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When Harry Met Sally...

When Harry Met Sally... is a film directed by and written by , starring as Harry Burns and as Sally Albright. The film explores the evolving relationship between the two protagonists over twelve years, beginning with a contentious car ride after college graduation in 1977, as they debate the possibility of platonic friendships between men and women before eventually falling in love. The narrative structure intersperses Harry and Sally's encounters—marked by initial clashes, later friendships with their respective best friends Jess () and Marie (), and romantic developments—with interviews from elderly couples recounting how they met. Produced by on a budget of $14–16 million, began on August 29, 1988, and took place primarily in locations such as and . The film premiered in on July 12, 1989, and expanded to on July 14, ultimately grossing $93.1 million domestically and approximately $93.3 million worldwide. Critically acclaimed for its witty dialogue and realistic portrayal of relationships, When Harry Met Sally... holds an 88% approval rating on Rotten Tomatoes based on 129 reviews, with praise for elevating the romantic comedy genre through the leads' sharp chemistry. It received significant recognition, including an Academy Award nomination for Best Original Screenplay for Ephron, five Golden Globe nominations (for Best Motion Picture – Musical or Comedy, Best Director, Best Screenplay, Best Actor for Crystal, and Best Actress for Ryan), and a BAFTA Award win for Best Original Screenplay. The film's cultural legacy endures, having been selected for preservation in the National Film Registry in 2022 for its historical and aesthetic significance, and influencing subsequent romantic comedies with its blend of humor, insight into human connections, and iconic scenes like the Katz's Deli orgasm sequence; in 2025, stars Billy Crystal and Meg Ryan reunited for a Hellmann's Super Bowl commercial recreating the Katz's scene and presented the Best Picture award at the Academy Awards.

Synopsis and Characters

Plot

In 1977, recent graduates Harry Burns and Sally Albright share an 18-hour car ride from to , where they debate the possibility of platonic friendships between men and women. Harry argues that inevitably complicates such relationships, while the more optimistic Sally insists otherwise; their differing views lead to tension, and they part ways acrimoniously upon arrival in . Five years later, in 1982, Harry and Sally encounter each other again at an airport while en route to . Harry is now engaged , and Sally is dating , prompting them to revisit their old debate on gender dynamics in , though both dismiss the idea of pursuing one with each other and separate once more. Meanwhile, the film intersperses brief interviews with elderly couples recounting how they met, providing a contrapuntal reflection on lasting relationships. By 1987, both Harry and Sally are single following breakups—Harry's fiancée Helen has left him for another man, and Sally has ended her long-term relationship with Joe over his reluctance to commit. They run into each other at a bookstore and, after initial awkwardness, decide to become friends, bonding over shared activities like museum visits, late-night phone calls about current events, and double dates with their respective best friends, Jess (Harry's) and Marie (Sally's). Jess and Marie, set up on a by Harry and Sally, quickly develop their own romance and become engaged, mirroring the evolving dynamics among the group. During one outing at , Sally demonstrates her ability to fake an to counter Harry's skepticism about women's experiences in bed, marking a turning point in their comfort level with intimacy. The friendship deepens, but complications arise when Sally learns that Joe is engaged to another woman; distraught, she turns to Harry for comfort, and they sleep together for the first time. The encounter leads to awkwardness and withdrawal from Harry, straining their bond and causing Sally to question the viability of their relationship. At and Marie's later that year, the tension culminates in a heated argument, after which they cease communication. On 1988, with Sally attending a party thrown by and , experiences a sudden realization of his love for her. He rushes to the party and delivers a heartfelt declaration, listing all the quirky aspects of that he adores, leading to their reconciliation and a passionate kiss as the new year begins. The film concludes with an epilogue showing and married, participating in the same style of couple interviews seen throughout, underscoring the resolution of their decade-long journey.

