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Interlude

An interlude is an intervening or interruptive period, space, or event, serving as an interval between larger parts of an activity or performance. In artistic contexts, it commonly refers to a short musical composition inserted between sections of a longer work, such as a drama or religious service, or a brief dramatic entertainment, often comic in nature.^[1] The word "interlude" derives from Medieval Latin interludium, combining Latin inter- ("between") and ludus ("play" or "game"). First attested around 1300 in English, it originally described farcical or coarse episodes inserted between acts of medieval mystery or morality plays, evolving by the 17th and 18th centuries to denote popular stage plays more broadly. By the mid-18th century, its usage extended to non-dramatic intervals in everyday actions, reflecting a shift from performative to general temporal breaks.^[2] In dramatic history, interludes emerged as a distinct literary genre in the late 15th century, during the transitional period between medieval and early modern Europe. These short pieces, typically secular farces or allegorical entertainments, provided comic relief and explored emerging themes of individuality, politics, and religion amid the Reformation and Renaissance. By the late 16th century, interludes influenced the rise of commercial theater, contributing to evolving notions of self and nationhood, as seen in works associated with figures like Thomas More and Elizabethan courtiers.^[3] In music, an interlude functions as a pause, instrumental passage, or transitional segment that interrupts or connects verses, choruses, or movements, allowing performers a break while shifting mood or advancing narrative. Historically rooted in classical compositions, it appears in ceremonial pieces like Johann Pachelbel's Canon in D. Modern examples include the guitar solo in the Rolling Stones' "Sympathy for the Devil," the saxophone break in Billy Joel's "Only the Good Die Young," and the multiple brief interludes in Solange Knowles' 2016 album A Seat at the Table, which use spoken word and music to convey thematic messages.^[4]

Definition and etymology

Etymology

The word "interlude" derives from the Medieval Latin interlūdium, a compound of inter- ("between") and lūdus ("play" or "game"), originally denoting a performance or entertainment inserted between the main acts of a larger dramatic event in medieval theater traditions.^[2] This term reflected the practice of light, often comic interludes amid more serious spectacles, as seen in medieval descriptions of theatrical intervals.^[5] The word entered Old French as entrelude around the 14th century, influenced by Anglo-Norman linguistic exchanges during the medieval period, before transitioning into Middle English as enterlude or interlude.^[6] Its earliest recorded use in English dates to approximately 1303, in the verse translation Handlyng Synne by Robert Mannyng of Brunne, a penitential work that critiques such performances in religious contexts, portraying them as disruptive entertainments in churchyards or sacred spaces.^[7]^[1] From the 16th century onward, the term evolved in English literature beyond its literal theatrical origins, increasingly applied to short dramatic pieces or farces that provided relief between acts in morality plays and early comedies, as in the works of John Heywood.^[2] By the early 19th century, it had broadened metaphorically to signify any intervening pause or temporary diversion in narratives, events, or actions, emphasizing respite rather than performance.^[1] This shift marked a conceptual expansion from structured dramatic breaks to more abstract intervals in broader discourse.^[7]

General meaning

An interlude is defined as a short period of time that intervenes between two longer events or activities, often introducing a contrasting element or providing temporary relief.^[1] This intervening interval typically marks a pause where something different occurs, distinguishing it from the surrounding context while maintaining a connection to the overall sequence.^[8] For instance, in everyday non-artistic settings, an interlude can refer to a brief break during a speech to allow for audience engagement or reflection, or a momentary diversion in daily routines, such as a short walk amid prolonged work demands.^[9] In sports, it can metaphorically describe pauses such as the 2020 suspension due to COVID-19, offering time for introspection, as discussed in contemporary analyses.^[10] Beyond literal applications, the term extends metaphorically to describe transitional phases in personal or intellectual narratives, emphasizing brevity and diversion. In psychological contexts, an interlude can denote the critical interval between short-term and long-term psychotherapy, where shifts in patient-therapist dynamics occur, facilitating adaptation during this temporary phase.^[11] Similarly, in philosophical inquiries into human experience, it evokes a fleeting diversion that bridges stages of development or reflection, rooted etymologically in notions of play and interval from Latin origins.^[7] This usage highlights the interlude's role as a connective respite rather than a complete disruption. The concept of interlude differs from related terms in its emphasis on brevity and thematic integration. Unlike an intermission, which typically signifies a formal, extended break in structured events like seminars or assemblies without inserted content, an interlude implies a shorter, often purposeful insertion that links preceding and following elements.^[12] In contrast to an episode, which denotes a self-contained incident within a larger story or series, an interlude underscores its intervening nature as a concise, transitional segment without standalone completeness.^[13]

