3Teeth
3TEETH is an American industrial metal band formed in Los Angeles, California, in 2013 by vocalist Alexis Mincolla and keyboardist Xavier Swafford, initially as a collaborative project merging visual art, electronic production, and aggressive rhythms.[1][2] The band, known for self-producing both music and visuals, draws influences from 1990s industrial acts like Ministry and Skinny Puppy while incorporating modern electro-industrial elements and polemical lyrics critiquing societal ideologies.[3][4] The current lineup includes Mincolla on vocals, Chase Brawner on guitars, Swafford on keyboards and synthesizers, and Andrew Means on modular synthesizers and drums.[5] 3TEETH has released four studio albums—3TEETH (2014), shutdown.exe (2017), Metawar (2019), and EndEx (2023)—along with contributions to soundtracks such as Guns Akimbo (2020).[5][6] Notable achievements include being handpicked by Tool to open their 2016 arena tour, marking a breakthrough from underground status to wider recognition, and endorsements from bands like Rammstein.[1][7] While praised for energetic live performances and innovative production, 3TEETH has occasionally drawn attention for politically charged content, such as Mincolla's public statements comparing historical U.S. presidencies and videos depicting confrontations with authority figures, though no major scandals have impeded their career trajectory.[8][9] The band's output emphasizes caustic sampling, heavy guitars, and themes of technological dystopia, positioning them as a contemporary voice in the industrial genre.[10][2]History
Formation and name origin
3TEETH formed in 2013 in Los Angeles, California, emerging from the city's underground music scene as an industrial metal project initiated by vocalist Alexis Mincolla and keyboardist Xavier Swafford.[5][11] Mincolla, who had studied abroad in Rome before relocating to Los Angeles, connected with Swafford at the Lil Death venue, where their mutual enthusiasm for industrial and electronic music spurred the band's early development.[7] Initially a part-time endeavor, the duo began collaborating regularly by 2014, meeting weekly to craft material for their self-titled debut album, which laid the foundation for the group's sound blending heavy riffs, synthesizers, and ideological themes.[12][4] The band's name, stylized as 3TEETH, draws from the etymology of "trident," literally meaning "three teeth" in reference to the ancient divine weapon symbolizing creation and destruction across various mythologies.[13][4][14] Mincolla has explained it as a cryptic encapsulation of the trident's esoteric significance, while also tying into odontomancy—an ancient divination practice involving the interpretation of teeth patterns for prophecy—which aligns with the band's interest in occult and symbolic motifs.[5][15] This nomenclature reflects 3TEETH's origins not merely as a musical outfit but as a conceptual fusion of visual art, philosophical inquiry, and provocative industrial aesthetics aimed at challenging conventional norms.[4]Early releases and breakthrough (2014–2016)
3TEETH released their self-titled debut album on June 3, 2014, through Artoffact Records, featuring tracks such as "Nihil," "Consent," and "Master of Decay."[16] The album, which included material the band had performed live prior to recording, garnered attention in the industrial metal scene and peaked at number 8 on the iTunes Electronic Music Chart.[11] Later that year, on October 24, 2014, they issued REMIXED, a 15-track compilation of remixes from the debut album by artists including Aesthetic Perfection, Dismantled, and Caustic.[17] Following the debut, 3TEETH began touring extensively in support, performing at festivals and clubs across North America to build a live following.[18] In late 2015, the band achieved a significant milestone when Tool guitarist Adam Jones selected them as opening act for Tool's 2016 U.S. arena tour alongside Primus, commencing January 10, 2016, in San Diego.[1] This high-profile exposure marked their breakthrough, elevating visibility beyond underground circuits and drawing praise for their intense live performances characterized by synchronized rhythms and dystopian visuals.[19] By mid-2016, amid tour preparations for their second album, 3TEETH released the single "Degrade" on June 30, previewing an evolution in production while maintaining their aggressive industrial sound.[20] The Tool tour slots solidified their reputation, with critics noting the band's ability to hold arenas through raw energy and thematic depth, setting the stage for major label interest.[7]Expansion and major albums (2017–2019)
