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Trigger Street Productions

Trigger Street Productions is an American entertainment production company founded by actor in 1997 and co-managed with producer . The company, named after a street from Spacey's childhood in , initially focused on supporting emerging filmmakers through its online platform TriggerStreet.com, which Brunetti expanded in 2001 to host script submissions and competitions. Among its notable achievements, Trigger Street produced the David Fincher-directed (2010), which won three including Best Adapted Screenplay; the Paul Greengrass thriller (2013), nominated for two Oscars; and the Netflix political drama (2013–2018), which earned multiple Emmys and revitalized prestige television. The company also backed other projects like (2015) and Manhunt: Unabomber (2017), demonstrating versatility across film and television genres. In January 2016, Trigger Street was acquired by , with Brunetti appointed as president of production, though Relativity's subsequent bankruptcy complicated operations. The company's trajectory was disrupted in 2017 by multiple sexual misconduct allegations against Spacey, leading to his removal from ongoing projects like and a broader industry reevaluation of associated productions; however, Spacey was acquitted in a 2023 UK civil trial and faced dropped charges in several U.S. cases, highlighting inconsistencies in some accuser testimonies. Post-acquisition, activity has diminished, with no major releases reported as of 2025.

Founding and Early History

Establishment and Naming

Trigger Street Productions was established in 1997 by , an Academy Award-winning actor, with the aim of producing and developing entertainment content across film, television, and digital media. The company was formed during a period when Spacey was transitioning from primarily acting roles to include production responsibilities, following successes in films like (1995) and (1997). Producer became a key shortly thereafter, helping to expand operations and handle day-to-day management, which positioned the company for early collaborations in and emerging digital platforms. Brunetti's involvement formalized the partnership structure, enabling Trigger Street to pursue a mix of narrative-driven projects and innovative distribution models. The name "Trigger Street Productions" originates from Trigger Street, an actual residential street in Chatsworth, , within the , where Spacey grew up and attended Chatsworth High School. Spacey selected the name to evoke , specifically recalling childhood aspirations shared with a best friend to construct a theater on that street, symbolizing a return to foundational creative dreams amid Hollywood's commercial pressures. This location held cultural resonance, as it was also home to Western icon Roy Rogers and his horse during the mid-20th century, though Spacey's naming emphasized his own formative experiences rather than direct homage to Rogers.

Initial Projects and Growth

Trigger Street Productions' initial projects emphasized digital innovation and talent development rather than immediate large-scale . Following its formation in , the company launched Triggerstreet.com as a basic online presence, which expanded in into an interactive enabling unrepresented writers and filmmakers to scripts and short films for and feedback. This initiative aimed to democratize access to critique and exposure, with users rating content on criteria such as originality and execution, fostering a community-driven discovery process. The platform's evolution into Trigger Street Labs by 2002 marked early growth, as it generated thousands of submissions and helped identify promising talent for further development. One of the company's first feature-length outputs was the 1999 independent drama The Big Kahuna, directed by John Swanbeck and starring alongside and ; the film, adapted from a play, grossed approximately $3.16 million domestically on a $7 million budget and received praise for its dialogue-driven exploration of morality in business. Trigger Street also produced the Triggerstreet.com in 2004, which showcased from the platform itself, reinforcing the company's focus on digital-native storytelling. These efforts laid the groundwork for expansion, transitioning from online facilitation to concrete productions and building a reputation for nurturing independent voices amid Hollywood's traditional gatekeeping. By cultivating a database of vetted scripts and filmmakers, Trigger Street positioned itself for partnerships and scaled output, though early financial details remain limited due to the company's private status. This phase of growth emphasized low-barrier entry over pursuits, aligning with Spacey and Brunetti's vision of peer-validated content as a meritocratic alternative to industry .

