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Time to Dance

Time to Dance is a Hindi-language romantic directed by Stanley D'Costa in his directorial debut. Produced by Lizelle D'Souza under her banner, it stars and Isabelle Kaif, the latter marking her Bollywood acting debut as the sister of actress . The film centers on competitive dancing, blending elements of street and styles, and was released theatrically on 12 March . The narrative follows Rishabh (Pancholi), a talented street dancer who abandoned competitive dancing following a tragic , and Isha (Kaif), an ambitious dancer determined to compete in an . When Isha's original partner withdraws after her injury, she convinces Rishabh to step in, forcing the pair to overcome personal conflicts and build chemistry on the dance floor to compete. The screenplay, written by Deepak Dwivedi, emphasizes themes of , passion, and partnership, supported by a featuring songs composed by Vishal Mishra, , and others. Filmed across locations in India and Europe, Time to Dance highlights elaborate choreography by international experts, introducing Latin dance forms rarely depicted in Bollywood productions. Pancholi and Kaif underwent rigorous training for several months to master the dance routines. Upon release, the film garnered mixed critical reception, with praise for its visually stunning dance sequences and the leads' performances but criticism for a formulaic plot and uneven dialogues; it holds a 2.5/5 rating from Times of India reviewers. Later streamed on Netflix, it runs for 113 minutes and features supporting actors including Rajpal Yadav and Waluscha De Sousa.

Story and characters

Plot

Isha, a talented dancer, and her partner William are preparing for 's biggest and championship when Isha suffers a during practice. William ends their partnership as a result, jeopardizing her dreams. Haunted by the and pressure from her family, Isha becomes a , running a modest academy in with her elder sister Meher. Isha later encounters Rishabh, a passionate street dancer from humble origins who works as a waiter and organizes flash mobs, driven by his own painful past. Recognizing her talent, Rishabh challenges her reluctance and convinces her to form a for the upcoming international competition. As they train, blending Rishabh's raw style with Isha's elegant techniques in intense montages, a romantic bond develops between them, complicated by Isha's fear of reinjury and Rishabh's insecurities. Their journey intensifies with rivalry against formidable competitors, including the polished couple and , leading to escalating tensions and personal confrontations amid in the dance world. In the climax at the London Ballroom and Latin Championship, Isha overcomes her trauma through their synchronized fusion routines, while Rishabh confronts his past. The film resolves with their victory, symbolizing personal growth, renewed passion for , and a committed romance.

Cast

The cast of Time to Dance features a mix of Bollywood actors and international performers, emphasizing skilled dancers to highlight the film's focus on contrasting street and ballroom styles. The ensemble contributes to the narrative through their portrayals of characters navigating personal challenges and competitive partnerships, underscoring themes of passion and resilience in dance.
ActorRoleCharacter Description
Sooraj PancholiRishabhThe street dancer protagonist, an energetic underdog who confronts his painful past to become a crucial partner in the competition, bringing raw passion to the ensemble's dance sequences.
Isabelle KaifIshaThe lead ballroom dancer, depicted as disciplined and skilled yet vulnerable after an injury disrupts her dreams, central to the film's exploration of partnership and growth.
Waluscha De SousaMeherIsha's elder sister who runs the dance academy with her and provides support, helping to advance the narrative in the competitive dance world.
Rajpal YadavSadaRishabh's friend and co-worker, serving as a coach-like figure who provides comic support and motivates the protagonist's journey in the dance world.
Supporting roles include Sammy Jonas Heaney as William, Isha's initial partner whose departure propels the plot; Saqib Saleem as , a rival dancer adding tension to the competitions; and as Hayat Sikandar, a formidable competitor in the polished style, along with various dancers enhancing the film's high-energy group routines. The actors underwent intensive training to authentically portray diverse forms, amplifying the ensemble's role in making Time to Dance a visually dynamic tribute to the art.