In 2017, 3TEETH released their second studio album, <shutdown.exe>, on May 19 through their independent label OMF Records under exclusive license to Cleopatra Records.[21][22] The album featured tracks such as "Divine Weapon" and "Atrophy," emphasizing aggressive industrial metal elements with prominent guitars and electronic rhythms.[21] That year, the band expanded its live presence with 58 concerts, including opening slots for Rammstein on select U.S. dates during the summer and performances alongside Danzig and HIM toward year's end.[23] They also formalized their lineup by adding drummer Justin Hanson.[11] By April 2018, 3TEETH signed with Century Media Records, marking a shift to a larger label for broader distribution and support.[24] This deal facilitated production of their third album, Metawar, recorded with producer Sean Beavan, known for work with Nine Inch Nails and Marilyn Manson.[25] Metawar was released on July 5, 2019, via Century Media and RED Music, featuring singles like "American Landfill" and tracks addressing political and societal themes.[25][26] The band supported the release with extensive touring, including a European run opening for Ministry and a headlining North American tour.[2] These efforts solidified 3TEETH's transition from Los Angeles underground scenes to international industrial metal circuits.[2]EndEx era and recent developments (2020–present)
Following the release of Metawar in 2019, 3TEETH entered a period marked by the COVID-19 pandemic, which disrupted live performances and touring activities globally. The band contributed to the soundtrack for the 2020 film Guns Akimbo, featuring original score elements integrated into their industrial style.[6] In August 2021, they issued the single "Paralyze" featuring Ho99o9, signaling ongoing creative output amid external constraints. Preparations for their fourth studio album, EndEx, began in the high desert around Joshua Tree, California, where the band recorded amid a legacy of experimental music production in the region.[10] Announced on June 30, 2023, EndEx arrived on September 22, 2023, via Century Media Records, with production emphasizing themes of technological decay and existential finality.[27] The album includes collaborations with composer Mick Gordon on tracks such as "Slum Planet" and "What's Left," blending heavy electronics with aggressive riffs across 11 songs, including singles "Merchant of the Void" (May 3, 2023), "Slum Planet" (May 31, 2023), and "Scorpion" (June 30, 2023).[27][28] Post-release, 3TEETH resumed live performances, appearing at festivals like Sick New World on April 27, 2024, in North Las Vegas, Nevada, and ManeFrame Festival on August 3, 2024, in Jaromer, Czech Republic.[29] A headline show occurred on November 15, 2024, at The Bellwether in Los Angeles.[30] In July 2025, the band released an industrial metal cover of Guns N' Roses' "Civil War," reinterpreting the 1991 track with sinewave keyboards and distorted bass, continuing their pattern of unexpected covers following prior renditions of tracks by Foster the People and others.[31] As of October 2025, no further studio albums have been announced, though the group maintains activity through merchandise releases and sporadic live dates.[32]Musical style and influences
Core elements of sound
3Teeth's core sound blends industrial electronics with heavy metal aggression, featuring distorted guitars that deliver chunky, riff-driven foundations layered over pulsating synthesizers and mechanical beats. This fusion draws from 1990s industrial pioneers, incorporating EBM (electronic body music) rhythms and post-apocalyptic soundscapes to evoke a sense of mechanical dystopia.[3][33] Central to their sonic identity are the crushing guitar tones, often processed with heavy distortion to produce vicious grooves that anchor tracks in nu-metal and industrial metal territory, as heard in albums like EndEx (2023), where riffs veer toward heavier, riff-centric aggression.[34][33] Complementing this are electronic elements, including throbbing synth lines, sampled noises, and laser-like effects that add layers of industrial grit and urgency, preventing the music from relying solely on organic instrumentation.