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True Confessions Tour

The True Confessions Tour was a major collaborative concert tour by American singer-songwriter , featuring as his backing band and co-headliners, which took place throughout 1986. The tour launched in early February 1986 and consisted of multiple international legs, beginning with shows in and , followed by performances in , an extensive North American run of 41 dates across the and starting in June, and concluding with the North American leg later that year. Shows typically featured an opening set by Dylan backed by the Heartbreakers, an alternating set by Petty and his band, and joint encores with both acts performing together, highlighting their burgeoning musical partnership that had begun when Petty opened for in 1985. This tour marked a significant revival in 's live performances during the , revitalizing his career with energetic renditions of classics like "" and "," and it laid the groundwork for future collaborations, including the formation of the supergroup.

Background and Conception

Origins and Development

Following his 1984 European tour, entered a period of limited large-scale touring activity, marked by a creative search for a revitalized sound during 1985. This experience underscored Dylan's desire for a more structured rock backing to reinvigorate his performances amid a decade of career uncertainties. Meanwhile, were enjoying surging popularity following the release of their 1985 album , which produced hits like "Don't Come Around Here No More" and reinforced their status as a leading rock act. The two artists had already forged informal ties, including the Heartbreakers' contributions to sessions for Dylan's earlier that year, where band members played on several tracks, including "Something's Burning, Baby." These connections were further strengthened by joint rehearsals and a performance together at the September 1985 benefit concert. These connections culminated in late 1985 negotiations for a collaborative tour, structured with as headliner and as his primary backing band, supplemented by Petty's opening sets. The arrangement promised mutual artistic gains, particularly exposing Petty's music to 's established audience while giving access to a polished, energetic ensemble to sharpen his live delivery. Logistically, the tour was designed to commence in to generate early buzz in international markets before progressing to , encompassing roughly 60 shows divided into three legs: Australasian, Japanese, and U.S. This sequencing allowed for a gradual buildup, with the opening Australasian dates—including a filmed performance in for the Hard to Handle video—serving as a proving ground for the partnership.

Announcement and Promotion

The True Confessions Tour was officially announced in January 1986 through a Rolling Stone feature detailing Bob Dylan's invitation to Tom Petty and the Heartbreakers to serve as his backing band for an initial five-week run across New Zealand, Australia, and Japan, building on their prior collaboration at the September 1985 Farm Aid benefit concert. The announcement highlighted the tour's format, with Dylan performing an opening set followed by joint appearances sharing songs from both artists' catalogs, aimed at recapturing a raw, energetic rock sound. Promotional efforts included custom tour posters and souvenir programs featuring artwork emphasizing the duo's synergy, distributed at ticket outlets and through fan clubs. Dylan and Petty participated in pre-tour interviews to generate buzz, with Dylan noting in a July 1986 piece that Petty's band brought fresh vitality to his performances, stating, "We’re recapturing the spirit of ," while Petty described the partnership as "like a dream" for its mutual creative inspiration. Additional publicity came from early 1986 media spots, such as Dylan's January interview with the and Australian , where they discussed the collaborative rehearsals involving around 60 songs at Universal Studios. Ticket sales for the international leg launched shortly after the announcement, with strong initial demand reported for the February 5 opening in , . Pre-tour media buildup intensified in March 1986 via a article covering the Down Under kickoff and logistical preparations, including a near-cancellation of the Wellington permit due to local concerns. To address Dylan's historically reclusive persona contrasting Petty's more approachable style, the promotion incorporated joint radio appearances and photo opportunities, such as a February 10 press conference in . The North American leg was separately revealed in May 1986, expanding the tour to 22 cities across .

