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The Real Kids

The Real Kids are an American rock band from , , formed in the early 1970s by guitarist, singer, and songwriter John Felice following his departure from , blending energy with melodies and 1960s influences reminiscent of ' raw edge. The band's classic lineup, solidified by 1977, featured Felice on vocals and guitar, Billy Borgioli on guitar, Allen "Alpo" Paulino on bass, and Howie Ferguson on drums, evolving from earlier iterations with members like Steve Davidson, Rick Coraccio, and Norman Bloom. Known for their manic live shows at iconic venues such as in and in , the Real Kids built a dedicated through their unpolished rock 'n' roll spirit, though commercial sales remained limited, leading to breakups in the early 1980s and subsequent reunions. Their self-titled debut album, The Real Kids, released in 1977 on Red Star Records after three intense recording sessions, is widely regarded as a garage-rock cornerstone, capturing the band's youthful verve and high-octane tracks like "All Kindsa Girls." Subsequent releases included Outta Place (1982, on Star Rhythm Records, produced by Andy Paley), Hit You Hard (1983, ), and later efforts like the live album All Kindsa Jerks Live (recorded in ) and the 2014 studio return Shake...Outta Control on , alongside compilations such as Grown Up Wrong (1993, Norton Records). Despite no mainstream breakthroughs, Felice's post-Real Kids projects, including the Taxi Boys and John Felice and the Lowdowns, extended the band's legacy, cementing their status as pioneers in Boston's and revival scenes with enduring influence on later acts.

History

Formation and early years (1972–1977)

John Felice was born on December 27, 1955, in , where he grew up as neighbors and friends with , sharing an enthusiasm for bands like . At age 15, Felice joined the original lineup of in the summer of 1970, contributing guitar to their debut performance in September of that year at a coffeehouse. His involvement remained intermittent due to high school obligations, limiting participation in key sessions and leading him to depart the group by early 1972. In early 1972, Felice formed The Kids as a side project while still in high school, initially recruiting guitarist Curt Naihersy, bassist Jeff Jensen, and drummer Kevin Glasheen to play his original compositions alongside covers of material. The band evolved through lineup shifts, with Felice reassembling it upon returning from a brief stint in in mid-1975 under the name The Real Kids, featuring the core configuration of Felice on guitar and vocals, Steve Davidson on guitar, Rick Coraccio on bass, and Norman Bloom on drums. This iteration solidified the group's raw, energetic sound, drawing from Felice's growing songbook of high-octane rock tracks. The Real Kids quickly became a fixture in Boston's underground scene, performing regularly at clubs like The Rat and blending Felice's originals with covers of rock pioneers such as and acts including and . Their sets emphasized gritty, straightforward rock 'n' roll, establishing them as a local staple amid the ferment. In November 1974, as The Kids, they recorded a set of demos capturing early material like "All Kindsa Girls" and "Solid Gold," which highlighted their debt to garage influences. During this period, Felice also took on roadie duties for the , supporting their tours and gaining exposure to the emerging circuit.

Debut album and rise (1977–1983)

In 1977, The Real Kids recorded their self-titled debut album at Ultima Studios in , produced by Marty Thau, the former manager of the , and released it on Thau's Records label. By this time, the band's lineup had stabilized into its classic quartet: John Felice on vocals and guitar, Billy Borgioli on guitar, Allen "Alpo" Paulino on bass and vocals, and Howard Ferguson on drums. The album captured the band's raw, high-energy blend of , , and influences, featuring tracks like "All Kindsa Girls" and "She's Alright" that showcased Felice's gritty vocals and infectious melodies. Critics praised the debut for its dynamite tracks that evoked the trashier side of and the ' high-power guitar assault, hailing it as a genre-defining work of apolitical, teenage-centric revivalism, though it achieved limited commercial success. The band supported the album with U.S. performances that built a dedicated following. In 1982, they released their second studio album, Outta Place, produced by Andy Paley and issued on Star Rhythm Records, featuring a polished power-pop sound with tracks like "Can't Shake That Girl," though distribution was limited. It was their 1983 European tour, particularly in , that expanded their reach, where they developed a strong audience through energetic shows, including a notable live set at the Bataclan in on February 2. During this tour, they recorded material for the live album All Kindsa Jerks Live, capturing their fiery rock 'n' roll spirit across 11 tracks. The tour also led to the recording of their third studio album, Hit You Hard, released later that year exclusively in on the French label Records, featuring sharp power-pop cuts like the title track and marking their final original release before entering a . Shortly after Hit You Hard's release, Paulino and Borgioli left to form the side band Primitive Souls, effectively ending the band's active period.

