Fact-checked by Grok 2 weeks ago

Electro house

Electro house is a high-energy subgenre of and a prominent style within (EDM), characterized by heavy basslines, distorted and buzzing synthesizers (including sawtooth synths), prominent synth leads, driving rhythms in 4/4 time, and a typical of 125–135 beats per minute. It features energetic beats and festival-friendly drops that create a big room sound, often slightly faster than traditional house, making it ideal for large-scale dance events. Emerging in the as part of the rising movement, electro house drew from the fusion of classic elements with more aggressive influences, gaining widespread popularity through its ties to culture and the commercialization of electronic music in the . The genre's development was propelled by advancements in digital production tools, which allowed for its signature distorted sounds and dynamic builds, influencing mainstream pop crossovers. Key figures such as integrated electro house with to achieve international chart success, while broader pioneers like , , and helped define its high-impact, crowd-energizing style. Electro house has spawned substyles like big room and Dutch house, contributing to the diversification of EDM and its global dominance in clubs and festivals, though it faced evolution and blending with other genres by the mid-2010s. Its emphasis on powerful drops and anthemic structures has made it a staple for high-energy performances, underscoring EDM's shift toward spectacle and accessibility.

Musical Elements

Core Characteristics

Electro house is a subgenre of that fuses elements of and , resulting in a sound defined by aggressive, distorted basslines derived from sawtooth waves, sharp synth stabs, and high-energy drops that create explosive climaxes. These basslines are often compressed and processed to achieve a "dirty" or gritty texture, emphasizing low-end power that drives the track's intensity. Synth elements typically include brief, high-pitched riffs and futuristic leads with pitch modulation or glide effects, adding a melodic layer to the otherwise abrasive foundation. Tracks in this genre operate at a tempo range of 125 to 135 beats per minute (), most commonly around 128 , underpinned by a steady four-on-the-floor drum pattern that provides relentless propulsion. This rhythmic backbone, often featuring prominent and extended sounds, builds tension through layered percussion and synth builds, leading to breakdowns where the full weight of the bass and drops is unleashed. Vocal chops or vocoded samples are commonly integrated to heighten energy and add hype, frequently drawing from pop or 1980s-inspired sources for an alien-like or futuristic vibe. The standard structure follows an intro, build-up, , and sequence, tailored for seamless play and anthems where the drops serve as peak-time moments. Sidechained on synths and creates a characteristic pumping effect, syncing elements to the for dynamic movement. Compared to traditional , electro is heavier and more abrasive with its raw emphasis, while incorporating more melodic synth structures than the breakbeat-driven, minimalistic pure style. This blend emerged prominently in the mid-2000s, solidifying its identity as a high-impact dancefloor .

Production Techniques

Electro house production heavily relies on digital audio workstations (DAWs) such as and , which facilitate the layering of multiple synthesizers to create complex textures. Producers often use wavetable synthesizers like Xfer Serum for designing wobbling basslines and leads, while Native Instruments Massive is favored for aggressive, distorted leads that define the genre's high-energy drops. These tools allow for precise manipulation of waveforms, enabling the creation of the distorted bass sounds characteristic of electro house. Key synthesis techniques include (FM) synthesis to generate metallic bass tones, where a carrier is modulated by another to produce harmonic complexity and bite. plays a crucial role in building tension, with parameters like filter cutoffs or reverb tails automated to craft rising effects (risers) and sudden impacts that punctuate transitions. (EQ) is applied to sculpt a punchy low-end, typically by boosting around 50-100 Hz for kick drums while cutting sub-30 Hz rumble to maintain clarity without muddiness. Samples from 1980s electro influences, particularly drum sounds from the and TR-909 machines, are frequently incorporated for their iconic kicks, snares, and hi-hats, providing a foundational rhythmic drive. Modern processing techniques, such as bitcrushing, add grit and lo-fi texture by reducing and sample , enhancing the raw, aggressive edge of synth elements without overwhelming the mix. In mixing, heavy compression is applied to drops to glue elements together and maximize impact, often using multiband compressors on bass and drums for controlled dynamics. Stereo widening effects, like mid-side processing, are used during builds to create spatial immersion, expanding high-frequency elements while keeping the low-end mono for club compatibility. Mastering emphasizes loudness, employing limiters to achieve high integrated LUFS levels typical in EDM, ensuring tracks compete in high-volume environments. The production landscape evolved in the with a shift from analog synths to plugins, driven by advancements in software that offered greater accessibility and preset libraries for rapid in electro house. This transition allowed producers to replicate warm analog characteristics , reducing costs while maintaining the genre's signature punch and distortion.