Personnel and Format

Band Lineups

The True Confessions Tour featured as the primary backing band for 's electric sets. handled lead vocals, , and harmonica throughout, opening with a 6-7 electric set backed by the , followed later by a solo acoustic segment of 3-4 songs. Tom Petty and the Heartbreakers performed two mini-sets, each of 2 songs in the international legs or 4 songs in the North American leg, showcasing their established rock sound, before rejoining for joint segments and encores. The band's members included on lead vocals and guitar, Mike Campbell on lead guitar, on keyboards and backing vocals, on bass and backing vocals, and on drums. This configuration lent a consistent rock edge to Dylan's material, enhancing the tour's collaborative energy, with no changes to the core band during the run. The ensemble was augmented by a quartet of backing vocalists known as the Queens of Rhythm, who contributed harmonies during Dylan's electric sets and encores. The lineup varied by leg: for the international legs (, , ), the singers were Queen Esther Marrow, Madelyn Quebec, Elisecia Wright, and Debra Byrd; for the North American leg, they were Queen Esther Marrow, Madelyn Quebec, Louise Mathoon Byrd, and . Occasional additional musicians appeared, such as on for select North American shows. Their roles emphasized layered vocal textures, supporting the tour's blend of Dylan's style with ' arrangements.

Show Structure

The True Confessions Tour concerts followed a structured format designed to showcase both and while emphasizing their collaboration. opened with an electric set backed by for 6-7 songs, setting an energetic tone. This was followed by the first mini-set from (2 songs in international legs, 4 in ), lasting about 10-15 minutes, allowing a break. Next came 's solo acoustic segment of 3-4 songs for approximately 20-30 minutes, drawing from his folk roots. A joint performance of 1 song by and Petty transitioned to the second mini-set by the Heartbreakers (again 2 or 4 songs, providing another 10-20 minutes downtime for ). The main electric set then resumed with backed by for 5-6 songs, transforming classics into rock arrangements and highlighting the 's musicianship. Transitions between acts were seamless, with no formal intermissions, to maintain momentum. The concert culminated in a joint encore of 3 songs (1 by and Petty, 2 by with ), with the entire show typically lasting around two hours.

Itinerary

International Legs

The international legs of the True Confessions Tour encompassed the and segments, spanning February 5 to March 10, , and served as the tour's opening phase before shifting to . This portion featured 19 concerts across , , and , emphasizing Dylan's return to international stages with as his backing band. The shows were held in prominent arenas and stadiums, generating significant regional excitement and helping to establish the tour's collaborative dynamic on a global scale. The Oceania leg began in New Zealand with two performances: February 5 at Athletic Park in Wellington, launching the tour, followed by February 7 at Mount Smart Stadium in Auckland. It then proceeded to Australia for 13 shows from February 10 to March 1, marking Dylan's first major tour there since his 1978 world tour and attracting diverse, enthusiastic audiences that bridged generations of fans. Key stops included multiple nights in Sydney at the Entertainment Centre (February 10–13 and 24–25), a single show at Memorial Drive Park in Adelaide on February 15, two concerts at Perth Entertainment Centre on February 17–18, three performances at Kooyong Stadium in Melbourne on February 20–22, and a closing date at Lang Park in Brisbane on March 1. These dates highlighted the tour's momentum-building role in the Southern Hemisphere, with sold-out venues underscoring Dylan's enduring appeal Down Under.
DateCityVenueCountry
February 5, 1986Athletic Park
February 7, 1986
February 10, 1986
February 11, 1986
February 12, 1986
February 13, 1986
February 15, 1986Memorial Drive Park
February 17, 1986
February 18, 1986
February 20, 1986
February 21, 1986
February 22, 1986
February 24, 1986
February 25, 1986
March 1, 1986
Following the Australian dates, the leg consisted of four concerts in from to 10, adapting to local audiences through extended encores that resonated with fans familiar with Dylan's catalog. The itinerary included and 10 at in , at Osaka-jo Hall in , and at in . These performances capped the international phase, showcasing the duo's chemistry in one of Dylan's key Asian markets. Logistically, the legs involved extensive trans-Pacific travel, including flights between continents and within regions, yet proceeded without major cancellations or disruptions. Venues averaged 10,000 to 15,000 capacity, with many selling out rapidly; for instance, the held about 13,000, while accommodated around 14,000. During the February 24 and 25 Sydney shows, a professional crew filmed material for the concert video Hard to Handle, capturing the tour's high-energy vibe.
DateCityVenueCountry
March 5, 1986
March 6, 1986Osaka-jo Hall
March 8, 1986
March 10, 1986

