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The Night Clerk

The Night Clerk is a crime drama film written and directed by . The story centers on Bart Bromley, a young and highly intelligent night clerk on the , who uses hidden cameras to observe and learn from guests' interactions, only to a during his shift that draws suspicion onto him. Starring as Bromley, alongside as a guest who forms a connection with him, as his mother, and as a , the film explores themes of , , and the challenges faced by individuals with . Released on , by , The Night Clerk runs for 90 minutes and received mixed reviews from critics, with praise for the performances but criticism for its pacing and plot contrivances. The screenplay draws from Cristofer's background as an Academy Award-winning screenwriter for The Shadow Box (1980), and marks his first as director since Original Sin (2001). Despite a modest performance, the film grossed $302,127 worldwide.

Synopsis

Plot summary

Bart Bromley, a young man with Asperger's syndrome who faces difficulties in social interactions, works as the night clerk at . To better understand , he has installed in select guest rooms, allowing him to observe interactions remotely from his workstation. One evening, a couple— Perretti and his wife Karen—arrives and checks into one of the surveilled rooms. Their stay quickly turns contentious as they argue over Nick's extramarital affair, with Karen accusing him of seeing another woman. The dispute escalates violently during a scuffle in which a falls out, and shoots Karen to death. Bart, monitoring the feed, witnesses the entire but panics and removes the hard drive containing the incriminating footage, concealing it in his backpack to avoid becoming entangled in the incident. He forgets one camera behind in . The following morning, a maid discovers Karen's body, prompting an immediate investigation led by Johnny Espada. The 's main surveillance cameras show nothing suspicious, but the absence of footage from the room raises red flags. Bart's peculiar demeanor during questioning—coupled with his detailed knowledge of the room layout—positions him as the primary , with Espada pressing him on why he might have tampered with evidence. Amid the scrutiny, another guest named checks into the and strikes up a with Bart at the front desk. Unlike most people, she is patient and empathetic, sharing that she once had a brother with , which allows Bart to open up about his challenges. Their connection deepens over shared meals and late-night talks, with Bart practicing and even inviting her to his modest apartment. Unbeknownst to Bart initially, is Nick's , dispatched by him to infiltrate the , befriend the , and recover the missing video to shield Nick from prosecution. eventually uncovers Bart's setup and locates the hidden hard drive during a visit to his home but hesitates to steal it outright. As pressure mounts, grows desperate and confronts directly at the hotel, attempting to coerce or eliminate him to retrieve the evidence. , leveraging his analytical mind and intimate knowledge of the hotel's layout, outmaneuvers during the tense standoff. steals the hard drive and gives it to , who destroys it. However, discover the forgotten camera, which clearly depicts committing the and fully exonerates . is arrested for the killing, resolving the . In the aftermath, departs the hotel, leaving to reflect on his experiences. Encouraged by his supportive , who has been aware of his habits, destroys his of monitors and cameras, symbolizing his decision to engage with the world directly rather than from behind a screen. This act marks his personal growth in navigating social connections on his own terms.

Themes and analysis

The film delves into and as central mechanisms through which the , Bromley, navigates his and challenges associated with Asperger's syndrome, using in hotel rooms to study guest behaviors and mimic from a safe distance rather than engaging directly. This approach highlights how becomes a surrogate for interpersonal connection, underscoring Bart's preference for mediated observation over the unpredictability of face-to-face interactions. Isolation permeates the narrative, particularly in Bart's overprotective relationship with his mother, Ethel, who enables his reclusive lifestyle while inadvertently reinforcing his emotional barriers, and in his tentative romance with guest Andrea, which offers glimpses of potential trust and intimacy amid his inherent wariness of vulnerability. These dynamics illustrate the tension between solitude as self-preservation and the human need for genuine bonds, portraying Bart's gradual outreach as a fragile bridge across his self-imposed divides. The story critiques law enforcement's preconceptions about neurodiversity, as Bart's idiosyncratic behaviors—such as his intense focus on details and discomfort with indirect communication—are misconstrued as indicators of guilt rather than manifestations of his condition, exposing biases in how atypical is perceived under suspicion. This misinterpretation amplifies themes of marginalization, where societal norms prioritize over understanding individual differences. The hotel serves as a symbolic microcosm of concealed existences, its anonymous corridors and private suites representing the facades people maintain in public while harboring personal secrets, with the central incident revealing underlying currents of concealed within intimate relationships. This setting amplifies the film's examination of how everyday environments can mask profound turmoil, mirroring Bart's own hidden . In portraying Asperger's syndrome, the film draws from real-world experiences of neurodiverse individuals facing social disconnection, emphasizing Bart's literal-mindedness and pattern-seeking without explicitly diagnosing other characters or pathologizing his traits, thereby aiming to foster for alternative ways of perceiving and interacting with the world.

