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The Little Devil

The Little Devil (Italian: Il piccolo diavolo) is a 1988 Italian comedy-fantasy film written, directed by, and starring Roberto Benigni. The story centers on Father Maurice, an American priest portrayed by Walter Matthau, who performs an exorcism on a possessed woman in Rome and encounters Giuditta, a scrawny and wisecracking demon played by Benigni, who defies orders to return to hell and instead disrupts the priest's orderly life while exploring the human world. Co-starring Nicoletta Braschi as a love interest and Stefania Sandrelli in a supporting role, the film blends surreal humor with themes of temptation and redemption, marking one of Benigni's early directorial efforts before his international breakthrough. Released on October 20, 1988, in , The Little Devil runs for minutes. Benigni collaborated with screenwriter Cerami on the script, drawing from influences like Jarmusch's style—evident in the casting of in a minor role—and creating a that contrasts the devil's energy with the priest's rigid . An English-dubbed version, with the lead actors providing their own voices, was later distributed on in and , broadening its reach beyond Italian audiences. Critically, the film has been appreciated for the comedic chemistry between Benigni and Matthau, earning an audience score of 82% on based on over 1,000 ratings (as of November 2025), though it lacks a formal Tomatometer due to limited U.S. distribution. On , it holds a 6.9/10 rating from approximately 4,400 users (as of November 2025), with praise for its irreverent take on religious tropes and Benigni's energetic performance. The Little Devil remains a favorite in for showcasing Benigni's signature blend of and philosophical whimsy.

Synopsis and cast

Plot

Father Maurizio, an American priest residing at the Pontifical College in and grappling with his forbidden romantic feelings for a , is summoned to perform an on a possessed elderly named Giuditta. During the intense , he successfully expels the , which materializes as a mischievous, childlike little devil—also named Giuditta—who refuses to return to and instead becomes fascinated by human life on . Having nowhere else to go, the devil attaches itself to Maurizio, following him relentlessly and disrupting his devout routine with impulsive antics driven by its naive curiosity about the world. Maurizio, torn between his priestly vows and the temptations arising from these chaotic experiences, attempts to conceal the devil's presence by introducing it as a relative, but it causes escalating mayhem during their adventures across , including encounters with a maid, a skeptical evaluating Maurizio's , and a stern cardinal overseeing the college. The duo's escapades intensify during a wild night out, where the devil drags Maurizio to a , sparking a frantic chase through the bustling streets of as they evade authorities and onlookers. Giuditta's playful disruptions highlight Maurizio's internal conflict, forcing him to confront desires he has long suppressed, while the devil revels in simple pleasures like train rides and fleeting romances. The mischief reaches a climax when another , disguised as an alluring woman named , arrives to lure Giuditta back to , exploiting its infatuation to complete the retrieval. In the end, Giuditta departs with Nina, granting Maurizio much-needed relief from the ordeal and allowing him to resume his clerical life, albeit forever changed by the encounter.

Cast

The principal cast of The Little Devil (original title: Il piccolo diavolo) features a mix of Italian and international talent, led by in a triple role as , co-writer, and lead . Benigni portrays Giuditta, a scrawny, arrogant, and wisecracking who is exorcised from a possessed but refuses to return to , instead embarking on a chaotic exploration of the human world. plays Father Maurice (Padre Maurizio), a cynical residing in a who specializes in exorcisms and becomes reluctantly entangled with the demon. Matthau's character speaks English in the film, contributing to its bilingual structure aimed at broadening international appeal. Stefania Sandrelli as Patrizia, the woman with whom Father Maurice harbors forbidden romantic feelings. , Benigni's real-life partner during production, plays Nina, a young woman who becomes the object of Giuditta's affections and serves as a romantic foil in the narrative. appears as Cusatelli, an American associate who interacts with Father Maurice in key scenes.
ActorRoleCharacter Description
GiudittaMischievous little devil, exorcised demon who craves earthly experiences
Father MauriceAmerican exorcist priest in
PatriziaFather Maurice's forbidden love interest
NinaAlluring woman sent to retrieve the demon, object of Giuditta's affections
CusatelliAmerican contact involved in the priest's affairs
Supporting roles include Annabella Schiavone as the possessed Giuditta (the hairdresser), Franco Fabrizi as the Monsignore, a senior cleric who advises on ecclesiastical matters; Paolo Baroni as Saverio, the hotel porter who aids the protagonists during their stay; and Giacomo Piperno in a brief appearance as a train passenger. These characters provide comic relief and logistical support without dominating the central dynamic between the priest and the demon.