In performing arts

In theater

In theater, interludes emerged in late 15th- and early 16th-century England as short dramatic pieces performed between the acts of longer morality plays or during intervals at banquets, serving as a bridge between medieval allegorical drama and the emerging Renaissance forms. These works were typically enacted by small professional troupes in noble households, great halls, or inns, without requiring a fixed stage, which allowed for portable performances adaptable to various indoor settings.^[14] Characteristic of these interludes were their brevity—often structured as concise debates or farcical sketches lasting approximately 20 to 30 minutes—and their focus on moralistic, satirical, or aristocratic themes, such as the education of youth, the virtues of masculinity, and social debates on nobility versus merit. Performed in rhyming verse or prose, they frequently featured a central allegorical or realistic conflict resolved through witty dialogue, with subplots involving comic servants mirroring the main action to heighten entertainment. These elements emphasized rhetorical skill and humor, appealing to courtly audiences while critiquing contemporary vices like corruption or folly.^[14]^[15] Notable examples include Henry Medwall's Fulgens and Lucrece (c. 1497), the earliest surviving secular interlude in English, which dramatizes a debate on noble birth versus personal merit through the suitors of Lucrece, daughter of the Roman senator Fulgens, and incorporates comic interludes between servants A and B. Another key work is John Heywood's The Four PP (c. 1544), a comic debate among a Palmer, Pardoner, Pothecary, and Peddler in a lying contest that satirizes clerical hypocrisy and tradesmen's guile through bawdy wordplay and confrontation, without a traditional plot resolution.^[14]^[15] In the modern era, the term interlude gained new significance through Eugene O'Neill's experimental play Strange Interlude (1928), a Pulitzer Prize-winning drama structured in nine acts spanning decades, which employs extended asides and soliloquies to expose characters' unspoken thoughts and psychological depths amid themes of inheritance, infidelity, and eugenics. Premiered on Broadway by the Theatre Guild, the nearly five-hour production innovated theatrical form by blending interior monologue with dialogue, influencing later psychological realism in American drama.^[16]^[17] Interludes played a pivotal role in the evolution of English drama, transitioning from the didactic morality plays to the more secular and comedic Tudor comedies by introducing realistic characters, farcical elements, and flexible staging that emphasized ensemble debate and social satire—traits echoed in later works by John Lyly and William Shakespeare. Their non-stage-bound nature facilitated broader dissemination by traveling companies, laying groundwork for the professional theater of the Elizabethan age.^[14]^[15]

