This Woman's Work
"This Woman's Work" is a ballad written, composed, and performed by English singer-songwriter Kate Bush, originally created for the soundtrack of the 1988 American romantic comedy film She's Having a Baby, directed by John Hughes.[1] The song depicts the anguish of a husband witnessing his wife's traumatic childbirth, serving as a poignant exploration of vulnerability and emotional restraint during crisis.[2] It was released as the second single from Bush's sixth studio album, The Sensual World, on November 20, 1989, by EMI Records, where it peaked at number 25 on the UK Singles Chart.[3][4] The track features Bush's signature ethereal vocals layered over a minimalist arrangement of piano, strings, and subtle percussion, creating an intimate and haunting atmosphere that underscores its themes of regret and helplessness.[5] Initially overlooked upon the album's release, "This Woman's Work" gained cult status through its evocative music video, directed by Bush and featuring actor Tim McInnerny as a despairing father, and its frequent licensing in film and television, including scenes in The Handmaid's Tale (2017).[6] Its emotional depth has made it a staple in discussions of Bush's songwriting prowess, often praised for blending personal introspection with universal human experiences.[1] In 2011, Bush revisited the song for her album Director's Cut, re-recording it with a sparser, more acoustic production that emphasized raw vocal delivery and stripped-back instrumentation, altering its tone to feel even more vulnerable and immediate.[7] The original version received renewed attention in 2001 via a soulful cover by American R&B artist Maxwell, recorded live for his MTV Unplugged album and released as a single the following year, where it reached number 58 on the Billboard Hot 100 and introduced the song to a broader audience.[8] This cover, with its gospel-infused falsetto and improvisational flourishes, highlighted the track's versatility across genres and contributed to its enduring legacy as one of Bush's most covered and emotionally resonant compositions.[8]Original version
Background and writing
"This Woman's Work" was composed by Kate Bush specifically for the soundtrack of the 1988 film She's Having a Baby, directed by John Hughes.[9] The song underscores a pivotal scene depicting the protagonist, played by Kevin Bacon, anxiously awaiting news during his wife's complicated childbirth requiring emergency surgery.[10] Bush received the film's footage from Hughes and found it profoundly moving, inspiring her to write the track in a remarkably swift process—she described it as one of the easiest songs she had ever created, emerging almost instantaneously while viewing the sequence at her piano.[11] The lyrics reflect the husband's vulnerability and regret amid the crisis, capturing themes of emotional isolation, the fragility of life, and the unrecognized burdens in intimate relationships.[9] In a 1989 radio interview, Bush explained that the song explores how such a moment forces personal reckoning, with the man realizing the depth of his love and the "work" involved in partnership, urging appreciation before potential loss.[9] Though written from the male perspective prompted by the film, Bush's composition highlights the emotional labor often associated with women's experiences in relationships, emphasizing regret over unexpressed affections and support.[12] Originally featured on the She's Having a Baby soundtrack in 1988, the track was later released as a standalone single on November 20, 1989, serving as the second single from Bush's album The Sensual World, which had been issued the previous month on October 16.[3]Composition and recording
"This Woman's Work" is structured as a piano-led ballad in A♭ major, employing a 4/4 time signature and a slow tempo of approximately 66 beats per minute, with verses that gradually build from intimate piano accompaniment to expansive orchestral swells featuring strings and subtle percussion.[13][14] The arrangement highlights Kate Bush's art-pop sensibilities through layered, multi-tracked vocals that convey emotional vulnerability, blending delicate balladry with rich harmonic textures to evoke themes of regret and longing.[15] The track was produced by Bush at her Wickham Farm Home Studio in Welling, England, during sessions spanning 1988 to 1989, allowing for a highly personal creative process where she handled much of the instrumentation, including piano and vocals, alongside contributions from session musicians on strings and percussion.[16] Pink Floyd guitarist David Gilmour provided guitar on select album tracks, though his involvement in "This Woman's Work" remains unconfirmed in primary credits; the song's core remains Bush's solo piano performance augmented by orchestral elements recorded at Abbey Road Studios and Windmill Lane in Dublin.[17] Originally composed for the 1988 film She's Having a Baby, the piece integrates seamlessly into The Sensual World, the album's overarching exploration of sensuality, intimacy, and female perspective through lush, evocative soundscapes.[18]Release and promotion
