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Twisted Logic Tour

The Twisted Logic Tour was the third major by the British rock band , launched to promote their third studio album, (2005). Spanning from June 2005 to March 2007, it encompassed approximately 140 performances across , , , , and , marking the band's transition from theaters and arenas to larger stadium venues. The tour concluded with its final show at Mexico City's Auditorio Nacional on March 4, 2007. Named after an instrumental track from X&Y, the tour featured elaborate stage production, including dynamic LED screens and lighting effects that synchronized with the music to create immersive experiences for audiences. Setlists typically opened with high-energy tracks like "Square One" and included fan favorites such as "Yellow," "Clocks," "Speed of Sound," and "Fix You," blending material from X&Y with earlier albums Parachutes (2000) and A Rush of Blood to the Head (2002). Support acts varied by leg, with artists like Rilo Kiley, Richard Ashcroft, and Fiona Apple joining on select dates. The Twisted Logic Tour was a commercial triumph, drawing massive crowds and generating significant revenue, particularly during its North American legs, where it achieved strong performance amid sold-out shows. It solidified Coldplay's global popularity following X&Y's chart-topping success and paved the way for their evolution into stadium headliners in subsequent tours.

Background and Development

Conception and Planning

The Twisted Logic Tour was conceived as a worldwide promotional effort for Coldplay's third studio album, , which was released on June 6, 2005, by Records in the . Following the success of their previous tours supporting Parachutes (2000–2001) and A Rush of Blood to the Head (2002–2003), the band aimed to capitalize on their growing international stature by booking larger venues, including arenas and festivals, to accommodate expanded audiences. This shift reflected Coldplay's transition from club and theater performances to headline slots in major markets, with the tour's core material drawn from 's tracks to showcase the album's anthemic sound. Planning for the tour commenced in early 2005, shortly after the completion of X&Y's recording sessions, as the band sought to create a visually immersive aligned with the album's motifs of , technology, and emotional introspection. Production designers Bryan Leitch and Nick Whitehouse were brought on board to develop innovative stage elements, including a 52-foot by 15-foot panoramic LED video capable of vertical movement via Cyberhoist systems, alongside extensive strobe lighting from Martin Atomic 3000 units and SGM Giotto spots to evoke dynamic, cinematic atmospheres. Their collaboration emphasized a band-centric setup with minimal distractions during performances, allowing for nightly variations in the set while adapting to diverse venue types, from indoor arenas to outdoor stadiums. The tour was structured across multiple legs to achieve maximum global reach, with initial dates in Europe beginning in June 2005 and North America in August–September 2005, followed by additional European shows in October–December 2005, a second North American leg in January–March 2006, Asia and Oceania in 2006, and Latin America in early 2007, with festival appearances integrated throughout. Initial rehearsals took place in the United Kingdom in May 2005, focusing on integrating the new production rig, which featured five moving trusses and 15 DeSisti Spider Pantographs for flexible lighting configurations. Logistically, the tour was planned for 139 shows in total, blending headline dates with select support slots at festivals to balance exposure and recovery time across continents.

Announcement and Promotion

The Twisted Logic Tour was officially announced on May 17, 2005, with details of the initial North American leg revealed by the band's label, . The tour, supporting Coldplay's third studio album , was named after the album's twelfth track, "Twisted Logic," which served as a thematic inspiration for the production and overall concept. Tickets for the North American dates, starting August 2 in at the Centre, went on general sale June 4, 2005, with pre-sale opportunities for registered users of coldplay.com. Promotion for the tour was closely integrated with the rollout of singles and festival appearances, building anticipation through high-profile partnerships. headlined the on June 25, 2005, delivering a set that previewed tour elements and drew praise for revitalizing the event after weather challenges. The band also performed at Coachella Valley Music and Arts Festival on April 30, 2005, incorporating early renditions of material to hype the upcoming tour. These festival slots, combined with the "" single release on May 23, 2005, amplified visibility, as the accompanying music video's dynamic lighting and performance style echoed the innovative visuals planned for the live shows. Marketing campaigns featured posters and advertisements spotlighting the tour's advanced production, including LED screens and elaborate stage setups, positioning Coldplay's shift from intimate venues to arenas as a key evolution. A press photocall took place in , , on June 15, 2005, just before the European leg's opening show at the Open-Air Bühne am , where frontman engaged with to discuss the tour's ambitious scope. Pre-tour buzz was further fueled by online promotions on Coldplay's website, including fan engagement initiatives for exclusive access, though specific meet-and-greet contests were tied to later legs. In interviews around the album launch, highlighted the tour's role in showcasing the band's growth, emphasizing sustainable practices and global reach from the outset.