[35][36] Vocals by Alexis S. Mincolla form a hallmark, employing a raw, distorted delivery that shifts between snarling growls, screams, and rhythmic chants, often layered with processing to achieve a gritty, machine-like edge that amplifies themes of alienation.[33][37] Drums and percussion emphasize pounding, robotic precision, with heavy, programmed beats and industrial loops driving the momentum, occasionally incorporating live elements for added ferocity in live settings.[35] This in-house production approach—handling mixing and mastering internally—ensures tight integration of these components, maintaining a cohesive, high-energy density across releases.[38] Over time, the band's sound has evolved toward greater heaviness, incorporating nu-metal breakdowns and broader sonic experimentation while retaining core industrial hallmarks like sampling and electronic flourishes, as evident in transitions from their self-titled debut (2014) to Metawar (2019).[34][39]Key influences and evolution
3TEETH's sound draws heavily from the industrial music tradition of the 1990s, with vocalist Alexis Mincolla citing foundational acts such as Ministry, KMFDM, and Skinny Puppy as primary influences that shaped the band's aggressive, rhythm-driven aggression and electronic textures.[3] Additional inspirations include Nine Inch Nails and Marilyn Manson for their blend of industrial electronics with provocative theatricality, as well as broader elements from Rammstein's pyrotechnic metal-infused industrial style.[40] [41] These roots manifest in 3TEETH's use of distorted guitars, pounding EBM beats, and dystopian synth layers, distinguishing them from pure metal while incorporating down-tuned riffs reminiscent of the era's industrial rock evolution.[3] [42] The band's sonic evolution began with their self-titled debut album released on June 17, 2014, which established a raw industrial metal framework characterized by abrasive electronics and Mincolla's barked vocals over mechanical grooves.[43] By shutdown.exe on October 6, 2017, 3TEETH amplified the heaviness, delivering what reviewers described as one of the genre's most punishing milestones through intensified riffage and post-apocalyptic soundscapes.[44] The 2019 album Metawar, issued July 19, marked a refinement in songcraft, pushing brutal elements further while enhancing melodic structures and conceptual depth, reaching a creative peak via major label support from Century Media.[12] [43] EndEx, released September 15, 2023, represented the culmination of this progression, leaning into heavier territory with nu-metal and metalcore influences alongside gothic rock and post-punk undertones, resulting in a wider sonic palette of frantic, chaotic industrial metal.[34] [45] Tracks like "Merchant of the Void" exemplify aggrotech aggression, while others incorporate head-bobbing stomps and melodic drifts, reflecting an expansion beyond strict industrial confines toward anthemic hooks and experimental electronics.[46] [47] This trajectory underscores 3TEETH's shift from digital hardcore-adjacent origins to a more versatile, metal-hybrid form, prioritizing thematic transformation and sonic intensity.[42] [48]Lyrical themes and worldview
Sociopolitical commentary
3TEETH's lyrics frequently critique systemic failures in modern society, including consumerism, surveillance, and political inertia, positioning the band as observers of institutional decay rather than advocates for partisan solutions. In the track "Affluenza" from the 2019 album Metawar, vocalist Alexis Mincolla addresses the pathology of overconsumption and entitlement in affluent societies, portraying it as a disease eroding personal agency.[49] Similarly, "EXXXIT" draws from Albert O. Hirschman's 1970 treatise Exit, Voice, and Loyalty, adapting its framework of individual responses to organizational decline—exit, vocal protest, or loyalty—into a metaphor for disillusionment with political and social structures, as explained by Mincolla in a 2019 interview where he described the song as expressing liberation through rejection of failing systems.[50] The band's commentary extends to bipartisan institutional critique, with Mincolla stating in 2019 that the George W. Bush administration's policies represented a greater geopolitical threat than those of Donald Trump, emphasizing long-term entrenchment of power over transient leadership.