Yayan Ruhian
Yayan Ruhian (born 19 October 1968) is an Indonesian martial artist, actor, and fight choreographer renowned for his mastery of pencak silat, a traditional Indonesian combat style, and his intense performances in action cinema.[1] Born in Tasikmalaya, West Java, Ruhian discovered his passion for martial arts as a teenager, beginning formal training in pencak silat at age 13 to build confidence and demonstrate resilience.[1] He progressed to become a professional instructor, training others in the discipline and even coaching Indonesian police forces in self-defense techniques before transitioning to entertainment.[2][3] Ruhian's acting career debuted in the 2009 Indonesian film Merantau, but he achieved global breakthrough as the ferocious antagonist Mad Dog in Gareth Evans' The Raid (2011), a role that highlighted his raw pencak silat prowess in a now-iconic hallway fight scene.[1][4] He returned in The Raid 2 (2014) as the stoic assassin Prakoso, while also serving as a key fight choreographer for both films, blending authentic martial arts with cinematic storytelling.[5][6] Expanding internationally, Ruhian portrayed the Kanjiklub enforcer Tasu Leech in Star Wars: Episode VII – The Force Awakens (2015), marking his entry into major Hollywood franchises.[7][4] His subsequent credits include supporting roles in high-profile action films such as John Wick: Chapter 3 – Parabellum (2019) as an assistant fighter and Snake Eyes (2021) as Ringer, solidifying his reputation for delivering visceral, skill-driven performances.[6] In 2024, he joined the cast of the Korean action thriller Ji, directed by Pedring Lopez. As of 2025, he appears in international projects including The Furious and Lone Samurai, further showcasing his versatility across global cinema.[8][9][10]Early life and training
Childhood and family background
Yayan Ruhian was born on October 19, 1968, in Tasikmalaya, a city in West Java, Indonesia.[6] He grew up in a family with limited public details about his parents' professions. Ruhian's early environment in Tasikmalaya, a predominantly Sundanese and rural area known for its strong Islamic cultural traditions and agricultural economy, shaped a modest upbringing focused on local community values.[11] During his childhood in this setting, Ruhian developed an early interest in physical activities, influenced by the region's emphasis on traditional disciplines, though specific details about his basic education, such as local schooling, remain undocumented in available sources.[11] By his teenage years, this foundation led him to explore martial arts as a personal pursuit.Martial arts development
Yayan Ruhian discovered his passion for Pencak Silat during his adolescence, beginning formal training at the age of 13 in his hometown of Tasikmalaya, West Java.[12] Growing up in a rural environment where self-defense skills were valued among youth, he immersed himself in the art, progressing from a dedicated student to a professional practitioner over the following years.[13] His early involvement was influenced by his father's practice of karate, which sparked an interest in martial disciplines, though Ruhian focused primarily on Indonesia's indigenous Pencak Silat.[14] Ruhian's training centered on the school that evolved into Perguruan Silat Tenaga Dasar Indonesia (PSTD), where he honed his skills under the system's structured curriculum emphasizing inner energy cultivation. By 1988, at age 20, he had advanced to become an instructor at PSTD, teaching breathing techniques designed to enhance physical resilience and withstand impacts during combat.[2] These methods, integral to PSTD's philosophy, involved controlled respiration to build internal power, allowing practitioners to endure strikes and grapples effectively. No specific masters are prominently documented in his training lineage, but his progression within PSTD marked his transition to professional status, including certification as a trainer.[2] Within Pencak Silat, Ruhian specialized in styles such as Silat Harimau (Tiger Silat) and Silek Minang, mastering techniques that incorporate animal-inspired movements, including low stances for evasion, clawing strikes, sweeps, and close-range grapples to unbalance opponents.[2] Later, he incorporated elements of aikido to complement his repertoire, focusing on joint locks and throws that enhanced his grappling proficiency.[12] His expertise extended to practical applications, as he trained members of the Pasukan Pengamanan Presiden (Indonesian Presidential Security Forces) and the Military Police Corps in Pencak Silat during the late 1980s and 1990s, adapting techniques for real-world security scenarios.[15] Although Ruhian achieved recognition as a referee in Pencak Silat tournaments—qualifying him through rigorous training in Jakarta— this role disqualified him from participating as a competitor, limiting his involvement to officiating and demonstrations.[12] Instead, he built his reputation through international exhibitions, joining demonstration teams at events like the Festival des Arts Martiaux in Bercy, Paris, and showcasing Silek Minang across France, Belgium, and the Netherlands by the mid-2000s.[2] These performances highlighted his technical mastery and contributed to his standing in the global Pencak Silat community.[12]Career
