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Zhang Bichen

Zhang Bichen (: 张碧晨; : Zhāng Bìchén; born September 10, 1989), professionally known as Diamond Zhang, is a singer and recognized for her powerful vocals and contributions to music. Born in to a businessman father and a mother, she developed an early interest in music despite familial expectations toward more conventional paths. After graduating from Tianjin Foreign Studies University with a degree in , she traveled to as an exchange student and later trained under Haeun Entertainment, debuting in 2013 as a member of the Sunny Days under the stage name Bichen. Her international exposure with Sunny Days, which released singles like "I'm So Crazy" and operated until 2016, provided initial fame but was short-lived as she returned to China in 2014 to compete on the reality singing show The Voice of China. Representing Team Na Ying, the 25-year-old Tianjin native captivated audiences with performances such as her rendition of "Where Did the Time Go?" and ultimately won the third season on October 7, 2014, marking her as the first female champion of the competition. This victory propelled her into a prominent solo career, where she has released albums including Morning Bound for Midnight (2016), Time (2021), and Echoes of Now (2025), alongside hit singles like "Liang Liang" that showcase her emotive ballad style and have earned her the nickname "OST Queen" for numerous drama soundtracks. Bichen is multilingual, fluent in Chinese, English, French, and Korean, which has aided her cross-cultural appeal. Beyond music, Bichen has contributed to soundtracks for dramas and films such as (2022) and Till the End of the Moon (2023). In her , she publicly acknowledged on January 22, 2021, that she shares a daughter, born in 2019, with fellow singer ; the couple opted to co-parent without , a decision that sparked widespread discussion in about modern family structures. As of 2025, Bichen continues to perform and release music, including involvement in high-profile projects and occasional controversies, such as a copyright dispute over the song "Annual Rings."

Early life

Family background

Zhang Bichen was born on September 10, 1989, in , , into an ordinary working-class . Her father worked as a small-scale businessman, often partnering with friends on local ventures, while her mother served as an administrator at a local memorial hall or museum. As the family's , Zhang enjoyed a stable and supportive upbringing, though her parents emphasized practical career paths, hoping she would pursue for financial security rather than riskier pursuits. From a young age, Zhang showed a strong interest in music, influenced primarily by her mother's habit of traditional songs at home, which sparked her early passion for vocal performance. Despite this exposure, her parents initially discouraged a music career, favoring stable professions like those in business or administration, leading to Zhang's eventual defiance as she prioritized over conventional studies. Her childhood hobbies included attending classes in , performance, and , further nurturing her artistic inclinations amid familial expectations for .

Education

Zhang Bichen enrolled at Foreign Studies University in 2009, majoring in and after her parents encouraged her to prioritize a stable academic career over her aspiration to attend the . In her freshman year, she balanced rigorous coursework with her burgeoning interest in music by secretly pursuing vocal training and participating in the university's singing competition, where she secured second place in the undergraduate division. To advance her musical ambitions, Bichen traveled to in 2009 as an exchange student and began intensive vocal lessons as a with Haeun Entertainment starting in 2010, often concealing the extent of her commitments from her family to maintain focus on her studies. Ultimately, the intensity of her training prompted her to withdraw from the university without graduating, allowing full immersion in professional development despite familial expectations for a conventional path. Her unfinished studies in , supplemented by Korean proficiency gained through immersion, enhanced her multilingual capabilities, which she has leveraged in performances to deliver nuanced interpretations across languages.

Career

2009–2013: Sunny Days

In 2009, Zhang Bichen relocated to as an , laying the groundwork for her entry into the industry. By 2010, she had joined Haeun Entertainment as a , undergoing rigorous vocal and performance training. This period honed her skills in and music production, drawing on her educational background to facilitate adaptation. Zhang's breakthrough came in 2012 when she won the China zone championship at the , an international audition event that showcased emerging talents. This victory led to her selection as the only Chinese member of the South Korean girl group Sunny Days under Haeun Entertainment, marking her official entry into the group in 2013. As , she contributed to the group's multicultural appeal amid the rising popularity of in . During her tenure, Sunny Days released key singles including "With You" and "Meet the Same Girl" in 2013, blending upbeat pop with vocal harmonies that highlighted Zhang's strengths. The group undertook promotional activities across , including performances at festivals and showcases to expand their fanbase beyond . Zhang's participation in the 2013 further amplified the group's visibility in . Zhang departed from Sunny Days in early 2014 to pursue independent opportunities in , allowing her to focus on solo endeavors.