Historical Development

Origins and Early Influences

Electro house emerged in the mid-2000s, particularly between 2005 and 2007, primarily in the United Kingdom and the United States, as producers began blending the energetic basslines and shuffled rhythms of UK garage with the raw, synth-driven aggression of electroclash and the stripped-back grooves of tech house. This fusion created a high-energy subgenre suited for club environments, distinguishing it from more soulful house variants through its emphasis on distorted bass and abrasive electronic elements. The genre drew significant influences from earlier electronic styles, including the futuristic synth sounds of electro, as pioneered by in tracks like "Planet Rock" (1982), which introduced breakbeats and electronic funk that echoed in electro house's rhythmic foundations. Additionally, the bombastic, sample-heavy of the 1990s, exemplified by Fatboy Slim's upbeat anthems, contributed to electro house's festival-ready bombast and crowd-engaging drops. Early 2000s developments in crunk's gritty bass and UK bassline house's syncopated 4x4 beats further shaped the genre's aggressive low-end and dancefloor propulsion. Pivotal early tracks included Benny Benassi's "Satisfaction" (2002), often regarded as a proto-electro house anthem for its pulsating synth stabs and vocal hooks that prefigured the genre's signature sound. In the , the "Dirty Dutch" variant gained traction through labels like , founded in 1999, which amplified edgy, bass-heavy productions from artists such as Chuckie and starting around 2007. Platforms like played a crucial role in disseminating demos and building buzz for emerging producers, including the Italian duo and Berlin's , whose raw tracks spread virally among online communities in the mid-2000s. This period coincided with a post-rave cultural shift in toward larger, festival-oriented events, as underground club scenes evolved into more commercial, spectacle-driven gatherings that favored electro house's anthemic qualities.

Rise to Mainstream Popularity

Electro house experienced its peak mainstream breakthrough between 2010 and 2015, integrating deeply with the broader landscape, particularly big room variants, through high-profile festival appearances that amplified its anthemic appeal. Events like in and in became central hubs, drawing massive crowds and showcasing electro house acts to global audiences; for instance, 's 2014 edition solidified its status as the world's largest electronic music festival, featuring electro house-heavy lineups that boosted the genre's visibility. Pivotal artists such as , , and played crucial roles in popularizing electro house's signature anthemic drops during this era. 's 2011 track "Levels," released on Universal Republic, became a defining anthem with its euphoric build-ups and drops, topping charts and influencing countless productions. Similarly, 's 2013 release "" on exemplified the genre's high-energy style, achieving widespread festival play and chart dominance. , through hits like "" (2012), helped transition electro house into stadium-filling spectacles before their 2013 disbandment. The genre's commercial impact was evident in its chart performance on Billboard's Dance/Electronic Songs chart, where electro house tracks frequently reached number one, reflecting broader crossover success. Collaborations with pop artists accelerated this, notably Calvin Harris's 2011 single "We Found Love" featuring on , which topped the for 10 weeks and marked a key moment in electro house's pop infusion. Electro house dominated regionally in , particularly the and , where Dutch labels like propelled artists like , while in the , residencies at venues like and hosted electro house stars such as and starting around 2011, embedding the genre in American nightlife. Beatport's digital sales platform was instrumental, with electro house consistently topping its charts in the early , driving accessibility and revenue for producers. Industry shifts further fueled adoption, as major label deals brought electro house to wider distribution; Avicii signed with Island Def Jam in 2012, and Swedish House Mafia partnered with Virgin , enabling radio play and physical releases. By 2014, Spotify's curated playlists like Mint positioned electro house tracks alongside pop, accelerating streaming-based mainstream integration and exposing the genre to millions of non-club listeners.

Evolution and Recent Trends

Electro house, having reached its commercial zenith in the early , faced a period of decline between 2016 and 2020 characterized by oversaturation in the broader landscape, which led to widespread "EDM fatigue" among listeners and producers alike. This exhaustion stemmed from the repetitive formulaic drops and festival-ready anthems that dominated airwaves and events, prompting a genre shift toward and trap-infused hybrids that offered fresher sonic palettes and emotional depth. The genre began a notable revival from 2021 to 2025, fueled by nostalgic throwbacks that resonated on platforms like , where viral clips of classic electro house tracks from the 2010s garnered millions of views and reignited interest among younger audiences. Emerging artists such as The Dare and Ninajirachi have influenced this resurgence through modern takes on electro house sounds. Festivals such as and incorporated retro sets, blending old hits with modern production to evoke the high-energy vibe of electro house's golden era, helping to sustain attendance post-pandemic. Recent innovations in electro house production have been propelled by -assisted tools, which by 2025 enable producers to generate intricate synth patterns, automate mixing, and experiment with novel more efficiently than traditional methods. For instance, platforms like Soundverse AI and Waves' ILLUGEN allow creators to input text prompts for custom loops and effects, streamlining workflows while preserving artistic intent in electronic music creation. (VR) festival experiences have also emerged as a key trend, with events like Europe's 180° VR recaps and Galaxy's immersive DJ sets offering electro house fans interactive, home-based alternatives to live shows, complete with customizable avatars and reactive environments. Producers like have contributed pivotal 2020s tracks from his 2024 album SMILE! :D, blending and sensibilities to bridge nostalgic and forward-looking sounds. Globally, electro house has experienced significant growth in , exemplified by Ultra Korea's expansion into a major hub for the genre since its inception, attracting top international acts and fostering local talent amid rising enthusiasm in the region during the 2020s. In , the electronic underground—including electro house variants—has broken barriers, with artists from , , and gaining international tours and label deals, driven by vibrant scenes in cities like and that emphasize fusion with regional rhythms. Post-COVID, has become a core focus for events featuring electro house, with festivals implementing reusable cup systems, plastic bans, and carbon offset programs; for example, 75% of major events adopted single-use plastic restrictions by 2023, reflecting attendee demand for eco-conscious experiences. Looking ahead as of 2025, electro house's future appears poised for fusion with AI-generated , where tools create dynamic, real-time compositions during live sets, and performances enable borderless, immersive raves in virtual worlds like . This evolution promises to expand accessibility while addressing environmental concerns through reduced physical event footprints, potentially redefining the genre's role in global electronic .

