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Bad Moon Rising

"Bad Moon Rising" is a rock song written by and recorded by the American band (CCR). Released on April 16, 1969, as the lead single from their third studio album, , it became one of the band's signature tracks, blending elements with an upbeat tempo that contrasts its ominous lyrics about impending natural disasters and turmoil. The single peaked at number two on the chart in the United States and reached number one on the , where it held the top position for three weeks. The song's inspiration drew from the 1941 film The Devil and Daniel Webster, particularly a scene depicting a devastating hurricane as part of a Faustian bargain, which Fogerty adapted into apocalyptic imagery evoking earthquakes, lightning, floods, and a "bad moon rising" as harbingers of trouble. Fogerty composed it during a period of social unrest in the late 1960s, reflecting broader fears of catastrophe amid events like the Vietnam War and environmental concerns, though he intentionally crafted a lively, danceable rhythm to offset the foreboding message. The lyrics warn against venturing out at night due to the looming threats, creating a paradoxical feel that contributed to its enduring appeal. Recorded at Wally Heider Studios in San Francisco, Bad Moon Rising showcased CCR's tight instrumentation, with Fogerty handling lead vocals and lead guitar, backed by bandmates Doug Clifford on drums, Stu Cook on bass, and Tom Fogerty on rhythm guitar. The track's success propelled the Green River album to number one on the Billboard 200, solidifying CCR's rise as a leading rock act of the era. Over the decades, it has been widely covered by many artists, including Rod Stewart, Bruce Springsteen, and others, and featured prominently in films such as An American Werewolf in London (1981) and Twilight Zone: The Movie (1983), cementing its status as a cultural staple in rock music and media.

Background and recording

Inspiration and writing

, the primary songwriter for , composed "Bad Moon Rising" in January 1969 while living in a small house in . The song's title drew from the popular 1960s astrological slang in the , such as phrases like " rising" or references to lunar events, which Fogerty encountered during that era. The lyrics were directly inspired by the 1941 film The Devil and Daniel Webster, a fantasy drama Fogerty had watched as a child on late-night television. In the movie, a pivotal scene depicts a violent storm unleashed as part of a Faustian bargain with the Devil, evoking apocalyptic imagery of destruction that Fogerty sought to capture in words about impending natural calamities. Fogerty explained, "The song itself is inspired by an old black-and-white movie I used to see as a kid on late-night television," emphasizing the film's influence on the foreboding tone. Fogerty intentionally crafted the track as an energetic rockabilly-style number with a bright melody to contrast the dark, ominous subject matter, drawing rhythmic influences from early recordings like "I'm Left, You're Right, " (1955). He completed both the lyrics and music in a single session in a cramped 12-foot-square room, aiming to produce a radio-friendly hit that built on the band's recent success with while avoiding a one-hit-wonder label. This approach reflected Fogerty's broader songwriting philosophy during Creedence's prolific 1969 period, blending accessible rock energy with subtle undercurrents of unease. The song served as the from Creedence Clearwater Revival's third album, , released later that year.

Recording process

"Bad Moon Rising" was recorded in March 1969 at in as part of the sessions for Creedence Clearwater Revival's third studio album, . The band, consisting of on lead vocals and lead guitar, on rhythm guitar, on bass, and on drums, completed the basic tracks for several songs, including "Bad Moon Rising," in a remarkably efficient manner, with five master tracks laid down in just one day followed by vocals and additional elements the next. also served as the producer, overseeing the sessions to capture the group's tight, live-in-the-studio energy. Engineer Russ Gary handled the technical aspects, contributing to the album's crisp, straightforward sound through careful placement and minimal processing. Key production decisions emphasized the song's raw essence, including an upbeat of approximately 179 beats per minute that contrasted its ominous lyrical content, achieved through the band's precise rehearsal and performance without extensive takes. Fogerty and the band opted for minimal overdubs to preserve the organic feel, relying on the interplay of electric guitars, bass, and to , which helped maintain the track's energetic, unpolished vibe. The mix was crafted in a narrow format for optimal mono radio compatibility, ensuring broad playability on AM stations of the era.

Composition and lyrics

Musical structure

"Bad Moon Rising" is written in the key of D major and employs a 4/4 time signature at a tempo of 179 beats per minute, contributing to its brisk, propulsive energy. The song adheres to a straightforward verse-chorus structure, beginning with an introductory guitar riff that sets a rhythmic foundation, followed by two verses each leading into a chorus, an instrumental bridge featuring a guitar solo, a final chorus, and a fade-out conclusion, with the entire track clocking in at 2:22. Stylistically, the track embodies infused with elements, driven by a tight of bass and drums that underscores its raw, American South-inspired vibe. The arrangement highlights John Fogerty's work, complemented by lines that add bluesy fills, all supporting the lead vocals without additional like harmonica. Harmonically, the composition centers on a classic I-IV-V progression using the chords , , and , which maintains simplicity and amplifies the song's immediate, high-energy appeal while avoiding any key changes or modulations. This elemental chord framework, played with a choppy strumming pattern, reinforces the track's accessibility and danceable groove.