In music

In music, an interlude refers to a short instrumental or vocal passage that provides contrast, transition, or a brief break within a larger composition, often serving as a bridge between sections or movements.^[1] This form is akin to an intermezzo in opera, where it appears between acts to offer relief or thematic development, or to a bridge in popular songs that shifts mood or tempo.^[18] Such passages typically emphasize instrumental textures or spoken elements to heighten narrative flow without advancing the primary storyline. The concept of the interlude evolved from Renaissance-era entr'actes in theater music, which were incidental pieces performed between acts of plays to entertain audiences during pauses. By the Baroque period, these developed into sinfonias—short orchestral introductions or interludes in operas and cantatas that built anticipation and provided structural contrast, often featuring lively rhythms and polyphonic writing.^[19] In the 20th century, interludes became common in recorded albums as atmospheric breaks, drawing from their theatrical origins in entr'actes to create seamless transitions between tracks.^[20] In contemporary albums, interludes are frequently brief—often under two minutes—and function as narrative transitions or thematic anchors, particularly in genres like hip-hop where they incorporate spoken word, samples, or minimal instrumentation to unify the project's storyline.^[21] For instance, Jay-Z's "Hova Interlude" from his 1999 album Vol. 3... Life and Times of S. Carter uses a short, boastful monologue over a sampled beat to reinforce the artist's persona and link surrounding tracks. Notable examples include Jamie Cullum's 2014 album Interlude, a collection of jazz standards featuring interpretive covers of classics like Ray Charles's "Don't You Know," arranged with big-band swing influences to evoke mid-20th-century club atmospheres.^[22] Earlier, Timi Yuro's 1968 soul ballad "Interlude," composed by Georges Delerue and Hal Shaper, served as the title track for the British drama film of the same name, blending orchestral swells with emotive vocals to capture a fleeting romantic encounter.^[23] In modern R&B, The Weeknd's "Stargirl Interlude" (2016) from Starboy, featuring Lana Del Rey, runs just 1:51 and mixes hazy synths with spoken introspection to pivot the album's themes of fame and desire.^[24]

In film and television

Films

The 1946 Swedish film Interlude (original title: I dödens väntrum), directed by Hasse Ekman, is a drama set in a sanatorium in the Italian countryside, where the protagonist, Dr. Vilhelm Canitz (played by Ekman), a Swedish doctor of literature seeking rest, develops a romantic connection with the Finnish nurse Vellamo Toivonen (Viveca Lindfors) amid themes of mortality and fleeting intimacy.^[25] The film explores emotional vulnerability in a post-war context, with Lindfors's performance marking an early highlight in her career before her Hollywood transition.^[26] Critical reception was modest, with contemporary audiences noting its introspective tone but limited commercial data available due to its regional release.^[26] In 1957, Douglas Sirk directed the American melodrama Interlude, starring June Allyson as Helen Banning, a young American secretary in Munich who embarks on a passionate but forbidden affair with renowned conductor Stefan Kleiber (Rossano Brazzi), complicated by his commitment to his mentally unstable wife (Marianne Koch).^[27] Shot in CinemaScope with lush Bavarian locations, the film emphasizes emotional turmoil and class differences, earning praise for Sirk's signature ironic style despite mixed initial reviews that critiqued Allyson's casting as too wholesome.^[28] It grossed approximately $1.4 million in U.S. rentals, reflecting moderate box office success for a Universal-International production.^[27] The 1968 British production Interlude, helmed by Kevin Billington, updates the story to Swinging London, featuring Oskar Werner as orchestra conductor Stefan Zelter, who begins a psychological romance with ambitious young journalist Sally (Barbara Ferris) during an interview, strained by his marriage to an institutionalized wife (Virginia Maskell).^[29] Donald Sutherland appears in a supporting role as a doctor, adding layers to the film's exploration of guilt and liberation.^[30] Critics found it earnest but derivative, with Werner's nuanced portrayal standing out; it achieved $1.6 million in U.S. and Canadian box office receipts.^[30] These films share recurring motifs of illicit romance as a temporary emotional interlude, often set against European backdrops that evoke escapism and cultural displacement, drawing from the word's inherent sense of a brief diversion from routine.^[28] The 1957 version is a remake of the 1939 film When Tomorrow Comes, directed by John M. Stahl and based on a James M. Cain story, adapting the core narrative of star-crossed lovers navigating personal crises.^[27] Collectively, they highlight evolving cinematic treatments of forbidden desire, influencing later melodramas while prioritizing psychological depth over spectacle.^[31]