Hiatus and side projects (1983–1998)

Following the release of Hit You Hard in 1983, The Real Kids effectively disbanded amid personal and career difficulties, including a shifting music scene and lack of label support after their time with Red Star Records. Frontman John Felice described the period as one where the band chose to "hang ‘em up for a spell," exacerbated by burnout from years of intense touring and recording without substantial backing. Guitarist Billy Borgioli and drummer Allen "Alpo" Paulino departed shortly after the album's release to form the Primitive Souls, a outfit that became part of the local underground scene, releasing an EP and performing sporadically through the and . During the hiatus, Felice pursued solo endeavors, forming John Felice and the Lowdowns and releasing the album Nothing Pretty in 1988 on Records, which featured a raw rock 'n' roll sound echoing his Real Kids roots. He also worked as a roadie for the and contributed to other obscure projects, including the Taxi Boys in the early and later the Devotions, while focusing on family life and occasional local gigs rather than full-time band commitments. Borgioli remained active in Boston's music community, playing with acts like the Classic Ruins and the Varmints alongside his Primitive Souls work, maintaining a presence in the and scenes. Paulino, meanwhile, continued drumming for the Primitive Souls and other local groups through the 1990s until his death in 2006, an event that would later influence the band's reunion dynamics. The period saw no official Real Kids activity, but archival interest grew, with Norton Records reissuing the band's debut album in 1991 after acquiring masters and compiling unreleased material from the and into collections such as Grown Up Wrong (), No Place Fast (1999), and Better Be Good (1999), helping preserve their legacy during the long break. These efforts highlighted the band's enduring influence without prompting a full reunion until the late .

Reunions and later work (1998–present)

After a long hiatus, The Real Kids reunited briefly in 1998 with original members John Felice on guitar and vocals, Allen "Alpo" Paulino on bass and vocals, Billy Borgioli on guitar, and Howard Ferguson on drums, performing sold-out shows in at in September, as well as gigs in and Boston's Linwood club. The reunion, sparked by an invitation to a party, generated excitement among fans and led to plans for new recordings, though the group disbanded again by 1999 after a series of U.S. performances, including a show in . The deaths of key members significantly impacted future reunions. Bassist Allen "Alpo" Paulino passed away on February 6, 2006, at age 52, depriving the band of one of its foundational players and complicating any attempts to revive the classic lineup. Billy Borgioli died by on June 27, 2015, at age 60, further limiting possibilities for full original-lineup revivals and leaving a void in the band's rock 'n' roll spirit. In 2014, John Felice reformed The Real Kids with a new lineup featuring Billy Cole on guitar, Dickie Oakes on bass, and Judd Williams on drums to record their first studio album in over three decades. The resulting Shake... Outta Control, released that year on Ace of Hearts Records in the U.S. and Ugly Pop Records in Canada, was hailed as a return to the band's raw, energetic roots, with producer Rick Harte incorporating elements like Hammond organ and pedal steel while preserving an unpolished sound; critics described it as an "immediate classic" that captured Felice's snarling delivery and killer tunes akin to the 1977 debut. Post-2014, the band maintained a sporadic performance schedule, including appearances at the 2016 Burger Boogaloo festival in , shows in and , and U.S. dates in and through 2017. These outings often served as tributes to the band's enduring influence on Boston's and scenes, though activity tapered off afterward. As of November 2025, no further gigs or new studio albums have been announced or confirmed.

