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The Rebound

The Rebound is a film written and directed by . Starring as Sandy, a recently divorced mother of two, and as , her much younger nanny, the film explores themes of post-divorce reinvention, unexpected romance, and generational differences in . It received a limited international theatrical release starting in September before its wider debut on February 7, 2012. The plot centers on Sandy, who discovers her husband's infidelity and relocates from the suburbs to , where she hires Aram—a recent college graduate recently separated from his wife—to help care for her children. As their professional relationship evolves into a deep friendship and eventual romance, the film delves into the challenges of their age gap, cultural clashes, and personal growth, all set against the vibrant backdrop of urban life. With a of 95 minutes, it blends humor and heartfelt moments, emphasizing Zeta-Jones's portrayal of a woman reclaiming her independence. Produced by The Film Department, A&F Productions, and Dillywood, The Rebound marked Freundlich's return to directing after a five-year hiatus, drawing on his experiences as a filmmaker married to actress . The supporting cast includes , , , and child actors and , who play Sandy's children. Critically, the film holds a 41% approval rating on based on 27 reviews, with praise for the leads' chemistry but criticism for predictable plotting and uneven pacing; it earned a 6.3 out of 10 average on from over 51,000 user ratings. Despite modest box office success, grossing $21.8 million internationally, it has gained a for its lighthearted take on midlife romance.

Plot and cast

Plot

Sandy, a suburban and mother of two children, discovers her husband Frank's while reviewing footage from their son's birthday party. Devastated, she files for and relocates with her daughter Sadie, aged nine, and son Frank Jr., aged seven, to a cramped in above a coffee shop. To support her family, Sandy secures a position at a sports media website, leveraging her expertise in leagues to contribute insightful articles on the topic. Struggling to balance her demanding new career and single parenthood, Sandy hires Aram, a 25-year-old barista from the coffee shop downstairs, as a full-time nanny. Aram, recently separated from his brief marriage to a French woman who exploited him for a green card, is an aspiring writer drifting through life without clear direction. Initially professional, their interactions deepen as Aram bonds with Sadie's precocious wit and Frank Jr.'s curiosity, while Sandy encourages Aram's creative pursuits, sharing feedback on his manuscripts. This evolving dynamic highlights the challenges of urban life for a newly single parent, contrasting the structured suburban routines Sandy left behind with the chaotic energy of city existence. As Sandy navigates dating in the city, her encounters with age-appropriate men prove unfulfilling, leading her to recognize an unexpected attraction to . Their relationship blossoms from companionship into romance, marked by amid everyday chaos, such as late-night talks and shared family outings. However, tensions emerge from their 15-year age gap, with Sandy's mother expressing disapproval and warning of potential instability, while Aram grapples with his immaturity and unresolved feelings from his failed . The return of Aram's ex-wife further complicates matters, forcing both to confront whether their is a mere rebound or something enduring. Themes of rebound relationships underscore the film's exploration of post-divorce vulnerability, intertwined with the trials of parenthood and the excitement and of an age-gap romance in a bustling . The narrative builds to a crisis when external pressures and self-doubt strain their bond, prompting a temporary separation. Through personal growth—Sandy embracing her independence and committing to his writing ambitions—they reconcile, affirming their mutual support. The story concludes optimistically, with Sandy and holding hands under the table as their children begin to warm to the blended family dynamic, symbolizing hope for a lasting partnership amid life's rebounds.

Cast

The principal cast of The Rebound centers on as Sandy, a 40-year-old divorced who relocates to with her two children to rebuild her life after discovering her husband's infidelity. plays Aram Finklestein, a 25-year-old aspiring and who is hired as the family's and develops an unexpected romantic connection with Sandy. The film emphasizes an ensemble dynamic, with supporting performers portraying family members and colleagues that highlight themes of second chances and intergenerational relationships.
ActorRoleDescription
SandyRecently divorced mother navigating single life and career reinvention in .
Aram FinklesteinAspiring writer in his twenties who becomes the nanny for Sandy's children.
Sadie (age 9)Sandy's outspoken young daughter.
Andrew CherryFrank Jr. (age 7)Sandy's mischievous young son.
Laura ReillySandy's no-nonsense boss at a sports news website.
Harry FinklesteinAram's supportive father.
FrankSandy's unfaithful ex-husband.
TrevorSandy's chiropractor.
Supporting roles include as Daphne, a friend of Sandy; and as Roberta Finklestein, Aram's mother, along with other minor characters such as Sandy's mother and various friends who appear in key family scenes. Zeta-Jones's portrayal of Sandy adds a layer of comedic timing and emotional depth to the film's tone.

