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The Fighting 69th

The Fighting 69th is a directed by and starring as Private Jerry Plunkett, Pat O'Brien as Father Francis P. Duffy, and as Wild Bill Sheridan. The film dramatizes the experiences of City's 69th Infantry Regiment—known as the "Fighting 69th" for its Irish-American heritage and valor—during , focusing on a brash recruit's transformation amid the horrors of in . Loosely based on the regiment's real history, including its redesignation as the 165th Infantry and service under Father Duffy, the movie portrays themes of courage, redemption, and camaraderie. Produced by Warner Bros., it was released on January 20, , and received praise for its cast performances despite some historical liberties.

Background

Historical Basis

The 69th New York Infantry Regiment, an Irish-American unit, traces its origins to 1851 when Irish immigrants in New York City formed a militia company amid rising anti-Irish sentiment, officially organizing as the 69th Regiment of the New York State Militia. During the Civil War, it mustered into federal service in September-November 1861 as part of the Irish Brigade under General Thomas Francis Meagher, recruited largely from New York City's Irish communities and earning a reputation for fierce combat in battles such as Antietam and Fredericksburg. The nickname "Fighting 69th" originated from Confederate General Robert E. Lee's reported remark after the regiment's gallant but costly charge at Fredericksburg in December 1862, where it suffered heavy losses while advancing under devastating fire. By World War I, the regiment had evolved into a core unit of the New York National Guard, maintaining its Irish heritage while serving in various mobilizations, including the Mexican border campaign in 1916. In , the 69th was federalized in July 1917 as the 165th Infantry Regiment within the 42nd "" Division, departing for in October 1917 after training in Camp Mills, , and arriving in by November. The unit entered the trenches in the sector in February 1918 before engaging in major offensives, leading the assault across the Ourcq River on July 26, 1918, which broke German lines but resulted in nearly 1,400 casualties—42 percent of its strength, including 264 . During the Meuse-Argonne Offensive in September-November 1918, the 165th advanced as part of the division's vanguard toward , capturing key positions like Hill 252 amid intense artillery and machine-gun fire, contributing to the armistice on November 11. Overall, the regiment endured over 2,500 casualties, including nearly 900 fatalities, while earning 60 Distinguished Service Crosses and three Medals of Honor for its valor. Prominent figures shaped the regiment's legacy, including Father Francis P. Duffy, who joined as chaplain in 1914 and deployed to France with the 165th, where he boosted morale by conducting services in the trenches, administering under shellfire, and evacuating wounded soldiers during battles like Villers-sur-Fere in July 1918. For his heroism, Duffy received the Distinguished Service Cross, Distinguished Service Medal, and French Legion d'Honneur, becoming the most decorated U.S. Army chaplain of the war; he survived to retire in 1932. William "Wild Bill" Donovan commanded the 1st Battalion, instilling discipline through rigorous training and leading assaults with personal bravery; wounded three times, he earned the for reorganizing his battalion under heavy fire near Landres-et-Saint-Georges on October 15-16, 1918, during Meuse-Argonne. Joyce Kilmer, a celebrated poet known for works like "," served in the regimental intelligence section, enhancing unit esprit de corps with his literary contributions before being killed by a sniper's on July 30, 1918, while scouting enemy lines at the Ourcq River. The regiment's traditions, rooted in its Irish identity, include leading New York City's St. Patrick's Day Parade since 1851—over 170 times as of 2025—to celebrate its heritage, with participants attending Mass at St. Patrick Cathedral beforehand and carrying blackthorn shillelaghs as officers' accoutrements. Soldiers don a sprig of boxwood from the Fredericksburg battlefield on their uniforms during the event, symbolizing Civil War sacrifices, while Irish Wolfhounds serve as mascots. Post-World War I, the "Fighting 69th" moniker solidified as a symbol of resilience, with the unit returning to National Guard service and perpetuating its legacy through annual commemorations and deployments.