"This Woman's Work" first appeared on the soundtrack for the film She's Having a Baby, directed by John Hughes, which was released in the UK on February 12, 1988.[19] The track, written specifically for a climactic scene in the movie depicting a childbirth crisis, marked its debut as a standalone recording.[9] The song was subsequently included on Kate Bush's sixth studio album, The Sensual World, released on October 16, 1989, by EMI Records.[16] It served as the album's second single, with a commercial release in the UK on November 20, 1989.[3] Available formats included 7-inch vinyl (EMI EM 119) featuring the A-side "This Woman's Work" (3:33) backed by "Be Kind to My Mistakes" (3:03), a 12-inch vinyl (EMI 12EM 119) adding "I'm Still Waiting" (4:25) on the B-side, and a CD single compiling all three tracks.[20][21] Promotion centered on the song's connection to She's Having a Baby, leveraging the film's emotional narrative to highlight its themes of vulnerability and love, while radio airplay focused on its ballad structure to appeal beyond Bush's established progressive rock fanbase.[22] Although Bush did not undertake a major tour in support of The Sensual World, the track later became a staple in her live performances.[23]Chart performance and certifications
"This Woman's Work" was released as a single in November 1989 and peaked at number 25 on the UK Singles Chart, spending five weeks in the top 75.[24] A re-recorded version included on the 2011 album Director's Cut prompted a re-entry at number 63 on the UK Singles Chart in April 2011.[10] The track has seen multiple subsequent re-entries on download and combined charts, including a peak of number 8 on the UK Singles Downloads Chart in 2023 amid renewed streaming interest.[24] In the United States, the song achieved limited initial airplay success following its single release but benefited from inclusion on the soundtrack for the 1988 film She's Having a Baby. It did not enter the Billboard Hot 100 at the time but experienced a resurgence in the 2020s through streaming platforms, peaking at number 24 on the Digital Song Sales chart in May 2023 after featuring prominently in the Netflix film The Mother.[25] Globally, the single had modest commercial performance in Europe during its original release, with limited chart entries beyond the UK.[26] In 2022, the British Phonographic Industry (BPI) certified "This Woman's Work" Gold for combined sales and streaming equivalent to 400,000 units in the UK.[27] Recent trends show significant streaming surges driven by media placements, including its emotional use in the 2023 Netflix action thriller The Mother, which led to spikes in iTunes downloads and global searches for the track.[28] By mid-2023, the song had amassed over 50 million streams on Spotify alone; as of late 2025, the 2018 remastered version has exceeded 73 million streams on the platform.[29][30]Music videos and live performances
Original music video
The original music video for "This Woman's Work," directed by Kate Bush and John Alexander, was produced in 1989 to accompany the single's release from the album The Sensual World. Filmed in black and white, the video employs a dramatic, cinematic aesthetic to heighten its emotional intensity. It runs for 4 minutes and features Bush performing the song at a piano under a single spotlight in an otherwise dark room, intercut with narrative sequences starring actor Tim McInnerny as a distraught husband awaiting news of his wife's childbirth in a hospital corridor.[31][22][10] The visuals incorporate symbolic imagery of emotional turmoil, including the man's anxious pacing, imagined visions of his wife's labor and potential death, and a nurse's reassuring embrace at the climax. Flashbacks depict intimate moments from the couple's relationship, such as shared dinners and tender interactions, underscoring themes of regret and vulnerability without explicit ties to the song's originating film She's Having a Baby. Bush appears in elegant, understated attire, while the narrative elements feature period-inspired costumes like a nurse's uniform and bridal elements in the recollections, blending dreamlike sequences to mirror the lyrics' exploration of intimacy and crisis.[22][12][10] The video premiered alongside the single on November 20, 1989, and received airplay on British television programs, though it saw limited rotation on MTV due to Bush's longstanding aversion to extensive promotional activities and overexposure in media. This approach aligned with her artistic intent to prioritize creative control over commercial saturation.Re-recorded version details