Production

Development

Michael Cristofer, an acclaimed American playwright who won the and the for his 1977 work , wrote the original screenplay for The Night Clerk as a project rooted in his observations of and human vulnerability. A veteran of theater, television writing, and film, including screenplays for Casanova (1987) and directing the 2001 erotic thriller , Cristofer drew inspiration for the protagonist from a real person he knows, aiming to explore the complexities of through a character on the . Development of the film was formally announced on February 6, 2018, at the European Film Market in , with Cristofer attached as writer-director and cast as the lead, marking a swift progression from script to . The project faced pitching challenges due to its sensitive handling of and voyeuristic elements, which required careful navigation to secure interest from financiers wary of potentially exploitative depictions. Ultimately, financing was obtained from Convergent Media LLC, with production support from WulfPak Productions and sales handled by Highland Film Group for international markets; later acquired U.S. distribution rights. A key creative decision during was setting the story in a hotel, chosen to underscore urban anonymity and the protagonist's detachment amid a bustling yet impersonal , enhancing the film's of in a connected world. This choice informed early planning, including that prioritized venues evoking transient, overlooked spaces.

Casting

Tye Sheridan was cast in the lead role of Bart Bromley, a socially awkward hotel night clerk on the autism spectrum, after auditioning for his demonstrated ability to convey nuanced social awkwardness in previous roles. Ana de Armas was selected for the role of Andrea Rivera, Bart's romantic interest, following chemistry reads with Sheridan that highlighted their on-screen rapport; her rising profile from roles like Blade Runner 2049 helped elevate the project's visibility. De Armas brought a layer of vulnerability to the character, balancing the film's thriller elements with emotional depth. Helen Hunt was cast as Marlene Bromley, Bart's supportive mother, drawing on her extensive dramatic background from films like to ground the family dynamics. John Leguizamo joined as Detective Joe Orland, the intense investigator, leveraging his experience in tense roles to heighten the antagonist's presence. The supporting cast featured in a , alongside as Nick Palacio and other actors to create a diverse ensemble that supported the film's thematic exploration of and . There were no major recasts during production. The casting director, Rich Delia, prioritized performers who could sensitively depict , focusing on authenticity to avoid stereotypical representations of sensitive topics like . This approach shaped the film by emphasizing character-driven over , as seen in the ensemble's balanced interactions that informed the script's archetypes during development.

Filming

Principal photography for The Night Clerk commenced on May 21, 2018, and wrapped on June 22, 2018, primarily in locations such as Towne Center Mall in , sites in , Tooele, and Draper. The production was lensed digitally by cinematographer Noah Greenberg, who employed a visual approach incorporating practical spy and security camera setups to immerse viewers in the protagonist's voyeuristic viewpoint during key scenes. Filming adhered to a roughly one-month that necessitated coordinating night shoots to align with the narrative's focus on graveyard shifts at the , with actors noting the performative adjustments required due to the omnipresent elements. In , emphasized tension in the 's confined spaces, complementing composer Erik Hall's score. For the film's romantic and physical interactions, particularly those involving , stunt coordinator Eliza Coleman served in a dual role, overseeing safety and ensuring participant comfort in lieu of a dedicated .

Release

Premiere and theatrical distribution

The Night Clerk received a in the United States on February 21, 2020, distributed by in select theaters. This rollout coincided with the initial emergence of the in the U.S., where the first confirmed cases had appeared in , leading to early disruptions in public events and a sharp decline in theater attendance by late and March. The film's marketing campaign, launched in advance of the release, centered on trailers debuted in January 2020 that underscored its thriller tension, the protagonist's voyeuristic habits, and the rising star appeal of , who had recently garnered acclaim for her role in (2019). Promotional posters reinforced the surveillance motif through stark visuals of security cameras, dimly lit hotel corridors, and enigmatic figures, aiming to evoke suspense and intrigue. Internationally, secured distribution deals resulting in limited theatrical releases throughout 2020, including in on July 3 (as O Rececionista), Turkey on August 7 (as Gece Nöbeti), and on October 16 (as Ночной клерк). The ongoing prompted adaptations in the rollout strategy, such as accelerated transitions to and streaming options alongside theaters, along with virtual promotional events to compensate for canceled in-person premieres and reduced audience turnout.