Lyrics and themes

The lyrics of "Bad Moon Rising," written by , portray an atmosphere of impending doom through evocative descriptions of , serving as metaphors for broader turmoil. The opens with the lines "I see the a-rising / I see trouble on the way / I see earthquakes and lightnin' / I see bad times today," immediately evoking visions of and . Subsequent verses escalate this , referencing hurricanes a-blowing, rivers overflowing, and the voice of rage and ruin, which collectively symbolize uncontrollable forces threatening stability and life itself. At its core, the song grapples with themes of and inevitability, capturing a sense of inescapable fate amid societal unrest. Fogerty drew inspiration from the 1941 film The Devil and Daniel Webster, where a Faustian bargain unleashes destructive storms, but he emphasized that the lyrics transcend the plot to address a larger : "It was about the that was going to be visited upon us." This resonated with 1960s counterculture anxieties, including the Vietnam War's escalating violence and emerging environmental concerns, as the era saw widespread of global upheaval through war, , and natural imbalance. Fogerty's lyrical craftsmanship employs to amplify the song's urgency and memorability. Repetition of the phrase "I see" in the verses and creates a , reinforcing the narrator's relentless foresight of and making the warnings more insistent and catchy. The follows a simple —such as "rising/way" and "lightnin'/today"—which lends a folk-like to the ominous content. An ironic tone pervades the text, as the dire predictions of ruin are presented in a deceptively straightforward manner, underscoring the theme's between and dread; this is further highlighted by the song's upbeat melody contrasting the bleak words.

Release and commercial performance

Single release

"Bad Moon Rising" was released on April 16, 1969, by as the from Creedence Clearwater Revival's third studio album, , which followed in August of that year. The single was backed with "Lodi" on the B-side, another Fogerty-penned track from the same album. This release marked the band's continued push into the mainstream following their 1968 debut and the January 1969 album . To capitalize on the momentum from and the breakthrough single "," which had established Creedence Clearwater Revival's rising profile, advocated for "Bad Moon Rising" as a prime candidate. The track benefited from extensive radio airplay across the , fueled by the band's growing fanbase and the era's demand for their swamp rock sound. supported this by prioritizing the single's distribution ahead of the full album rollout. The single's initial sales surged rapidly in the U.S. market, bolstered by Creedence Clearwater Revival's relentless 1969 touring schedule, which encompassed numerous live nationwide to build direct audience connection. This promotional intensity helped propel the song's early commercial traction, setting the stage for broader recognition.

Chart performance

"Bad Moon Rising" experienced strong commercial performance on music charts worldwide following its April 1969 release. , the single climbed to No. 2 on the for the chart dated June 28, 1969, where it remained for one week before descending, ultimately spending 14 weeks on the chart. It also peaked at No. 2 on the Cash Box Top 100 Singles chart and No. 1 on the singles chart. The track's year-end ranking was No. 14 on the for 1969, reflecting its enduring popularity through consistent radio play that extended its chart presence. Internationally, "Bad Moon Rising" achieved No. 1 on the UK Singles Chart, holding the top spot for three weeks beginning September 20, 1969. The song also topped the charts in Ireland and New Zealand, while reaching No. 3 in Australia (Go-Set chart), No. 5 in Canada (RPM Top Singles), No. 10 in the Netherlands (Dutch Top 40), and No. 3 in Norway. Additional strong showings included No. 4 in Belgium (Flanders), No. 8 in Austria and Germany, and No. 9 in Switzerland.
Chart (1969)Peak Position
Australia (Go-Set)3
Austria (Ö3 Austria Top 40)8
Belgium (Ultratop Flanders)4
Canada Top Singles (RPM)5
Germany (Official German Charts)8
Ireland (IRMA)1
Netherlands (Dutch Top 40)10
New Zealand (RIANZ)1
Norway (VG-lista)3
Switzerland (Schweizer Hitparade)9
UK Singles (OCC)1
US Billboard Hot 1002
US Cash Box Top 1002
US Record World1

Certifications and sales

"Bad Moon Rising" was certified Gold by the (RIAA) on December 16, 1970, for sales of 1 million units in the United States. The certification was upgraded to and, as of June 28, 2016, to double , reflecting combined sales and streaming equivalents of 2 million units. In the , the (BPI) awarded it a for 600,000 units sold as of April 22, 2022. The song's enduring popularity has led to its multi-platinum status with the RIAA, significantly boosting the performance of its parent album, , which achieved sales of over 3 million units globally.

