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The Only One Left

The Only One Left is a Gothic by American author , centering on a young home-health aide assigned to care for an elderly woman confined to a and accused of a horrific massacre in 1929. Set against the isolated backdrop of a decaying on the remote coast, the narrative unfolds in and intertwines the protagonist's present-day experiences with revelations from the past, as the elderly woman communicates her story through a , prompting questions about truth, guilt, and hidden motives. The plot draws parallels to the infamous case, exploring themes of secrets, psychological suspense, and the blurred line between victim and perpetrator in a claustrophobic, atmospheric setting. Riley Sager, the pseudonym of suspense novelist Todd Ritter, is a New York Times bestselling author known for his twist-filled thrillers, including prior works like Final Girls and The Last Time I Lied. Published by Dutton, an imprint of Penguin Random House, on June 20, 2023, the hardcover edition spans 400 pages and carries the ISBN 978-0593183229. Upon release, The Only One Left debuted as an instant Times bestseller, earning praise for its intricate plotting, evocative prose, and ability to blend elements with . It has garnered a 4.1 out of 5 rating on from over 575,000 readers (as of November 2025), with reviewers highlighting its gripping pace and emotional depth.

Background

Author

is the pen name of American author Todd Ritter, born in 1974 in to a bank teller mother and a taxidermist father. Ritter began his professional writing career in , serving as an editor and film critic for nearly two decades, including stints at publications like while attending Penn State University. Prior to adopting the Sager , he published two thrillers under his real name—a debut series featuring detective Kat Campbell—Death Notice (2010) and (2011)—as well as the historical mystery Things Half in Shadow (2014) under the pen name Alan Finn. In 2017, Ritter launched the Riley Sager pseudonym specifically for psychological thrillers, debuting with , which earned the 2018 International Thriller Writers Award for Best Hardcover Novel and established his reputation for twisty, character-driven suspense. His subsequent Sager novels built on this success, including (2018), (2019), (2020), (2020), (2021), and (2022). The Only One Left (2023) is Sager's eighth novel under the , marking a notable evolution in his work toward Gothic horror elements, such as isolated mansions and atmospheric dread, while retaining his signature pacing. This was followed by Middle of the Night (2024) and With a Vengeance (2025).

Development

drew inspiration for The Only One Left from the infamous case, in which was accused of murdering her father and stepmother with an axe in their , home on August 4, 1892. This historical event, marked by its unresolved mystery and public fascination, paralleled the novel's fictional Hope family in 1929, where Lenora Hope was the sole survivor suspected of killing her parents and siblings. Sager conceptualized the story around the idea of Borden in her requiring a , prompting him to explore themes of guilt, , and lingering suspicion through a modern lens. Sager conducted research into historical Gothic literature to shape the novel's atmospheric tension, drawing particular influence from Daphne du Maurier's Rebecca (1938), whose grand, haunting estate informed the eerie isolation of the story's setting. He rewatched the film adaptation of Rebecca to capture its moody essence during the writing process. The narrative also echoes Edgar Allan Poe's "The Fall of the House of Usher" (1839) in its depiction of a decaying family home teetering on collapse, a motif that underscores psychological unraveling and familial doom, as noted in early reviews comparing the two works. The began with a that Sager developed into a first draft over approximately 10 months, allowing time for the story's dual timelines—set in 1983 and flashing back to 1929—to emerge organically. Revisions emphasized weaving these timelines to build without revealing too much too soon. Sager faced significant challenges in plotting a key identity swap twist that occurs early in the narrative, leading to periods of indecision and restructuring as he balanced misdirection with narrative coherence. Ensuring psychological depth for the , Kit McDeere, required careful layering of her and motivations to make her and authentic amid the growing . Sager decided to set the story in a decaying mansion on the Maine coast, named Hope's End, to amplify feelings of isolation and inevitable decline, directly evoking the Gothic trope of a house as a character in itself. This choice was informed by research into real Gilded Age architecture along the New England coast, particularly inspired by the abandoned Blairsden Mansion in New Jersey, whose cliffside perch and rumored dark history mirrored the novel's perilous, crumbling estate overlooking the sea.