Subgenres and Variations

Big Room House

Big room house emerged as a high-energy subgenre of electro house in the early , characterized by its festival-oriented sound featuring supersaw synths, orchestral builds, and euphoric melodies typically at 128 beats per minute. This style emphasizes a minimalist structure with heavily processed drums and reverb, creating a blaring, declarative atmosphere suited for large crowds. Central to are its extended build-ups spanning 16 to 32 bars, often incorporating white-noise risers and pitched-down vocal samples that heighten tension before explosive drops. These elements, combined with anthemic, bombastic drops and minimal melodies, prioritize crowd engagement and euphoria over intricate arrangements. The subgenre originated in the EDM scene, with 's 2012 track "Spaceman" serving as a seminal through its massive, infectious drop and lead synth theme. Labels like , founded by Hardwell, played a pivotal role in its development and promotion, focusing on high-octane big room productions. Big room house became a staple of mainstage performances at major EDM festivals, such as and , due to its peak-time energy and ability to unify large audiences. It also influenced pop-EDM crossovers, with artists like and integrating its anthemic style into mainstream hits, exemplified by Martin Garrix's 2013 track "". The genre peaked between 2013 and 2016, marking the golden era of big room with tracks dominating festival sets and charts, but faced decline amid the broader market saturation and backlash. Its legacy endures through fusions with styles like and , as seen in recent works by and that revisit its nostalgic drops while evolving the sound.

Dutch House

Dutch house, also known as Dirty Dutch, emerged as a bouncy, bass-driven variant of electro house from the in the late 2000s, emphasizing playful energy through its rhythmic and sonic elements. It builds on electro house's bass emphasis but distinguishes itself with a funkier, more percussive approach. Characterized by tempos of 124-134 , Dutch house features off-beat basslines, cowbell percussion, and humorous or quirky vocal samples that add a lighthearted, irreverent vibe to the tracks. The core rhythm, known as the "Dutch bounce," relies on syncopated kicks and tight, tribal-leaning drum programming to create a syncopated, propulsion, often paired with sparse arrangements and high-pitched, bleepey synth leads. The subgenre gained prominence in 2009 through producers like , Sidney Samson, and Chuckie, who were instrumental in defining its sound via releases on , a key Dutch label founded in 1999 that propelled the style internationally. A representative example is Chuckie's "Let the Bass Kick" from 2010, which showcases the genre's phat, side-chained basslines and energetic, bass-heavy drops. Dutch house rapidly influenced U.S. house scenes in the early 2010s, where it was frequently blended with hip-hop vocals to enhance its accessible, party-oriented appeal. By the 2020s, the style has influenced the broader bass house category, retaining its foundational impact on electronic dance music while becoming less delineated as a standalone subgenre.

Complextro

Complextro is a subgenre of electro house defined by its glitchy and intricate sound design, featuring rapid timbral changes, micro-edited fills, and layered bass riffs that emphasize complexity over minimalism. Emerging in the early 2010s, it incorporates chiptune-inspired melodies, detuned synths, and breakbeat elements, typically operating at tempos between 128 and 130 BPM. The style draws from 80s analog aesthetics and American dubstep influences, creating chaotic yet melodic textures through frequent instrument switches and heavy drops. Key sonic elements include buzzing leads produced via FM synthesis, intricate drum patterns reminiscent of , and effects that add rapid, unpredictable bursts to the rhythm. Representative tracks showcase these traits, such as Knife Party's "Centipede" (2012), which exemplifies the subgenre's aggressive, multi-layered basslines and high-energy . Other hallmarks involve vocal chops and heavily processed synth stabs, contributing to a sense of organized disorder in the mix. The origins of complextro trace back to the late 2000s crossover between , , and fidget house, with the term coined by producer around 2010, though stylistic precursors appeared in works by artists like and Savant. and producers such as , , and played pivotal roles in its development, blending structures with 's wobbles and electro's drive to create a distinctly complex hybrid. This fusion was particularly prominent among producers experimenting with digital tools during the dubstep-electro crossover period. Production in complextro heavily relies on advanced synthesis techniques, including for metallic leads and granular processing to generate textured glitches and time-stretched effects that enhance the chaotic feel. These methods allow for dense of elements, where detuned oscillators and micro-edits create evolving, unpredictable patterns without overwhelming the core house rhythm. Brief references to broader electro house , such as wavetable modulation, inform these approaches but are adapted for complextro's emphasis on intricacy. Complextro reached its peak popularity between 2011 and 2014, driven by anthems and that highlighted its high-impact drops, but it has since become rare as electronic music trends shifted toward simpler bass variants. Its legacy endures in modern bass through echoed elements and complex bass design, influencing producers seeking melodic depth within high-energy frameworks.