2014–2016: The Singer and solo debut

In 2014, following her departure from the South Korean girl group Sunny Days, Zhang Bichen participated in the third season of the Chinese singing competition , where her prior stage experience from the group helped prepare her for the intense competitive environment. She joined Team after impressing coaches with her performance of JJ Lin's "She Says," showcasing her versatile and emotional depth. Throughout the competition, standout performances included her rendition of "No Period for Reunion" in the battle rounds, which highlighted her ability to convey nostalgia and heartbreak, and her semi-final cover of Wang Fei's "Legend," earning widespread praise for its technical precision and interpretive power. In the grand finale on October 7, 2014, Zhang clinched the title—the first female winner in the show's history—with a poignant performance of Wang Feng's "Where Did the Time Go?," captivating audiences and judges alike and solidifying her public recognition as a rising vocal powerhouse. Post-victory, Zhang signed with the prominent label Mengxiang Qiangyin (Dream Sound Strong Tone) under Canxing Productions in October 2014, marking her official transition to a solo career backed by major industry support. This deal facilitated her debut solo single, "Within a Kiss" (一吻之间), released on November 13, 2014, as an insert song for the drama The Young Doctor; the track's melancholic melody and Zhang's soaring vocals quickly gained traction, introducing her independent artistry to a broader . Zhang's first solo studio album, Morning Bound for Midnight (开往早晨的午夜), launched on December 29, 2016, under Mengxiang Qiangyin, represented a conceptual exploration of duality between night and dawn, produced by Araii Juichi. The album features 10 tracks, including the title song "Morning Bound for Midnight," "Childhood Dream" (童夢), "Painted Colors" (彩繪), "Once Guarded" (曾经守候), "The Nutcracker" (胡桃夹子), "Warmth of Early Summer" (初夏之温), "It's Love," "Half and Half" (一半一半), "Self-Talk" (自语), and "Tear" (撕裂). It received critical acclaim for its mature songwriting and Zhang's emotive delivery, topping several Chinese music platform charts upon release and earning the "Album of the Year (Conceptual)" award at the 2017 Oriental Billboard Music Festival, underscoring its impact in establishing her as a serious solo artist. To promote her solo identity, Zhang embarked on early concerts, headlining her debut solo show, "Zhang Bichen 2016 Beijing Aurora Concert," at the Workers' Gymnasium on December 10, 2016, where she performed album tracks alongside competition hits to enthusiastic crowds. She also made key media appearances, such as on the reality show Mask Singer in 2016, where her disguised performances further showcased her vocal versatility and helped transition her image from contestant to established performer. These efforts, combined with endorsements like her TCL ambassadorship announced shortly after her win, cemented Zhang's foothold in the solo music scene by 2016.