Key Initiatives and Programs

Trigger Street Labs

Trigger Street Labs was established in 2002 by as an online platform under Trigger Street Productions, aimed at supporting unrepresented screenwriters and filmmakers through feedback and exposure opportunities. The initiative sought to democratize development by enabling users to their work for by fellow members, who in turn provided critiques in a reciprocal system designed to refine storytelling and technical elements without reliance on traditional gatekeepers. The platform's core functionality emphasized collaborative critique, where participants earned credits for reviewing others' submissions, which could then be redeemed for feedback on their own scripts, promoting active engagement over passive consumption. This model attracted aspiring creators seeking constructive input, with early adopters reporting it as a valuable resource for honing craft amid limited access to professional networks. Over its operational period, Trigger Street Labs facilitated thousands of exchanges, contributing to the company's broader mission of nurturing emerging talent, though it did not directly lead to widespread production deals from the site itself. Operations ceased around 2014 after approximately 12 years, with the closure attributed to shifting priorities at amid growing demands on executive time for higher-profile projects. Post-shutdown, users migrated to alternatives like Coverfly's peer exchange features, highlighting Labs' pioneering role in digital script communities but also its vulnerability to resource constraints in a rapidly evolving online landscape. The platform's legacy persists in anecdotal accounts of career breakthroughs enabled by its feedback mechanism, underscoring its value as an early experiment in crowdsourced creative development.

Trigg.la Platform and Podcasts

Trigg.la served as an online developed as a from Trigger Street Labs, focusing on content for filmmakers and Angeles-based . It featured a blog, resources on local industry events, and hosted multiple podcasts covering topics including , , script analysis, and expert interviews in . The platform's podcasts included MusiCast, which explored -related discussions, ComiCast dedicated to , FilmTracks addressing critiques, and The Experts Audio featuring unedited conversations with industry professionals, often live-streamed on Wednesdays at 5 PM Pacific. These audio series emphasized raw, limitless dialogues aimed at aspiring creators and enthusiasts. Operations ran for about two years, after which Trigg.la announced its closure in a tweet from its official account to redirect efforts toward other initiatives within Trigger Street Productions. The podcasts went off-air following this decision, with archived episodes accessible via directories like Podchaser at the time. No specific launch date is documented in available records, but the platform aligned with Trigger Street's broader mission to foster emerging talent through digital communities.

Jameson First Shot Competition

The Jameson First Shot Competition was an international short film contest initiated in 2011 by Trigger Street Productions in collaboration with Jameson Irish Whiskey, aimed at identifying and supporting emerging filmmakers by providing them with professional production resources. Participants submitted original scripts of 5 to 7 pages, along with a director's treatment, focusing on themes such as "Sine Metu" (without fear) in later iterations. Trigger Street, led by Kevin Spacey and Dana Brunetti, oversaw the judging process, selecting three winners annually—one typically from the United States and two from international regions—who then directed their films in Los Angeles. Winning scripts were produced with budgets supporting high-quality shorts of approximately 9 minutes, featuring established actors to elevate the projects. Early editions starred Kevin Spacey himself, such as in the 2012 winners Spirit of a Denture (directed by Aleksey Nuzhniy), Envelope (Alan Shelley), and The Ventriloquist (Benjamin Leavitt, United States). Subsequent years rotated celebrity leads, including Uma Thurman (2013), Adrien Brody (2015, fourth year with winners like Henco J from South Africa), and Maggie Gyllenhaal (2016, drawing over 2,700 submissions for winners Cameron Thrower from the US, Kat Wood from the UK, and Jason Perini from Australia). The competition continued into its sixth year in 2017, featuring and announcing winners such as Ollie Wolf (UK, Five Star Fouad), Jason Manella (), and others, with films premiering later that year. Over its run, it processed thousands of entries, premiering shorts at events like those hosted by Spacey and Brunetti, fostering directorial debuts with industry backing. No further editions were publicly announced after 2017.

Film and Television Productions

Major Theatrical Films

Trigger Street Productions co-produced 21 (2008), a drama directed by and starring , , and , which dramatized the story of students using card-counting to win at blackjack casinos, earning $156 million worldwide against a $35 million budget. The company followed with (2010), directed by and written by , chronicling the founding of by ; the film received three , including for Best Adapted Screenplay, and grossed $225 million worldwide. In 2011, Trigger Street produced Margin Call, J.C. Chandor's debut feature starring , , and , depicting the early stages of the at an investment bank over a 24-hour period; it premiered at the and earned an Independent Spirit Award for Best Screenplay. Captain Phillips (2013), directed by and starring , was co-produced by Trigger Street and based on the true story of the by Somali pirates; it grossed $219 million worldwide and received six Oscar nominations, including Best Picture. The company's involvement in Fifty Shades of Grey (2015), directed by and adapted from E.L. James's , marked its highest-grossing theatrical release at over $570 million worldwide on a $40 million budget, despite mixed critical reception focused on its erotic romance elements.