Fidget House

Fidget house emerged as a minimalistic subgenre of electro house in the late , primarily within the UK's underground scene, characterized by filtered, wobbling basslines, sparse percussion arrangements, and quirky, often sampled vocal snippets at tempos ranging from 125 to 135 . This style emphasized a "fidgety" quality through rapidly automating synth filters that created squelchy, unstable sounds, combined with glitchy cuts and pitch-bent elements over a straightforward 4/4 , fostering a sense of playful restlessness. Key tracks exemplified this approach, such as Tom Neville's "Rockin" from 2007, which highlighted the genre's wobbly bass and minimalistic structure. The genre's origins trace back to influences from and nu-skool breaks, blending their syncopated rhythms and experimental edges with house's driving pulse, while drawing broader inspiration from , bassline house, and early wobbles. Pioneering figures like producer Switch (Dave Taylor), who coined the term and launched the Dubsided label as a hub for the sound, along with Jesse Rose and Tom Neville, shaped its development through releases and performances at venues like London's Fabric nightclub. These artists and promoters cultivated an underground ecosystem via early digital platforms, prioritizing innovative, bass-heavy experimentation over polished production. Aesthetically, fidget house conveyed a quirky, irreverent vibe—playful yet gritty—that contrasted sharply with the bombastic, crowd-pleasing scale of later big room variants, often incorporating humorous or eccentric samples to evoke a of fun in dimly lit club settings. By around 2010, however, the subgenre began to fade as its core elements were absorbed into broader electro house evolutions, such as complextro, amid shifting tastes toward more layered and high-energy styles.

Melbourne Bounce

Melbourne bounce emerged as a high-energy subgenre of electro house in the early , originating from Australia's vibrant club scene in . Characterized by its distinctive "bounce" kicks—typically distorted bass drums played on offbeats—it combines aggressive low-end rhythms with uplifting supersaw synth leads and chant-like vocal samples, all typically clocking in at 128 . This style emphasizes simple, catchy melodies and festival-oriented drops designed for high-impact DJ sets, creating an infectious, party-driven atmosphere. The genre's sound draws from electro house's punchy percussion but amplifies the bouncy, playful elements through minimal arrangements, big build-ups, and whiny sawtooth synths that evoke a sense of relentless energy. Key tracks exemplify these traits, such as Will Sparks and Joel Fletcher's "Ah Yeah So What" (2012), which popularized the signature offbeat bass and euphoric drops, becoming a staple in EDM playlists worldwide. Other early examples include Will Sparks' solo productions like "Bounce" (2012), highlighting the raw aggression and straightforward hooks that defined the subgenre's appeal. Pioneered by Melbourne-based artists including , Joel Fletcher, and Orkestrated, the style gained traction through local clubs and independent labels fostering the underground scene. , in particular, is widely credited as a primary innovator, having started producing at age 15 and quickly elevating the sound from Melbourne's to global recognition. Figures like and producers associated with boutique labels contributed to its raw, homegrown development, blending influences from minimal with electro's grit. Culturally, Melbourne bounce exploded virally on platforms like , where user-generated remixes and shares amplified its reach among young fans, often tying into Australia's festival circuit for live exposure. Its upbeat, anthemic quality resonated at events emphasizing high-energy dance, solidifying its role in the broader Aussie movement during the mid-2010s. The subgenre peaked between 2013 and 2015, dominating charts and sets before evolving through hybridizations with elements, incorporating sharper snares and rhythms while retaining its core bounce. Today, it influences contemporary bass-heavy house variants, though purer forms have largely transitioned into niche revivals.

Jungle Terror

Jungle Terror emerged as a mid-2010s Dutch offshoot of electro house, defined by its chaotic energy, wobbly and growling basslines, incorporation of horror-themed samples, and frenetic percussion patterns operating at tempos between 130 and 150 BPM. Coined by Dutch producer Wiwek, the style draws from festival-oriented house music but amplifies its aggression through distorted, terror-inspired synths reminiscent of hardstyle's hoover leads, rapid fills, and explosive drops that evoke a sense of primal frenzy. Tracks often integrate animalistic noises, vocal chops, and tribal percussion to heighten the wild, unpredictable vibe, as exemplified in Wiwek's seminal Jungle Terror EP released in 2014 on Mad Decent. The genre's origins lie in the vibrant electronic scene, where elements—characterized by pounding kicks and screeching synths—were fused with house's bass-heavy foundations by innovative producers seeking to push boundaries beyond mainstream big room sounds. This blending reflects the Dutch tradition of high-octane dance music, with influences from acts contributing to Jungle Terror's raw edge and faster pacing. Early adopters like Wiwek experimented with these hybrids in Amsterdam's club circuit, drawing from horror cinema samples and sound effects to craft a sound that prioritized visceral impact over melodic structure. Aesthetically, Jungle Terror embodies a dark, intense tailored for raves and mainstages, emphasizing relentless energy and terror-like drops that immerse listeners in a nightmarish, adrenaline-fueled experience, distinct from the anthemic uplift of . Its less melodic focus allows for greater experimentation with dissonance and speed, making it ideal for high-pressure environments where crowd hysteria is key. As of 2025, Jungle Terror occupies a niche role within festivals, sustaining a dedicated following through occasional revivals and fusions with harder variants like rawstyle, as seen in Wiwek's continued output on labels such as . While not dominating mainstream charts, its influence persists in sets and hybrid productions that echo its aggressive bass terror.