In 2011, Kate Bush revisited "This Woman's Work" for her album Director's Cut, re-recording the track to reflect her evolved perspective and vocal maturity. She transposed the song to a lower key and incorporated new instrumentation such as harp and choir to create a more ethereal atmosphere. The re-recording was produced by Bush, with the goal of updating the original 1989 version for contemporary audiences while preserving its emotional core. This process involved stripping back some of the original's dramatic elements in favor of softer dynamics, resulting in an extended runtime of 6:29 that emphasizes vulnerability and subtlety over high-drama orchestration. The re-recorded version appeared on Director's Cut, a reworking of tracks from The Sensual World (1989) and The Red Shoes (1993). Promotional efforts were limited to album tie-ins, with no standalone single release, focusing instead on the contextual integration within Bush's broader discography reimagination.Notable live performances
Kate Bush's live performances of "This Woman's Work" have been exceedingly rare, aligning with her selective approach to stage appearances following her sole tour in 1979. The song's intimate piano ballad structure, centered on themes of emotional vulnerability and regret in the face of childbirth, lent itself to stripped-down renditions that highlighted her vocal expressiveness.[32] A standout example occurred on December 6, 1989, during her appearance on the BBC's Wogan television program, where Bush delivered a lip-synched rendition at a piano. This rendition captured the track's raw emotional intensity, with Bush's delicate phrasing and dynamic vocal shifts underscoring the lyrics' plea for coping amid crisis, performed just months after the song's release as a single from The Sensual World.[33][34] Another television outing followed on May 19, 1990, on the French show Champs-Élysées, hosted by Michel Drucker. Bush presented the song in a visually evocative setting, though the performance was lip-synced to the studio recording, maintaining the piece's haunting atmosphere through her poised stage presence and minimalistic staging.[35] These broadcasts represent the primary documented live interpretations of the track, showcasing Bush's evolution toward more controlled, multimedia-infused presentations that echoed her broader artistic style without the scale of full concerts. No further major live stagings have been recorded, underscoring the song's scarcity in her post-1990s output.[36]Critical reception and legacy
Initial reviews
Upon its release as the second single from Kate Bush's album The Sensual World in November 1989, "This Woman's Work" garnered positive critical attention for its emotional intensity and Bush's expressive vocal delivery. Reviewers commended the song's raw portrayal of regret and vulnerability, with one contemporary assessment describing it as a track that would make listeners "weep," underscoring its poignant orchestration and lyrical intimacy.[15] Bush's performance was highlighted for its aching beauty, particularly in the stark piano accompaniment that amplified the song's themes of relational strain, evoking a sense of divine sorrow in its simplicity.[37] The track's emotional depth was further praised in Melody Maker, where it was noted for being sung "plaintively" from a male perspective, pitying the narrator's emotional isolation during a moment of crisis, which showcased Bush's range in embodying complex perspectives.[38] However, some responses were mixed, with critics observing that the ballad's sentimentality contrasted with Bush's typically experimental style, potentially rendering it more conventional amid the album's broader innovations. NME awarded The Sensual World a strong 9/10, appreciating the collection's cohesive maturity while implicitly positioning "This Woman's Work" as a standout for its heartfelt contribution.[39] Reviews in Q and The Guardian contextualized the song within The Sensual World's exploration of sensual and relational maturity, tying its introspective lyrics to Bush's evolving focus on female experience and emotional realism at age 30.[40] This alignment reinforced the album's thematic depth, with the single serving as a climactic expression of romantic idealism's triumphs and failures.[41]Retrospective assessments