2017–2019: Collaborations and OST success

In 2017, Zhang Bichen joined the fifth season of the popular singing competition Singer on as a replacement contestant starting from the fourth round. Her performances showcased her and emotional delivery, including covers of classic tracks that highlighted her training background, and she collaborated with Aska Yang on a live rendition of "Liang Liang" during the finals, which captivated audiences with its harmonious blend and dramatic intensity. This appearance marked a significant step in her career, building on her solo debut by exposing her to a broader audience through high-stakes live singing. A major highlight of this period was Zhang's collaboration with Aska Yang on "Liang Liang," the theme song for the immensely popular fantasy drama (also known as Three Lives Three Worlds, Ten Miles of Peach Blossoms), which aired in 2017 but continued to influence cultural trends into 2018. The duet version, with its poignant lyrics about enduring love and separation, dominated music charts, amassing millions of streams and becoming one of the year's most streamed Mandarin songs on platforms like and . Its cultural impact extended beyond the drama, symbolizing themes of fate and heartbreak in modern pop culture and inspiring numerous covers and challenges. Zhang continued her OST success in 2019 with contributions to several high-profile TV series. For the fantasy drama (original title Chen Xi Yuan), she duetted with Zheng Yunlong on "Water Comes From Heaven," a ethereal ballad that complemented the show's romantic narrative and featured prominently in its . Similarly, her solo track "At That Time" (Him Shi) served as a key emotional piece for the urban drama My True Friend, capturing themes of friendship and reflection with her signature emotive vocals, and it was included in the official release. These releases solidified her reputation as a go-to for dramatic soundtracks, enhancing the emotional resonance of the series. During this era, Zhang expanded her media presence through various variety shows, including a guest appearance on where she performed classic hits, and hosting duties on in 2018, which allowed her to mentor young talents. She also participated in in 2017 and in 2019, blending performances with interactive segments that showcased her versatility. In terms of accolades, she attended the in 2018, recognizing her rising influence, and received the Most Popular Female Singer award at the that year, affirming her growing stature in the industry.

2020–2025: Recent releases and public disputes

In 2020, Zhang Bichen contributed to the Chinese soundtrack of the live-action film Mulan: Heng Kong Chu Shi by performing the end-credits song "Mulan Xin" (木兰心), a poignant reflecting themes of and inner strength that complemented the film's narrative. Following this, she released several singles, including "" (笼) in 2023 as the end-credits theme for the film (消失的她), which garnered significant attention for its emotional depth and achieved over 50 million streams on major platforms within months of release. These works built on her established reputation in original soundtracks, with her post-2020 output emphasizing introspective lyrics and orchestral arrangements. In early 2025, Zhang Bichen released her third studio , Echoes of Now, featuring 11 tracks that delve into themes of self-discovery, the echoes of personal growth, and finding tranquility amid modern life's turmoil, as described in promotional materials highlighting music's role in revealing one's authentic self. The includes upbeat pop-infused songs like "SOSO HAHA" and reflective pieces such as "FIND," receiving positive reception for blending contemporary production with her signature . Additionally, she issued singles like "Later" (晚点) in February 2025 as the heartbreak theme for the drama The First Frost (难哄), further solidifying her streaming presence with cumulative plays exceeding 100 million across platforms like and by mid-year. A highlight of the period was the launch of Zhang Bichen's Epic of Love symphony limited concert tour in June 2025, beginning with a performance in alongside the Symphony Orchestra and Philharmonic, where she reinterpreted her discography through orchestral arrangements to evoke epic narratives of love and emotion. The tour expanded internationally, including her debut shows in at The Star Theatre on August 1 and at on September 12–13, drawing sold-out crowds and marking her first major Southeast Asian performances with elaborate symphonic staging. These concerts, supported by advanced media servers for immersive visuals, underscored her evolution toward large-scale live productions post-pandemic. The year also saw a notable public dispute in July 2025 over the song "Nian Lun" (年轮, Annual Rings), an insert track from the 2015 drama The Journey of Flower. An influencer's claim that Zhang Bichen was the sole original singer—supported by the drama's producer confirming her version was used in the broadcast—sparked fan debates and accusations of credit misattribution against collaborator Wang Sulong (Silence Wang). Wang Sulong's team responded by retracting performance rights for the song to avoid further controversy, stating they had no intent to engage in the debate and immediately ceased its inclusion in live sets and promotions. Zhang Bichen publicly affirmed her recording as the definitive version while expressing respect for past collaborations, leading to a resolution by late August when both artists announced joint appearances at an industry event, signaling reconciliation and a focus on moving forward. This incident highlighted ongoing challenges in China's music copyright landscape but did not derail her momentum, as her overall streaming metrics surged, with Echoes of Now alone amassing over 20 million plays shortly after launch.