Moombahton

Moombahton emerged in the late 2000s as a hybrid subgenre fusing Dutch house with , typically at tempos of 108-115 to create a slower, half-time rhythm that emphasizes Latin percussion and a tropical vibe. The genre was pioneered by -based DJ and producer Dave Nada, who in 2009 slowed down Dutch house tracks like Afrojack's of "Moombah" by Silvio Ecomo and Chuckie to match reggaeton's pace during a party set for a crowd favoring Latin sounds over faster electronic beats. This accidental innovation gave moombahton its signature bouncy bass lines, rhythms, and occasional Spanish vocals, distinguishing it within electro house by prioritizing a laid-back, danceable groove. The genre gained traction through Nada's Nadastrom project and quickly spread via Diplo's Mad Decent label, which released influential compilations like Nada's Blow Your Head Vol. 2: Dave Nada Presents Moombahton in 2011. Key early tracks, such as Dillon Francis's "Masta Blasta" (2011) on Mad Decent, showcased moombahton's energetic drops and hybrid appeal, helping propel it into club scenes. Rooted in U.S. Latino communities, moombahton drew from reggaeton's cultural rhythms and became particularly popular in Miami's nightlife, where it inspired global remixes and crossovers with hip-hop elements. By the 2020s, had integrated more deeply into broader landscapes, evolving through blends with , , and Latin-infused electronic styles, as seen in works by artists like Tropkillaz who incorporate its pulse into global fusion tracks. This adaptation maintained its core half-time structure while influencing pop productions and festival sets, ensuring its enduring presence in despite shifts in mainstream trends.