Musical style and influences

Influences

The Real Kids' sound was deeply rooted in classic rock 'n' roll, particularly the guitar-driven style of , whose riffs and songwriting served as a foundational template for frontman John Felice's approach. Felice and the band frequently covered Berry's tunes in their live sets, incorporating his energetic, riff-based structures into originals like "All Kindsa Girls," where melodic shifts echoed Berry's influence. British Invasion acts such as and further shaped the band's raw energy and unpolished aesthetics, with Felice drawing from their early, gritty rock 'n' roll revivalism. The Real Kids' debut album reflected this through tracks evoking the Stones' primitive edge, while a later cover of the Kinks' "She's Got Everything" on their 2014 release underscored ongoing admiration for that era's trashy, direct songcraft. Felice's early involvement with alongside introduced elements, including a Velvets-inspired simplicity that carried over to the Real Kids' minimalist arrangements and unadorned delivery. This connection bridged the Velvet Underground's influence on Boston's emerging scene, emphasizing stark, repetitive structures over technical flash in Felice's songwriting. The band's affinity for 1960s garage rock revivalism drew from acts like , informing their cover selections and high-octane live performances that prioritized visceral intensity over polish. This garage ethos positioned the Real Kids as torchbearers for raw, DIY rock, akin to contemporaries influenced by and . Within the broader 1970s Boston music scene, the Real Kids emerged alongside local peers like DMZ and , sharing club stages at venues such as and fostering a communal punk-adjacent energy rooted in regional rock traditions. This environment reinforced their commitment to unpretentious, high-energy rock 'n' roll amid the city's ferment.

Style and reception

The Real Kids' core musical style is characterized by garage power , featuring simple three-chord structures, raw energy, and themes centered on apolitical teenage experiences such as romance and youthful rebellion. Their songs often revolve around girls and everyday , delivered with gritty, heart-on-sleeve vocals and driving guitar riffs that blend the trashier elements of garage with punk's aggressive edge. This no-frills approach results in high-energy performances marked by manic intensity and chaotic live sets, contrasting their more controlled studio work. The band's sound evolved from the raw, unpolished demos—such as the 1974 sessions featuring versions of early tracks like "Just Like "—to the more refined recordings on albums like Outta Place, where aggression merged with polished pop hooks and stellar production. By the 2014 release Shake... Outta Control, their style had matured into gritty yet matured rock & roll, incorporating ripping ravers and emotional ballads while retaining the tough, tender essence of their debut era. This progression highlights a consistent rock'n'roll spirit, adapting without losing the foundational rawness that defined their early work. Critically, the band's 1977 debut album The Real Kids has been acclaimed as classic, hailed for its genre-defining blend of raw melody and garage-punk vitality, with reissues in the amplifying its status among underground rock enthusiasts. Reviews of later works, including the 2014 album, praised its energy and emotional depth, reinforcing their enduring appeal. Their live reputation for powerful, crowd-stirring shows—despite occasional messiness from infighting—further cemented this acclaim. The Real Kids have influenced subsequent and revival bands, with their songs covered by groups like Teengenerate, contributing to a growing status that solidified post-1990s reissues and reunions. This legacy stems from their authentic intensity and refusal to compromise, earning a dedicated worldwide following among rock purists.

Band members

Current members

The 2014 reunion lineup of The Real Kids, responsible for the album Shake...Outta Control, consisted of John Felice on guitar and vocals, Billy Cole on guitar, Dickie Oakes on bass, and Randall Gibson on drums. Following the death of drummer Randall Gibson in 2022, the band has been inactive, with no live performances or new releases as of 2025. John Felice serves as the founder and sole constant member across all eras of the band, providing leadership and serving as the primary creative force in recent years. Billy Cole joined for the reunion, contributing guitar work to Shake...Outta Control and helping recapture the band's raw rock 'n' roll energy. Dickie Oakes handled bass duties in this configuration, anchoring the for live performances and recordings during the reunion period.

