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12th Golden Raspberry Awards

The 12th Golden Raspberry Awards, commonly known as the Razzies, were a satirical held on March 29, 1992, at in to mock the worst achievements in film from the previous year. Organized by the Golden Raspberry Award Foundation and founded by publicist John Wilson in , the event featured voting by approximately 365 members, including film critics, journalists, and industry professionals from 27 U.S. states and several countries such as , , , , and . The awards, presented the day before the , highlighted cinematic failures with tongue-in-cheek categories and low-cost trophies resembling a gold-sprayed atop a reel, valued at $1.79 each. The ceremony recognized films from 1991, with —a $65 million action-comedy starring that grossed only about $17 million domestically—dominated by winning three major categories: Worst Picture, Worst Director (), and Worst Screenplay (, Daniel Waters, and Robert Kraft). Other notable winners included Worst Actor for his portrayal of in Robin Hood: Prince of Thieves (satirically retitled Robin Hood: Prince of Dweebs by voters), Worst Actress and Worst Supporting Actress both to for her dual roles as twins in the thriller A Kiss Before Dying, Worst Supporting Actor for Nothing But Trouble, and Worst New Star for Cool as Ice and Teenage Mutant Ninja Turtles II: The Secret of the Ooze. The Worst Original Song went to "Addams Groove" by from . Unlike later Razzies, no winners attended the 1992 event, maintaining the tradition of absentee "honorees" that underscored the awards' humorous critique of excess. Nominations had been announced earlier in , with Cool as Ice leading at seven nods, reflecting voter disdain for high-profile flops and debut performances. The 12th Razzies exemplified the ceremony's role in balancing glamour with irreverent commentary on box-office and critical disappointments.

Overview

Background and context

The , commonly known as the Razzies, is a satirical ceremony founded in 1981 by publicist and co-founder Mo Murphy to parody the by honoring the worst films and performances of the previous year. Established as a humorous counterpoint to Hollywood's self-congratulatory traditions, the awards originated from an informal Oscar-viewing party inspired by particularly poor double features like Can't Stop the Music and . The 12th edition focused on 1991 releases, continuing the tradition of spotlighting cinematic misfires through categories that mock achievements in directing, acting, and screenwriting. The year marked a turbulent period for , with revenues declining by approximately 5% from 1990 to about $4.7 billion, amid an 11% drop in summer admissions—the worst since 1978. This downturn was exacerbated by high-budget blockbusters and celebrity vehicles that underperformed critically and commercially, reflecting broader anxieties over escalating star salaries and costs. Trends toward star-driven action spectacles and ill-fated musicals, such as and , contributed to a landscape ripe for Razzie scrutiny, highlighting the risks of overreliance on big-name talent without strong storytelling. For the 12th Razzies, ballots were distributed to over 350 voters, including critics, journalists, film buffs, and industry professionals from 26 states and five countries. Nominations were announced on February 17, 1992, the eve of the nominations, allowing for a timely satirical jab. Winners were revealed on March 29, 1992, deliberately scheduled the day before the to underscore the event's role as an anti-Oscar tradition.

Ceremony details

The 12th Golden Raspberry Awards ceremony took place on March 29, 1992, at the in , , one day before the . The event maintained the intimate, low-budget format characteristic of early Razzie ceremonies, functioning as an invite-only gathering for a select group of film critics, industry insiders, and press rather than a large public spectacle. Unlike later iterations, there was no broadcast, though it garnered media attention through wire services such as (UPI), which reported on the proceedings the same day. Without a formal host, the ceremony adopted a deliberately understated and satirical tone, underscoring its role as a humorous to more glamorous shows. Presentations were delivered in a mock-serious manner by Razzie founder John J. B. Wilson and associates, heightening the event's irreverent spirit. Winners received the signature Razzie trophies—inexpensive statuettes consisting of a supersized plastic raspberry mounted on a film reel, spray-painted gold.

Awards and nominations

Picture, director, and screenplay categories

The 12th Golden Raspberry Awards recognized films from in the core production categories of Worst Picture, Worst Director, and Worst Screenplay, spotlighting perceived failures in filmmaking craft such as narrative incoherence and inefficient execution. These awards, voted on by the Golden Raspberry Award Foundation's membership, emphasized structural deficiencies in high-profile releases that underperformed critically and commercially.

