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Tim Yeung

Tim Yeung (born November 27, 1978) is an American drummer recognized for his technical proficiency and blistering speed, having contributed to influential bands such as , , , I Am Morbid, Semi-Rotted, and As I Lay Dying. Born in , Yeung was inspired by his songwriting mother and artistic father to begin playing drums at the age of 11 in 1990. He later attended the Hochstein School of Music in , graduating in 1995 after studying and Latin drumming through private lessons and school programs. Largely self-taught thereafter, Yeung entered the scene in the late 1990s, first gaining widespread attention as the original drummer for on their debut album Conquering the Throne in 1999. Throughout his career, Yeung has been a sought-after session and live performer, providing drums for Decrepit Birth's full-length debut, live shows with Vital Remains in 2003 and 2004, and tours with Nile and All That Remains. In 2007, he co-founded the industrial death metal band Divine Heresy alongside vocalist Tommy Victor, recording their albums Bleed the Fifth (2007) and Bringer of Plagues (2009). Yeung joined Morbid Angel from 2011 to June 2015, replacing longtime drummer Pete Sandoval and performing on the album Illud Divinum Insanus (2011). His technical prowess was highlighted in 2006 when he won the "Fastest Feet" title at the NAMM International World's Fastest Drummer competition, achieving 872 bass drum hits in 60 seconds at 218 beats per minute—a speed he has exceeded in recordings up to approximately 247 beats per minute. In recent years, Yeung has continued to expand his discography with the tribute band I Am Morbid, formed in 2016 with former vocalist David Vincent. He joined the project Semi-Rotted in 2023, contributing to singles like "Bloodbath" and the album Barrage of Brutality (2024). As of October 2025, Yeung serves as the drummer for As I Lay Dying's reformed lineup, debuting on their comeback single "Echoes" following lineup changes in late 2024.

Early life and education

Upbringing and family influences

Tim Yeung was born on November 27, 1978, in . He grew up in nearby , reflecting the regional proximity in State. His family played a pivotal role in nurturing his creative inclinations from a young age. Yeung's mother was a songwriter, and his father was an artist, both providing inspiration for his early artistic explorations and fostering an environment rich in musical and visual creativity. At the age of 11 in 1990, Yeung began playing , drawn initially by a broad spectrum of musical influences spanning genres such as , metal, rock, and —including drummers like , , , and —which encouraged him to develop the basics through self-taught practice following introductory lessons.

Formal musical training

Tim Yeung commenced his formal musical training at the Hochstein School of Music & in , in 1995, where he concentrated on and Latin drumming styles under the guidance of instructor Steve Curry. This structured program during his high school years emphasized technical fundamentals, including stick control, finger dexterity, and wrist mechanics, which Curry systematically refined to build a solid rhythmic foundation. Yeung graduated from the Hochstein School in 1995, having acquired skills in dynamics, phrasing, and ensemble playing that provided a versatile base contrasting the relentless velocity and intensity of his subsequent pursuits. These lessons equipped him with principles of musicality and control that informed his later adaptations to blast beats and patterns. To apply his training, Yeung participated in early local performances around , joining high school bands for underage gigs at small venues, where he contributed to songwriting and demo recordings that honed his improvisational and collaborative abilities. Following his graduation, he cultivated self-directed practice routines centered on speed and endurance, typically dedicating at least an hour daily to coordinated hand-and-foot warm-ups for five minutes, extended playing sessions, and audio self-assessments to sharpen precision and stamina.