Concert Production

Opening Acts

The Twisted Logic Tour featured a rotation of opening acts across its various legs, selected to complement Coldplay's anthemic rock style with emerging indie and alternative artists. For the initial North American leg in 2005, served as the primary opener, bringing their punky alt-country sound to venues like the Air Canada Centre in and the in , where their sets helped build energy for the headline performance. In the European leg later that year, provided support, delivering electronic and glam-infused performances that contrasted yet harmonized with Coldplay's rock anthems at shows such as the Palais Omnisports de Paris-Bercy and in . Their role was particularly notable in festival-like settings, where they energized crowds ahead of the main act. The 2006 North American extension included on select dates and for others, with Ashcroft's former-Verve frontman presence adding a rock edge to arenas like the Nassau Veterans Memorial Coliseum. These choices supported up-and-coming talent while maintaining stylistic alignment with X&Y's themes, across approximately 140 shows where 5-7 acts rotated, though European festivals often proceeded without openers. For the Latin American leg in 2007, local acts appeared on select dates to incorporate regional elements and engage audiences. A notable moment came during Ashcroft's set in on March 22, 2006, where his performance was praised for priming the crowd effectively before took the stage.

Stage Design and Effects

The stage design for Coldplay's Twisted Logic Tour, conceived by set designer Bryan Leitch in collaboration with the band, centered on a modular arena setup adaptable to stadiums, featuring five automated moving trusses suspended via Cyberhoists for fluid transitions between songs without interrupting performances. A key element was the 52-foot-wide (approximately 15.8 meters) by 15-foot-high LED video wall, positioned upstage and capable of vertical movement, which served as a panoramic backdrop displaying a mix of image magnification () feeds and custom abstract visuals created using to evoke the introspective and luminous themes of the X&Y album. These visuals were synchronized in real-time to the music, enhancing tracks with thematic overlays, while the wall's mobility allowed for scenic reconfiguration, such as forming angular patterns during encores. Lighting designer Nick Whitehouse's setup amplified the tour's aesthetic with over 150 automated fixtures, including 41 SGM Giotto Spot 400 moving heads, 26 VARI*LITE VL3000 spots, and 16 Martin Atomic 3000 strobes, controlled via an Avolites Diamond IV console across eight universes to create sweeping beams and intense flashes that underscored the album's motifs of light and emotional intensity. For high-energy segments, eight Syncrolite SX B5/2 fixtures provided broad beam effects across the stage, while 27 Mole-Richardson Molefay clusters and three Robert Juliat Heloises offered targeted illumination for the band. A downstage extended into the audience, facilitating intimate interactions, and was lit with vintage 1950s Mole Richardson 10K Fresnels on DMX-controlled DeSisti pantographs to contrast the main production's modernity with a raw, acoustic feel during select moments. Video director Andy Bramley integrated the visuals using a RadLite MG-1 server to playback over 30 pre-rendered abstract clips alongside live camera inputs, marking an early adoption of automated video mapping for dynamic, song-specific effects without manual intervention. The production evolved across tour legs, with the North American extension in 2006 incorporating minor refinements like additional IMAG cameras for larger venues, while maintaining the core rigging for safe transport and setup of the heavy LED and truss elements. This technical framework, powered by PRG's Series 400 distribution system to minimize cabling, ensured reliable operation for the tour's 140 shows, prioritizing visual immersion tied to the band's evolving sound.

Performance Details

Concert Synopsis

The Twisted Logic Tour concerts typically lasted 1.5 to 2 hours, beginning with high-energy openers that built anticipation before Coldplay's dramatic entrance, often signaled by a giant LED countdown and strobe lights flooding the arena. The performances were structured into a main set blending rock anthems and ballads, an acoustic interlude for more intimate moments, and one or more encores that extended the energy, creating a cohesive flow with seamless transitions under 10 seconds between segments. The atmosphere combined arena-scale spectacle with personal connection, featuring professional lighting, lasers, and video projections that amplified the emotional highs of ballads through crowd sing-alongs, while explosive visuals and marked upbeat sections. Frontman enhanced the audience experience by sprinting across the stage, interacting directly with fans in various sections, and praising local crowds to foster a sense of shared . Sold-out venues like Atlanta's Philips Arena and Singapore's Indoor Stadium buzzed with 10,000 to 17,000 attendees, where Martin's charisma turned the shows into communal celebrations of the band's themes. While full arena headline shows delivered the complete production, festival appearances such as in 2005 were condensed to fit event schedules, emphasizing core hits amid diverse lineups. The March 2006 dates at Air Canada Centre stood out for their particularly enthusiastic Canadian audiences, which inspired heightened band energy and led to the shows being selected for the live DVD release How We Saw the World. Unique touches included yellow balloons released during key moments and guest appearances, like 's joining for an encore collaboration, adding surprise to the polished spectacle.