Worst Picture

, directed by and starring , won Worst Picture for its status as an overbudget action-comedy that epitomized 1991's creative misfires. With a of $65 million, the film grossed only about $17 million domestically, representing a significant financial loss and highlighting executive overreach in prioritizing star-driven spectacle over coherent storytelling. The Razzie voters critiqued it as a "Spruce Goose of cinematic self-indulgence," underscoring its bloated production and failure to recoup costs despite heavy promotion. The nominees for Worst Picture were:
FilmDistributorProducer(s)
(winner),
Lionel Wigram
20th Century FoxLoucas George
Nothing but TroubleWarner Bros.
William A. Graham, Peter Bogart
Cool as Ice led all films with seven nominations overall, reflecting its broad derision as a vanity project for rapper .

Worst Director

received the Worst Director award for his work on , where his handling of the film's elaborate action sequences and whimsical tone was faulted for exacerbating pacing issues and tonal inconsistencies. The nominees included:
  • for Hudson Hawk (winner)
  • Dan Aykroyd for Nothing but Trouble
  • William A. Graham for Return to the Blue Lagoon
  • David Kellogg for Cool as Ice
  • for
These selections targeted directors associated with visually ambitious but narratively disjointed projects, such as Aykroyd's self-directed chaotic comedy and Landis's ill-received biopic.

Worst Screenplay

The Worst Screenplay award went to , written by and Daniel Waters from a story by and Robert Kraft, criticized for its convoluted plot involving heists, mad scientists, and nonsensical Da Vinci references that prioritized gimmicks over logical progression. The nominees were:
  • Hudson Hawk by Steven E. de Souza and Daniel Waters (story by Bruce Willis and Robert Kraft) (winner)
  • Cool as Ice by David Stenn
  • Dice Rules by Andrew Dice Clay and Lenny Schulman
  • Nothing but Trouble by Dan Aykroyd (story by Peter Aykroyd)
  • Return to the Blue Lagoon by Leslie Stevens
Voters highlighted scripts that strained credibility through meandering dialogue and underdeveloped premises, as seen in Dice Rules' unstructured concert film format and Nothing but Trouble's overlong, plot-heavy farce. These categories collectively underscored 1991's structural pitfalls in major releases, where ambitious concepts devolved into convoluted plots and erratic pacing, contributing to 's sweep of all three awards and its total of six nominations.

Performance categories

The performance categories of the 12th Golden Raspberry Awards, held on March 29, 1992, at in , honored the most egregious acting efforts in 1991 films, with voters critiquing instances of miscasting, wooden delivery, and exaggerated portrayals that undermined narrative credibility. These awards highlighted performers who, despite their prominence, delivered turns seen as emblematic of broader issues in high-profile in ill-suited roles, often prioritizing over suitability.

Worst Actor

Kevin Costner won for his portrayal of Robin Hood in Robin Hood: Prince of Thieves, where his American accent and stoic demeanor were lambasted as mismatched for the swashbuckling hero. Nominees included Andrew Dice Clay as himself in Dice Rules, Sylvester Stallone in Oscar, Vanilla Ice in Cool as Ice, and Bruce Willis in Hudson Hawk.
NomineeFilm(s)
Kevin Costner (Winner)Robin Hood: Prince of Thieves
Andrew Dice ClayDice Rules
Sylvester StalloneOscar
Vanilla IceCool as Ice
Bruce WillisHudson Hawk

Worst Actress

Sean Young received the award for her dual role as the twin sisters Ellen and Dorothy Carlsson in A Kiss Before Dying, with critics noting her overly dramatic shifts between characters as unconvincing and overwrought. Other nominees were Kim Basinger in The Marrying Man, Sally Field in Not Without My Daughter, Madonna as herself in Madonna: Truth or Dare, and Demi Moore in The Butcher's Wife and Nothing but Trouble.
NomineeFilm(s)
Sean Young (Winner)A Kiss Before Dying
Kim BasingerThe Marrying Man
Sally FieldNot Without My Daughter
MadonnaMadonna: Truth or Dare
Demi MooreThe Butcher's Wife, Nothing but Trouble

Worst Supporting Actor

Dan Aykroyd took the Razzie for his multifaceted performance in Nothing but Trouble, including roles as the grotesque Judge Stone and the hulking Bobo, derided for indulgent physical comedy and directorial overreach in his feature debut behind the camera. Nominees comprised Richard E. Grant in Hudson Hawk, Anthony Quinn in Mobsters, Christian Slater in Mobsters and Robin Hood: Prince of Thieves, and John Travolta in Shout.
NomineeFilm(s)
Dan Aykroyd (Winner)Nothing but Trouble
Richard E. GrantHudson Hawk
Anthony QuinnMobsters
Christian SlaterMobsters, Robin Hood: Prince of Thieves
John TravoltaShout