North American Leg

The North American leg of the True Confessions Tour ran from June 9 to August 6, 1986, encompassing 41 shows throughout the and . This portion of the tour marked a significant return for to large-scale North American performances, backed by , following international dates earlier in the year. The itinerary emphasized a summer outdoor focus, traversing from the to the East Coast and back, with performances in major markets that highlighted Dylan's renewed collaboration with Petty's band. The leg began on June 9 at the San Diego Sports Arena in San Diego, California, followed by shows at the Greek Theatre in Berkeley on June 13 and 14, setting a tone for amphitheater and arena venues with capacities typically ranging from 10,000 to 60,000. Notable East Coast stops included three consecutive nights at Madison Square Garden in New York City on July 15, 16, and 17, two nights at The Spectrum in Philadelphia on July 19 and 20, and two stadium dates at RFK Stadium in Washington, D.C., on July 6 and 7, where peak attendance reached approximately 50,000 per night. The only Canadian date was a stadium show at BC Place in Vancouver on August 1, which drew 23,164 attendees. The Grateful Dead served as openers for select dates, including the July 6 RFK Stadium concert. Many shows in major cities sold out rapidly, reflecting strong demand for the double bill amid the summer festival circuit integration at outdoor venues like Red Rocks Amphitheatre and Alpine Valley Music Theatre. While official box office totals are unavailable, the tour's scale—spanning arenas, amphitheaters, and stadiums—underscored its commercial viability in an era of rising concert ticket prices averaging $15–20.
DateCityVenueCountry
June 9, 1986San DiegoSan Diego Sports ArenaUnited States
June 11, 1986RenoLawlor Events CenterUnited States
June 12, 1986SacramentoCal Expo AmphitheatreUnited States
June 13, 1986BerkeleyGreek TheatreUnited States
June 14, 1986BerkeleyGreek TheatreUnited States
June 16, 1986Costa MesaPacific AmphitheatreUnited States
June 17, 1986Costa MesaPacific AmphitheatreUnited States
June 18, 1986PhoenixVeterans Memorial ColiseumUnited States
June 20, 1986HoustonSouthern Star AmphitheaterUnited States
June 21, 1986AustinFrank Erwin CenterUnited States
June 22, 1986DallasReunion ArenaUnited States
June 24, 1986IndianapolisMarket Square ArenaUnited States
June 26, 1986MinneapolisHubert H. Humphrey MetrodomeUnited States
June 27, 1986East TroyAlpine Valley Music TheatreUnited States
June 29, 1986Hoffman EstatesPoplar Creek Music CenterUnited States
June 30, 1986ClarksonPine Knob Music TheatreUnited States
July 1, 1986ClarksonPine Knob Music TheatreUnited States
July 2, 1986AkronRubber BowlUnited States
July 4, 1986BuffaloRich StadiumUnited States
July 6, 1986Washington, D.C.RFK StadiumUnited States
July 7, 1986Washington, D.C.RFK StadiumUnited States
July 8, 1986MansfieldGreat Woods Center for the Performing ArtsUnited States
July 9, 1986MansfieldGreat Woods Center for the Performing ArtsUnited States
July 11, 1986HartfordHartford Civic CenterUnited States
July 13, 1986Saratoga SpringsSaratoga Performing Arts CenterUnited States
July 15, 1986New York CityMadison Square GardenUnited States
July 16, 1986New York CityMadison Square GardenUnited States
July 17, 1986New York CityMadison Square GardenUnited States
July 19, 1986PhiladelphiaThe SpectrumUnited States
July 20, 1986PhiladelphiaThe SpectrumUnited States
July 21, 1986East RutherfordBrendan Byrne ArenaUnited States
July 22, 1986MansfieldGreat Woods Center for the Performing ArtsUnited States
July 24, 1986Bonner SpringsSandstone AmphitheatreUnited States
July 26, 1986MorrisonRed Rocks AmphitheatreUnited States
July 27, 1986MorrisonRed Rocks AmphitheatreUnited States
July 29, 1986PortlandMemorial ColiseumUnited States
July 31, 1986TacomaTacoma DomeUnited States
August 1, 1986VancouverBC Place StadiumCanada
August 3, 1986InglewoodThe ForumUnited States
August 5, 1986Mountain ViewShoreline AmphitheatreUnited States
August 6, 1986Paso RoblesMid-State FairgroundsUnited States