Production

Development

The project was announced in March 2018 as a produced by Lizelle D'Souza under Entertainment, with Stanley Menino D'Costa set to make his directorial debut after serving as a longtime assistant to choreographer-director on previous projects. The screenplay was written by Deepak Dwivedi, centering on a that fuses street dancing with styles as a street performer partners with a professional dancer for a major . commenced shortly after the announcement, with efforts underway by mid-2018, including the early attachment of lead actor ; principal photography was planned across locations in and , wrapping up on August 5, 2018. Key creative hires included and Stanley D'Costa as choreographers to handle the film's intricate dance sequences blending the two styles. The production encountered significant delays following the completion of filming, postponing the release from an initial target in 2019 to March 2021 amid adjustments and external factors.

Filming

Principal photography for Time to Dance commenced in in 2018, with lead actors and Isabelle Kaif traveling there at the beginning of the month to begin filming key scenes set in urban environments, including studios and streets. The production schedule included an initial stint in the to capture the film's international flavor, focusing on and sequences integral to the story, along with song sequences choreographed by over a four-week period. Principal photography wrapped up in on August 5, 2018, marking the completion of the on-location work after approximately two months of intensive shooting. To prepare for the demanding dance routines, and Kaif underwent rigorous training in Latin and styles prior to filming, ensuring in the elements. The production emphasized dynamic to highlight the , though specific technical equipment details were not publicly detailed during the shoot.

Soundtrack

Composition

The soundtrack for Time to Dance was composed by a team of Indian musicians, including , Vishal Mishra, , Gurinder Seagal, Vijay Verma, and Vee (for select tracks). Lyrics were written by a range of contributors, such as for tracks like "Aaye Haaye" and Kunaal Vermaa for "Baby! Tu Na Jaa". The music features upbeat compositions for high-energy scenes and melodic pieces suited to romantic moments. The comprises 15 tracks blending and elements, with the "Time to Dance"—composed by Vishal —serving as the central thematic element that encapsulates the film's spirit of rhythm and partnership. Recording occurred primarily in Mumbai-based facilities, such as VM Studios for lead compositions and Headroom Studio for mixing and mastering, incorporating live orchestral arrangements to heighten emotional cues in key sequences. Songs like "Aaye Haaye" were integrated to synchronize with pivotal romantic developments in the narrative.

Track listing

The for Time to Dance was released on 20 March 2021 by T-Series, with a total runtime of approximately 34 minutes. It is available as a digital download and in physical formats. The comprises 15 tracks, blending upbeat dance numbers and background scores, many of which are picturized on the lead actors and Isabelle Kaif during the film's dance competitions and sequences.
No.TitleDurationSinger(s)Composer(s)
1Aaye Haaye2:47Vishal Mishra, , Vishal Mishra
2Baby! Tu Na Jaa4:19Gurinder Seagal, Gurinder Seagal
3Thok De Killi3:10
4Time To Dance Title Track5:21Vishal Mishra, Vishal Mishra
5Munde Mar Gaye2:45Guru Randhawa, Vee
6Get Down To Groove2:38Shivang Upadhyay, Geet Sagar, Neha KarodeVijay Verma
7Hathon Se Yoon4:33Vijay Verma
8I Saw You0:49Neha KarodeVijay Verma
9We Are One0:52Geet SagarVijay Verma
10You Become Me0:53Geet SagarVijay Verma
11Common Dance0:42Amrita Talukder, Geet SagarVijay Verma
12Tender Touch0:07Geet SagarVijay Verma
13Re Sara1:27Geet SagarVijay Verma
14Now I Know1:22SkdVijay Verma
15Spanish Big Drums (Instrumental)1:35InstrumentalVijay Verma

Release

Marketing and promotion

The promotional campaign for Time to Dance commenced in early 2021 with the unveiling of first-look posters featuring leads and Isabelle Kaif on February 22, 2021, which also announced the film's theatrical release date of March 12, 2021. These posters emphasized the film's focus on Latin and forms, generating initial buzz for Isabelle Kaif's Bollywood debut. The official trailer followed two days later on February 24, 2021, released by T-Series on , highlighting high-energy dance sequences, the romantic storyline, and the performers' chemistry to build anticipation. Dialogue promos, such as "Winning & Losing," were shared on platforms in the lead-up to release, offering glimpses into key character moments and the competitive dance theme. Song releases from the soundtrack served as key promotional tools, staggered in the weeks before the film's debut to engage audiences through . The title track, "Time To Dance," composed by Vishal Mishra and featuring vocals by Mishra and with lyrics by , dropped on March 10, 2021, just two days prior to the . Additional tracks like "Get Down to Groove" were promoted via visual clips starring the leads, leveraging T-Series' distribution for widespread digital reach. The complete , comprising 15 songs, became available on streaming platforms on March 20, 2021. To amplify visibility, and Kaif participated in multiple media interviews and promotional appearances in March 2021, discussing their rigorous preparation and the film's unique portrayal of styles. These efforts, coordinated with producer Lizelle D'Souza, included virtual interactions amid ongoing restrictions, focusing on the stars' personal journeys to connect with fans. Earlier groundwork in 2019 involved shooting a high-profile promo track with a crew of 200, underscoring the production's commitment to showcasing Kaif's debut through elaborate visuals.