Professional career

Early career and Hate Eternal (1997–2001)

In 1997, Tim Yeung co-founded the band in , alongside guitarist and vocalist and bassist and co-vocalist Jared Anderson, establishing the group's core lineup as a key member on drums. The band quickly developed a reputation for their aggressive, technical approach to , with Yeung's precise and rapid drumming providing a foundational intensity to their sound from the outset. Yeung's primary contribution came with Hate Eternal's debut album, Conquering the Throne, where he handled all drumming duties during recording sessions at Greenhouse FX Studios in Tampa from February to May 1999. Released on October 4, 1999, via Earache Records' Wicked World imprint, the album featured guest guitarist Doug Cerrito and showcased Yeung's proficiency in blast beats, particularly on tracks like "Dogma Condemned" and "Nailed to Obscurity," which highlighted his ability to maintain relentless speed and groove amid the band's complex riffs. Following the release, Hate Eternal embarked on tours across North America and Europe in late 1999 and early 2000 to promote the album, with Yeung performing live and solidifying the band's early momentum in the underground death metal scene. Yeung's tenure with Hate Eternal concluded in 2000 when he departed the band, marking the end of his initial involvement; he was replaced by drummer Derek Roddy, who handled subsequent touring and recording duties. This shift allowed Yeung to pursue other opportunities while Hate Eternal continued to evolve their signature style.

2000s collaborations (2002–2010)

Following his tenure with Hate Eternal, Tim Yeung established himself as a prolific session in the scene during the early , leveraging his technical prowess to contribute to a range of brutal and technical projects. In 2002, Yeung provided drums for Agiel's debut album Dark Pantheons Again Will Reign, where his precise, high-speed blasts and intricate fills added intensity to the band's technical death metal sound with subtle metalcore breakdowns. That same year, he joined Aurora Borealis as their drummer, appearing on Time, Unveiled, an album blending black and death metal with atmospheric elements and relentless aggression. Yeung continued with the band through 2006. Yeung's session work extended to Decrepit Birth's 2003 debut ...and Time Begins, where he delivered ferocious, progressive rhythms that complemented the band's complex guitar work during a period when the group operated primarily as a studio project. By 2005, he drummed on The Tenth Circle's Of War and Reflection, infusing the hardcore-tinged metal album with explosive energy and rapid tempos that highlighted the band's raw, aggressive style. In 2006, Yeung co-founded World Under Blood alongside CKY's , contributing drums to the project's initial sessions and shaping its direction with groove-oriented blasts and thrash influences that persisted through ongoing recordings. That year also marked his involvement in guest appearances, including performances with during their brutal death metal tours, where his speed and endurance bolstered the band's live intensity from 2003 to 2007. He further supported on select shows, adding his expertise to their Egyptian-themed extremity, and joined All That Remains for a temporary North American tour, adapting his style to their framework amid lineup changes. A pivotal collaboration came in 2005 when Yeung co-founded with guitarist , blending ferocity with industrial metalcore grooves on their 2007 debut , where his versatile drumming—featuring polyrhythmic patterns and double-bass assaults—drove tracks like "Failed Creation." The band followed with Bringer of Plagues on July 28, 2009, Yeung's performances on which further fused breakdowns and technical death elements, solidifying the project's hybrid sound before his departure around 2011.

Morbid Angel and Divine Heresy (2011–2015)

In early 2011, Tim Yeung completed his commitments with following the release of their second album, Bringer of Plagues, in July 2009, including supporting tours alongside acts like in 2010. The band, which had already seen lineup changes such as the departure of bassist Joe Payne in January 2011, effectively dissolved around this time as Yeung shifted focus to other projects, marking the end of their active period. Yeung's extensive experience from collaborations in the 2000s, including stints with and , positioned him as a prime candidate when Morbid Angel sought a temporary replacement for , who was sidelined by back surgery. In 2010, the band contacted Yeung, leading to jam sessions that served as an informal audition, after which he officially joined as their in 2011. He contributed drums to Morbid Angel's eighth studio album, , recorded between June 2010 and March 2011 and released on June 7, 2011, via . The album represented a notable shift for toward an industrial- sound, incorporating electronic elements and programmed beats alongside traditional aggression, with Yeung adapting by translating synthetic noises into acoustic drum patterns on tracks like "Existo Vulgoré" and "Blades of ." His precise blast beats and technical proficiency provided a solid foundation amid the experimental production, though the stylistic evolution drew mixed responses from fans accustomed to the band's earlier pure output. Following the album's release, Morbid Angel embarked on extensive touring with Yeung on drums, maintaining a stable lineup featuring vocalist/bassist David Vincent, guitarist Trey Azagthoth, and second guitarist . The band made their live debut with Yeung in , including a headlining performance at the Scion Festival in . Through 2012–2015, they conducted multiple North American headline tours, European runs, and festival appearances, such as the 2014 , where Yeung's high-speed drumming energized sets blending classics like "World of Shit" with new material. These outings solidified the band's presence on the circuit during this era. Yeung's tenure with Morbid Angel concluded in June 2015 after five years, prompted by financial disputes with the band. In a statement, he reflected on the period as rewarding, highlighting worldwide shows and memorable experiences, while expressing openness to future endeavors. This departure capped a pivotal chapter in Yeung's career, bridging his groove-oriented work with to 's evolving legacy.