Cast

The principal cast of When Harry Met Sally... centers on as Harry Burns, a cynical and witty divorcé whose pessimistic outlook on male-female friendships drives much of the film's central conflict, and as Sally Albright, an optimistic, high-maintenance career woman pursuing while adhering to structured habits in her personal life. Complementing the leads are as Marie, Sally's pragmatic and levelheaded best friend who offers blunt advice on romance, and as Jess, Harry's supportive and easygoing best friend who facilitates key social connections. Key supporting roles flesh out the protagonists' pasts and social circles, including Steven Ford as Joe, Sally's reliable long-term ex-boyfriend who represents stability in her romantic history; Harley Jane Kozak as Helen, Harry's sophisticated ex-wife whose departure underscores his emotional guardedness; Michelle Nicastro as Amanda Reese, Harry's college girlfriend and the mutual acquaintance who first brings Harry and Sally together; and Lisa Jane Persky as Alice, a married friend of Sally who provides humorous relational insights during group interactions. The ensemble extends to minor characters such as the elderly couples interviewed throughout the film, portrayed by actors including Estelle Reiner, Frances Chaney, and Milt Oberman, who share authentic-seeming anecdotes of enduring love to frame the younger characters' evolving dynamics.
ActorCharacterRole Description
Harry BurnsCynical, witty divorcé skeptical of platonic opposite-sex friendships.
Sally AlbrightOptimistic, high-maintenance career woman challenging traditional romantic norms.
MariePragmatic best friend to Sally, dispensing straightforward advice on relationships.
JessSupportive best friend to Harry, facilitating social and romantic opportunities.
JoeDependable long-term ex-boyfriend to Sally, embodying the stability she once sought.
HelenElegant ex-wife to Harry, whose influence lingers in his post-divorce worldview.
Amanda ReeseHarry's college girlfriend and mutual friend connecting him to Sally initially.
AliceMarried friend of Sally offering counsel and humor in group settings.

Production

Development

The development of When Harry Met Sally... stemmed from director Rob Reiner's personal experiences following his 1981 , during which he navigated a decade of single life and dating challenges that informed the film's central exploration of whether men and women can maintain friendships without sexual tension intervening. Reiner's real-life friendship with screenwriter , forged through shared discussions on relationships, provided the emotional core; Ephron modeled Harry after Reiner's humorous yet depressive outlook on romance and singledom, while basing Sally on her own cheerful, detail-oriented perspective shaped by female friendships. This collaboration began informally over lunch in 1984 with producer Andy Scheinman, where Reiner pitched a story about two friends vowing to avoid sex to preserve their bond—a premise that Ephron refined into a script examining contrasting gender dynamics in intimacy and companionship. Ephron's screenplay underwent significant evolution across five drafts, starting with an initial version in 1984 that drew from her journalistic explorations of personal relationships and gender roles, emphasizing realistic tensions without a romantic resolution. In early iterations, Harry and Sally were destined to remain friends, supporting each other through breakups rather than uniting as lovers, reflecting Ephron's intent to prioritize authenticity over conventional rom-com tropes. The narrative shifted during revisions, incorporating Reiner's evolving optimism after meeting his future wife on set, culminating in a happy ending by the final 1988 draft that balanced the film's witty dialogue with emotional payoff. Central creative decisions shaped the film's distinctive structure and tone, including a non-linear progression of episodic encounters spanning 12 years—from 1977 college graduation to 1989 —to illustrate the gradual maturation of Harry and Sally's bond amid life's changes. Ephron and Reiner also integrated vignette-style interviews with elderly couples, drawn from Reiner's real conversations with older individuals about their meeting stories, to interweave themes of lasting as a subtle counter-narrative to the protagonists' uncertainties. These elements emphasized conceptual depth over plot contrivances, focusing on relatable interpersonal evolution. The project gained momentum through Reiner's rising profile after directing the successful 1985 road-trip comedy , which demonstrated his knack for character-driven humor. In 1987, Reiner co-founded , acquiring the script as its inaugural production; it was officially greenlit in 1988, enabling pre-production to commence with Ephron's polished screenplay. This timeline positioned the film as a pivotal launch for , blending Reiner's directorial vision with Ephron's incisive writing.