Development

The project for The Fighting 69th emerged from Warner Bros.' strategic pivot toward narratives in the late , reflecting a broader industry shift from early-decade to more patriotic as European tensions escalated ahead of global conflict. The was crafted by Norman Reilly Raine, Fred Niblo Jr., and Dean Franklin as an original adaptation, emphasizing a central fictional to drive the narrative of personal transformation amid wartime trials. Raine's contributions particularly shaped the role of Private Jerry Plunkett as a defiant, street-smart whose bravado masks underlying fears, providing a vehicle for exploring discipline and sacrifice within the regiment's historical framework. Casting centered on James Cagney for the pivotal role of Plunkett, a composite character blending elements of real regiment troublemakers, selected to capitalize on Cagney's signature tough-guy archetype honed in gangster dramas like The Public Enemy (1931), which suited the portrayal of a cocksure Brooklynite clashing with authority. This assignment facilitated Cagney's 1940 return to Warner Bros. following protracted negotiations over his 1936 contract dispute, where he had sought greater creative control and higher pay before re-signing in 1938 under favorable terms. Pat O'Brien reprised his frequent priestly foil to Cagney as Father Francis P. Duffy, the historical chaplain who guides the unit spiritually, marking their sixth collaboration and leveraging O'Brien's established rapport with the lead. George Brent was chosen as Major "Wild Bill" Donovan, the regiment's storied commander, for his reliable dramatic presence in ensemble war stories. Jeffrey Lynn portrayed poet Joyce Kilmer, another real figure woven into the ensemble as a voice of idealism. Director was engaged for his proven handling of action-oriented period films, including the swashbuckling (1938), which demonstrated his ability to balance spectacle with character depth—qualities essential for animating the regiment's camaraderie and battlefield intensity. Executive producer maintained close oversight of the pre-production, aligning the script and talent with Warner Bros.' goal of producing morale-boosting content amid international unrest, as seen in his supervision of similar high-stakes vehicles.

Plot

In 1917, as the enters , brash recruit Jerry Plunkett () joins the 69th Infantry Regiment, known as the "Fighting 69th," an all-Irish American unit commanded by Major "Wild Bill" (). Plunkett's arrogance and defiance during training clash with the regiment's discipline, particularly under the guidance of chaplain Father Francis P. Duffy (Pat O'Brien) and poet (). As the regiment deploys to France, Plunkett's emerges in . During an on the Rouge Bouquet woods, his hesitation contributes to heavy casualties. Later, in , Plunkett's panic leads to the deaths of Lieutenant "Long John" Wynn () and his brother Private "Timmy" Wynn (), prompting to court-martial him. Imprisoned and facing execution, Plunkett escapes during a . Witnessing Duffy's bravery amid the chaos, he experiences a spiritual awakening. In the Meuse-Argonne Offensive, Plunkett redeems himself by single-handedly operating a captured trench mortar against a position, aiding the regiment's advance across the Ourcq River. Fatally wounded by , Plunkett dies heroically, receiving Duffy's blessing as the unit honors his sacrifice.

Cast

ActorRole
Pvt. Jerry Plunkett
Pat O'BrienFather Duffy
Wild Bill Donovan
Alan HaleSgt. "Big Mike" Wynn
Crepe Hanger Burke
Lt. Ames
Timmy Wynn
Lt. "Long John" Wynn
Guinn "Big Boy" WilliamsPaddy Dolan
The Colonel
Capt. Mangan

Production

Pre-Production

The production of The Fighting 69th was fully financed by Warner Bros. Pictures, which allocated a substantial budget to the project amid rising patriotic fervor in the United States during the late 1930s and early 1940s, as the nation edged toward involvement in World War II. This investment reflected the studio's strategy to capitalize on public interest in military-themed stories, positioning the film as a morale-boosting narrative ahead of potential conflict. The working titles were The Old 69th and Father Duffy of the Fighting 69th, and the producer changed from Bryan Foy to Lou Edelman following a budget increase. Location decisions centered on domestic sites to control costs and logistics, with primary preparations occurring at in , supplemented by scouting and setup at nearby ranches. The Calabasas Ranch served as the stand-in for Camp Mills and various French battlefield and village scenes, while the Providencia Ranch in the was selected to replicate Camp Mills, the regiment's training base—no overseas locations were considered due to the era's budgetary constraints and travel challenges. Costume and prop preparation emphasized historical fidelity, with the design team sourcing period-appropriate 1917 U.S. Army uniforms and equipment, including the construction of systems and battlefield elements on studio backlots. To ensure accuracy, consulted veterans, notably Colonel William "Wild Bill" Donovan—the real-life commander portrayed in —though his role as a technical adviser remains unconfirmed. Pre-production scheduling spanned from mid-1939, when initial news items and planning announcements emerged, through late 1939 script refinements, culminating in preparations ready for filming by early 1940. The timeline was partly shaped by the availability of star , who had recently completed in 1939 and was eager to tackle the lead role of the brash recruit Jerry Plunkett.