Early stunt and acting roles
Yayan Ruhian entered the Indonesian film industry in the late 2000s as a professional stunt coordinator and martial arts choreographer, leveraging his extensive background in pencak silat. His initial foray into cinema occurred in 2008 when director Gareth Evans recruited him to design and oversee the action sequences for the film Merantau, drawing on Ruhian's proficiency in Silat Harimau and Silat Minang styles to craft authentic and dynamic fight choreography.[1] This collaboration stemmed from Evans's earlier documentary work on Indonesian martial arts, during which he discovered Ruhian's skills as an instructor. Beyond coordination, Ruhian auditioned for an on-screen part and landed his acting debut as the villainous Eric in Merantau (2009), a role that required grueling physical demands including multiple high-intensity combat scenes emphasizing his raw, acrobatic silat techniques against the protagonist.[16] In the years leading up to 2011, Ruhian's pre-fame work remained centered on Merantau, with no other credited stunt or acting roles in major productions during the 1990s or early 2000s, as his focus had previously been on teaching martial arts to civilians and law enforcement. This foundational project laid the groundwork for his transition from behind-the-scenes expert to performer, setting the stage for broader recognition in subsequent films like The Raid.[17]Breakthrough and Indonesian films
Yayan Ruhian's breakthrough in Indonesian cinema arrived with his portrayal of the ferocious antagonist Mad Dog in Gareth Evans' The Raid (2011), a role that showcased his martial arts prowess through a brutal, extended fight sequence against the protagonist Rama. As both actor and fight choreographer alongside Iko Uwais, Ruhian infused the scenes with authentic pencak silat techniques, earning praise for the film's raw, innovative action that revitalized Indonesian action filmmaking and significantly raised his industry profile.[18][19] He reprised his collaboration with Evans in The Raid 2 (2014), shifting to the more nuanced character of Prakoso, a loyal assassin and confidant to mafia boss Bangun within the film's expansive criminal ensemble. Prakoso's arc delved into personal regret over his estranged family, culminating in a desperate, multi-opponent kitchen brawl that highlighted Ruhian's ability to blend emotional depth with visceral combat, contributing to the sequel's reputation for intricate character-driven action.[20][21] Beyond the Raid series, Ruhian continued to anchor domestic action projects, such as his dual role as the villainous Ifrit and action director in the Malaysian-Indonesian co-production Wira (2019), where his choreography elevated the underground MMA confrontations and helped the film achieve commercial success with earnings exceeding MYR 7 million at the Malaysian box office.[22] Post-2011, Ruhian's domestic output diversified into dramatic territory, exemplified by his understated performance as Rama's father in Photocopier (2021), a tense mystery-thriller about sexual assault and institutional injustice that marked his venture into non-action roles while maintaining his status as a versatile figure in Indonesian cinema. In 2024, he portrayed Burai, a leader of the assassin organization known as the Shadow, in the Netflix action thriller The Shadow Strays, directed by Timo Tjahjanto.[23]International collaborations
Yayan Ruhian's entry into international cinema began with his casting as Tasu Leech, the leader of the Kanjiklub gang, in Star Wars: The Force Awakens (2015). In this brief but intense role, he portrayed the alien criminal confronting Han Solo and Chewbacca aboard the Millennium Falcon, delivering a physical performance enhanced by practical makeup and costume design rather than extensive motion capture.[24][25] That same year, Ruhian appeared in the Japanese action-horror film Yakuza Apocalypse, directed by Takashi Miike, marking a notable Japanese-Indonesian collaboration. He played Kyoken, a ferocious vampire warrior and one of the boss's loyal enforcers, showcasing his martial arts prowess in supernatural fight sequences against the protagonist. Ruhian's global profile rose further with his role as one of the Shinobi assassins in John Wick: Chapter 3 – Parabellum (2019), where he performed alongside fellow Indonesian martial artist Cecep Arif Rahman in a high-octane knife fight against Keanu Reeves' titular character. His contribution to the choreography emphasized precise, brutal silat-inspired techniques, highlighting his expertise in close-quarters combat. In more recent years, Ruhian continued his international work with the role of the Shaman in Boy Kills World (2024), a dystopian action thriller produced in South Africa and the United States. As the mentor figure training the deaf-mute protagonist (played by Bill Skarsgård) in vengeance-fueled combat, his performance blended philosophical guidance with intense training montages, drawing on his signature martial arts style.[26]Acting style and contributions
Performance techniques