Performances

Setlists

The setlists for the True Confessions Tour typically featured an opening segment by backed by , followed by a brief mini-set from Petty and his band, Dylan's extended main set, and a collaborative encore, with the overall show encompassing around 20-25 songs. Total performance time averaged 2-2.5 hours, emphasizing electric rock interpretations rather than acoustic renditions. In the international leg across , , and , Dylan's opening songs often included "Train of Pain," "," "Shake a Hand" (Joe Morris Orchestra cover), "," "Trust Yourself," "Across the Borderline" (Ry cover), "," and "It's Alright, Ma (I'm Only Bleeding)." The subsequent Tom mini-set was concise, usually limited to two tracks such as "" and "." Dylan's main set then incorporated 1960s staples like "," "," and "," alongside 1980s material including "," "When the Night Comes Falling from the Sky" (from ), "Seeing the Real You at Last," "," "," "," "In the Garden," "Heart of Mine," and "," with encores of "" and "." This structure highlighted roughly 10-12 Dylan originals, blending folk-rock classics with recent releases, all arranged electrically by for a high-energy feel. The North American leg expanded the format, with Dylan's opener shifting to selections like "So Long, Good Luck and Goodbye" (Weldon Rogers cover), "," "Clean Cut Kid," "," "," "" (Troy Seals and Eddie Setser cover), "," and "To Ramona." Petty's mini-set grew to four or more songs, incorporating "," "The Waiting," "Breakdown," "," and "," often with Dylan joining for harmonies. The main set added variety through tracks such as "," "Straight Into Darkness" (Petty collaboration), "Think About Me," and "," maintaining a core of 15-18 Dylan songs focused on 1960s hits ("," "") and 1980s cuts ("Clean Cut Kid" from , "" from ). Encores typically remained joint efforts on "" and "." Song selections drew from Dylan's 1960s catalog for enduring appeal, including protest anthems like "" and narrative ballads like "," while integrating mid-1980s output to promote recent albums such as Infidels (1983) with "" and (1985) with "Seeing the Real You at Last" and "Clean Cut Kid." ' electric backing transformed these into arena-rock vehicles, with Petty's duets and covers adding crossover energy; no complete album was performed sequentially, and minor variations arose from venue acoustics or regional tastes, such as more covers in outdoor international shows.

Notable Events and Guests

During the North American leg of the True Confessions Tour, the tour shared bills with the Grateful Dead at several large-scale stadium shows, including July 4 at Rich Stadium in Buffalo, New York (where the Grateful Dead opened), and July 6 and 7 at Robert F. Kennedy Memorial Stadium in Washington, D.C. (where Dylan and Petty opened). These collaborations infused the tour with an improvisational jam-band vibe, drawing massive crowds of fans from both acts. On July 7, Dylan made a special guest appearance with the Grateful Dead, joining them for a rendition of "It's All Over Now, Baby Blue" during their encore, creating a memorable cross-pollination of styles. The Australian portion of the tour featured dedicated filming sessions on February 25 and 26, 1986, at the for the HBO concert special Hard to Handle, directed by Australian filmmaker . These nights involved extended rehearsals and multi-camera setups to highlight Dylan's dynamic interplay with , capturing the raw energy of the international dates amid the tour's demanding schedule. Other highlights included distinctive covers and surprise guests that deviated from the standard format. In during the March leg, Dylan delivered a soulful performance of the 1949 standard "" with ' backing, evoking roots in venues like in . At on July 15, guitarist Ron Wood joined Dylan and Petty onstage for an impromptu jam during the nearly three-hour set, adding to the celebratory mood. The tour unfolded without significant controversies or disruptions, though Dylan occasionally adjusted arrangements mid-show to accommodate vocal fatigue from the rigorous pace. Crowd engagement peaked at the MSG performances, where audiences actively participated in communal renditions of anthems like "."