References

  1. [1]
    Electronic Music Genres: A Guide to the Most Influential Styles
    Apr 11, 2025 · House music blends soulful vocals with drum-machine rhythms—a sound that emerged primarily within an underground and often queer culture.
  2. [2]
    House Music Guide: A Brief History of House Music - MasterClass
    Jun 7, 2021 · Electro house: A slightly faster form of house, electro house music is famous for its buzzing basslines and sawtooth synths. 4. Deep house ...<|control11|><|separator|>
  3. [3]
    What is House Music? History, Artists, and Subgenres - Blog - Splice
    Jul 12, 2024 · House music is a genre of electronic dance music that's characterized by sonic elements like four-on-the-floor beats, drum machines, and synthesizers.History · Characteristics · Subgenres
  4. [4]
    Electro-House - SoundBridge
    Dec 24, 2023 · Electro-house occasionally incorporates aspects of tech house, such as powerful basslines, brief and high-pitched riffs, and sparse or moderate ...
  5. [5]
    The Complete Guide to EDM or Electronic Dance Music
    Generally speaking, electro house is driven by a raw, prominent bassline and powerful kick drums, making it somewhat of a pumped-up version of 'regular' house ...
  6. [6]
    Electro House Music Guide: History, Artists, Tracks - 6AM Group
    Sep 9, 2022 · Electro house, is a major genre of electronic dance music that has brought some amazing, inspirational, and timeless tracks.
  7. [7]
    Essential Elements of Electro House Music Production
    Key elements include deep basslines, distorted synths, steady four-on-the-floor beats, and powerful, high-energy drops. Everything you need to know about ...Missing: core characteristics
  8. [8]
    Best Software for Producing Electro House Music
    Popular software for producing electro house includes Ableton Live, FL Studio, and a variety of VST plugins for advanced sound design. Everything you need ...
  9. [9]
    FM Synthesis: The Beginner's Guide to Crazy Sounds (2025)
    FM synthesis, or Frequency Modulation Synthesis, changes a waveform's frequency by modulating its frequency, using one waveform to modulate another.
  10. [10]
    Cubase: Creating Risers & Impacts - Sound On Sound
    Cubase offers everything that you need to design engaging effects risers and impacts. Whether they take the form of snare-roll risers and synth pitch drops in ...
  11. [11]
    The Complete Guide to Mixing Low End - Pro Audio Files
    May 25, 2020 · Low end mixing is tricky due to acoustic issues. Proper monitoring and sub calibration are key. Goals include "Big Clean Clear Punchy" or "Live ...<|control11|><|separator|>
  12. [12]
    The TR-909 Story - Roland
    Launched in 1983 for $1300, the Roland TR-909 was only produced for a year—with just 10,000 units made. Even though it offered an array of improvements over the ...
  13. [13]
    Bitcrushing & Downsampling: How To Add Grit To Any Sound
    Bitcrushing reduces the quality of an audio sample by lowering its resolution and/or sample rate. This adds distortion, grit, or warmth to your sound depending ...Missing: electro | Show results with:electro
  14. [14]
    Mixing EDM: The Complete Beginner's Guide - EDMProd
    Jul 10, 2019 · As a beginner, mixing in EDM can often feel like an endless process. To help you, here's our complete guide, from Volume, to EQ and ...
  15. [15]
    Tips For Mastering An EDM Song In Your Home Studio
    Jan 24, 2022 · In this guide, we'll dive into some key mastering techniques you can use to make your EDM tracks sound top-notch.
  16. [16]
    https://www.adgmastering.com/music-mastering-techniques-to-improve-your-edm-tracks/
  17. [17]
    Original Creator: Hip-Hop And Electro Pioneer Afrika Bambaataa
    Nov 26, 2012 · While Kool Herc was responsible for developing hip-hop's turntable techniques, Bambaataa was revered as the Master of Records, responsible for ...
  18. [18]
    Influence of DJ Fatboy Slim in the Electronic Music Scene
    Jan 31, 2024 · In this blog, we'll explore the rise and influence of DJ Fatboy Slim, as well as his contributions to the electronic music scene.
  19. [19]
    Dutch House - SoundBridge
    Dec 25, 2023 · The "Dirty Dutch" sound is more electronic than other commercial house genres. It features edgy drum machine beats, side-chained bass, 8-bit ...
  20. [20]
    Released 19 Years Ago: Benny Benassi - Satisfaction
    Sep 16, 2025 · Created in tandem with his cousin and fellow-producer, Alle Benassi, and inspired by the car horns outside an open street-facing window, this ...
  21. [21]
    Evolution of Dutch House - Recording Arts Canada
    Jan 29, 2020 · The Dutch style of hard euro house gradually evolved into a distinct sound of its own. In 1999, Spinnin Records was launched in Hilversum, Netherlands.
  22. [22]
    How Myspace Opened The Door To Niche Music Genres - Forbes
    Mar 20, 2019 · Myspace's music player was a seamless listening experience for users creating a new path to discovery. Diddy signed Janelle Monae to his Bad Boy ...Missing: spread | Show results with:spread
  23. [23]
    The History of EDM 2000s – Present – Isabella Aguilar
    Sep 14, 2023 · EDM became heavily popularized by live events; promoters realized they could generate a lot more money from DJs then traditional musicians.
  24. [24]
    2010-2019: a Timeline of the EDM Decade
    Dec 30, 2019 · In 2014, Tomorrowland dominated the electronic music festival scene as the biggest festival of its kind in the world. In celebration of its 10th ...
  25. [25]
    20 Years of Ultra - Episode 4: The Explosion of Electronic Music
    Mar 7, 2018 · After 2010, several trends occurred simultaneously to make electronic music far more popular in the United States.Missing: Tomorrowland | Show results with:Tomorrowland
  26. [26]
    The 60 Greatest Dance Songs of the Decade: Staff List - Billboard
    Nov 26, 2019 · Our list of the top 60 dance tracks of the decade.
  27. [27]
    The Top 15 Dance-Pop Collaborations of All Time - Billboard
    Apr 28, 2022 · In the same year, Scotsman Calvin Harris scored a 10-week No. 1 hit on the Hot 100 with “We Found Love,” featuring Rihanna, one of pop music's ...
  28. [28]
    Dance Dance Revolution: How EDM Conquered America in the 2010s
    Nov 7, 2019 · A decade in dance music that changed pop forever, according to Skrillex, Zedd, Boys Noize, and more.
  29. [29]
    10 Resident DJs Who Changed EDM (Updated 2016) - Billboard
    Feb 5, 2015 · From setting trends to big spending, here are some of the resident DJs who have made the biggest waves since the American dance boom.Missing: electro | Show results with:electro