Casting

Director emphasized the importance of on-screen chemistry between the leads during the casting process, requiring potential actors to participate in chemistry tests to ensure natural rapport. For the role of Harry, Reiner initially considered , who declined because he was content with his recent , and , among others like and , who also passed on the part. For Sally, Reiner first planned to cast his then-girlfriend , but that arrangement fell through, leading to considerations of , , and before settling on . became deeply attached to the role of Harry upon reading Nora Ephron's script, despite Reiner's initial reluctance to cast his close friend out of concern for their relationship. To foster the necessary dynamic, Reiner organized improvisational workshops where Crystal and Ryan developed their characters' interplay through unscripted scenes. During her audition, delivered a high-energy reading that contrasted with Sally's more ordered, anxiety-prone traits, yet Reiner recognized her ability to infuse the character with warmth and vulnerability. For the supporting roles, was selected as due to her sharp wit, which aligned seamlessly with the character's candid, matchmaking personality. was chosen for Jess after his prior collaboration with Reiner in , where his comedic timing had impressed the .

Filming

Principal photography for When Harry Met Sally... took place from August 29 to November 15, 1988, primarily in with additional shooting in , on a budget of approximately $16 million. The production captured the film's early scenes in , including the initial meeting between Harry and Sally at the University of Chicago's Harper Quadrangle. In , key locations encompassed for the college graduation sequence, the for interior shots, and various spots in , such as the Loeb Boathouse, to evoke the characters' evolving relationship across the city. The film was shot on 35mm film by cinematographer Barry Sonnenfeld, whose work emphasized the vibrant urban texture of New York to support the romantic comedy's intimate tone. Editing was handled by Robert Leighton, who maintained the narrative's non-linear timeline spanning over a decade while preserving the rom-com's brisk pacing through precise cuts on dialogue-driven scenes. Some logistical hurdles arose from the story's multi-year arc, requiring careful coordination to align foliage and weather continuity across summer and fall shoots, though the production largely relied on New York's natural seasonal shifts for authenticity. Director fostered a collaborative atmosphere on set, encouraging improvisation and ad-libs from stars and to infuse the script with natural banter, while enforcing structure to fit the genre's rhythmic demands. This approach yielded spontaneous moments, such as extended dialogues that heightened the film's humor and emotional depth, balanced by Reiner's oversight to ensure scenes advanced the plot efficiently.

Katz's Delicatessen Scene

The scene represents the mid-film climax in When Harry Met Sally..., occurring during a tense where fakes an at the table to prove to that women can convincingly simulate sexual , thereby challenging his assumptions about intimacy. This outburst underscores the growing friction in their friendship, propelling the narrative toward deeper emotional vulnerability. The performance was heavily improvisational, evolving through numerous takes as built the intensity of Sally's demonstration. Director actively coached Ryan for realism, even demonstrating the orgasmic sounds himself to guide her toward greater authenticity and exaggeration, which amplified the scene's comedic punch. Billy Crystal's bemused and shocked reactions were captured in separate shots, allowing him to respond naturally without breaking character amid Ryan's escalating delivery. Filming took place at the actual , located at 205 East in Manhattan's , secured with the owner's permission to utilize the bustling real-world setting. A minimal was employed to avoid disrupting the environment, enabling genuine, unscripted reactions from unaware patrons who became unwitting extras in the sequence. Cinematographically, the scene relied on intimate close-up shots focusing on Ryan's facial expressions and body language, paired with layered sound design that foregrounded her vocal moans and gasps to convey unfiltered realism. These choices fueled post-production debates over the film's R rating, as the explicit yet humorous portrayal of female sexuality pushed boundaries for a mainstream romantic comedy.