Production

Development

The Rebound was written and directed by Bart Freundlich, marking his fifth feature film following The Myth of Fingerprints (1997), World Traveler (2001), Catch That Kid (2004), and Trust the Man (2005). Freundlich drew inspiration from the style of Woody Allen and films like The Graduate to craft a romantic comedy centered on an unexpected age-gap relationship. The film's development involved production companies The Film Department, in association with A&F Productions and Dillywood, which ramped up efforts during the 2008 writers' strike window to advance independent projects. Produced by Bart Freundlich, Mark Gill, Robert Katz, and Tim Perell, the project was announced in early 2008 with Freundlich attached as writer-director, and quickly secured Catherine Zeta-Jones for the lead role of Sandy, a divorced mother navigating life in New York City. Justin Bartha was cast opposite her as Aram shortly after, bringing a youthful energy to the central romance. Pre-production emphasized blending humor with the emotional nuances of rebound dynamics and urban family life, with initial casting calls focusing on actors who could balance comedic timing and dramatic depth in the script's revisions.

Filming

for The Rebound commenced on April 17, 2008, and primarily took place over six weeks in during the spring. The production utilized various locations across to capture an authentic urban atmosphere, including interiors and exteriors at Mojo Cafe on Charles Street and , a medical office on East End Avenue between East 89th and 90th Streets, and East 4th Street, The Elk restaurant, and . Additional scenes were filmed in , , and , , to depict key narrative elements. The film was shot on format by cinematographer Jonathan Freeman, who handled the visual capture to emphasize the intimate, everyday settings of the story. Filming in presented logistical hurdles typical of urban shoots, such as securing permits for street scenes and coordinating with child actors Kelly Gould, Andrew Cherry, and , though specific on-set incidents were not widely documented. Minor weather-related delays occurred during outdoor sequences in the city, aligning with Freundlich's approach to naturalistic, improvisational performances amid real-world conditions.

Release

Distribution

The Rebound had its international debut with a theatrical release in on September 16, 2009. The film was initially planned for a limited theatrical rollout in the United States on December 25, 2010, targeting major cities such as and , but the release was ultimately canceled following the closure of its domestic distributor. Internationally, distribution expanded rapidly to more than 20 countries beginning in late 2009, with early releases in markets including (September 17, 2009), the (September 24, 2009), and (September 30, 2009). In , the rollout included on November 11, 2009, on December 29, 2009, on December 31, 2009, and the on January 8, 2010, handled by various regional distributors such as in and in . Marketing efforts focused on the film's romantic comedy elements, with trailers showcasing the age-gap romance between leads and , alongside posters prominently featuring the stars in urban settings. Promotional activities were limited, consisting primarily of cast interviews and appearances at film markets and festivals, including screenings at the in October 2009.

Home media

The Rebound was released on DVD and Blu-ray in the United States on February 7, 2012, by Home Entertainment, marking its debut in that market. The DVD edition features a standard presentation, while the Blu-ray offers a high-definition transfer with . Both formats include a single bonus feature: a 24-minute collection of cast and crew interviews featuring , director , and others. Internationally, home media releases preceded the U.S. version in several regions. In , the film arrived on Blu-ray on August 19, 2010, distributed by . The saw a DVD release on July 23, 2010, via 20th Century Fox Home Entertainment UK, followed by a Blu-ray edition. Other markets included a Blu-ray launch in on August 19, 2010, and in on November 26, 2010. Digital availability expanded starting in the early , with the film becoming accessible for rent or purchase on platforms such as and Video by 2012. By September 1, 2013, it was added to select streaming services, including in various regions. As of 2025, The Rebound streams on , , and , with rental options on and other digital retailers. No special collector's editions or soundtrack-inclusive sets have been issued.

Reception

Critical response

The Rebound received mixed reviews from critics upon its release. On the review aggregation website , the holds a 41% approval rating based on 27 reviews. Several reviewers praised for her charismatic and dignified performance as the lead, Sandy, bringing charm and maturity to the role. highlighted how she maintains poise amid the story's lighter moments, while noted the mischievous humor enhanced by her and co-star Justin Bartha's appealing dynamic. The chemistry between the leads was often cited as a strength, with critics like those at appreciating how it elevates the feel-good romcom elements despite familiar tropes. The setting also drew positive mentions for its vibrant, visually engaging backdrop that suits the genre's urban romance vibe. On the other hand, the film's predictable plot and underdeveloped supporting characters drew significant , with many feeling it failed to explore its age-gap premise with depth or originality. described the narrative as unconvincing and feather-light, reverting to a risk-averse that avoids meaningful tension. The uneven blend of and was another common complaint, as awkward humor clashed with more serious undertones; called the script tone-deaf and charmless overall. lambasted the hoary gags and lack of metropolitan edge, rating it a mere 1/5. Notable reviews included Empire's 3/5 assessment, which acknowledged the leads' charm but noted a lack of passionate conviction in their romance, and The Guardian's harsh dismissal of the film as soulless and dead-eyed.

Box office

The Rebound was produced on a net budget of $17 million. The film received no wide theatrical release in the United States and instead went direct-to-DVD on February 7, 2012, resulting in negligible domestic earnings of $0. Internationally, it earned $21.8 million, primarily from markets such as the ($1.8 million), ($1.9 million), and ($1.6 million), contributing to a worldwide gross of $21.8 million. The picture underperformed in the U.S. market due to the absence of a theatrical rollout amid issues, but its stronger overseas reception—driven by positive word-of-mouth in limited releases starting September 2009—enabled wider international distribution and near-recovery of its budget through foreign sales.

References

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