Yayan Ruhian's performance techniques are fundamentally shaped by his mastery of Pencak Silat, an Indonesian martial art that he incorporates into film fight choreography to achieve authenticity and realism. As a longtime practitioner and instructor of Silat, Ruhian co-led the design of action sequences in the The Raid series alongside Iko Uwais, adapting traditional techniques such as close-range strikes, joint locks, and fluid evasions to fit cinematic demands.[27] These elements are prominently featured in the franchise's confined-space battles, where Silat's emphasis on efficiency and lethality transforms everyday environments like apartments and prisons into arenas of visceral combat.[28] To foster this realism, Ruhian employs rigorous training methods, including collaborative workshops where performers practice evading impacts, absorbing strikes, and reacting instinctively, ensuring that on-screen violence feels unscripted and consequential.[29] In collaboration with director Gareth Evans, Ruhian contributes to sequence design by infusing improvisational spontaneity, often adjusting moves on set based on character motivations and emotional stakes to heighten narrative tension. Evans has described consulting Ruhian on the psychological underpinnings of fights, shifting the focus from performative flair to raw survival instincts, which required toning down the practitioners' naturally restrained demonstrations for greater ferocity.[30] Ruhian's techniques have evolved from his early career as a stunt performer and coordinator—handling high-risk action since his film debut in 2009—to starring roles that demand sustained physical commitment. In high-impact scenes like the climactic confrontations in The Raid: Redemption, the production employed safety protocols such as padded gear, precise timing rehearsals, and incremental intensity builds across multiple takes, mitigating injury risks while preserving the sequences' relentless pace and brutality.[31] This progression underscores his role in bridging practical martial arts with demanding lead performances, as evidenced by his breakthrough portrayal in the series that propelled him into international acting opportunities.[11] His contributions continue in recent projects, such as Boy Kills World (2024), where he portrayed The Boss, further integrating Pencak Silat into high-profile action sequences.[32]Signature characters and influence
Yayan Ruhian's signature roles often embody archetypes of intense villainy and stoic resolve, drawing from his deep expertise in Pencak Silat to create memorable antagonists in Indonesian and international action cinema. In The Raid (2011), he portrayed Mad Dog, a ferocious lieutenant whose primal fury and relentless combat style represent the archetype of the untamed beast, driven by raw aggression in service of a criminal empire. This character's brutal, knife-wielding confrontations underscore themes of villainy as an explosive force of chaos, contrasting with more calculated foes.[16] Equally iconic is his role as Prakoso in The Raid 2 (2014), a stoic enforcer whose unwavering loyalty to his boss manifests in disciplined, heroic-like defense against hordes of attackers, exploring themes of sacrificial honor amid moral ambiguity. Prakoso's quiet intensity and endurance in prolonged battles highlight a restrained heroism tainted by criminal allegiance, differentiating him from Mad Dog's volatility. These portrayals, co-choreographed by Ruhian, integrate authentic Pencak Silat movements to emphasize physical and emotional depth in villainous figures.[33] Ruhian's performances in the Raid series have significantly shaped global perceptions of Indonesian martial arts, thrusting Pencak Silat into the spotlight through visceral, realistic fight sequences that blend traditional techniques with modern action storytelling. The films' international success, including festival acclaim and box-office impact, has popularized Silat as a dynamic alternative to more familiar styles like Muay Thai or kung fu, inspiring filmmakers worldwide to incorporate Southeast Asian martial elements.[34] As a veteran Pencak Silat practitioner and instructor since his youth, Ruhian has mentored emerging actors and stunt performers across Southeast Asia, notably collaborating on choreography with talents like Iko Uwais and conducting live demonstrations that promote the art form. His training of police forces in martial techniques further extends his influence, building practical skills and cultural pride among younger generations. In interviews, Ruhian has reflected on this legacy, expressing optimism about Silat's rising visibility via cinema while cautioning against its potential decline without sustained support.[35][36]Filmography
Feature films
Yayan Ruhian's feature film career began with his debut in Indonesian action cinema and expanded to international productions, where he often portrayed skilled fighters and antagonists, frequently incorporating his expertise in pencak silat choreography.| Year | Title | Role | Director | Description |
|---|---|---|---|---|
| 2009 | Merantau | Eric | Gareth Evans | Played Eric, a ruthless human trafficker and antagonist who engages in brutal silat fights against the protagonist. |
| 2011 | The Raid: Redemption | Mad Dog | Gareth Evans | Portrayed Mad Dog, a psychotic and ferocious gangster known for his intense, acrobatic fight scene against the lead SWAT officer. |
