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X Mayo

X Mayo is an American comedian, actress, writer, and producer of Afro-Latina descent. Born on July 27, 1987, in Inglewood, California, she grew up in South Central Los Angeles and began her career in comedy and writing. Mayo gained widespread recognition as a staff writer for The Daily Show with Trevor Noah from 2017 to 2022, where the writing team, including her contributions, earned a Primetime Emmy Award nomination for Outstanding Writing for a Variety Series in 2020. Her acting breakthrough came with supporting roles in films like the comedy-drama The Farewell (2019) and the horror comedy (2023), the latter of which highlighted her comedic timing in an ensemble cast; she has since appeared in Freakier Friday (2025). On television, she portrayed series regular Payton in the NBC sitcom (2021–2023), appeared as Cheeks in the Prime Video thriller series (2023), guest-starred in episodes of (2017) and Strangers (2018), and more recently in (2024) and Loot (2025).) In 2023, was a top finalist to host Central's late-night After Midnight, the reboot of @midnight, though the role ultimately went to . Throughout her career, she has been praised for her sharp , diverse in , and ability to blend humor with in both writing and .

Early life and background

Upbringing in Los Angeles

X Mayo was born on July 27, 1987, in , and raised in the South Central neighborhood, a diverse urban area known for its vibrant multicultural community. Of Afro-Latina heritage, with Black and Mexican roots, Mayo grew up in a large, community-oriented family that included extended relatives such as tías and tíos, who supported key milestones like her and ; her mother particularly emphasized pride in their mixed cultural background. Her childhood involved navigating financial struggles, family issues, and broader systemic oppression in South Central, while attending various schools amid these early challenges; she later attended . This resourceful environment influenced the origin of her handle "@80dollarsandasuitcase," which reflects the modest means with which she later pursued opportunities, echoing the determination fostered in her upbringing. As a child, Mayo showed an early interest in writing and performing, which would later shape her career path.

Early performing arts involvement

At the age of eight or nine, X Mayo joined a theater company in , where she first explored the integration of acting, movement, and spontaneous performance elements. In one notable production of , she portrayed an evil stepsister, an experience that introduced her to the stage's demands and surprises. During a , when a co-star's unexpectedly fell off, Mayo instinctively improvised by shouting to the audience, "Stop laughing at my sister!"—a quick-witted response that diffused the moment and protected her fellow performer. This blend of scripted roles and unscripted reactions in the company's rehearsals and performances marked her initial foray into creative expression, fostering an early comfort with performative adaptability. Beyond structured group activities, Mayo developed self-taught writing habits during her pre-teen years, often jotting down stories and ideas independently while immersed in ' vibrant cultural scene. She also participated in additional theater performances around the city, including plays that allowed her to experiment with character and narrative without rigid guidance. These solo writing sessions and local stage opportunities, pursued amid her urban upbringing in Inglewood, provided a unstructured outlet for her imagination, distinct from any formal education in the arts. These early endeavors profoundly influenced Mayo's emerging comedic voice, emphasizing over convention and humor rooted in and timing. The thrill of her line in the production, for instance, left her exhilarated backstage, reinforcing a raw, protective wit that would later define her style—developed through play rather than lessons. Without the constraints of professional training, her experiences in dance, theater, and writing cultivated a playful, observational approach to , drawing from everyday mishaps and personal connections. By her early teens, what began as casual interests evolved into a clear passion for , as Mayo sought out more opportunities in and theater throughout her childhood in . The positive feedback from her initial improvisations and writings solidified her desire to pursue creative outlets professionally, transitioning her from sporadic participation to a committed self-identification as a performer.