Publication

Release

The Only One Left was first published in hardcover in the United States on June 20, 2023, by Dutton, an imprint of . The first edition spans 400 pages and carries the 978-0593183229. In the , the received a near-simultaneous release on July 4, 2023, published by , an imprint of Hachette UK. Pre-release marketing built anticipation through promotions, including advance reader giveaways starting in February 2023. The book was also highlighted in the Washington Post's list of 10 noteworthy books for June 2023.

Formats and editions

The edition of The Only One Left was published by Dutton on June 20, 2023, spanning 400 pages and featuring a with an image of a decaying Gothic by the . The edition followed on May 21, 2024, also from Dutton, with 400 pages and an updated emphasizing the novel's atmospheric setting. E-book and versions became available alongside the hardcover release in June 2023 through . The , produced by Penguin Audio, is narrated by and Dawn and runs for 12 hours and 32 minutes. Signed first editions were offered by independent bookstores, including the Mysterious Bookshop, for collectors seeking personalized copies. In the , the hardcover edition was released by on July 4, 2023. The UK audiobook, distributed via Audible UK, is narrated by Regina Reagan and Stephanie Cannon and has a duration of 11 hours and 53 minutes.

Synopsis

Plot

The Only One Left employs a dual timeline structure, alternating between the present day in and the Hope family history in 1929. In the storyline, Kit McDeere, a disgraced home health aide suspected in her previous client's overdose death, accepts a challenging position at Hope's End, the decaying Gothic mansion perched on the crumbling cliffs of , to care for the elderly Lenora Hope. Lenora, now paralyzed and mute from a series of strokes suffered shortly after the 1929 axe murders of her parents and younger sister, has lived in isolation for decades as the and prime suspect in the family's brutal deaths. The central mystery revolves around Lenora's limited communication via an old , which she uses to relay typed confessions to about the events of , gradually drawing the caregiver into uncovering long-buried family secrets. As arrives and adapts to the eerie isolation of the —staffed only by a stern housekeeper—her initial routine gives way to growing suspicions about Lenora's innocence and the true circumstances of the tragedy, prompting deeper investigations into the family's past. Key events include Kit's discoveries of hidden documents and artifacts revealing questions of identity, switched roles within the family, and paternity, alongside a dramatic partial of the unstable that heightens the tension and exposes further vulnerabilities. The narrative builds to a climax marked by intense confrontations as hidden truths emerge, reframing the 1929 deaths as a complex web of deliberate murders and family confrontations involving specific acts of violence by multiple parties, and culminating in a pivotal revelation about the extent of Lenora's physical condition and true identity. The resolution emphasizes the evolving bond between and Lenora, underscoring themes of companionship and the enduring legacy of unresolved pasts. The story is presented in first-person perspective from Kit's viewpoint for the 1983 sections, interspersed with Lenora's typed entries detailing the 1929 timeline, creating a layered and immersive account of the unfolding mystery.