Set List

The Twisted Logic Tour's setlists emphasized material from Coldplay's 2005 album , especially in early shows, while incorporating fan favorites from Parachutes (2000) and A Rush of Blood to the Head (2002). A representative standard setlist, drawn from the band's performance at the Air Canada Centre in on March 22, 2006, included 20 songs across the main set and two encores: "Square One," "," "," "," "God Put a Smile Upon Your Face," "," "How You See the World No. 2," "," "The Scientist," "Clocks," "Talk," and "" in the main set; "," "Low," and "" in the first encore; and "," a cover of The Verve's "Bittersweet Symphony," and "Swallowed in the Sea" in the second encore. "" served as a consistent high-energy staple early in the main set, often following "" to build momentum. Setlists evolved across the tour's 2005–2006 legs, with 25 unique songs performed in total but no rendition of "Twisted Logic"—the instrumental track from that inspired the tour's name—ever included. Early European shows in 2005 leaned heavily on tracks like "White Shadows" and "A Message," which were gradually phased out by the North American arena dates in 2006; Additions and deletions were common: "Spies" from appeared in select 2005 festival sets but was dropped entirely after that year, while previews of future material like "" from the band's next album were absent throughout. In 2006 legs, "" often extended into improvisational jams, enhancing its role as a dynamic opener alongside "Square One." Visual effects, such as displays and confetti bursts, were synchronized to key tracks like "" and "Clocks" for dramatic emphasis.

Tour Itinerary

Main Tour Dates

The Twisted Logic Tour consisted of 139 performed shows spanning from 15 June 2005 at the Color Line Arena in , , to 4 March 2007 at the Auditorio Nacional in , . The tour was divided into several legs, covering , , , , and , with an average attendance of approximately 15,000 per show across the itinerary. Prior to the official launch, the band served as a warm-up act at the Coachella Valley Music and Arts Festival on 1 May 2005 in , performing for an audience of over 60,000. The initial Europe leg in 2005 featured numerous shows, primarily in arenas and festivals across the continent, beginning with the opener and including a headline slot at the on 25 June 2005 at Worthy Farm in Pilton, , where they drew around 200,000 festivalgoers over the weekend. Notable venues included the Manchester Evening News Arena in , (16 June 2005, attendance approximately 15,000) and the in , (22 June 2005). The and Oceania leg in mid-2006 encompassed approximately 15 shows, marking the band's first major performances in the region, with key stops including Sydney, Australia, at the on 26 and 27 June 2006 (sold out, around 13,000 attendees per show) and Melbourne, Australia, at the on 30 June 2006, as well as Tokyo, Japan, at the on 18 and 19 July 2006 (attendance about 14,000 per show). North America's 2006 leg included 40 arena and amphitheater dates, highlighted by back-to-back sold-out shows at in on 18 and 19 June 2006 (each with capacity attendance of 20,000). The leg followed filming of the live album and DVD at Air Canada Centre in , , on 22 March 2006 (attendance 16,500), after which the band enjoyed a streak of sold-out U.S. arenas, such as the Wachovia Center in on 6 April 2006. The South America leg in early 2007 comprised 12 shows, focusing on arenas and theaters in the region, including , , at Teatro Gran Rex on 20, 21, and 22 February 2007 (attendance approximately 9,000 across three nights). Other highlights were performances at Espacio Riesco in , , on 14, 15, and 16 February 2007 (approximately 45,000-60,000 total attendees) and Via in , , on 26, 27, and 28 February 2007 (around 21,000 total). The final wrap-up leg from late 2006 into 2007 featured 30 shows blending and , with standout dates like in , , on 1 September 2006 (attendance 20,000) and the tour-closing shows at Auditorio Nacional in on 3 and 4 March 2007 (each around 10,000). This leg included returns to European cities such as , , at the Globe Arena on 17 November 2006, and North American stops like in , , on 25 February 2007.

Cancelled and Postponed Shows

During the Twisted Logic Tour, encountered multiple schedule disruptions, primarily due to lead singer Chris Martin's illness and weather-related logistics issues. In September 2005, Martin contracted an upper respiratory infection, resulting in the cancellation of several North American dates, including shows in , and . The Tampa performance was rescheduled for March 5, 2006, at the Ford Amphitheatre, where tickets from the original date remained valid. Logistical challenges from hurricanes also affected the itinerary. Approaching prompted the postponement of the band's September 24, 2005, concert at Smashing Pumpkins in , , and the September 25 show at the Austin Music Hall. These dates were part of a broader wave of cancellations in the region as the storm threatened the Gulf Coast. Two shows were permanently cancelled without rescheduling, impacting the tour's pacing, though most affected dates in North America were accommodated within one to two months. Chris Martin issued statements emphasizing recovery and health priorities following the illness-related cancellations. Overall, these incidents represented a minor fraction of the tour's 139 completed performances across 147 planned dates.