  30. [30]
    How Skrillex, OWSLA Records Are Helping Porter Robinson Make ...
    Oct 4, 2011 · Ever wonder how a 19-year old DJ/producer from North Carolina could reach the top of Beatport's Electro-House charts, land a spot on Tiesto's ...Missing: digital | Show results with:digital
  31. [31]
    The State of Dance Music, According to Spotify Editors
    Jul 7, 2021 · Spotify's mint playlist is home to the world's biggest dance hits, with songs that fall under the genre's many subcategories, including house, ...Missing: electro | Show results with:electro
  32. [32]
    Why Nostalgic EDM Tracks Are Making a Comeback in 2025 - 4D4M
    Nostalgic tracks not only pump up the energy at festivals, but they're also perfect for those late-night drives where you feel like an EDM superstar!
  33. [33]
    Anatomy of a microgenre: Hyperpop's next evolution - NPR
    Apr 24, 2025 · Digicore is hyperpop, but hyperpop isn't necessarily digicore. The post-100 gecs iterations of this music have assimilated rap as they have ...
  34. [34]
    https://weraveyou.com/2025/11/how-ai-is-transforming-electronic-music-in-2025/
  35. [35]
    ULTRA Worldwide unveils its first 180° VR festival recap ...
    ULTRA Europe has unveiled its first 180° VR festival recap video from its 2022 edition. Shot on a specialized VR lens in 8k at 60fps.
  36. [36]
    Porter Robinson Tracklists Overview - 1001Tracklists
    House, Dance / Electro Pop. 4 months ago. 1 month ago. Porter Robinson @ 88rising pres. Head In The Clouds Los Angeles 2025-05- · Porter Robinson @ 88rising ...
  37. [37]
    Ultra Korea
    Ultra Korea - a premier music festival boasting the world's top EDM DJ's with unparalleled stage designs and top tier production.Events · Previous Lineups · Tickets for ULTRA Music... · LineupMissing: growth 2020s
  38. [38]
    Latin America's electronic underground is breaking barriers to ...
    Nov 21, 2023 · Latin American electronic music is everywhere, with once overlooked artists from countries like Mexico, Brazil and Venezuela now touring globally.Missing: electro trends
  39. [39]
    How Music Festivals And Live Events Are Embracing Sustainability
    Jun 4, 2024 · The study found festival bans on single use plastic foodware rose from 54% in 2022 to 75% in 2023, and almost two thirds (60%) had a reusable cup system last ...
  40. [40]
    The Future of EDM Festivals: Sustainability, Tech, and Virtual Raves
    Feb 22, 2025 · The future of EDM festivals includes sustainability, technological innovation, and the rise of virtual raves, creating smarter, more ...
  41. [41]
    What Is House Music? | Armada Music
    House music is the oldest genre within electronic dance music and still one of its main pillars today. It is a direct descendant from disco music, rising to ...
  42. [42]
    W&W Turn Back the Clock With "BIG ROOM 2013 ID" Teaser - EDM
    Oct 17, 2025 · Part-electro and part-Dutch house with a tinge of complextro influence, the big room house revolution of the early 2010s was a golden era of ...
  43. [43]
    Released 12 Years Ago: Hardwell - Spaceman - EDM House Network
    The track became known for its massive drop, one of the most memorable in Hardwell's career, combining an infectious lead theme with a Hardwell- ...
  44. [44]
    Revealed Recordings Official Website (Hardwell)
    Revealed Sylenth1 Dirty Dutch Leads Vol. 1 - revealedrec · Revealed Sylenth1 Dirty Dutch Leads Vol. 1. revealedrec. Big RoomDirty Dutch. PREVIEW ADD. €27.95.Account Settings · Hardwell · Artists · ReleasesMissing: origins scene
  45. [45]
    Here's a List of Generational Dance Anthems That Turn 10 In 2023
    Oct 17, 2025 · It was a year that saw the dawn of big room house's golden era, the convergence of pop and dance music, and electronic anthems blasting onto ...
  46. [46]
    Popping the Drop: A Timeline of How EDM's Bubble Burst | Pitchfork
    Apr 5, 2016 · Popping the Drop: A Timeline of How EDM's Bubble Burst. EDM—the meeting of SoCal rave culture, Vegas bombast, youthful hedonism, and ...
  47. [47]
    Hardwell Harkens Back to Big Room House Heyday With New Track ...
    Jan 6, 2024 · ... Big Room House Heyday With New Track, “Oldskool Sound”. Hardwell's latest offering is a nostalgic rallying anthem for the big room house-heads.
  48. [48]
    Hardwell's "ZERO GRAVITY" Is a Big Room House and Techno ...
    Oct 17, 2025 · Hardwell's journey through the intersection where big room house meets techno continues with the release of “Zero Gravity,” the Dutch DJ's 10th ...
  49. [49]
    Big Room House Music Roaring Back In Popularity, Study Suggests
    Jan 28, 2025 · The resurgence of big room house seems to be fueled by nostalgia and the ageless desire for connection on the dancefloor. Producers across the ...
  50. [50]
    List of Electronic Dance Music Genres | LSA - London Sound Academy
    Jun 8, 2023 · The BPM of Bass House is commonly 118-135 BPM. Click here for an example on YouTube. Bhangra. Originating from Indian folk music. Characterised ...
  51. [51]
    Colton Basinger's Music Reviews - Dance Music - Google Sites
    It is characterized by a heavy use of looped vocal samples similar to ghetto house but with Breakbeat drum patterns at around 130 BPM. These samples are ...
  52. [52]
    Dutch House - Melodigging
    It is characterized by tight, tribal-leaning drum programming, syncopated rhythms, sparse arrangements, and distinctive high-pitched “bleepy” or squeaky lead ...
  53. [53]
    Spinnin' Records presents: Dutch House - YouTube
    Jan 28, 2010 · 2009 was the breaktrough year of the Dutch House Sound! Phat basslines combined with big melodies! This compilation gives you only the best ...Missing: Dirty | Show results with:Dirty
  54. [54]
    https://www.youtube.com/watch?v=fNt_J1ko6gY
  55. [55]
    House music in the Netherlands: It's a Dutch thing | DutchReview
    Mar 3, 2025 · Moving to 1999 when Spinnin Records was founded by Eelko van Kooten and Roger de Graaf, the Dutch label became a gateway to success for EDM ...Missing: characteristics origins
  56. [56]
    Electronic Music Genres: An A-Z Guide for Music Producers
    Confused with all the genres in EDM? In this post, we break each one down by its characteristics so you can finally make sense of it all.<|control11|><|separator|>
  57. [57]
    Complextro - Melodigging
    Complextro is a subgenre of electro house known for its rapid-fire timbral changes, micro-edited fills, and intricately layered bass riffs.
  58. [58]
    10 Essential Knife Party Tracks - Complex
