, marking Polly Stenham's debut as a at age 20 through the theatre's Young Writers Programme. Directed by Jeremy Herrin, the production featured set design by Mike Britton and lighting design by Natasha Chivers, with sound by George Dennis. The intimate 80-seat venue facilitated an in-the-round staging that heightened the sense of familial confinement and tension. The original cast included as the alcoholic mother Martha, as her son Henry, as daughter Mia, as father Hugh, Abigail Hood as stepmother Alice, and as schoolmate Izzy. The 100-minute runtime, presented without an interval, maintained unrelenting emotional pressure, contributing to the play's raw impact during its limited run until 19 May 2007. Following critical acclaim, the production transferred to the West End at the , beginning previews on 1 May 2008 and opening on 8 May for a limited season ending 5 July. Herrin returned as , with the core creative team intact, and most of the original cast reprising their roles; notable changes included replacing as Mia and Rebecca Eve taking over as Alice from Abigail Hood. The larger stage required adjustments to preserve the original's intensity, but the transfer retained the no-interval .

West End and international productions

The play received its American premiere in through the at Stage II, with previews starting on 29 April 2010, an official opening on 18 May, and a closing on 27 June 2010. Directed by Sarah Benson, the cast featured as Martha, as Henry, as Mia, as Alice, Maïté Alina as Izzy, and as Hugh. This production emphasized the family's internal psychological tensions through intimate staging and nuanced performances. The West End staging earned nominations at the 2009 for and in a Play (for ). Early international stagings extended the play's reach beyond the . In , the Company mounted a production in , running in March 2009 under the direction of John Sheedy, with Anna Lise Phillips portraying . In the US, a regional mounting occurred at the Kathleen Howland in , directed by Carla Derr, with performances on 15, 16, 22, and 23 January 2010, and Margie Stocker in the role of . These adaptations highlighted variations in interpretive focus, with the American premiere leaning toward subdued psychological realism in contrast to the more visceral intensity of the British original.

Revivals

The first revival of That Face took place at the Landor Theatre in , running from 12 to 1 2013, under the direction of Robinson in the venue's intimate pub theatre space. The production featured as Mia, emphasizing the play's raw energy through its close-quarters staging and sharp delivery of the script's dark wit. In April 2017, the play was staged at Baltimore Center Stage in the United States as the inaugural production in the theater's new Third Space venue, directed by Johanna Gruenhut and running from 13 to 23 April. The Orange Tree Theatre in , presented the next significant professional revival from 9 September to 7 October 2023, directed by Josh Seymour and billed as the first major London mounting in over a decade. The cast included as Hugh and as Martha, with the production underscoring the play's exploration of familial dysfunction, including issues around , , and . Beyond these professional efforts, That Face has seen performances in educational and amateur contexts, including a March 2023 staging by drama pupils at that challenged young audiences with the play's themes of complex family relationships.

Reception and legacy

Critical response

Upon its premiere at the Royal Court Theatre in 2007, That Face was widely praised for showcasing Polly Stenham's precocious talent as a 19-year-old , with critics highlighting the play's intense exploration of family dysfunction and emotional rawness. The production was lauded for its unflinching portrayal of addiction and parental neglect, often drawing comparisons to Edward Albee's due to the central mother-son dynamic and verbal ferocity. However, some reviewers noted melodramatic excesses and a reliance on class stereotypes, describing the narrative as an emotionally exhausting middle-class take on sink-estate tragedies. Across reviews, common strengths included Stenham's adept handling of in dysfunctional families, where children assume roles amid parental collapse, and the play's blend of and . Critiques frequently pointed to over-the-top characterizations and a relentlessly high emotional pitch that limited dramatic progression, though these were seen as hallmarks of an ambitious debut. The 2007 Royal Court production was particularly commended for its raw intensity and strong performances, especially Lindsay Duncan's charismatic turn as the alcoholic mother Martha. In contrast, the 2010 transfer at received mixed responses, with praise for Stenham's theatrical flair but criticism of the American adaptation's formulaic feel, subdued acting, and awkward accents that diluted the original's toxic energy. The 2023 revival at the Orange Tree Theatre was acclaimed for its timeliness in addressing and intergenerational trauma, featuring magnetic performances by as Martha and a spare, intense staging that amplified the play's punky, in-yer-face style, though some found the themes underdeveloped. Overall, That Face has been influential in new writing, establishing Stenham as a major voice in contemporary through its bold debut and enduring exploration of familial collapse.

Awards and nominations

That Face received several prestigious awards and nominations shortly after its premiere, recognizing both the play and its young , Polly Stenham, as a significant new voice in . These honors, primarily from 2007 to 2009, highlighted the work's impact during its initial and West End runs. In 2007, Stenham won the Evening Standard Theatre Awards' Charles Wintour Award for Most Promising Playwright for That Face. The play itself was awarded the TMA Award (now known as the UK Theatre Awards) for Best New Play that same year. The following year, in 2008, Stenham received the Critics' Circle Theatre Award for Most Promising Playwright for That Face. The original Royal Court production was nominated for the WhatsOnStage Theatregoers' Choice Award for Best New Play. The West End transfer at the Duke of York's Theatre earned nominations in the 2009 WhatsOnStage Awards, including for Best New Play, though it did not win. In 2009, That Face was nominated for the Laurence Olivier Award for Best New Play. The original production's cast had also been nominated in 2008 for the Olivier Award for Outstanding Achievement in an Affiliate Theatre. Later revivals, such as the 2012 production, did not secure major awards. These early accolades significantly elevated Stenham's profile, paving the way for her subsequent works, including the 2009 play Tusk Tusk.

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