Television

The term "Interlude" has been used in television to denote standalone episodes or series that serve as narrative breaks, often exploring dream-like or transitional themes within larger stories.^[32] One early example is the 1954 episode "Interlude" from the anthology series Four Star Playhouse, which aired on CBS on October 14 as Season 3, Episode 3.^[33] Directed by Roy Kellino, the drama stars Dick Powell as newspaper correspondent Chris Stauffing and a young Joanne Woodward as Vicki Hanuck, a lonely student at an exclusive boarding school who forms an unexpected bond with the older man during her final days before graduation.^[34] This 30-minute episode exemplifies the 1950s anthology format, where "Interlude" highlighted intimate, character-driven romances amid the era's episodic television structure.^[35] In anime, the 2004 original video animation (OVA) series Interlude, produced by Toei Animation and directed by Tatsuya Nagamine, adapts the visual novel by Longshot into three episodes that delve into alternate realities and surreal dreams experienced by protagonist Naoya Aizawa.^[36] Premiering on Sky PerfecTV in 2004 and later released on DVD, the series follows Aizawa's encounters with mysterious figures and phenomena during his daily life, blending psychological intrigue with visual novel elements.^[37] Licensed internationally by Geneon Entertainment, it holds an IMDb rating of 6.3/10 based on viewer assessments of its atmospheric storytelling.^[32] The OVA is currently streamable on platforms like Crunchyroll, where it averages a 3.7/5 user score for its concise exploration of dream-induced alternate worlds.^[38] More recent episodic uses of "Interlude" appear in serialized narratives as filler or flashback segments. In the 2021 anime adaptation of The Saint's Magic Power is Omnipotent, Episode 7 titled "Interlude" provides backstory on secondary character Aira Miya, contrasting her summoning to a fantasy world with protagonist Sei's experiences and emphasizing themes of adaptation and rivalry.^[39] Aired as part of Diomedéa's 12-episode first season from April to June 2021, this transitional episode deepens character motivations without advancing the main plot, earning a 6.8/10 IMDb rating for its empathetic portrayal of interpersonal dynamics.^[40] Similarly, "Interlude III," the fifth episode of The Righteous Gemstones Season 3, premiered on HBO and Max on July 9, 2023, serving as a comedic flashback to the Gemstone family's Y2K preparations and internal conflicts.^[41] Directed by David Gordon Green, it humorously depicts Eli and Aimee-Leigh Gemstone navigating doomsday fears and family tensions around 2000, acting as a narrative pause in the satirical family saga.^[42] Continuing this tradition, "Interlude IV," the sixth episode of Season 4, aired on April 28, 2025, and further explores the Gemstone family backstory through flashbacks, providing thematic relief in the ongoing series. Across these examples, "Interlude" in television often functions as a dream-like or reflective intermission, evolving from the concise dramas of 1950s anthologies like Four Star Playhouse to the introspective OVAs and filler episodes in modern anime and comedy series.^[34]^[36] This usage underscores the term's role in providing thematic relief and deeper context within episodic formats.^[39]