Comedy and writing career

Improv training and early comedy work

In 2013, X Mayo relocated to New York City with just $80 and a suitcase, a bold move that underscored her dedication to pursuing a career in despite financial constraints. This relocation marked her transition from informal performing interests in to a professional commitment in the competitive NYC scene. Mayo began formal improv training at the (UCB) in 2015, which she later described as her "real school" given that she had not completed traditional . She quickly immersed herself, interning at the theater and attending classes and performances nightly, eventually auditioning successfully for UCB house improv teams including Top Heavy and Too Damn Much. These experiences honed her skills in long-form improv, where she performed regularly at UCB venues alongside diverse ensembles. Alongside improv, Mayo explored , drawing inspiration from shows like and BET's , and began performing at various NYC spots. She also delved into sketch writing and production, creating early samples through shows like the all-people-of-color production Who Made the Potato Salad?, which debuted in 2017 and featured her original material in a live party format. That same year, she secured a recurring cast role in the series Strangers, providing one of her first small-screen gigs and exposure to scripted comedy. These foundational efforts in stand-up, sketch, and improv at NYC venues laid the groundwork for her evolving comedic voice.

Staff writing on The Daily Show and beyond

In 2018, X Mayo joined the writing staff of with , marking her first major professional writing role in late-night comedy. She contributed to various segments during her tenure, which lasted until 2021, including a 2020 monologue joke about Meghan Markle and Prince Harry that drew significant online attention for its sharp commentary on British tabloid scrutiny of the couple. Mayo's work on the show focused on satirical takes on current events, leveraging her background in improv to craft punchy, culturally resonant material. Following her time at , Mayo expanded her writing into awards show specials, co-writing for the 2023 Soul Train Awards, where she helped shape humor celebrating R&B and soul artists. She continued this trajectory with writing credits on the in both 2024 and 2025, contributing to opening monologues and presenter segments that highlighted Black excellence in entertainment. These projects showcased her ability to blend timely cultural references with celebratory tones in high-profile variety formats. Mayo also produced short-form content emphasizing Black entrepreneurship, notably as host and producer of the 2020 "By Black" series, a digital initiative that profiled Black-owned businesses and addressed barriers to equity in commerce. Through episodes on topics like skincare and fragrance brands, the series educated viewers on economic empowerment while promoting sustainable support for minority-led ventures. This work reflected Mayo's broader commitment to narratives amplifying underrepresented voices in comedy and media up to 2025.

Acting and producing career

Breakthrough television roles

Mayo's early television appearances included guest and recurring roles that helped establish her on-screen presence. She portrayed Robbie in the second season of the Facebook Watch comedy-drama series Strangers (2018), a heavily recurring part that showcased her comedic timing in ensemble scenes. Earlier, she made a as a patient in the The Good Doctor (2021), marking one of her initial forays into scripted network television. These smaller roles paved the way for more prominent opportunities, with Mayo's background in and writing enhancing her ability to deliver sharp, character-driven performances. Her breakthrough came with a series regular role as Dorothy "Dori" Otis, the executive assistant to the CEO, in NBC's workplace American Auto (2021–2023), where she appeared in all 20 episodes across two seasons, earning praise for her portrayal of the character's dry wit and loyalty amid corporate chaos. Building on this momentum, Mayo took on a memorable guest role as Cheeks, a strip club manager and performer, in the Amazon Prime Video limited series Swarm (2023), contributing to the show's darkly satirical tone in three episodes. In 2024, she appeared as Lisa, a supportive parent, in the episode "Dad Fight" of ABC's Abbott Elementary, adding depth to a family subplot in the acclaimed mockumentary. Most recently, Mayo joined the cast of Apple TV+'s Loot (2025) as Destiny, Sofia's sister and a romantic interest, in a recurring capacity during season three, further solidifying her versatility in ensemble comedies. In November 2025, she was announced as Nurse Pippa Raymond in the upcoming Scrubs reboot, set to premiere in 2026.