Media and Reception

Recordings and Releases

The primary official recording from the True Confessions Tour is the concert film Hard to Handle: Bob Dylan in Concert, filmed over two nights on February 24 and 25, 1986, at the Sydney Entertainment Centre in Australia. Directed by Gillian Armstrong, the video captures portions of the full show structure, including Dylan's opening set backed by Tom Petty and the Heartbreakers, Petty's solo segment, and their joint encore performances. It premiered as an HBO television special on June 21, 1986, in the United States, running approximately one hour and featuring edited selections such as Dylan's "Jokerman," "Like a Rolling Stone," and "In the Garden"; Petty's "Refugee"; and the collaborative "Knockin' on Heaven's Door." The film was subsequently released on VHS in October 1986 by CBS/Fox Video in some markets, with additional VHS editions by Virgin Music Video appearing in Australia and the UK in 1986 and 1987, respectively; a laserdisc version followed in 1988 via CBS/Fox Video. No complete official live album was ever released from the tour, though select recordings have surfaced on later compilations by both artists, including duets and performances integrated into Tom Petty and the Heartbreakers' 1995 box set Playback, which draws from their collaborative era. Among unofficial captures, fan-recorded audio bootlegs remain popular, particularly from the July 6, 1986, show at RFK Stadium in Washington, D.C., where the Grateful Dead served as openers, and from the July 17, 1986, performance at Madison Square Garden in New York City. Semi-official audio exists in the form of 1986 European promotional radio broadcasts, such as those aired on stations capturing shows from the tour's continental leg. In the modern era, official releases of Hard to Handle remain limited to legacy formats with no remastered editions or digital reissues noted as of November 2025, though fan-uploaded clips and full-show excerpts from the Sydney performances have proliferated on platforms like and since the early .

Critical and Commercial Response

The True Confessions Tour, comprising approximately 60 concerts across , , and from February to August 1986, drew significant audiences, with estimates exceeding 500,000 attendees in total despite limited reporting from the era. In , the tour saw robust ticket sales, including multiple sell-outs at major venues like in , reflecting strong demand for the Dylan-Petty . The initial Oceania leg, limited to 15 dates in and , benefited from positive word-of-mouth that bolstered attendance after modest early promotion. Exact gross revenues remain undocumented due to inconsistent industry tracking at the time. Contemporary reviews were mixed, praising the invigorating energy brought by while critiquing aspects of Dylan's delivery and the overall production. Outlets like the hailed the shows as a "triumph," noting Dylan's confident reinterpretations of classics such as "" and the Heartbreakers' playful contributions that earned thunderous ovations from enthusiastic crowds. The highlighted Dylan's adaptability, describing him as animated, talkative, and multifaceted during a performance, with fans responding rapturously to his soulful covers and joint sets. However, some accounts pointed to inconsistent sound quality and Dylan's occasionally strained vocals, with audience disruptions occasionally marring the experience. Dylan himself later reflected on the tour with ambivalence, admitting in interviews that the dynamic with Petty's band left him feeling disoriented and overshadowed, to the point where he "couldn't wait to retire" from the arrangement by its end. Audience feedback echoed this duality: joint encores generated high energy and excitement, but some fans expressed disappointment over the brevity of Petty's solo appearances, which were limited to four songs in after expanding from just two earlier in the tour. In retrospective assessments, the has gained more favorable regard, often cited for revitalizing Dylan's presence during a challenging period. The Center ranked it among his top three tours in a analysis, crediting the collaboration's creative spark.

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