2016–present

Following his departure from in June 2015, Yeung joined forces with former vocalist and bassist David Vincent to form I Am Morbid, a tribute band dedicated to performing the group's classic material from albums such as (1989), (1991), (1993), and (1995). The project was announced in December 2016, with Yeung handling drums alongside Vincent and guitarists Ira Black and Bill Hudson, and the band has since toured extensively, including international dates in , , and , delivering faithful renditions of early songs. In the years following, Yeung maintained an active schedule through session work and live performances with various acts, including tracking drums for the death metal band Pessimist's 2021 album Keys to the Underworld, released via Season of Mist. This period also saw him contributing to other extreme metal projects, leveraging his reputation for precise, high-speed drumming in studio and touring contexts. Yeung expanded his portfolio in 2023 by joining Semi-Rotted, the band led by former drummer , where he provided drums for the single "Bloodbath," featuring guest vocals from Cannibal Corpse's George "Corpsegrinder" Fisher. The track, released in June 2023 via Chop Chop Records, showcased Yeung's aggressive blast beats and groove-oriented fills in an old-school framework. He continued his involvement with the band on their debut full-length Barrage of Brutality, a 12-track released on March 1, 2024 that blends thrash-influenced riffs with brutal breakdowns, earning praise for its energetic production and Yeung's dynamic percussion. On October 8, 2025, Yeung was announced as the new permanent drummer for As I Lay Dying, joining frontman and a revamped lineup that includes guitarists Bill Hudson, , and Don Vedda, as well as clean vocalist Chris Clancy. The band marked his arrival with the release of the single "Echoes," a track emphasizing heavy breakdowns and melodic elements, accompanied by a that highlighted the group's renewed energy. As I Lay Dying has scheduled upcoming tours to support the single and future material, positioning Yeung at the forefront of their post-hiatus resurgence. Throughout this era, Yeung has sustained visibility in the drumming community through ongoing endorsements with brands like Axis Percussion, for which he serves as a signature artist promoting their longboard pedals designed for applications. He has also participated in clinics and masterclasses, demonstrating techniques from his extensive catalog and engaging with fans and aspiring musicians at events and online platforms.

Musical style and achievements

Drumming technique

Tim Yeung is renowned for his mastery of blast beats, patterns, and high-speed fills, which form the core of his contributions to drumming. He employs variations such as the one-foot blast and the bomb blast, where sixteenths are played on the kicks with the snare on eighths, drawing inspiration from drummers like of . These techniques enable relentless precision at tempos exceeding 240 bpm, as demonstrated in tracks like "Existo Vulgore" from Morbid Angel's , where 32nd-note runs maintain consistency through upper-arm and shoulder motion. Yeung's formal training at the Hochstein School of Music in , in 1995, emphasized and Latin drumming, which he integrates into his style to create polyrhythmic complexity. Influences from fusion drummers like and of inform his approach, blending odd-time signatures and dense patterns, such as the 12/8 grooves in Morbid Angel's "Beauty Meets Beast." This fusion results in layered rhythms that add depth beyond straightforward aggression, evident in his early work with on Conquering the Throne. His aggressive and precise delivery earned him the nickname "The Missile" during the 1999 recording sessions for 's debut album, reflecting his explosive impact in both live performances and studio environments. Over his career, Yeung's technique has evolved from the technical precision of his and periods to incorporating experimental industrial elements during his time with . On , he adapted electronic noise into percussive beats, expanding his palette while retaining ferocity.