Filming

Principal photography for The Fighting 69th commenced in late September 1939 and wrapped by late October, spanning approximately six weeks with a focus on the film's extensive battle sequences. The production was primarily shot at the Calabasas Ranch, with additional sets at the Providencia Ranch in , where replicas doubled as various locations including the regiment's training base at Camp Mills and French battlefields. Director collaborated closely with cinematographer Tony Gaudio to capture the intensity of combat, incorporating actual archival war footage to blend staged scenes with historical authenticity. This approach enhanced the realism of depictions, though the integration required careful editing to maintain narrative flow. The production encountered several challenges, including a budget overrun that necessitated adjustments during shooting and a last-minute casting switch, with stepping in for John Payne as poet . Technical advisers, such as Colonel Bill Donovan—portrayed in the film—and Captain John T. Prout, provided guidance on military details, though their on-set involvement remains unconfirmed. Art director Ted Smith led the construction of a full-scale replica of Camp Mills, , at the ranches to recreate the regiment's training environment accurately. , editor Owen Marks assembled the extensive , ensuring the battle sequences aligned seamlessly with the dramatic elements. supervisors Byron Haskin and Rex Wimpy handled the and explosions simulating artillery fire, prioritizing safety protocols for the cast during intense action setups.

Release and Distribution

Premiere

The world premiere of The Fighting 69th occurred on January 26, 1940, at the Strand Theatre in , marking the film's debut as a tribute to the historic 69th Infantry Regiment (known as the "Fighting 69th"). The event built on the regiment's Irish-American heritage and the unit's longstanding traditions. Leading up to the screening, cast members and Pat O'Brien, along with studio head , arrived in on January 22 aboard the Twentieth Century Limited train, greeted by thousands of fans, the 165th Regiment Band (the modern successor to the 69th), and dignitaries including Brigadier General Alexander E. Anderson and Colonel John J. Mangan. A key promotional highlight was a reunion dinner on January 24 for veterans of Father Duffy's wartime 69th, fostering a direct connection between the film's narrative and the real soldiers' legacy. Warner Bros. amplified the premiere through targeted tie-ins that emphasized authenticity and star appeal. Events featured appearances by actual 69th Regiment veterans alongside the cast, underscoring the film's basis in historical exploits. Promotional posters prominently showcased James Cagney's dynamic portrayal of the brash soldier Jerry Plunkett, leveraging his status as a box-office draw to attract audiences. Radio promotions included cast interviews that previewed the story's themes of camaraderie and redemption, aired on major networks to build anticipation. Following the New York debut, the film rolled out widely across the in early 1940 through Warner Bros.' extensive theater chain, ensuring broad domestic accessibility. International distribution faced delays due to the escalating in Europe, with the premiere occurring in amid ongoing conflict. Marketing positioned The Fighting 69th as a timely morale booster on the eve of U.S. involvement in , with trailers accentuating acts of heroism and unit loyalty to inspire national pride.

Box Office Performance

The Fighting 69th achieved solid commercial success upon its release, described as one of the biggest moneymakers of the year for . This performance placed it #23 among the highest-grossing films of 1940 in the United States, contributing to its profitability for the studio. International earnings were more modest, largely constrained by the onset of which disrupted distribution in . The film's performance benefited significantly from James Cagney's star power, as he was one of ' leading draws at the time, alongside the timely patriotic appeal of its storyline released just as descended into conflict. In comparison to contemporaries, it performed respectably but trailed ' own , which capitalized on similar inspirational themes to achieve higher earnings that year. Revivals during the 1940s, particularly amid wartime fervor, added to the film's cumulative totals, though it has not seen significant modern theatrical reissues.