Production

Development

The screenplay for The Little Devil (Il piccolo diavolo) was co-written by and Vincenzo Cerami, marking Benigni's sophomore effort as a feature film director following his debut You Upset Me (Tu mi turbi, 1983). The project drew from Benigni's burgeoning international profile after his role in Jim Jarmusch's Down by Law (1986), which helped secure financing and distribution for this surreal exploring themes of and . Produced by Mario Cecchi Gori and , the film was backed by Cecchi Gori Group Tiger Cinematografica in collaboration with Yarno Cinematografica and Reteitalia. Development capitalized on Benigni's rising stardom in during the late , positioning the movie as a for his anarchic humor amid shifting cultural attitudes toward . The core concept centered on a mischievous, childlike figure to satirize and human frailty, blending comedic traditions with irreverent takes on Catholic motifs. A notable creative choice involved pairing Benigni with American actor , necessitating bilingual elements in the script to accommodate Matthau's performance in English while Benigni delivered lines in . This approach underscored Benigni's vision of cultural collision as a comedic device, finalized in the script during leading to the film's 1988 release.

Filming

for The Little Devil (Il piccolo diavolo) commenced in early 1988 and wrapped prior to its October release, with principal locations centered in , including Rome's Giardino degli Aranci for outdoor scenes. Additional shooting occurred in at the Chiesa di San for ecclesiastical interiors and in at the Taormina-Giardini railway station and San Domenico Palace Hotel for interiors and transitional moments, as well as the Certosa di Calci near for convent depictions emphasizing the film's religious motifs. The technical team included cinematographer Robby Müller, who employed 35mm to achieve the film's vibrant, surreal color palette and dynamic framing that heightened comedic absurdity. Editing was overseen by Nino Baragli, whose precise cuts amplified the rapid-fire dialogue and physical humor central to Roberto Benigni's direction. Production designer Antonio Annicchiarico crafted sets contrasting sacred environments, such as ornate churches and monastic spaces, with profane nightlife venues in Rome's bustling streets, underscoring the narrative tension between and . On-set, challenges arose from language barriers, as spoke limited , necessitating post-dubbing of his lines by voice actor Ferruccio Amendola to maintain authenticity in the bilingual . Benigni's signature improvisational approach led to extended takes, particularly in dialogue-heavy scenes, allowing for spontaneous comedic flourishes that enriched the surreal tone. A notable logistical hurdle involved closing sections of Rome's historic streets for a chase sequence, ensuring realistic urban pursuit amid the city's architecture. In , sound mixing occurred in to integrate ambient Roman noises with the film's mono audio track, while composer crafted an original score featuring jazz-infused elements, such as "Devil Tango," composed concurrently with editing to sync with key comedic beats.

Release

Theatrical release

The film had its Italian theatrical release on October 20, 1988, distributed by . Internationally, it rolled out in starting with on June 21, 1989. In the United States, a occurred on October 29, 1988, primarily through subtitled prints, with an English-dubbed version also circulating under the title The Little Devil. The theatrical version runs 101 minutes and was unrated by the MPAA in the US, suitable for audiences due to mild language and thematic elements involving supernatural comedy.

Home media

The film received its initial home video release on VHS in Italy in 1988 through Univideo, making it accessible to audiences shortly after its theatrical debut. An English-dubbed version, with the lead actors providing their own voices, was later distributed on VHS in and . A DVD edition followed in on September 30, 2005, distributed by Cecchi Gori in a single-disc format with Region 2 compatibility and Italian audio. This release helped sustain interest among fans of Roberto Benigni's early work. In 2010, a Blu-ray version was issued in by CG Entertainment on March 25, presented in resolution with a 1.78:1 , Italian 2.0, and DTS Mono tracks, though no additional extras were included. By 2025, the film was broadcast on Movie in April.