Worst Supporting Actress

Sean Young again won, this time for the murdered twin in A Kiss Before Dying, marking her as the first performer to sweep both lead and supporting acting categories in a single ceremony—a rare double Razzie underscoring perceptions of her film's overall histrionics. The nominees were Sandra Bernhard in Hudson Hawk, John Candy (in drag as Lil' Debbull) in Nothing but Trouble, Julia Roberts in Hook, and Marisa Tomei in Oscar.
NomineeFilm(s)
Sean Young (Winner)A Kiss Before Dying
Sandra BernhardHudson Hawk
John CandyNothing but Trouble
Julia RobertsHook
Marisa TomeiOscar
Across these categories, common critiques centered on miscasting—such as action stars in period dramas or musicians in dramatic roles—and overacting that amplified films' tonal inconsistencies, with Young's unprecedented dual victories exemplifying how one project's flaws could dominate the ballot.

Specialty categories

The Worst New Star category at the 12th Golden Raspberry Awards recognized the most underwhelming screen debuts of 1991, with winning for his lead role as Johnny in . The nominees included as Joe Huff/John Stone in Stone Cold, as Lilli in , as Richard in , and as Kathy in . This award spotlighted hype-driven transitions by non-actors into film, such as 's pivot from rap stardom—which generated significant pre-release buzz but resulted in widespread critical backlash for his wooden performance and the film's clichéd plot. The Worst Original Song category targeted the least effective new compositions featured in 1991 films, awarding the dubious honor to "Addams Groove" from , written and performed by (Stanley Kirk Burrell) and Felton C. Pilate II. Nominees comprised "Cool as Ice (Everybody Get Loose)" from by , Gail King, and Princess, and "Why Was I Born (Freddy's Dead)" from Freddy's Dead: The Final Nightmare by and Jay Rita Whitehorn. These selections underscored musical tie-ins and promotional tracks that underdelivered on quality despite their commercial expectations, often criticized for forced integration into film narratives and lack of originality. Together, the specialty categories captured emerging talent mishaps and soundtrack flops, emphasizing the Razzies' focus on peripheral elements that amplified 1991's cinematic shortcomings.

Films with multiple nominations

The 12th Golden Raspberry Awards saw a concentration of nominations among a handful of films from 1991, highlighting the Razzies' focus on particularly reviled entries that drew criticism across technical, performative, and narrative aspects. led with seven nominations, spanning categories like Worst Picture, Worst Actor for , Worst Director for David Kellogg, Worst Screenplay, Worst New Star, and Worst Original Song, reflecting widespread derision for its amateurish acting, direction, clichéd screenplay, and integration of subpar music elements that failed to elevate the teen romance vehicle. Hudson Hawk and Nothing But Trouble each garnered six nominations, underscoring their status as prime targets for the awards' satirical critique of overambitious flops. Hudson Hawk, an action-comedy starring Bruce Willis, swept three awards—Worst Picture, Worst Director for Michael Lehmann, and Worst Screenplay—due to its convoluted plot, excessive reliance on sight gags, and tonal inconsistencies that alienated audiences and critics alike. Nothing But Trouble, directed by and starring Dan Aykroyd, earned nods including Worst Supporting Actor for Aykroyd's dual roles, driven by complaints over its grotesque humor, uneven pacing, and bizarre horror-comedy hybrid that bombed commercially and critically. Return to the Blue Lagoon received five nominations, primarily targeting its lead performances and sequel status to the 1980 original, with Brooke Shields' return drawing ire for perceived lack of depth in the erotic adventure genre. Several other films secured three nominations each: Dice Rules, Andrew Dice Clay's concert film, for its self-indulgent format, Worst Actor for Clay, and Worst Picture contention; and Oscar, John Landis's comedy remake starring Sylvester Stallone, criticized for miscasting, slapstick excess, and supporting turns like Marisa Tomei's. Films with two nominations included A Kiss Before Dying, where Sean Young was doubly cited for Worst Actress and Worst Supporting Actress in her twin roles; Mobsters, for Worst Supporting Actor nods to Anthony Quinn and Christian Slater; and Robin Hood: Prince of Thieves, which earned Worst Actor for Kevin Costner and a Worst Supporting Actor nomination for Christian Slater. This distribution illustrates how the Razzies amplified scrutiny on films that combined high-profile talent with perceived creative misfires, often across interconnected categories.

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