Music

Soundtrack

The soundtrack for When Harry Met Sally... was released as a in July 1989 by , featuring vocal standards performed by The album peaked at number 42 on the chart and achieved double platinum certification from the RIAA, selling over two million copies in the United States. Key tracks include Connick's renditions of "It Had to Be You," which serves as the film's romantic finale; "I Could Write a Book"; and "Don't Get Around Much Anymore." Connick's vocal arrangements, including big band interpretations of these standards, were recorded specifically for the movie, earning him a Grammy Award for Best Jazz Vocal Performance, Male in 1990. The featured songs are integrated throughout the film to underscore montages of the characters' evolving lives, intimate dates, and pivotal emotional moments, capturing the nostalgic vibe of across the 1970s and . For instance, Connick's "It Had to Be You" plays during the climactic reunion scene, while tracks like "" accompany driving sequences that highlight the passage of time and urban energy.

Original Score

The music for When Harry Met Sally... features arrangements by , who also served as orchestrator. Shaiman collaborated with director on the film's music, which primarily consists of adapted standards and includes original songs such as "Lady's Lunch." Special musical performances and arrangements were provided by The music was recorded after using a small ensemble of musicians to maintain an intimate, reflective tone that complemented the featured songs without overpowering the dialogue-driven scenes.

Release and Commercial Performance

Premiere

The world premiere of When Harry Met Sally... took place in on July 12, 1989, with a limited opening in select theaters, followed by a across the on July 21, 1989, distributed by . The film received an from the of America for language and adult themes. Initial distribution employed a platform release strategy, beginning with screenings in major U.S. cities to cultivate audience interest before expanding nationwide to approximately 800 theaters the weekend after premiere and 1,200 screens by early August. Marketing emphasized the film's sharp dialogue, romantic entanglements, and iconic backdrop, with trailers prominently featuring the scene of Sally's simulated —which itself warranted the for promotional materials. The campaign's , "Can two friends sleep together and still love each other in the morning?", directly echoed the movie's core premise about platonic versus relationships. Early audience reactions fueled strong word-of-mouth, as test screenings and opening-day polls delivered an A+ —the first such rating for a film since —with 99.6% of attendees recommending it to others. This helped establish When Harry Met Sally... as a successful counterprogramming option during the 1989 summer season, contrasting the era's action-heavy blockbusters like Batman. International rollout began in late 1989, with releases in markets such as Australia on October 19 and the United Kingdom on November 24, extending into 1990 across additional countries including Japan and various European territories.

Box Office

When Harry Met Sally... was produced on a budget of $16 million. The film employed a platform release strategy by distributor Columbia Pictures, beginning with a limited opening on July 12, 1989, in 41 theaters, where it earned $1,094,453 over its first weekend. It expanded to a wide release the following weekend of July 21–23, grossing $8,846,522 from 775 theaters and ranking third at the North American box office behind Lethal Weapon 2 and Batman. The film's box office performance demonstrated steady growth driven by positive word-of-mouth, with its strongest weekend coming during the wide debut and subsequent legs measuring 10.49 times that peak earnings figure. It remained in the top 10 for 12 consecutive weeks from late July through mid-October 1989, ultimately accumulating $92,823,546 in domestic rentals. International earnings added just $176,599, for a worldwide total of $93,000,145. Adjusted for inflation, the domestic gross equates to approximately $262 million in 2023 dollars, underscoring its commercial success relative to the era's romantic comedies. The film concluded its theatrical run after 26 weeks.

Reception

Critical Response

Upon its release in 1989, When Harry Met Sally... garnered strong critical acclaim for its sharp writing and performances. The film holds an 88% approval rating on , based on 129 reviews as of 2025, with critics praising its witty dialogue and the undeniable chemistry between and . Roger Ebert awarded it 3.5 out of 4 stars, highlighting the epigrammatic script by and the warm interplay between the leads, which he described as ideal for capturing the nuances of evolving relationships. Reviewers frequently commended the movie's authentic portrayal of adult relationships, emphasizing its realistic exploration of male-female friendships and the gradual shift to romance over a decade. The film's setting added to this , with critics noting Ephron's script for its precise capture of urban neuroses and local idioms. Additionally, it was celebrated for subverting traditional tropes by prioritizing emotional depth and intellectual sparring over contrived meet-cutes. While overwhelmingly positive, some contemporary critiques pointed to the plot's predictability, arguing that the inevitable union of and felt formulaic despite the film's humor and insight. Retrospectively, analyses from the onward have highlighted feminist undertones in Sally's character, portraying her as an independent professional who challenges gender stereotypes through her and emotional . Aggregate scores reflect this favorable reception, with a Metascore of 76 out of 100 on based on 17 reviews. The ranked it #23 on its 2000 list of the 100 greatest American comedies.