Characters

Kit McDeere serves as the protagonist and first-person narrator of the 1983 timeline, a home-health aide suspended for six months after a client died from a fentanyl overdose while under her care. Living with her estranged father, Patrick "Ricky" McDeere, in financial hardship, Kit accepts the position at Hope's End out of desperation and a need for redemption following the incident that tarnished her reputation. Throughout the story, her character arc evolves from initial skepticism and reluctance toward her enigmatic charge to growing empathy and investment in uncovering the past. Lenora Hope is the central figure of both timelines, a 71-year-old paralyzed in who communicates solely through a after multiple strokes left her unable to speak or move independently. Accused at age 17 in 1929 of murdering her parents, Winston and Evangeline Hope, and her younger sister Virginia in their family mansion, Lenora has remained confined to Hope's End for over five decades amid persistent local suspicion. Her role drives the narrative as she dictates her account of the events to , revealing layers of family secrets. Virginia Hope appears prominently in the 1929 storyline as Lenora's younger sister, a key player in the Hope family dynamics marked by tension and hidden tensions within the household. Pregnant during the events leading to the murders, Virginia's experiences highlight the restrictive social expectations of the era and her attempts to navigate personal desires amid familial pressures. Her character embodies long-term deceptions and agency, influencing the unfolding revelations across decades. Supporting characters enrich the dual timelines. Mary Milton is the previous home-health aide whose recent murder adds to the web of violence and suspicion at Hope's End. Patrick "Ricky" McDeere, Kit's father, provides a distant paternal figure in the present day, with subtle ties to the Hope family's history. Jessie, Virginia's granddaughter, emerges in the later years as a companion figure aiding in the family's concealed truths and travels.

Themes and analysis

Influences

The novel draws significant inspiration from the historical case of 1892, in which Borden was accused of using an axe to murder her father and stepmother in , but was ultimately acquitted amid public fascination and doubt. This event informs the Hope family axe killings at the story's core, transposing the unsolved and themes of familial violence to a fictional 1929 coastal setting, while Sager has noted his intent to craft an original narrative around the enduring unknowns of the case. The Borden trial's exploration of class divisions and gender expectations in late 19th-century America—where stereotypes of women as inherently nonviolent contributed to her acquittal—further shapes the novel's portrayal of societal constraints on women during the . Literary influences are evident in the novel's embrace of Gothic conventions, particularly the isolated, foreboding mansion as a central element, echoing Daphne du Maurier's Rebecca (1938), with its unreliable narrator navigating secrets in a sprawling estate. Similarly, the decaying Hope's End mansion functions as a metaphorical character symbolizing inevitable family downfall, reminiscent of the collapsing Usher house in Edgar Allan Poe's "The Fall of the House of Usher" (1839). These tropes contribute to the atmospheric tension, though critics observe that Sager employs them straightforwardly rather than subverting them for deeper psychological insight. The 1983 Maine setting evokes the regional horror tradition popularized by , whose works often feature isolated locales haunted by personal and supernatural traumas, infusing the narrative with a sense of small-town unease and natural peril from the stormy cliffs. Sager has described his approach as blending mystery and horror elements to foster a "Gothic chiller" vibe, prioritizing suspenseful revelations over explicit gore while maintaining the genre's eerie intimacy. This fusion aligns with broader cultural reflections on American gender dynamics, where women's limited agency amid economic and social shifts mirrors the Borden-era constraints amplified in the novel's interwar backdrop.

Key themes

The novel The Only One Left delves into themes of and , portraying swapped identities between characters such as Lenora and , as well as faked disabilities, as metaphors for the hidden aspects of the self that individuals conceal to navigate societal expectations and personal survival. These elements underscore the deceptive nature of appearances, challenging perceptions of truth and encouraging readers to question the reliability of outward presentations. Central to the narrative are family secrets and , exemplified by the intergenerational guilt stemming from the 1929 murders at Hope's End, where accidental deaths are reframed through revelations about paternity that connect past and present timelines. This motif explores the enduring consequences of buried family betrayals, highlighting how unresolved historical events perpetuate cycles of emotional pain across generations. Isolation and decay permeate the story, with the decaying Hope's End mansion serving as a symbol of both physical deterioration and , amplifying the dependency in the caregiver-patient relationship. The gothic atmosphere of the remote, crumbling estate evokes and dread, reinforcing themes of and the slow of personal in secluded environments. The novel contrasts gender dynamics across eras, examining women's constrained roles in society—marked by and that prioritize male desires—against the greater independence available in the , where female characters exert through strategic silence and manipulation. This theme illustrates how power imbalances historically dictate women's fates, often through exploitative control and vulnerability. Finally, redemption and truth emerge through protagonist Kit's journey of uncovering layered deceptions, mirroring broader motifs of facilitated by the typewriter as a tool for and potential . The work meditates on the limits of , probing what traumas can be redeemed versus those that must remain unresolved, and the psychological weight of confronting long-suppressed realities.