    May 6, 2013 · They were remixing Porter Robinson and Nero before their first EP hit the world, and have since collaborated with the likes of Swedish House ...
  59. [59]
    Evolution of Complextro - Recording Arts Canada
    Apr 19, 2021 · By the time the term was coined by Porter Robinson, the complextro style had already emerged in songs by artists like Skrillex and Savant.Missing: Nero Flux Pavilion
  60. [60]
    Electro House & Complextro Classics Playlist (2009-2014) - Reddit
    Jun 1, 2018 · 10 votes, 11 comments. Been getting back into the classics lately and man, so many dj's just don't do it like this anymore Feed Me left me ...This is definitely complextro, but it really has a unique sound to it I ...What happened to complextro (as a genre)? : r/Monstercat - RedditMore results from www.reddit.comMissing: legacy peaked 2011 rare
  61. [61]
    What is Fidget House? - Micro Genre Music
    Mar 24, 2024 · Fidget House draws from a variety of musical influences, including UK garage, bassline house, electro, and even elements of hip hop and dubstep.Missing: BPM | Show results with:BPM
  62. [62]
    Fidget House Sample Packs - Splice
    About Fidget House. Influenced by. Electro HouseDubstepHouseTechnoBaltimore Club. Origin: UK; Date: 2000; BPM Range: 125 - 135. Explore the world's best sample ...
  63. [63]
    Evolution of Fidget House - Recording Arts Canada
    Apr 20, 2021 · Fidget house is defined by its glitchy samples, pitch bending synths and dubstep wobble, and quick cuts over a 4/4 beat. The arrangement in many ...Missing: BPM | Show results with:BPM
  64. [64]
    Welcome to the fidget house | Electronic music - The Guardian
    Sep 8, 2008 · The genre is basically an updated, ever-so-slightly less cheesy take on big beat - with its annoying rap vocal loops and ridiculous Fatboy Slim-style builds.Missing: origins | Show results with:origins
  65. [65]
    Liam Tate · Biography - Resident Advisor
    Liam Tate initially entered the club circuit playing the music, previously named by Switch as Fidget house ... Resident Advisor Ltd. All rights reserved.
  66. [66]
    Can't Sit Still? Check Out This Fidget House Music Guide - 6AM Group
    Sep 22, 2022 · Fidget house is a fast-paced, high-tempo house subgenre with glitchy beats, distorted baselines, rave synths, and vocal samples. It's like ...Missing: BPM influences
  67. [67]
    What Happened to Fidget House? | ORlyTuffGuy? - WordPress.com
    Feb 24, 2010 · Either way the decline of fidget house paved the way for fresh, new genres. And to me, two of them stood out… Firstly, was the new 'high ...
  68. [68]
    Melbourne Bounce - Melodigging
    Melbourne bounce is a high-energy offshoot of electro house that emerged from Australia in the early 2010s. It is characterized by a driving 4/4 kick, ...
  69. [69]
    Evolution of Melbourne Bounce - Recording Arts Canada
    Jan 29, 2020 · Melbourne bounce is an upbeat subgenre of electro house that became popular in the early 2010s. Many credit Melbourne DJ Will Sparks as the creator of the ...Missing: key | Show results with:key
  70. [70]
    Melbourne Bounce - Music genre - Rate Your Music
    The genre was pioneered by minimal-rooted Melbournian artists: Will Sparks, Joel Fletcher, and Orkestrated, with early, transitional examples dating back to ...<|control11|><|separator|>
  71. [71]
    Did Melbourne Bounce Really Start In Melbourne? - BassGorilla.com
    May 28, 2015 · Learn how powerful offbeat bass notes, electro house & powerful synths define who started the Melbourne Bounce craze.
  72. [72]
    A conversation with Wiwek, the Dutch producer who invented 'jungle ...
    Mar 17, 2016 · A conversation with Wiwek, the Dutch producer who invented 'jungle terror'. With a Skrillex co-sign, Wiwek will soon be a much more ...
  73. [73]
    BPM and key for Jungle Terror by Mastiksoul | SongBPM - Song BPM
    Jungle Terror is a song by Mastiksoul with a tempo of 130 BPM. It can also be used half-time at 65 BPM or double-time at 260 BPM.Missing: EDM elements
  74. [74]
    Wiwek returns to Jungle Terror and Hardwell's Revealed ...
    Jul 17, 2024 · Jungle terror, a genre pioneered by Wiwek, is a high-energy fusion of electronic dance music that draws inspiration from tribal rhythms, primal ...
  75. [75]
    https://dancingastronaut.com/2024/07/wiwek-returns-to-jungle-terror-and-hardwells-revealed-recordings-on-remedy/
  76. [76]
    Hardwell | Top 100 DJs 2015 | DJMag.com
    No stranger to collaborations, Hardwell hooked up with several artists this year, including rising artist Wiwek, whose brand of EDM 'jungle terror' has been ...
  77. [77]
    BEST LABEL: OWSLA - DJ Mag
    Jun 28, 2017 · ... jungle terror via Wiwek; and good, old-fashioned dubstep from Bassnectar and ATLiens and Barely Alive. Most recently, the crew has been ...
  78. [78]
    Moombahton: Born In D.C., Bred Worldwide : The Record - NPR
    Mar 18, 2011 · Dave Nada- "Moombahton" ... In keeping with Nada's formula, Moombahton is a cross between Dutch house music and reggaeton. Popular in 2009, Dutch ...
  79. [79]
    Evolution of Moombahton - Recording Arts Canada
    Jan 29, 2020 · The genre began in 2009 when DJ Dave Nada, performing for a basement party crowd that wasn't particularly into house music, slowed down Afrojack's Dutch house ...Missing: origins Mad Decent
  80. [80]
    Blow Your Head Vol. 2: Dave Nada Presents Moombahton - Pitchfork
    Jun 3, 2011 · "Moombahton" takes its name from the Afrojack remix of Silvio Ecomo and DJ Chuckie's "Moombah" (the "-ton" comes from reggaeton), but the idea ...Missing: history | Show results with:history
  81. [81]
    Moombahton settles in L.A. after becoming D.C.'s first breakout ...
    Apr 23, 2013 · The new genre was an unruly fusion of Nada's roots. He was a former ... Nada curated a moombahton compilation for Diplo's Mad Decent label.Missing: origins | Show results with:origins
  82. [82]
    https://www.washingtonpost.com/entertainment/music/moombahton-settles-in-la-after-becoming-dcs-first-breakout-electronic-music-genre/2013/04/23/86a5a434-ab52-11e2-b6fd-ba6f5f26d70e_story.html
  83. [83]
    Moombahton went from the hot sound to passe to sound behind ...
    Aug 23, 2017 · The origin of moombahton is equal parts global music exchange and in-the-moment happenstance. As the tale goes, the D.C.-raised DJ-producer Dave ...
  84. [84]
    Born in the USA: Our Favorite American-Made Genres - Insomniac
    Jul 3, 2015 · Moombahton. Place of Origin: Washington, D.C.. Notable Artists: Dave Nada/Nadastrom, Munchi, (early) Dillon Francis ...