Reception

Critical Response

Upon its release in 1940, The Fighting 69th received generally positive reviews from contemporary critics, who praised its energetic depiction of military life while critiquing the predictability of its narrative arc. Bosley Crowther of The New York Times commended the film's action sequences for effectively conveying the "whine and burst of shells, the spat of machine-gun bullets, [and] the terror of ," which communicated the horror and excitement of war with gripping authenticity. However, he noted the plot's formulaic nature, marked by "obvious theatrics, hokum and unoriginality," particularly in the personal redemption story of the protagonist, which felt unconvincing despite its emotional intent. Similarly, Variety highlighted the film's "vigorously melodramatic" tone and vivid battle scenes that captured the grim realities of and , though it acknowledged the story's reliance on familiar war tropes. Critics particularly lauded the acting, with James Cagney's portrayal of the brash Private Jerry Plunkett drawing acclaim for its intensity and range. Crowther described Cagney's performance as "vivid," effectively capturing the character's evolution from a swaggering to a broken who confronts his in the trenches. Variety echoed this, calling it a "highlight performance" that showcased Cagney's ability to embody a "smart-alec " undergoing mental and physical breakdown, though the role's unsympathetic start limited audience until his late . Pat O'Brien's depiction of Father Duffy also earned praise for its authenticity and emotional depth; Crowther noted his "dignified and eloquent" rendering of the chaplain's role, while Variety emphasized O'Brien's strong chemistry with the ensemble, portraying Duffy as a moral anchor who guides the regiment's turbulent souls. Several reviewers, including those in Harrison's Reports, regarded Cagney's dramatic turn as one of his finest, highlighting his departure from stereotypes to explore and heroism. Harrison's Reports stated that "even though the plot is not novel, the picture holds one's attention throughout due to the excellent performances." Technical elements further bolstered the film's reception, with applause for its battle realism, tempered by occasional notes on excessive sentiment. The trench and sequences were lauded for their visceral impact, blending documentary-style grit with dramatic flair to immerse viewers in the regiment's experiences. Minor criticisms focused on sentimental excesses, such as the hokum-laden redemption arcs and priestly interventions, which some felt veered into at the expense of subtlety. In retrospective aggregation, The Fighting 69th holds a 71% positive rating on Rotten Tomatoes based on seven critic reviews, reflecting enduring appreciation for its performances and wartime authenticity despite narrative conventions. Critics have praised the "excellent performances" that sustain interest, even as the plot draws from unoriginal sources, affirming the film's status as a solid, if formulaic, entry in the war genre.

Audience Reaction

The film drew strong attendance from Irish-American communities and World War I veterans, who appreciated its portrayal of the regiment's heroism and camaraderie. Contemporary viewers often reacted enthusiastically in theaters, with reports of cheers, whistles, and foot-stamping during emotional scenes like the Lord's Prayer sequence, though battle depictions elicited applause amid the film's rousing action. However, the movie faced some backlash for its glorification of war at a time of heated isolationism debates in 1940, as interventionist "preparedness" films like this one clashed with sentiments favoring U.S. neutrality before World War II entry. In the 2000s, home video releases by Warner Bros. reignited interest among newer generations, with viewer discussions in film retrospectives highlighting the emotional resonance of themes like redemption and sacrifice.

Legacy

Cultural Impact

The Fighting 69th played a significant role in transitioning Hollywood's genre from anti-war themes prevalent in the 1930s to pro-intervention narratives as the edged toward involvement in , emphasizing patriotism, redemption, and military preparedness through its depiction of heroism. Released just before , the film aligned with Warner Bros.' broader anti-Nazi efforts and contributed to public sentiment favoring U.S. engagement abroad, as seen in its pairing with subsequent productions like Sergeant York () that further promoted interventionist ideals. The movie solidified the "Fighting 69th" moniker for New York's 69th Infantry Regiment (later redesignated the 165th Infantry) in American , drawing on the unit's historical exploits while fictionalizing elements to highlight Irish-American camaraderie and bravery. This portrayal reinforced the regiment's identity, which the real unit carried into as part of the 42nd Infantry Division, where the nickname evoked the film's legacy in recruitment and morale efforts. Although not nominated for , the film earned recognition from the Photoplay Awards for Best Performances of the Month in March 1940, honoring leads and Pat O'Brien for their ensemble portrayal of the regiment's dynamics. Its enduring influence persists in modern media through references to the 69th's storied history, including nods in discussions of military units with Catholic and heritage, and a resurgence in viewership during the via streaming platforms like HBO Max amid renewed interest in classic war stories.

Remakes and Adaptations

The film The Fighting 69th was adapted for radio broadcast on the Lux Radio Theatre, airing on April 6, 1942, as episode 346 of the popular anthology series. The adaptation featured Pat O'Brien reprising his role as Father Francis P. Duffy, with Robert Preston portraying the brash recruit Jerry Plunkett and Ralph Bellamy as Major "Wild Bill" Donovan; the script closely followed the film's plot, emphasizing themes of redemption and camaraderie amid World War I battles. Sponsored by Lux soap and hosted by Cecil B. DeMille at the time, the one-hour dramatization highlighted the regiment's exploits using sound effects and a full cast to evoke the original movie's energy. A 1941 Merrie Melodies animated short titled The Fighting 69½th, directed by , parodied the film's title through a depiction of red and black ants fighting over a picnic basket with gags like cheese stink bombs, serving as a lighthearted wartime nod to the original story. In 1979, the science fiction television series in the 25th Century included an episode called "Return of the Fighting 69th," which loosely referenced the regiment's legacy by naming a group of space pirates after the historic unit, though it was not a direct of the film's narrative. No full-length remakes, stage revivals, or major television adaptations of the film have been produced to date.

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