Distribution

The film premiered theatrically on 12 March in and select international markets, with a runtime of 113 minutes. It received a U certification from the (CBFC), indicating suitability for all audiences. In , distribution was handled by , while Eros International managed international rights. The theatrical rollout faced limitations due to ongoing restrictions, including caps on theater occupancy at around 25-50% in various regions, which restricted screening availability shortly after India's second wave began. Following its limited theatrical run, the film became available on the platform on 7 May 2021, marking its primary home media release. The production had originally planned a 2020 release but was postponed due to the global pandemic's impact on the film industry. No significant distribution controversies arose, though the timing contributed to subdued pre-release buzz amid theater closures and health protocols.

Reception

Critical response

The critical reception to Time to Dance was mixed to negative, with reviewers frequently praising the film's and sequences while lambasting its predictable plot, lackluster script, and uneven performances. Critics highlighted the strengths in the dance elements, noting that the diverse showcase of and Latin forms, along with mesmerizing by and Stanley D'Costa, provided engaging highlights throughout the runtime. The Times of India review specifically commended the "bucketful of superb dance performances" that kept viewers involved, awarding the film 2.5 out of 5 stars for these aspects. Similarly, Firstpost described the sequences as "graceful and impressive," crediting professional dancers for offering respite from the narrative weaknesses, though the overall rating stood at 2 out of 5. Isabelle Kaif's debut dancing received particular acclaim for its energy and poise, with reviewers noting her natural affinity for the medium despite her inexperience in acting. However, the story drew widespread for being clichéd and formulaic, revolving around a predictable " saves the day" set against overused backdrops, which failed to resonate with audiences. pointed out the plot's lack of substance and niche appeal, suggesting it was better suited for digital viewing rather than theaters, while called the dialogues "prosaic" and the narrative "unexceptional," pulling down the film's potential. Performances were another weak point, with Sooraj Pancholi's described as wooden and lacking emotional depth, though his physicality in numbers was acknowledged. Isabelle Kaif, while praised for dancing, was critiqued for flat delivery and discomfort on camera, with the noting she "needs to work on her comfort level in front of the camera." Audience response echoed the critical consensus, with an average IMDb user rating of 2.5 out of 10 based on over 1,000 votes, reflecting disappointment in the romance subplot and overall execution. Reviews often compared the film unfavorably to more successful dance-centric movies like the ABCD series, emphasizing how Time to Dance failed to capture the joy and innovation of the genre despite its release amid the COVID-19 pandemic's limited visibility.

Box office performance

Time to Dance was produced on a budget of approximately ₹10 crore, excluding prints and advertising costs estimated at around ₹2 crore. The film earned a net total of ₹0.09 crore in India over its theatrical run, with worldwide gross similarly low at around ₹0.1 crore due to negligible overseas performance. Opening weekend collections in stood at ₹0.09 net, comprising:
DayCollection (₹ Cr)Change (%)
Day 1 ()0.03-
Day 2 ()0.02-33.33
Day 3 ()0.04+100.00
The sharp drop after the reflected poor audience reception, leading to a complete halt in earnings thereafter. The film's commercial performance was classified as a , far below its budget recovery threshold. It suffered from the ongoing restrictions in March 2021, which limited theater occupancy to 50% or less in many regions, alongside competition from the simultaneous release of Fauji Calling. Additionally, negative word-of-mouth exacerbated the decline, in contrast to successful dance films like the series, which grossed over ₹100 domestically.

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