Other uses

In visual arts and literature

In literature, an interlude refers to a short inserted narrative segment, often a chapter or scene, that provides relief from the main plot, offers comic diversion, backstory, or thematic contrast, typically spanning 1-3 pages to avoid disrupting the primary storyline.^[43] These elements enhance pacing by introducing stylistic shifts or pauses, paralleling earlier theatrical forms where interludes served similar functions between acts.^[14] In medieval literature, interludes appeared briefly within morality plays as concise, allegorical insertions depicting moral debates or comic relief, transitioning from religious allegory to more secular entertainment by the 15th and 16th centuries.^[44] William Shakespeare's A Midsummer Night's Dream (1595–1596) employs rustic interludes through the mechanicals' comedic performance of Pyramus and Thisbe, which interrupts the main romantic intrigue to offer humorous diversion and self-referential commentary on theater itself.^[14] By the 19th century, interludes rose in novels as vehicles for social commentary, often critiquing gender roles and marriage; for instance, Sarah Grand's The Heavenly Twins (1893) includes "The Interlude," a segment exposing the hypocrisies of Victorian matrimony and women's subjugation.^[45] In modernist works, Virginia Woolf's The Waves (1931) structures its narrative around nine italicized interludes depicting the cyclical passage of sun and sea, creating rhythmic breaks that underscore themes of time, identity, and interconnectedness among characters.^[46] Similarly, James Joyce's Ulysses (1922) uses episodic chapters as interludes for stylistic experimentation, such as the stream-of-consciousness shifts in "Proteus" or the catechism-like "Ithaca," providing relief and depth to the protagonists' Dublin odyssey.^[47] In visual arts, the interlude motif appears in paintings as a depiction of momentary repose or domestic tranquility, symbolizing a pause amid life's rhythms. John Koch's oil painting Interlude (1963), housed at the Memorial Art Gallery in Rochester, New York, portrays three figures—a woman playing the violin, a seated man, and a standing youth—in a sunlit, elegantly furnished room, evoking a serene domestic intermission that contrasts everyday routines with quiet introspection.^[48] This work, measuring 50 1/8 × 39 7/8 inches, draws on representational traditions like genre scenes to highlight themes of leisure and harmony, continuing the interlude's role in providing visual contrast and emotional balance.^[49]

In media and technology

In digital media, "Interlude" refers to a 2003 adult visual novel developed by Longshot for the Sega Dreamcast, later ported to PlayStation 2, featuring supernatural themes centered on dream worlds, alternate realities, and parallel narratives involving three women entangled in mysterious events.^[50]^[51] The story follows protagonist Naoya Aizawa as he encounters bizarre occurrences and a enigmatic girl named Aya, blending romance, mystery, and horror elements in a non-linear structure that explores psychological and otherworldly dimensions.^[36] This visual novel was adapted into a three-episode original video animation (OVA) in 2004, produced by Toei Animation and directed by Tatsuya Nagamine, which retains the core focus on dream-induced alternate realities while emphasizing visual storytelling for its supernatural intrigue.^[37] In video games, the term "interlude" commonly denotes non-interactive cutscenes or transitional sequences that provide narrative pauses, particularly in role-playing games (RPGs) like those in the Final Fantasy series, where they advance plot or character development between gameplay segments.^[52] These interludes function as brief respites, often featuring cinematic animations to build tension or lore without player input, exemplifying the word's connotation of an intervening episode in interactive entertainment. A prominent commercial application is Interlude, a media technology company founded in 2010 by Yoni Bloch and Tal Zubalsky, which specialized in interactive video platforms enabling choose-your-own-adventure experiences for brands.^[53] The platform allowed creators to produce branching, viewer-driven narratives in live-action videos, with early collaborations including immersive campaigns for Coca-Cola that integrated user choices into promotional storytelling.^[54] Interlude rebranded to Eko in December 2016 to emphasize its evolution toward scalable interactive media distribution.^[55] By 2018, Eko had raised approximately $50 million in cumulative funding from investors like Sequoia Capital, Intel Capital, and Warner Music Group, supporting advancements in non-linear web video technologies.^[56]^[57] Eko's innovations facilitated non-linear storytelling in digital advertising and entertainment, influencing interactive content creation by enabling dynamic viewer engagement over passive viewing. As of 2025, Eko persists in interactive entertainment through AI-powered ecommerce solutions, such as immersive video product experiences in partnerships with Walmart, where branching narratives enhance shopper interaction and conversion rates.^[58] This ongoing work exemplifies "interlude" as momentary, choice-based narrative diversions within broader digital media flows.^[59]