[8] Prior to Trump's 2016 election, albums like Shutdown.exe (2017) targeted mass-production society and authoritarian control mechanisms, with Mincolla likening lyric-writing to "sucking the poison" from industrialized dehumanization, a process he described as detoxifying societal toxins through artistic expression.[51] This pre-Trump focus underscores the band's consistent anti-establishment stance, as Mincolla noted in 2018 that their prior two albums assailed the system under the Obama administration without shifting rhetoric post-election.[52] In later works like EndEx (2023), sociopolitical elements manifest through an "off-world perspective" on earthly dysfunction, including paralysis under pervasive control and media-driven division, as Mincolla articulated in a 2023 interview, aiming to highlight global absurdities without prescribing ideologies.[53] Tracks such as "Paralyze" (2021) capture collective frustration with "waking sleep paralysis" in contemporary life, blending industrial aggression with observations of societal stagnation.[54] Mincolla has emphasized cross-spectrum relatability, noting in 2020 that their themes resonate across political lines by focusing on shared human experiences of systemic entrapment rather than endorsing specific agendas.[55] This approach aligns with the band's industrial roots, using dystopian imagery to provoke reflection on power dynamics without aligning to conventional left-right binaries.Dystopian and existential motifs
3TEETH's lyrics often depict dystopian futures marked by societal collapse, technological overreach, and systemic control, drawing inspiration from urban decay in Los Angeles, which vocalist Alexis Mincolla described as a "petri dish" for such themes.[7] On the 2019 album Metawar, tracks like "American Landfill" portray humanity as chained guardians of waste in a consumptive wasteland, critiquing false ownership and minimal sustenance to prevent rebellion.[56] Similarly, "Affluenza" condemns corporate excess as an "orgy of corporate incest" leading to rot in Western society, reflecting anti-systemic sentiments rooted in critiques of political centrism and institutional failures.[57] "Slum Planet," featuring Mick Gordon, evokes a materialistic hellscape of deception and hatred, where plastic facades enclose dreams granted by machines, symbolizing dehumanizing progress.[58] Existential motifs recur through explorations of death, impermanence, and transcendence, particularly in the 2023 album EndEx, which Mincolla stated is "almost entirely about death and transformation."[48] The track "Drift" conveys resignation to inevitable change, portraying a spirit burning against encroaching darkness as it shifts from flesh to spectral void, emphasizing that "nothing’s going to last."[48] This bleak introspection, influenced by pandemic isolation, balances despair with cathartic positivity in surrendering to flux.[48] In "Paralyze," Mincolla articulates a "waking sleep paralysis" amid a visionless future, where collective inaction makes envisioning apocalypse easier than enacting reform, underscoring horror at contagious stagnation.[54] These themes intersect in warnings of apocalyptic inevitability, informed by historical civilizations' falls and modern crises like school shootings, which Mincolla views as humbling reminders of hubris.[7] Lyrics in "The Fall" position listeners on a cliff amid artificial life built on death, urging confrontation with existential edges.[59] Overall, 3TEETH employs these motifs to provoke reflection on control mechanisms—technological, political, and personal—without prescribing solutions, aligning with industrial traditions of discomforting realism.[7]Band members and collaborations
Current lineup
The current lineup of 3TEETH consists of Alexis Mincolla on vocals, Chase Brawner on guitars, Xavier Swafford on keyboards and synthesizers, and Andrew Means on modular synthesizer and bass.[5][60] This core configuration has remained stable since the band's inception in 2013, supporting their releases through the 2023 album EndEx and subsequent singles, including the 2025 cover of Guns N' Roses' "Civil War".[5][60] Live performances typically feature programmed drums or additional touring percussionists rather than a fixed band drummer, emphasizing the group's electronic and industrial production focus.[5]Past members and notable collaborators