Home media and streaming

The Night Clerk was released on digital and (VOD) platforms on February 21, 2020, coinciding with its limited theatrical debut, and became available for purchase or rental on services including , , and . This early digital rollout allowed broader access shortly after its premiere, distributed by . Physical home media in the United States consisted of a DVD edition released on April 7, 2020, by in partnership with ; no domestic Blu-ray version was issued. Internationally, the film saw Blu-ray releases in various markets, such as the on April 6, 2020, via 101 Films, and on September 9, 2020, often including region-specific subtitles for non-English-speaking audiences. These editions typically featured standard packaging without additional special features. Netflix acquired streaming rights to The Night Clerk, adding it to its library on June 6, 2020, which significantly increased its visibility and led to it ranking in the top ten films on the platform during its debut week. The film has since appeared on other services, including in the United States and select regions through 2025, as well as and . As of November 2025, it remains accessible on major streaming platforms like in certain international markets and domestically, with no significant re-releases announced.

Reception

Critical response

The Night Clerk received mixed reviews from critics, with praise centered on the lead performances amid broader criticisms of its narrative execution. On , the film holds a 34% approval rating based on 44 reviews, with the consensus noting it as "With a pair of charismatic leads struggling to enliven a poorly conceived story, The Night Clerk checks out early -- and viewers may want to follow suit." The audience score stands at 31% from over 250 verified ratings, indicating a divide between professional and general reception. On , it scores 44 out of 100 based on 11 critic reviews, reflecting "mixed or average" sentiment. Critics frequently highlighted Tye Sheridan's nuanced portrayal of Bart, the socially awkward hotel clerk with Asperger's syndrome, as a standout element. Variety's commended Sheridan's "sensitive, inward performance," which effectively conveys the character's isolation and voyeuristic tendencies without resorting to caricature. The chemistry between Sheridan and , playing the enigmatic guest Andrea, was also praised for adding emotional depth to their interactions; Gleiberman described it as "involving," lending warmth to an otherwise chilly . Helen Hunt's supporting role as Bart's protective mother, Ethel, earned positive mentions for its emotional authenticity, with The Hollywood Reporter's David Rooney noting that Hunt "makes a strong impression" in scenes that underscore familial enablement. However, the film faced substantial criticism for its predictable plot twists and uneven pacing, which undermined its thriller ambitions. Rooney in labeled it "a missed opportunity," arguing that it squanders potential for deeper by relying on familiar tropes without . Reviews often pointed to the narrative's slow build and lack of tension, with Flipscreened's analysis citing "uneven pacing" and excessive exposition as factors that dilute the story's impact. Themes of and drew mixed responses: some lauded the sensitive handling of , as in Reel Honest Reviews' praise for Sheridan's "shining" depiction that avoids stereotypes, while others, like the Post's Johnny Oleksinski, faulted the film for "stoking autism stereotypes" through melodramatic elements. Key reviews from 2020 emphasized the challenges of Michael Cristofer's directorial debut in adapting his screenplay to the screen. RogerEbert.com's Brian Tallerico awarded 1.5 out of 4 stars, critiquing the "inert" direction that results in an "inconsistent performance" from Sheridan despite his talent, and a story that feels underdeveloped. The Playlist (IndieWire) gave it a C-, faulting its "half-cocked execution" of a premise, where the inert elements fail to engage despite strong casting. Overall, while the performances provided highlights, the consensus viewed The Night Clerk as a flawed debut that prioritizes character over compelling thriller mechanics.

Box office and commercial performance

The for The Night Clerk is estimated at around $5 million. The film's theatrical performance was severely curtailed by the , with a limited domestic release on February 21, 2020, across approximately 180 theaters; domestic gross figures are not tracked on major sources. International earnings totaled $302,127, including $99,187 from and $62,968 from , as widespread theater closures disrupted global rollout. Commercial viability shifted to home media and streaming, bolstered by a Netflix licensing deal in 2020-2021 that expanded accessibility post-theatrical; as of November 2025, the film is available on Paramount+ and other platforms. Marketing efforts emphasized ' rising star power with a restrained , contributing to long-tail as home media sales surpassed theatrical revenue.

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