Personal life

Relationship with Hua Chenyu

Rumors of a romantic relationship between Zhang Bichen and singer began circulating in 2018, amid speculation about her pregnancy, though the couple had never publicly confirmed their involvement prior to that year. Their shared background in the music industry, where they first met during a 2015 reality show, likely contributed to their connection. In January 2021, both artists officially acknowledged their past relationship and the existence of their daughter, born in February 2019, marking a significant public disclosure after years of privacy. Zhang Bichen revealed in a detailed post that she discovered her in autumn 2018 while the two were , but chose to give birth without initially informing to shield the child from public scrutiny. She later shared the news with him, expressing regret over depriving their daughter of a "complete family" and emphasizing that the girl, now healthy and cherished by both parents and , would be raised jointly. Hua's studio confirmed the arrangement, stating that the pair would co-parent without pursuing , as he remained single at the time. This decision highlighted their commitment to the child's well-being over societal conventions. In public statements, Zhang and described their dynamics as focused on mutual support, particularly in balancing demanding music careers with responsibilities, allowing each to pursue professional goals while prioritizing stability. Zhang has reflected on the experience as a catalyst for personal growth, noting how motherhood prompted deeper self-reflection and a stronger resolve to create a nurturing environment despite external pressures. Their choice to forgo defied traditional expectations around premarital and structures, sparking widespread discussions on and modern relationships in the entertainment industry.

Other controversies

In June 2024, rumors emerged suggesting that Zhang Bichen was in a romantic relationship with singer Wang Linkai, also known as Xiao Gui, after netizens claimed the pair had been spotted holding hands while recording a variety program abroad. On June 17, Zhang's studio issued a firm denial, releasing screenshots of the alleged evidence and warning of legal action against those disseminating the false claims. Wang's studio followed suit within an hour, labeling the reports as damaging fabrications and affirming their strictly professional music collaboration on various shows, while also committing to to safeguard their rights. In April 2025, Zhang Bichen successfully won a libel against an online defamer identified only by the Yang, who had posted defamatory content targeting her on platforms. The court ruled in her favor, ordering Yang to pay 8,000 (approximately $1,100) in compensation for the harm caused. This case underscored Zhang's proactive stance against , marking one of her notable legal victories in addressing personal attacks unrelated to her professional endeavors. In July 2025, a copyright dispute arose over the "Annual Rings" between Zhang Bichen and Wang Sulong, centering on singing rights and claims to original singer status. The conflict escalated after an celebrity's comments questioned the , leading both parties' studios to issue statements asserting their respective rights; Zhang's team claimed global permanent singing rights, while Wang's emphasized authorization revocation. The dispute drew significant media attention but was framed as a professional disagreement without personal animosity. Zhang's handling of these incidents has drawn broader media attention to her perceived "defiant" public image, characterized by direct confrontations with rumors and harassers, which has sparked varied fan responses ranging from support for her resilience to debates over her unfiltered personal disclosures in interviews. While such scrutiny often amplifies offstage tensions, like isolated reports of interpersonal clashes at events, it has not overshadowed her focus on privacy.