Reception and Commercial Performance

Critical Reviews

The Twisted Logic Tour was met with generally positive critical reception, with reviewers praising the band's to large-scale performances and their ability to deliver emotional and engaging shows. Critics noted the tour's from the intimate, indie-rock style of Coldplay's Parachutes era to a more expansive format, marked by polished production and anthemic delivery that suited venues. A highlight was the band's headline set at in 2005, which was lauded for its confidence and crowd connection despite some overly sentimental moments. described Coldplay as rising to the occasion with "astonishing confidence," transforming from a "callow band" into a major act that bowled over the festival audience with hits like "Clocks" and "The Scientist," whose chorus served as an apt motto for the muddy, resilient event: "Nobody said it was easy, nobody ever said it would be this hard." retrospectively praised the performance's polish, honed from prior touring, including a tribute cover of Kylie Minogue's "Can't Get You Out of My Head" and a field-wide singalong on "The Scientist," where spotlighted guitarist mid-song. Reviews of later shows emphasized Martin's charisma and audience interaction, though some critiqued elements of repetition and bombast. At , tailored lyrics referencing festival organizer demonstrated strong crowd engagement, but the opening track "Square One" was called "too bombastic," and certain references felt corny. Overall, the tour's energy and spectacle were echoed positively in professional critiques and fan discussions, establishing Coldplay's command of live environments.

Box Office and Attendance

According to Billboard Boxscore reports, the tour grossed $22.7 million from 58 shows in 2005 and $30.7 million from 51 shows in 2006. Attendance reached 580,730 in 2005 and 476,341 in 2006 (from a capacity of 709,884). Notable records included two sold-out nights at in June 2006, drawing a combined 36,000 attendees. The tour ranked 19th in 's Top 25 Tours for both 2005 and 2006.

Media and Personnel

Video Release

The official video recording from the Twisted Logic Tour was filmed during Coldplay's concerts at the Air Canada Centre in on 22 and 23 March 2006, capturing the band's performance in support of their album . Initially announced as a live DVD titled Coldplay Live 2006, the project was directed by and planned for release in October 2006 via Records. The production featured a comprehensive multi-camera shoot to document the full concert experience, including a drawn from the tour's standard repertoire, such as "Square One," "Yellow," "Clocks," and "." Additional content was set to include footage and a 30-minute tour documentary exploring the band's journey during the tour. However, in late August 2006, Coldplay announced the cancellation of the DVD release, stating dissatisfaction with the final edit on their website. Instead, the footage was repurposed and broadcast as a titled Coldplay: How We Saw the World – Live in , premiering on MuchMusic on December 14, 2006, and other international networks. The special retained the core concert performance and extras like and documentary segments, providing fans with the only visual documentation from the . No commercial home video release, such as DVD or Blu-ray, was ever issued, marking the Twisted Logic Tour as the only major Coldplay outing without an official video product.

Tour Personnel

The Twisted Logic Tour was supported by Coldplay's longstanding core lineup, consisting of on lead vocals, piano, and occasional ; on ; on ; and on drums and backing vocals. This quartet remained unchanged throughout the tour's duration from 2005 to 2007, maintaining the band's intimate four-piece configuration without additional touring musicians. Management for the tour was handled by , Coldplay's creative director and long-term manager, alongside Dave Holmes, who joined as co-manager in 2005 to oversee operations, particularly in the United States. The production team was led by production manager Mark Ward, with assistance from Shari Weber as production assistant. Show design was overseen by Bryan Leitch, while lighting design was managed by Nick Whitehouse. The tour's technical crew included sound engineer Dan Green for front-of-house mixing and as monitor engineer, supported by technicians such as Bryan Kiger, John Kaylor, Dave Cheek, and Will Lowdermilk. Lighting operations were directed by crew chief Ben Holdsworth, with technicians Tom James, Tim Massey, Dave Favorita, and Pat Thomsen. Video elements were coordinated by director Andy Bramley and crew chief Alan Yates, including camera operator Mark Antonuik and projectionist Jimmy Johnston. fell to Eric Benbow, with backline technician Craig Hope and chief Jim Allison. Overall, the tour employed a partial crew of over 20 core members for lighting, sound, video, and , supplemented by additional for across approximately 140 shows worldwide. No significant personnel changes occurred during the tour, though local hires were utilized for specific regional requirements.

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