In the 2010s, critics began to reevaluate "This Woman's Work" as a poignant exploration of gender dynamics, with The Guardian highlighting its role in inspiring female artists through Bush's empathetic portrayal of emotional labor in relationships and motherhood.[42] Academic analyses from the period further emphasized the song's thematic richness, examining it alongside Bush's oeuvre for its subversion of traditional gender roles, as noted in scholarly works like Sheila Whiteley's 2005 study on female artists. These interpretations positioned the track as a key example of Bush's feminist undertones, focusing on the interplay between male anxiety and female resilience in intimate crises. Entering the 2020s, the song's appreciation surged amid broader revivals of Bush's catalog, with The Guardian in 2022 recommending it to new listeners as a highlight of her sensual and introspective style, benefiting from the heightened visibility following Stranger Things' cultural resurgence of her music.[43] Streaming metrics reflected this enduring appeal, as platforms reported sustained plays driven by nostalgic and rediscovery trends, influencing modern playlists and algorithmic recommendations.[32] Marking its 34th anniversary in 2023, articles such as Music Musings & Such celebrated the song as a timeless ballad that continues to resonate across generations, praising its lyrical universality and musical elegance despite evolving pop landscapes.[32] The New York Times echoed this in a 2023 feature on 1989 songs, calling it one of the most wrenching compositions about childbirth ever written, affirming its lasting artistic impact.[1] In comparative retrospectives, "This Woman's Work" frequently ranks among Bush's finest ballads; for instance, The Guardian's 2018 ranking of her UK singles placed it third overall, lauding its charged emotional narrative originally penned for a film soundtrack.[4] This consistent high placement in decade-end lists highlights its status as a cornerstone of her legacy, often cited for blending orchestral drama with raw intimacy.Cultural impact and media usage
The original version of "This Woman's Work" gained early prominence through its inclusion in the 1988 film She's Having a Baby, directed by John Hughes, where it soundtracks a tense childbirth scene, amplifying themes of vulnerability and paternal anxiety.[10] Maxwell's 2001 cover featured prominently in the 2006 teen comedy John Tucker Must Die, underscoring a romantic reconciliation moment.[44] In television, Maxwell's version was used in Grey's Anatomy (season 3, episode 3, 2006) for an emotional montage depicting grief and loss following a patient's death.[44] It also played in One Tree Hill (season 5, episode 12, 2008), accompanying a birth scene that emphasized family bonds and redemption.[44] These placements often highlight the song's lyrical exploration of regret and empathy in moments of crisis, such as birth or bereavement. In 2023, Bush's version appeared in Netflix's The Mother, contributing to a resurgence in streams.[25] Beyond traditional media, the track has influenced digital culture in the 2020s, appearing in TikTok trends centered on vulnerability challenges, where creators share raw personal narratives of emotional exposure set to its haunting melody. A notable resurgence occurred in 2023, driven by fan edits on social platforms that paired the song with clips from films like The Mother, boosting its visibility among younger audiences.[10] As a cultural symbol of emotional authenticity, "This Woman's Work" embodies raw introspection and has been analyzed in scholarly contexts for its portrayal of gendered perspectives. It features in discussions of the female gaze within Kate Bush's oeuvre in Leah Kardos's 2024 Bloomsbury Academic publication Kate Bush's Hounds of Love, which examines Bush's innovative artistry through a feminist lens.[45] While no major cover versions emerged between 2020 and 2025, the song experienced sustained growth in streaming, reflecting its timeless resonance.[30]Cover versions
Maxwell's version
Maxwell first covered Kate Bush's "This Woman's Work" during his live performance for the MTV Unplugged series, taped on May 7, 1997, at the Brooklyn Academy of Music in New York.[46] The rendition was included on his subsequent MTV Unplugged EP, released that same year by Columbia Records, capitalizing on the momentum from his debut album Urban Hang Suite (1996).[46] This choice aligned with Maxwell's neo-soul style, transforming the original's ethereal art-pop into a deeply emotive R&B interpretation that highlighted themes of vulnerability and love.[47] The live recording emphasized raw emotion, with Maxwell producing the track under his alias Musze and arranging it for an acoustic setup featuring guitar and subtle backing.[48] Distinct adaptations included a tempo around 105 BPM, gospel-tinged vocal ad-libs, and prominent acoustic guitar elements, extending the runtime to approximately 4:22 while preserving the song's introspective core.[49] Performed with a small ensemble, the version captured an intimate, unpolished feel suited to the unplugged format.[50] A studio re-recording of the cover appeared on Maxwell's third album Now in 2001, marking his breakthrough era with greater commercial success.[51] Released as a single in early 2002, it peaked at number 58 on the Billboard Hot 100 and number 2 on the Adult R&B Airplay chart, underscoring its enduring appeal in R&B circles.[52][53]Hope for Isla and Jude version