Television and Direct-to-Video Works

Trigger Street Productions co-produced the American political thriller series , which premiered on on February 1, 2013, and ran for six seasons totaling 73 episodes until its conclusion in November 2018. The series, adapted from the BBC miniseries, followed the machinations of U.S. House Majority Whip Frank Underwood, portrayed by , who also served as an executive producer through Trigger Street alongside . In collaboration with and Discovery Communications, Trigger Street produced the limited series Manhunt: Unabomber, an eight-episode dramatization of the FBI's investigation into domestic terrorist , which debuted on on August 1, 2017. starred as FBI profiler Jim Fitzgerald, whose linguistic analysis helped identify Kaczynski, with in the title role; the production was executive produced by Spacey and Brunetti. No direct-to-video releases have been attributed to Trigger Street Productions in available production records.

Controversies and Legal Challenges

Kevin Spacey's Sexual Misconduct Allegations

In October 2017, actor Anthony Rapp accused Kevin Spacey of making an unwanted sexual advance toward him in 1986, when Rapp was 14 years old and Spacey was 26; Rapp claimed Spacey picked him up, placed him on a bed, and climbed on top of him while intoxicated. Spacey issued a statement expressing regret over the alleged incident, stating he did not remember it but apologizing if true, while denying predatory behavior. Rapp filed a civil lawsuit in 2017 alleging battery and intentional infliction of emotional distress, but the case was dismissed in 2022 on statute of limitations grounds, with Spacey acquitted of related claims upon appeal dismissal. The Rapp accusation prompted over 20 men to come forward with claims of by Spacey spanning three decades, including allegations of , non-consensual kissing, and attempted ; these included reports from his time as artistic director at London's Theatre (2004–2015), where 20 individuals reported unwanted advances or touching. Spacey denied the accusations, describing many as "vague" or inconsistent, and no criminal charges resulted directly from the complaints. Other notable claims involved a massage therapist alleging Spacey sexually ed him in 2016 by grabbing his genitals during a session, leading to a civil suit dropped in 2019 after the accuser's death; and a Nantucket boat operator accusing Spacey of him in 2016, with charges dropped in 2019 due to insufficient evidence. Spacey faced criminal trials in the related to alleged assaults between 2001 and 2013, including claims of non-consensual anal penetration and groping four men; in July 2023, a acquitted him on all nine counts after a two-week trial, finding insufficient evidence beyond . A separate UK civil claim alleging was scheduled for trial in 2024, stemming from an incident during Spacey's involvement. In May 2024, the documentary Spacey Unmasked featured 10 new accusers detailing alleged assaults, including Spacey exposing himself or pressing his groin against others, but these claims led to no formal charges and Spacey publicly refuted them as fabricated or exaggerated. The allegations intersected with Spacey's professional ventures, including Trigger Street Productions, which he co-founded; in connection with his role as on House of Cards (involving Trigger Street entities), Spacey and his companies were held liable in for after his 2017 firing amid misconduct claims, initially ordered to pay MRC nearly $31 million in 2021 for damages tied to production disruptions. This award was substantially reduced in February 2024 to $1 million following Spacey's challenge, with arbitrators finding some original claims unsubstantiated. No verified allegations of misconduct specifically occurred on Trigger Street-led projects beyond the broader contractual fallout.