Discography

Studio albums

Zhang Bichen's debut studio album, Morning Bound for Midnight (Chinese: 开往早晨的午夜), was released on December 29, 2016, by Mengxiang Dangran Records, marking her first full-length solo project following her victory on the singing competition in 2014. The album features 10 tracks in a pop style, blending elements of electronic, , and R&B to explore introspective themes of personal growth, self-reflection, and emotional transitions, presented as a cohesive that delves into the singer's inner world through slow-tempo ballads and atmospheric arrangements. Key tracks include the title song "开往早晨的午夜," which captures a sense of nocturnal journey toward dawn with ethereal vocals and string arrangements, as well as "It's Love" and "童梦," the latter reimagining a Nutcracker-inspired motif in a haunting, operatic style co-created by Zhang. The album received critical acclaim for its innovative sound and Zhang's versatile vocal delivery, earning the Annual Concept Album award at the 24th Oriental Music Festival in 2017. Commercially, pre-sales set records on digital platforms, reflecting strong initial fan support, though exact sales figures were not publicly disclosed. Her second studio album, Time (Chinese: 时), arrived on March 14, 2021, produced by acclaimed arranger Zheng Nan, who handled all tracks to ensure a polished, emotive . Comprising 10 songs, the album's concept—personally conceived by Zhang—structures its narrative around elemental motifs of "," "," and "," culminating in the track "逢生" to symbolize renewal and emotional , drawing from her experiences with and relationships. Standout singles include "隐隐作秀," a brooding exploration of hidden desires with minimalist ; "极," showcasing raw vocal power in a rock-infused ; and "等你像," a collaborative effort with on lyrics and composition, blending with themes of longing. Contributions from lyricists like Ge Dawei and Tang Tian added depth to the lyrical content, emphasizing personal vulnerability over conventional romance. The release was praised in music circles for its artistic maturity and Zhang's growth as a songwriter, though specific chart data remains limited; it garnered positive live performance feedback during promotional tours. Zhang's third studio album, Echoes of Now, was released on February 6, 2025, consisting of 11 original tracks with written by the artist herself and compositions co-created with several collaborators, representing a milestone in her evolution as a . The production fuses pop, , and folk elements to create a dynamic sonic palette, with themes centered on time, memory, emotional echoes, and embracing the present moment, offering listeners a sense of warmth and healing amid life's reflections. Notable tracks highlight her and creative control, including explorations of and resilience, though specific key songs' details underscore the album's cohesive storytelling. Early reception highlighted its innovative genre-blending and introspective as a , with the project topping digital streaming charts in upon release, establishing it as a commercial success in the competitive landscape.

Soundtrack contributions

Zhang Bichen has made significant contributions to film and television , often selected for her emotive that complements and fantasy narratives in popular . Her involvement in OSTs typically arises from collaborations with production teams seeking singers with strong delivery, as seen in her work where her harmonies enhance emotional depth. These tracks have helped elevate themes, with producers citing her ability to convey longing and melancholy as key to her frequent casting in such roles. One of her most notable soundtrack contributions is the duet "Liang Liang" (凉凉), performed with Aska Yang (Yang Zongwei) for the 2017 fantasy drama (三生三世十里桃花). Released as the ending theme, the song's lyrics explore themes of eternal separation and unfulfilled love, mirroring the series' immortal romance plot. It achieved massive popularity on , setting a record for the platform's most-streamed digital single at the time, highlighting its cultural impact. In 2019, Zhang contributed to the OST for the xianxia drama (宸汐缘), duetting "Water from the Sky" (水从天上来) with Zheng Yunlong. This , featured as an , captures the story's ethereal love between immortals, with Zhang's soaring vocals providing a sense of . The song was part of the official drama , praised for its orchestral arrangement that blended traditional elements with modern pop. That same year, she sang "At That Time" (彼时) as an insert song for the urban friendship drama My True Friend (我的真朋友). The track reflects on past bonds and personal growth, aligning with the series' themes of support and self-discovery. Included in the drama's album, it received positive feedback for its introspective lyrics and Zhang's tender interpretation, contributing to the OST's overall acclaim on platforms like . For the 2020 animated film Mulan: Rise of a Warrior (木兰：横空出世), Zhang performed "Mulan Heart" (木兰心), a poignant solo that evokes the protagonist's inner strength and sacrifice. Released as part of the film's promotional soundtrack on September 28, 2020, the song draws from traditional motifs to honor the legendary warrior, showcasing Zhang's versatility in historical narratives. Its selection underscored her rising profile in cinematic scores, with the track gaining traction on music streaming services. Zhang's soundtrack work continued into the 2020s, including "You Are My Only Wish in This Lifetime" (你是我此生唯一所愿) for the 2023 romance drama Hidden Love (偷偷藏不住), where her performance as the ending theme amplified the story's youthful infatuation. In 2025, she released "Later" (晚点) as a scar song for The First Frost (难哄), selected for its raw emotional resonance with the drama's themes of reconciliation and regret. Additionally, "Like Smoke" (如烟) for Love in Pavilion (淮水竹亭) that year featured her ethereal vocals in a wuxia context, part of a collaborative OST album emphasizing atmospheric ballads. These selections reflect ongoing producer preference for Zhang's voice in evoking period-specific sentiments, often through auditions highlighting her live performance prowess.

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