The "Hope for Isla and Jude" version of "This Woman's Work" is a 2014 charity cover recorded by a collective of Australian and international musicians to support the Sanfilippo Children's Foundation in funding research for Sanfilippo syndrome, a rare neurodegenerative genetic disorder affecting young siblings Isla and Jude Donnell from Sydney.[54][55][56] The project, organized by Il Divo member Sébastien Izambard—who also served as producer—aimed to accelerate development of gene therapies for the condition, which has no cure and leads to severe developmental regression and early death.[57][58] The ensemble featured prominent vocalists and instrumentalists including Natalie Bassingthwaighte, Nathaniel Willemse, Christine Anu, Darren Hayes, Diesel, Casey Donovan, Luke Steele of Empire of the Sun, and Flea of Red Hot Chili Peppers, among others, creating a unified all-star effort to amplify awareness and donations.[54][59][60] Released as a digital single in Australia on December 5, 2014, via Sony Music, the track was accompanied by a music video highlighting the siblings' story and the urgency of medical research.[61][62] This rendition adopts an uplifting pop arrangement with choral elements from the contributing artists, extending to a runtime of approximately 3:45, while retaining the original lyrics intact but incorporating brief spoken introductions to emphasize the charitable intent.[63][64] The single contributed to the broader Hope for Isla and Jude campaign, which ultimately raised over A$250,000 toward a A$300,000 goal for Sanfilippo research by 2023, though specific sales figures for the track were not publicly detailed.[65][66] No major commercial chart success was reported, as the focus remained on philanthropic impact rather than mainstream promotion.[54]Other notable covers
Greg Laswell released an acoustic cover of "This Woman's Work" on his 2009 EP Covers, featuring a stripped-down arrangement that emphasized the song's emotional intimacy through fingerpicked guitar and vulnerable vocals.[67] The version gained wider recognition in 2011 when it was featured in season 3, episode 7 ("Ghost World") of the television series The Vampire Diaries, playing during a poignant scene involving supernatural elements and personal loss.[68] In 2016, British singer Ella Henderson recorded a pop-infused rendition for the compilation album BBC Radio 2: Sounds of the 80s Volume 2 – Unique Covers of Iconic 80s Hits, produced by Steve Anderson and Cliff Masterson, which infused the track with contemporary soulful production while preserving its heartfelt essence.[69] This cover highlighted the song's adaptability to modern vocal styles and was praised for Henderson's powerful delivery. Australian artist Tina Arena, known for her emotive performances, issued a live recording of "This Woman's Work" as a single in October 2021, captured during her tours and released as a tribute to the live music industry amid pandemic challenges.[70] Arena's version, with its soaring orchestration and raw vocal intensity, was performed regularly in her sets starting around 2007 and underscored the song's themes of resilience and empathy.[71] Saxophonist Jess Gillam, accompanied by the BBC Concert Orchestra under conductor Richard Balcombe, presented an orchestral arrangement of the song (adapted by Geoff Lawson) on her 2019 debut album Rise, blending classical instrumentation with the original's dramatic swells to create a cinematic reinterpretation.[72] This jazz-inflected take showcased the track's versatility in symphonic contexts, earning acclaim for Gillam's expressive saxophone lines that evoked the song's introspective core.[73] These covers, spanning acoustic folk, pop, live soul, and orchestral jazz, illustrate the enduring appeal of "This Woman's Work" across diverse genres, often amplifying its exploration of vulnerability and emotional labor.[74]Track listings and personnel
Track listings
The original single release of "This Woman's Work" by Kate Bush was issued on November 20, 1989, by EMI Records in the UK across multiple formats, including 7-inch vinyl, 12-inch vinyl, and CD single. The standard track listing for the 7-inch, 12-inch, and CD formats is as follows:| Side | Track | Duration |
|---|---|---|
| A/1 | This Woman's Work | 3:33 |
| B/2 | Be Kind to My Mistakes | 3:03 |
Original personnel
The original 1989 recording of "This Woman's Work," featured on Kate Bush's album The Sensual World, was produced by Bush herself, who also performed lead vocals, keyboards, and programming while arranging the track.[16] The song incorporated orchestral elements arranged by composer Michael Kamen, adding lush string sections to Bush's intimate piano-led composition. It was mixed by Kevin Killen.[20]| Role | Personnel |
|---|---|
| Lead vocals, keyboards, programming, producer, arranger | Kate Bush |
| Orchestral arrangements | Michael Kamen |
| Mixing | Kevin Killen |