References

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Definition of INTERLUDE
### Summary of Primary Definitions of 'Interlude'
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interlude noun - Definition, pictures, pronunciation and usage notes
a period of time between two events during which something different happens. Extra Examples a peaceful interlude between periods of intense activity.
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INTERLUDE | definition in the Cambridge English Dictionary
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An interlude is a short period of time when an activity or situation stops and something else happens. Synonyms: interval, break, spell, stop More Synonyms ...<|control11|><|separator|>
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any intermediate performance or entertainment, as between the acts of a play. an instrumental passage or a piece of music rendered between the parts of a song, ...
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Fulgens and Lucrece is an interlude, a short play with no need of a stage, and is unified like the morality plays on a central subject of debate.
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Strange Interlude was the second Eugene O'Neill play staged by the Theatre Guild on Broadway, following the Guild's 1928 premiere of Marco Millions.
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Strange Interlude (Original, Play, Drama, Broadway) opened in New York City Jan 30, 1928 and played through Jun 15, 1929.
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An interlude is a musical passage or section that serves as a break or transition within a larger work, often providing contrast to the surrounding material. It ...
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Whatever Happened to the Traditional Album Skit? - Highsnobiety
Mar 21, 2019 · Skits, interludes, and segues were once an integral part of rap albums. We investigate their history and who's still using them today.
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The 12-track collection is rooted in the big band swing of the 1930s and 40s. There are fine, rollicking versions of Ray Charles's 'Don't You Know'.
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‎Interlude – Song by Timi Yuro – Apple Music
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Interlude (1946) | MUBI
Dr Vilhelm Canitz (Ekman) is visiting a sanatorium in the Italian countryside for treatment.Though he doesn't think himself very ill at all, ...
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Interlude (TV Series 2003– ) - IMDb
Rating 6.3/10 (66) Interlude. TV Series; 2003–. IMDb RATING. 6.3/10. 66. YOUR RATING. Rate ... Anime. Still frame. Adventure. Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in ...Missing: Crunchyroll | Show results with:Crunchyroll
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Rating 7.7/10 (39) This episode featured Dick Powell—one of the four stars anchoring the show. A young Joanne Woodward stars as a young lady who is about to graduate from college.Missing: CBS | Show results with:CBS
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This dramatic anthology series ran on CBS from 1952 to 1956. Four stars alternated weeks starring: Dick Powell, Ida Lupino, Charles Boyer and David Niven.
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Interlude (OAV) - Anime News Network
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Interlude, in theatre, early form of English dramatic entertainment, sometimes considered to be the transition between medieval morality plays and Tudor dramas.
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Morality play, an allegorical drama popular in Europe especially during the 15th and 16th centuries, in which the characters personify moral qualities.
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Interlude reminds the viewer that the long history of representational art— portraiture, genre painting, and still life—continues to flourish in America.
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[PDF] Interlude, 1963
You are looking at the painting entitled Interlude, by John Koch. Koch painted this large oil on canvas, which measures about 50 inches high by 39 inches wide, ...
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A grand tale breaking forth from a secret plan known as the Pandora Project. Having met with the mysterious girl Aya, the protagonist finds himself entangled ...
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Apr 10, 2017 · Cutscenes and vignettes are an invaluable storytelling tool. Here's how to use them at your table...
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Jan 20, 2016 · Along with co-founder Tal Zubalsky, Bloch decided to implement such technology when founding Interlude in 2011.
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Dec 15, 2016 · Eko is a media and technology company pioneering a new medium in which stories told in live action video are shaped by viewers as they unfold.
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Interactive video co Interlude raises $15m - Globes English
May 20, 2013 · Bloch, Feldman, and Zubalsky founded Interlude n 2009, after working together for several years. Zubalsky is a guitarist in Bloch's band and ...<|separator|>
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Walmart and Eko Announce Joint Venture to Create Interactive ...
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[58]
Eko Brings Online Product Pages To Life With Interactive Media
Apr 1, 2025 · Eko, an AI-driven ecommerce company, has transformed online product pages by creating video images that allow consumers to more deeply experience items.Missing: Interlude 2007 rebranded
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Walmart, Eko launch immersive video-based shopping experiences
Apr 7, 2025 · Walmart, Eko cement partnership by launching new immersive, video-based shopping experiences. Kevin Williams | Apr 7, 2025.