Impact on Company Operations and Projects

The sexual misconduct allegations against , beginning with Anthony Rapp's public accusation on October 28, 2017, severely disrupted Trigger Street Productions' operations due to the company's close association with its co-founder. As Spacey's primary production entity, Trigger Street faced immediate reputational damage in , where partnerships and financing became untenable amid the wave of subsequent claims from multiple individuals alleging and spanning decades. This led to a de facto suspension of new project development, with no films or television works credited to the company after the release of in July 2017, prior to the allegations surfacing. A key operational fallout was the 2021 arbitration ruling in favor of , the producer of , where Spacey served as executive producer through Trigger Street. On November 22, 2021, a panel ordered Spacey, Trigger Street Productions, and M. Profitt Productions to pay $29.5 million in damages plus $1.2 million in legal costs for , stemming from Spacey's alleged misconduct on set that violated personal conduct clauses and necessitated costly production adjustments, including the expedited filming and reduced scope of season 6 without him. This liability, initially totaling nearly $31 million, imposed significant financial strain on Trigger Street, which had already been acquired by in January 2016 amid that studio's post-bankruptcy restructuring. Although Spacey later negotiated a settlement reducing his personal payment to $1 million in February 2024, the protracted legal battle from 2018 onward diverted resources and further eroded the company's viability for ongoing projects. Dana Brunetti, Trigger Street's co-founder and operational lead, distanced himself from Spacey following the allegations, transitioning to independent producing roles and co-founding Cavalry Global (later Cavalry Media) in 2017, from which he departed in February 2023. Under Brunetti's prior oversight at post-acquisition, Trigger Street had contributed to oversight of creative content, but the scandal halted any momentum, with itself facing ongoing financial instability. The absence of post-2017 initiatives, such as revivals of Trigger Street Labs or the Trigg.la platform, underscores how the allegations effectively ended the company's active production pipeline, shifting its status to dormant amid industry-wide aversion to Spacey-linked entities.

Legacy and Current Status

Achievements and Industry Influence

Trigger Street Productions achieved commercial and critical success through its involvement in major film projects, contributing to over $1.1 billion in worldwide earnings across 10 theatrical releases. Notable productions include (2010), which grossed $225 million globally and won Golden Globes for Best Motion Picture – Drama, Best Director, and Best Screenplay, alongside Academy Award nominations, and (2013), an Academy Award nominee for Best Picture that earned $219 million worldwide. In television, the company co-produced House of Cards (2013–2018) for , which received 77 Emmy nominations and secured 8 wins, including for casting and music composition, establishing it as a pioneering streaming series that drew widespread acclaim for its . This success underscored Trigger Street's role in transitioning high-profile content to digital platforms, influencing the shift toward original streaming programming. The company's industry influence extended to talent development via the Jameson First Shot competition, launched in partnership with , which annually selected three emerging writer-directors from thousands of global applicants—such as nearly 3,000 in 2016—to produce short films backed by Trigger Street, often starring actors like , , or . Running for multiple years starting in , the initiative provided production resources and mentorship, fostering new voices in filmmaking and demonstrating Trigger Street's commitment to nurturing underrepresented talent. Trigger Street's track record earned it recognition as one of Hollywood's most envied talent-led production entities, leading to strategic partnerships such as a with 21 Television Studios in 2015 and its acquisition by in January 2016, where principals and were appointed to oversee film operations amid the studio's restructuring. This positioned the company as a key player in bridging independent production with major studio infrastructure.

Post-2017 Developments and Ongoing Activities

Following the 2017 allegations against , Trigger Street Productions distanced itself from his involvement, with Spacey severing ties amid his removal from associated projects and leadership roles. The company, previously acquired by in January 2016, continued operations under altered management, focusing on select productions without Spacey's direct participation. This shift occurred as Relativity emerged from reorganization, integrating Trigger Street's assets into its broader slate while navigating the scandal's reputational and financial repercussions. In 2018, Trigger Street received production credit on , the final installment in , co-produced with and others, marking one of its immediate post-scandal outputs. More notably, the company contributed to (2023), a release based on the series, in collaboration with , 2.0 Entertainment, and director ; producers included Dana Brunetti, formerly Trigger Street's , underscoring continuity through pre-existing partnerships despite the earlier upheaval. These efforts reflect a scaled-back portfolio, prioritizing established franchises over new IP development. Legally, Trigger Street faced joint liability with Spacey in a 2021 arbitration ruling by the , ordering payment of approximately $31 million to Media Rights Capital (MRC) for related to production disruptions caused by the allegations; this included $29.5 million in damages and $1.2 million in fees. A 2024 ruling upheld the breach finding but reduced Spacey's personal obligation to $1 million, with unclear final resolution for the company's portion amid ongoing financial strains on . As of 2025, Trigger Street exhibits minimal public activity, with no announced projects beyond and Relativity Media's broader investments in film rights acquisition—totaling around $100 million planned over three to five years—potentially encompassing Trigger Street's banner, though specifics remain unconfirmed. The entity's reduced output aligns with industry caution toward scandal-tainted brands, prioritizing low-profile credits over high-visibility endeavors.

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