Film appearances and producing credits

Mayo's feature film debut came in 2019 with the critically acclaimed family drama The Farewell, directed by Lulu Wang, where she portrayed the supporting role of Suze, the outspoken cousin of the Billi. Her performance contributed to the film's exploration of cultural clashes and familial bonds within a Chinese-American family facing a diagnosis. She followed this with the role of Melody in the adventure comedy Finding 'Ohana (2021). In 2023, Mayo took on a prominent ensemble lead role as Shanika, the energetic and no-nonsense "turn-up queen," in the horror-comedy , written by and directed by . , which satirizes horror genre tropes through a group of Black friends trapped in a , highlighted Mayo's comedic timing and ability to blend humor with tension, earning praise for elevating diverse representations in the genre. Mayo also appeared as Taylor in the comedy film Please Don't Destroy: The Treasure of Foggy Mountain (2023). Mayo continued her film work in 2025 with the role of Principal Waldman in Disney's Freakier Friday, a body-swap sequel to the 2003 classic Freaky Friday, starring Jamie Lee Curtis and Lindsay Lohan. Her portrayal of the school principal added to the film's multigenerational comedic chaos, marking her entry into major studio sequels. Mayo has also emerged as a in cinematic projects, including contributions to that align with her focus on diverse narratives. For instance, she starred as Mela in the 2025 short Baquiné Friends Forever, a Brooklyn-set about friendship and change. This producing work ties into her broader career, enabling her to influence project creation alongside acting, as seen in her support for community-driven efforts.

Awards and recognition

Primetime Emmy nomination

In 2020, X Mayo was nominated for the Primetime Emmy Award for Outstanding Writing for a Variety Series at the 72nd Primetime Emmy Awards for her contributions as a writer on The Daily Show with Trevor Noah. The nomination honored the show's writing during the eligibility period from June 1, 2019, to May 31, 2020, a tumultuous time marked by the onset of the COVID-19 pandemic, nationwide protests for racial justice following George Floyd's murder, and the lead-up to the U.S. presidential election. The accolade was shared among the Daily Show writing team, led by head writer Dan Amira and including senior writers Lauren Sarver Means and Daniel Radosh, as well as writers David Angelo, Ashley Ferl, , Zhubin Parang, Devin Delliquanti, Zach DiLanzo, Geoff Haggerty, Josh Johnson, David Kibuuka, Matt Koff, and others. Standout segments contributing to the recognition included sharp satirical pieces on the administration's pandemic response, such as Noah's remote monologues critiquing missteps, and field reports addressing systemic and brutality, which blended humor with incisive commentary to engage audiences amid crisis. These efforts demonstrated the team's ability to adapt to virtual production challenges while maintaining the show's signature blend of comedy and journalism. As an Afro-Latina , Mayo's inclusion in the underscored a rare moment of visibility for underrepresented voices in late-night variety writing, at a time when Latino representation across all Emmy categories remained critically low. Her work on segments exploring intersectional issues, including the experiences of Black and Latinx communities during the social upheavals of 2020, helped amplify narratives often sidelined in mainstream comedy. The nomination significantly boosted Mayo's career trajectory, enhancing her industry profile and leading to expanded opportunities in acting and producing; shortly after, in 2021, she signed with and secured roles in projects like the NBC pilot . This recognition solidified her transition from behind-the-scenes writing to multifaceted creative endeavors, influencing subsequent credits in series such as Loot.

Industry honors and media impact

X Mayo has been profiled in prominent media outlets for her contributions to comedy as an Afro-Latina performer. In a 2018 Remezcla feature, she was highlighted for carving out a unique space in New York's comedy scene, emphasizing the importance of creating by and for people of color. Her industry validation includes signing with (UTA) in 2021, a significant milestone that expanded her representation across acting, writing, and producing. Membership in the Television Academy further underscores her standing, providing access to professional networks and recognition within television. A notable viral moment came in 2020 when Mayo, as a writer for with , crafted a joke about Meghan Markle and Prince Harry that unexpectedly garnered widespread attention online, amplifying her comedic voice. Mayo serves as an inspiration for diverse creators through initiatives like her sketch comedy group Who Made the Potato Salad?, which has mentored Black and people of color talents, leading to opportunities such as Emmy nominations and staff positions on major shows. In a 2023 episode of the Her First $100K podcast, she discussed unlearning limiting financial beliefs rooted in family and community expectations, advocating for boundary-setting and open money conversations to empower underrepresented artists. Her ongoing efforts in comedy and production continue to promote inclusivity, fostering representation in entertainment as of 2025.

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