3TEETH has experienced lineup changes primarily in its live drumming role, as the core electronic and production elements have remained stable. Justin Hanson joined as the official drummer in fall 2017 following the band's signing to Otep Records and contributed to tours and recordings through 2019, including support for the album Metawar.[11][12] The band parted ways with Hanson in June 2020 to pursue new recording directions.[61] Prior to Hanson, Andrew Melendez served as live drummer for spring and summer tours in 2017.[5] Andrew Means, an original member since 2013, initially handled drums on the self-titled debut album released in 2014 but shifted to bass and modular synthesizer duties by 2017 to accommodate touring expansions.[11] Notable collaborators include the rap metal duo Ho99o9, who provided guest vocals on the track "Paralyze" from the 2021 album EndEx, and composer Mick Gordon, known for soundtracks to Doom and Wolfenstein, who co-produced the single and directed its music video.[10][62] These partnerships emerged during the EndEx era, blending 3TEETH's industrial sound with external aggressive and cinematic influences.[54]Discography
Studio albums
3Teeth has issued four studio albums since forming in 2013, each showcasing an evolution in their industrial metal sound through aggressive electronics, heavy riffs, and thematic depth. The band's discography reflects independent beginnings before aligning with larger labels for wider distribution.| Album title | Release date | Label |
|---|---|---|
| 3Teeth | June 3, 2014 | Independent (Bandcamp) |
| <shutdown.exe> | May 19, 2017 | OMF Records |
| Metawar | July 5, 2019 | Century Media Records |
| EndEx | September 22, 2023 | Century Media Records |
Singles, EPs, and covers
3TEETH has released numerous singles, often as promotional tracks or standalone pieces accompanying album cycles, alongside a limited number of extended plays primarily in digital formats. Early singles like "Nihil" from their 2014 self-titled album served as initial breakthroughs, gaining traction through platforms such as SoundCloud and leading to label interest.[16] Later non-album singles include "Paralyze" featuring Ho99o9 in 2021, which blended industrial aggression with hip-hop elements for a collaborative edge.[65] In 2023, tracks such as "Merchant of the Void" and "Slum Planet," both produced with sound designer Mick Gordon, were issued amid the EndEx album rollout, emphasizing dystopian themes with heavy electronic distortion.[5] "Degrade" followed in 2024 as a single previewing potential future material.[43] Extended plays have been sporadic, with 2023 seeing releases like Scorpion, Drift, and Higher Than Death, each comprising one or two tracks that expanded on the band's rhythmic, synth-driven sound while testing fan reception for EndEx integration.[43] These EPs, distributed digitally via streaming services, featured production emphasizing bass-heavy grooves and Alexis Mincolla's processed vocals, aligning with the band's evolution toward more accessible industrial structures.[65] The band has also produced cover versions, reinterpreting tracks from diverse genres to infuse industrial metal intensity. Notable covers include Foster the People's "Pumped Up Kicks" (2017), transforming the original's pop critique into a grinding electronic assault; Dead or Alive's "You Spin Me Round (Like a Record)" (2020), accelerating the synth-pop hit with metallic riffs; Tears for Fears' "Everybody Wants to Rule the World" (2023), stripped to a brooding, atmospheric rendition; and Guns N' Roses' "Civil War" (2025), released as a single with militaristic percussion and layered distortion, honoring the original's anti-war message while updating it for contemporary alienation.[66] [32] These covers, often shared via YouTube and streaming, demonstrate 3TEETH's versatility in subverting mainstream anthems without diluting their core aesthetic.[67]| Release | Type | Year | Key Details |
|---|---|---|---|
| Paralyze (feat. Ho99o9) | Single | 2021 | Collaborative track with rap-infused verses.[65] |
| Merchant of the Void | Single | 2023 | Co-produced by Mick Gordon; thematic tie to EndEx.[5] |
| Slum Planet | Single | 2023 | Features Gordon's sound design; urban decay motifs.[5] |
| Scorpion | EP | 2023 | Digital release with experimental beats.[43] |
| Drift | EP | 2023 | Hypnotic, looping structures.[43] |
| Higher Than Death | EP | 2023 | Elevates existential themes sonically.[43] |
| Degrade | Single | 2024 | Standalone preview of heavier production.[43] |
| Civil War (Guns N' Roses cover) | Single | 2025 | Visualizer-released; intensified for industrial palette.[32] |