Former members

The Real Kids' original lineup in the early 1970s included bassist Rick Coraccio, who played from 1972 to 1974 during the band's formative phase in , contributing to initial live performances before departing prior to any recordings. Guitarist Steve Davidson, also an original member from 1972 to 1974, collaborated on early demos and helped shape the band's raw rock sound during local gigs, but left before the 1977 debut album. Norman Bloom completed this initial from 1972 to 1974, providing the drive for early Boston-area shows, though he exited as the group evolved toward its recording era. The band's classic lineup from 1977 to 1983 featured guitarist Billy Borgioli, whose energetic riffs were central to the debut album The Real Kids (1977) and the follow-up Hit You Hard (1983), as well as supporting the group's rise through singles and EPs. After leaving in 1983, Borgioli co-founded the Primitive Souls with fellow ex-member Allen "Alpo" Paulino, a short-lived Boston rock outfit active in the late 1980s that released a self-titled EP in 1987. Borgioli continued performing in local bands like the Varmints until his death from a brain hemorrhage on June 27, 2015. Bassist Allen "Alpo" Paulino served as a staple from 1977 to 1983, anchoring the rhythm on key releases including The Real Kids (1977) and Hit You Hard (1983), and co-founding the Primitive Souls upon departure. Paulino passed away from a heart attack on February 6, 2006. Drummer Howard Ferguson joined in 1977 and remained through 1983, powering the band's European tour in 1982—captured on the live album All Kindsa Jerks—and contributing to studio efforts like Hit You Hard. Drummer Randall Gibson, formerly of Scruffy the Cat, joined for the 2014 reunion and played on Shake...Outta Control, providing the band's driving punk-inflected beat until his unexpected death on January 27, 2022. During brief reunion activity in 1998 and 1999, the band performed sporadically with varying lineups drawn from past members, including shows in and on tour, before another hiatus.

Discography

Studio albums

The Real Kids' debut studio album, The Real Kids, was released in 1977 on Red Star Records and featured 10 tracks that captured the band's raw energy and hooks, including the standout "All Kindsa Girls." Produced by Marty Thau, the album was recorded at Ultima Studios in and dedicated to Draino. It was reissued by Norton Records in 1991, preserving its status as a cornerstone of Boston's scene. The Real Kids released Outta Place in 1982 on Star-Rhythm Records, produced by Andy Paley. The album featured 10 tracks blending original songs with the band's 'n' roll spirit, including "Can't Talk to That Girl" and "No Place Fast." It was later reissued on New Rose Records. Following a period of lineup changes and European touring, the band released Hit You Hard in 1983 on the French label New Rose Records, a post-debut effort blending original songs with covers that maintained their edge and 'n' roll spirit. The album, recorded in , showcased tracks like the title song and "She," reflecting the band's evolving sound amid financial struggles and transatlantic commitments. After decades of hiatus, Shake... Outta Control emerged in 2014 as a reunion album on Ace of Hearts and Ugly Pop Records, comprising 12 tracks that recaptured the gritty 1970s vibe with songs such as "I Can't Shake That Girl" and "She Don't Take It." Critically acclaimed for its return-to-form energy, the record was analog-recorded and remastered for vinyl, honoring the band's legacy while demonstrating Felice's enduring songwriting.

Other releases

Norton Records issued several archival releases in the and , compiling unreleased material from various eras. Grown Up Wrong (1993) gathered 24 tracks of early demos and live cuts, highlighting raw performances like "Wrong About You." Senseless: Live at Cantone's, 1982 (2001) captured 12 songs from a gig, emphasizing the band's high-octane stage presence with numbers such as "Outta Place." No Place Fast (1999) featured 14 tracks from 1981–1982 sessions, including "Can't Talk to That Girl" and selections from unfinished Outta Place material. Better Be Good (1999) collected 18 outtakes and demos from the 1977 debut era, with highlights like alternate takes of "All Kindsa Girls" and "Solid Gold (Thru and Thru)." In 2005, Norton Records issued the Foggy Notion 10-inch EP, compiling the band's earliest known live recordings from 1974 when they were still known as The Kids, including a of the Velvet Underground's "Foggy Notion" alongside originals like "High School" and "Nowadaze Kids." The live album All Kindsa Jerks Live, recorded during the band's 1982-1983 European tour, was released in 1983 on Records, capturing energetic performances of tracks such as "Outta Place," "All Kindsa Girls," and "She Don't Know" from shows in and elsewhere. Crypt Records released the compilation The Kids 1974 Demos / The Real Kids 1977/78 Demos / Live in 2018, featuring eight previously unreleased tracks from The Kids' November 1974 sessions (e.g., "Solid Gold," "Taxi Boys"), four demos from spring 1977 (e.g., "Carla," "High School"), and a full January 22, 1978, live set at The Rat in , accompanied by a 204-page with extensive and historical context. Norton Records has also issued various singles collections, such as the 1999 All Kindsa Girls single reissue and the 2001 She's Got Everything (Live) single, drawing from the band's and later material. The band's early singles include the 1977 7-inch "All Kindsa Girls" b/w "Common at Noon" on Sponge Records, a key release, along with additional 1980s singles tied to their European tours, such as those on and other labels.

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