Reception and legacy

Critical reception

Upon its release in 1969, "Bad Moon Rising" was praised by critics for its compelling blend of energy and craftsmanship. In a review of the accompanying album , critic described the single as "a superb by any standards," applauding Fogerty's songwriting and the band's joyously kinetic, tight that made it as exciting as the group's prior "." Retrospective reviews have emphasized the song's lasting artistic merit and clever contrast between its ominous and buoyant sound. critic highlighted the song's contrast between its ominous and catchy , noting it as a prime example of Creedence Clearwater Revival's ability to pair upbeat sounds with apocalyptic themes. The track ranked No. 364 on Rolling Stone's 2021 list of the 500 Greatest Songs of All Time, recognized for its enduring rock & roll appeal. While some observers have pointed to the inherent irony of delivering dire prophecies—earthquakes, lightning, and raging rivers—through such a cheerful, rockabilly-tinged delivery, the song has been widely lauded for successfully merging accessible pop-rock hooks with substantive depth. noted this tension as key to its foreboding yet timeless quality, enhancing its impact without sacrificing listenability.

Cultural impact

"Bad Moon Rising" has become a symbol of the and 1970s rock era, particularly evoking the sense of foreboding associated with the period. The song's upbeat rhythm juxtaposed against lyrics depicting natural disasters and apocalypse captured the era's underlying anxieties, making it a frequent reference in analyses of countercultural music during the conflict. Its style of contrasting cheerful melody with ominous themes influenced subsequent rock artists, including , who praised as "the best" band and incorporated similar narrative contrasts in his work. The track's enduring legacy is evident in its inclusion on major compilations, such as Creedence Clearwater Revival's 1976 Chronicle: The 20 Greatest Hits, which features "Bad Moon Rising" among its selections and has been certified 12× Platinum by the RIAA, signifying over 12 million units sold in the United States. This album's commercial success underscores the song's role in sustaining the band's popularity across generations. In musicological studies, "Bad Moon Rising" is analyzed as a key example of the apocalyptic folk-rock trope, embodying the principle of contrast between optimistic music and pessimistic lyrics to convey dystopian warnings. Its themes of impending doom have resonated in broader cultural discussions of catastrophe and resilience, reinforcing its status as a timeless rock staple.

Use in media and covers

Appearances in film, television, and other media

"Bad Moon Rising" by has been prominently featured in numerous films, often underscoring scenes of impending danger or transformation due to its ominous lyrics about natural disasters and trouble. In the 1981 , the song plays as two American backpackers hike across the moors and encounter a , heightening the tension before the attack. It also appears in the 1983 anthology , specifically in the "Nightmare at 20,000 Feet" segment starring , where it accompanies a tense airplane sequence involving a . Other notable film uses include the 1983 dramedy The Big Chill, the 1991 coming-of-age story , the 1994 epic , and the 1998 vampire action film . The original recording has appeared in various television episodes, typically in contexts evoking suspense or irony related to the song's themes. It features in multiple episodes of the supernatural drama , including Season 1, Episode 22 (2006) and Season 7, Episode 16 (2012), often during ominous plot developments. Additional TV placements include Season 3, Episode 11 of (2003), Season 2, Episode 8 of (2007), and Season 6, Episode 7 of (2008). In other media, "Bad Moon Rising" is included on the classic rock radio station K-DST in the 2004 video game , allowing players to hear it while driving through the fictional state of San Andreas. It also plays in the 2016 video game . The track has become a staple at games, frequently played over stadium speakers during rain delays as an ironic reference to its weather-related lyrics. More recently, it was used in the opening scene of the 2025 horror film Final Destination: Bloodlines.

Cover versions and live performances

"Bad Moon Rising" has inspired numerous cover versions by artists spanning various genres, often highlighting the song's versatile structure and enduring appeal. An early instrumental rendition was recorded by the rock band in 1969, capturing the track's rhythmic drive without vocals. In the and scenes, Nirvana delivered a raw live cover during a 1988 performance in , showcasing their early interpretation of the staple. More contemporary adaptations include an acoustic version by folk musician , released in March 2025, which strips the song to intimate guitar and vocals for a haunting effect. Creedence Clearwater Revival performed "Bad Moon Rising" extensively in throughout their active years, from its 1969 debut until the band's breakup in 1972, making it a concert staple that energized audiences during their high-energy sets. A notable instance was their appearance at the Music and Art Fair on August 17, 1969, where they played the song live—audio from this performance was later released officially, though the set was not featured in the 1970 . , the song's writer and CCR's frontman, has continued to include it in his solo live shows, such as an acoustic performance with his sons Shane and Tyler at (Evolutionary Arts Hackney) in on June 18, 2025, blending family collaboration with nostalgic delivery. The track has also appeared in tribute albums dedicated to Creedence Clearwater Revival's catalog, serving as a focal point for reinterpretations by other musicians. For example, the 2001 compilation A Tribute to Creedence Clearwater Revival features a cover amid renditions of the band's hits, performed by various artists to honor their swamp rock legacy. Orchestral adaptations have emerged in recent years, including a string quartet version by the Midnite String Quartet on their 2023 album MSQ Performs Creedence Clearwater Revival, transforming the upbeat rocker into a symphonic arrangement. Additionally, a full orchestral cover appears on the soundtrack for Wednesday Season 2 (2025), performed by the Nevermore Academy Orchestra with vocals by cast members, infusing the song with dramatic, cinematic tension.

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