Notable accomplishments

In 2006, Tim Yeung won the Fastest Feet category at the competition held at NAMM, achieving 872 hits in one minute, a feat equivalent to 218 beats per minute and showcasing his exceptional speed and endurance. Yeung has been widely recognized in the community for elevating standards through his precise and rapid execution, with drumming publications highlighting his influence on the genre's technical benchmarks. He was inducted into the Sick Drummer Magazine Hall of Fame for his contributions to the genre. His percussion work on Hate Eternal's debut album Conquering the Throne (1999) received praise for its raw intensity and technical prowess, establishing it as a landmark in brutal and earning acclaim for driving the album's relentless energy. Similarly, Yeung's contributions to Morbid Angel's Illud Divinum Insanus (2011) were noted for their technical proficiency, providing a highlight amid the album's experimental shifts in . In October 2025, Yeung joined As I Lay Dying as their permanent drummer, marking a significant milestone in his career and contributing to the band's revival with the release of their single "Echoes."

Equipment and endorsements

Drum kit and cymbals

Tim Yeung has maintained a long-standing endorsement with , utilizing custom wood shell kits designed for extreme metal's demands, including the Dominion Maple series in black gloss finish. His core drum setup typically comprises an 8-piece configuration: a 22" × 20" , rack toms in 10" × 7", 12" × 8", and 13" × 9" sizes, a 14" × 13" , a 16" × 14" floor , and two 14" × 6.5" Tim Yeung Signature Detonator snare drums. The snare features a custom jet-black shell with hardware, engineered for aggressive projection and controlled response in high-intensity playing. Around , Yeung employed a more compact Ash kit in translucent black, consisting of two 20" bass drums, 9" × 12" and 9" × 13" , a 14" × 16" floor tom, and a 5.5" × 14" snare. Subsequent setups, including the reinforced maple series, reflect an evolution toward greater durability and speed, accommodating the rigors of execution in modern performances. Yeung endorses , favoring a setup that emphasizes cutting attacks and sustain for metal contexts, including 14" AAX Metal hi-hats, an 18" AAX Stage , a 22" HH Power Bell ride, an 18" B8 Pro , and a 19" AAX X-Treme for explosive punctuation. Additional effects cymbals, such as an 8" AAX splash and stacked 12" AA Mini hat atop a 14" AA Mini , enhance versatility in his layered arrangements. These cymbals, often from the AAX and AA series, provide the bright, trashy tones essential for cutting through dense guitar mixes during live and recorded .

Other gear

Tim Yeung employs Longboard pedals, specifically the A Classic Black model, for control in his performances. These direct-drive pedals are customized for speed and responsiveness, with beaters positioned approximately 7 inches from the heads at medium to medium-low to maximize and tonal quality. Yeung has used pedals for over two decades, praising their precision design that enables harder hits and consistent speed during intense playing. For drumsticks, Yeung endorses models, which provide the durability and grip needed for sustained endurance in high-speed, technical drumming. Yeung relies on Reunion Blues cases for transporting his equipment, selected for their robust protection during extensive touring and air travel. These cases have safeguarded his gear across numerous international tours since at least 2015. In terms of additional hardware, Yeung incorporates drum heads, tuned specifically for recording sessions and live settings to achieve balanced attack and sustain in death metal contexts. This peripheral gear has contributed to Yeung's technical feats, including his 2006 World's Fastest Drummer title for 872 bass drum hits in one minute using similar setups.

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