| 2014 | The Raid 2 | Prakoso | Gareth Evans | Appeared as Prakoso, a loyal henchman and skilled martial artist serving the crime syndicate boss. |
| 2015 | Yakuza Apocalypse | Kyoken (Mad Dog) | Takashi Miike | Depicted an international assassin and contract killer in this vampire-yakuza action film.[37] |
| 2015 | Star Wars: The Force Awakens | Tasu Leech | J.J. Abrams | Cameo as Tasu Leech, the leader of the Kanjiklub criminal gang confronting Han Solo. |
| 2017 | Beyond Skyline | Huana | Liam O'Donnell | Played Huana, a militia leader fighting alien invaders alongside other survivors.[38] |
| 2019 | John Wick: Chapter 3 – Parabellum | Assassin | Chad Stahelski | Performed as one of two elite knife-wielding assassins ambushing John Wick in a memorable hallway fight sequence. |
| 2020 | Skylines | The Chief | Liam O'Donnell | Reprised the role of the militia leader from Beyond Skyline, aiding in the battle against extraterrestrial threats. |
| 2022 | Legend of Gatotkaca | Beceng | Hanung Bramantyo | Portrayed Beceng, a key villain and protector to the antagonist in this superhero action film based on Indonesian mythology.[39] |
| 2024 | Boy Kills World | Shaman | Moritz Mohr | Acted as the enigmatic shaman who trains the deaf protagonist in martial arts for revenge in this dystopian action thriller.[40] |
| 2024 | Ji | Main villain | Pedring Lopez | Portrayed the main antagonist in this Korean action thriller set across Korea and parts of Southeast Asia.[8] |
| 2024 | The Shadow Strays | Master Burai | Timo Tjahjanto | Played Master Burai, a martial arts mentor guiding the young assassin in this spin-off from the Viu web series. |
| 2025 | The Furious | Deadly Archer | Kenji Tanigaki | Depicted a deadly assassin specializing in archery and knife combat as part of the antagonistic trafficking ring.[9] |
| 2025 | Lone Samurai | Witch | Josh C. Waller | Appeared as the Witch, a supporting character in this historical action thriller about a shipwrecked 13th-century samurai captured by cannibals on a deserted island.[41] |
Television series
Yayan Ruhian's television work is limited to guest and recurring roles in international action series, where he typically portrays formidable antagonists or allies leveraging his expertise in Indonesian martial arts. In 2020, he appeared in the Cinemax series Strike Back: Vendetta as Kabul, a CIA asset leading a kill squad in a high-stakes confrontation with the protagonists. This role was confined to a single episode, "Part 8," which served as the season finale and featured intense hand-to-hand combat sequences. Ruhian next featured in the 2023 Netflix miniseries Who Is Erin Carter?, playing Moses, a mysterious operative involved in the protagonist's criminal past. He appeared in two episodes, primarily episodes 6 ("Episode 6") and 7 ("Episode 7"), contributing to the series' thriller elements through his physical presence and fight choreography.[42]Video games
Yayan Ruhian's involvement in video games is limited but notable for extending his portrayal of Tasu Leech from the film Star Wars: Episode VII – The Force Awakens into interactive media. He provided the voice for Tasu Leech, the leader of the Kanjiklub gang, in LEGO Star Wars: The Force Awakens, a 2016 action-adventure game developed by TT Games and published by Warner Bros. Interactive Entertainment.[43] The game retells the events of the film with LEGO's signature humor and brick-building mechanics, allowing players to control characters including Tasu Leech in levels set on Takodana and other locations from the movie. Released on June 28, 2016, for platforms including PlayStation 4, Xbox One, Nintendo 3DS, Wii U, PlayStation 3, Xbox 360, and Microsoft Windows, it received positive reviews for its faithful adaptation and family-friendly gameplay. No other video game credits for Ruhian have been documented as of 2025.Awards and nominations
Indonesian Movie Actor Awards
Yayan Ruhian has received recognition from the Indonesian Movie Actor Awards (formerly known as the Indonesian Movie Awards) for his early breakthrough roles in Indonesian action cinema, highlighting his emergence as a prominent martial arts performer and actor. These nominations underscore his domestic acclaim for authentic portrayals of intense, physically demanding characters. In 2010, Ruhian earned two nominations at the 4th Annual Indonesian Movie Actor Awards for his debut acting role as the antagonist Eric in Merantau: Best Newcomer Actor and Favorite Newcomer Actor. These honors marked his initial foray into lead villainy, showcasing his pencak silat expertise in high-stakes fight sequences.[44][45] Ruhian received another nomination in 2013 at the 7th Annual Indonesian Movie Actor Awards for Best Supporting Actor for his role as Mad Dog in The Raid. This recognition affirmed his growing reputation for nuanced supporting performances amid explosive action set pieces.[46][45] Despite these nominations, Ruhian has not secured any wins from the Indonesian Movie Actor Awards as of 2025. No further nominations were recorded for later films such as Wira (2019), where he played a key antagonistic role.[46]| Year | Category | Film | Result |
|---|---|---|---|
| 2010 | Best Newcomer Actor | Merantau | Nominated |
| 2010 | Favorite Newcomer Actor | Merantau | Nominated |
| 2013 | Best Supporting Actor | The Raid | Nominated |