Accolades

When Harry Met Sally... received one nomination at the in 1990 for Best Original Screenplay for . The film earned five nominations at the , including Best Motion Picture – Musical or Comedy, Best Director – Motion Picture for , Best Screenplay – Motion Picture for , Best Actor – Motion Picture Musical or Comedy for , and Best Actress – Motion Picture Musical or Comedy for . It also received a nomination for Best Screenplay – Original at the 43rd , which it won for Ephron's work. Additionally, the screenplay was nominated for Best Screenplay Written Directly for the Screen at the 42nd . Meg Ryan won the American Comedy Award for Funniest Actress in a Motion Picture for her performance as Sally Albright. The film also received the ASCAP Award for Top Box Office Film in 1990, recognizing its commercial music success. In later years, When Harry Met Sally... was ranked #23 on the American Film Institute's 2000 list of 100 Years...100 Laughs, celebrating America's funniest movies. It has been frequently included in "best romantic comedy" lists, such as ' ranking of the 200 best romantic comedies and Rolling Stone's 50 greatest romantic comedies of all time.

Post-Release

Home Media

The film was released on in 1990 by , becoming a long-term rental favorite. The DVD special edition debuted in January 2001 from , featuring audio commentary by director , a 35-minute making-of documentary produced that year, seven deleted scenes, and a for 's rendition of "It Had to Be You" from the soundtrack. A high-definition Blu-ray edition was released in July 2011 by 20th Century Fox Home Entertainment, followed by Shout! Factory's 30th anniversary edition in January 2019, which included a new transfer restored from a scan of the original camera negative along with the previous special features. Special editions in DVD and Blu-ray formats consistently incorporate deleted scenes offering additional improvisational moments between leads and , making-of featurettes detailing the film's development, and integration through Harry Connick Jr.'s music video and isolated score tracks. As of November 2025, When Harry Met Sally... is available for streaming on platforms including and Paramount+ via licensing deals with and other distributors.

Legacy

When Harry Met Sally... is widely credited with defining the modern genre through its exploration of the "will-they-won't-they" tension between protagonists, a narrative device that became a staple in subsequent films. This structure influenced Ephron's later works, including (1993) and (1998), which echoed the film's blend of witty banter, emotional depth, and slow-burn romance. The film's Katz's Delicatessen scene, featuring Meg Ryan's simulated orgasm, has become a , popularizing the trope in and . This moment, culminating in the line "I'll have what she's having," is recognized as one of the most memorable depictions of feigned in American . Additionally, Harry's assertion that "men and women can't be because the part always gets in the way" has permeated pop culture discussions on relationships, frequently referenced in media and debates on interactions. In 2022, the film was selected for preservation in the United States National Film Registry by the Library of Congress, honoring its cultural, historic, and aesthetic significance to American cinema. Marking its 35th anniversary in 2024, the movie sparked renewed discussions through interviews with cast members like Billy Crystal and Harry Connick Jr., emphasizing its enduring relevance in exploring relationships and intimacy. In February 2025, Meg Ryan and Billy Crystal reunited with Sydney Sweeney to recreate the Katz's scene in a Hellmann's advertisement aired during Super Bowl LIX, underscoring the film's timeless appeal and its integration into contemporary marketing. Academic analyses have examined the film's portrayal of gender dynamics, highlighting how it challenges traditional romantic tropes while reflecting societal expectations around male-female friendships and emotional vulnerability. Studies have also explored as a central "character" in the narrative, with its iconic locations like Katz's Deli and serving to amplify themes of urban romance and personal growth.

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