Reception

Critical response

The Only One Left received generally positive reviews from critics, who praised its atmospheric Gothic elements and suspenseful plotting while noting some concerns over its more extravagant twists. In The New York Times, Danielle Trussoni described the novel as a "dizzying Gothic whodunit" that maintains Sager's "signature breakneck pace," though she observed that its twists "stretch believability just to the snapping point." USA Today critic Kelly Lawler called it a "spooky page-turner," highlighting the richly evoked setting of Hope's End mansion, which functions "almost a character itself, like something out of a Henry James novel," and commended its exploration of true-crime obsessiveness alongside themes of family and loneliness. Several reviewers drew comparisons to classic Gothic horror, appreciating the novel's moody, isolated estate and dual timelines that build tension through alternating perspectives on the 1929 Hope family massacre and the 1983 caregiving narrative. Kirkus Reviews noted the first half as "tense and propulsive," evoking influences like Edgar Allan Poe's The Fall of the House of Usher and Daphne du Maurier's Rebecca, while acknowledging its entertainment value for readers willing to embrace its "sillier plot devices." The Washington Post included it among noteworthy June releases, labeling it a "hair-raising tale of twisted family secrets" centered on a haunted house. Criticisms focused on the novel's later developments, with some finding the rapid succession of revelations straining credibility and veering into camp. critiqued the lack of psychological realism compared to its literary influences, pointing to clichéd character actions, cartoonish dialogue, and overly convenient villain confessions that border on the implausible. similarly implied potential overreach in the plot's complexity, though it remained complimentary of the overall . Reviewers also debated its genre balance, with classifying it as a "horror-inflected " that leans more toward than outright . On , the novel holds an average rating of 4.1 out of 5 from over 575,000 user ratings (as of November 2025), reflecting broad appeal among thriller enthusiasts. It was featured in several 2023 best-of lists, including summer books to watch selections by , , the Boston Globe, Oprah Daily, Paste, and .

Commercial performance

The Only One Left achieved significant commercial success upon its release, debuting as an instant New York Times bestseller in the category during the week of July 9, 2023. The novel contributed to author Riley Sager's overall market impact, with his books collectively selling more than 3 million copies worldwide across over 35 countries (as of 2025). While exact U.S. sales figures for The Only One Left are not publicly detailed, its performance helped solidify Sager's position as a leading thriller writer, with the title amassing over 575,000 ratings (as of November 2025), indicating widespread reader engagement. In digital and audio formats, the , narrated by and Dawn Harvey, earned a 4.5-star rating from nearly 10,000 Audible reviews and ranked prominently in charts. E-book sales were supported by promotional efforts on platforms like , contributing to its sustained visibility. Internationally, the book saw strong performance, with editions released in the UK via Titan Books and in through , where it resonated with audiences. Translated versions further expanded its reach in . The edition, released on May 21, 2024, maintained momentum, appearing on various lists and boosting interest in Sager's backlist titles through . By 2025, the novel continued to drive sales for the author's catalog, underscoring its lasting market influence.

Awards and nominations

The Only One Left earned nominations in prominent genre awards following its 2023 publication. It was a finalist in the for Best Mystery & Thriller, where it competed against titles such as None of This Is True by and The Last Devil to Die by , ultimately placing behind the winner, The Housemaid's Secret by Freida McFadden. The novel was also nominated for the Dragon Award in the Best Horror Novel category, alongside works like The Devil Takes You Home by Gabino Iglesias and The Pallbearers Club by Paul Tremblay; the award went to With Good Bones by . While it did not secure wins in major awards such as the or , the recognition built on author Riley Sager's previous success, including his 2018 International Thriller Writers Award for Best Hardcover Novel for .

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