Reception

Critical response

Upon its release in Italy, The Little Devil received a mixed but generally positive reception from critics, who lauded Roberto Benigni's energetic and anarchic performance as the impish Giuditta while noting the film's uneven pacing and repetitive comedic beats. Italian press commended the film's inventive sequences but faulted its meandering structure for diluting the momentum in the latter half. Internationally, the film garnered appreciation for its whimsical tone and the dynamic interplay between Benigni and , whose portrayal of the exasperated provided a grounding to the devil's exuberance. Film Adrian Martin described it as "infectious and often side-splitting," particularly in scenes of verbal absurdity between Benigni and co-star , emphasizing the chemistry that made the Matthau-Benigni duo a highlight of the English-dubbed version. The film's 82% audience score on , based on over 1,000 ratings (as of 2025), underscores its enduring appeal for the comedic rapport and lighthearted exploration of innocence amid corruption, though professional aggregates remain sparse due to its limited U.S. distribution. Retrospective assessments in the have positioned The Little Devil as an underrated entry in Benigni's oeuvre, celebrated for its bold visual style and prescient blend of irreverence and tenderness that foreshadowed his later successes. A 2021 la Repubblica revisit noted its status as a favorite that still elicits divided responses but affirmed its place as a vibrant showcase of Benigni's early directorial flair, often underappreciated amid his more dramatic works. User-driven platforms like reflect this sentiment with an average rating of 3.4 out of 5 from more than 3,000 logs, where commentators frequently highlight the 's inventive cinematography by and its playful subversion of religious tropes. Critics across eras have recurrently explored the film's delicate balance of exuberance and underlying , with Benigni's devilish protagonist embodying childlike wonder against Matthau's world-weary restraint, creating moments of poignant contrast. This interplay drew comparisons to Federico Fellini's religious satires, such as in The Clowns (1970), where Benigni's irreverent take on authority echoes Fellini's deconstructions of faith and folly, as analyzed in scholarly examinations of comedy traditions. Benigni's win for further evidenced the critical esteem for his performance at the time.

Box office performance

The Little Devil achieved significant commercial success in its home market of , grossing 40 billion lire (approximately $30.8 million USD at 1988 exchange rates). This performance ranked it third among the highest-grossing films in Italy for the 1988-89 season, trailing only and . Internationally, the film had a more modest , with a limited U.S. release yielding a gross under $1 million. The film's triumph can be attributed to Roberto Benigni's established domestic popularity as a , paired with Matthau's international star power, which enhanced appeal in dubbed versions across . Comparatively, The Little Devil outperformed other comedies released that year, solidifying Benigni's status as a major attraction.

Accolades and legacy

Awards

At the 34th David di Donatello Awards, held in March 1989 in Rome, The Little Devil (Il piccolo diavolo) earned multiple nominations, including for Best Director, Best Editing, and Best Sound. Roberto Benigni won the Best Actor award for his role as the mischievous Giuditta, a performance that underscored his multifaceted contribution as both director and star. The film's Best Film nomination did not prevail, with the honor going to Ermanno Olmi's The Legend of the Holy Drinker (La leggenda del santo bevitore). The recognition represented Benigni's first major award for a project he directed, building on his prior acclaim and paving the way for broader international attention in subsequent years. The film received no significant international honors, such as Award nominations.

Cultural impact

The Little Devil marked a pivotal milestone in Roberto Benigni's career, solidifying his position as 's preeminent comic auteur following its 1988 release and commercial success. The film, which Benigni directed, co-wrote, and starred in alongside , earned him the Award for and contributed to his superstardom in during the late through a series of box-office blockbusters. This achievement paved the way for his subsequent directorial effort, (1991), which became one of the highest-grossing films in cinematic history. The film exemplifies the surrealist strain in Italian comedy, blending with explorations of Catholic themes, particularly the decline of traditional religious culture in modern society. It has been referenced in scholarly analyses of post-Fellini humor, reflecting Benigni's irreverent style influenced by the who once called him a "." In popular Italian culture, endures through its memorable , with lines capturing the protagonist's childlike frequently quoted in and everyday discourse. The film features in occasional retrospectives of Benigni's work, including tie-ins to his 2021 Lifetime Achievement Award at the , where his early comedic innovations were celebrated. Internationally, The Little Devil remains underrated outside , partly due to challenges with that affected the nuances of performances by and English-speaking actors alike, limiting its broader appeal. Despite this, it has garnered a among arthouse cinema enthusiasts familiar with Benigni's output. The film has not spawned major adaptations but has subtly influenced satirical treatments of religious motifs in subsequent media.

References

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