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4275

(4275) Bogustafson is a main-belt asteroid discovered on 1 March 1981 by astronomer Schelte J. Bus using the 1.2-meter Schmidt telescope at Siding Spring Observatory in Australia. It completes one orbit around the Sun every 4.33 years, with a semimajor axis of 2.657 AU, an orbital eccentricity of 0.177, and an inclination of 13.02° relative to the ecliptic plane. The asteroid's perihelion distance is 2.186 AU and aphelion is 3.127 AU, placing it firmly within the main asteroid belt between the orbits of Mars and Jupiter. The is named in honor of Bo Å. S. Gustafson (born 1953), a at the in Gainesville, recognized for his pioneering research on small particles, dust dynamics, and cometary grains. The official naming citation was published in Minor Planet Circular No. 27458 by Hans Rickman, as suggested by Edward Bowell. Bogustafson has an absolute visual magnitude of 14.24, corresponding to a that makes it observable only with moderate-sized telescopes under optimal conditions. As of 2025, it has been observed over 2300 times across 27 oppositions, allowing for a well-constrained .

Background and production

Development

first announced 4275 as his debut studio album on May 15, 2018, via a post on his account, positioning it as a major milestone under his new label home, . The announcement highlighted the project's significance as a culmination of his rising profile in R&B, following years of building momentum through independent releases and industry buzz. The conception of 4275 stemmed from Jacquees' determination to transition from a mixtape artist and featured vocalist to a standalone R&B force, drawing on his early successes with projects like the Que Mix series and appearances on tracks by artists such as and . Having released multiple since 2011, he sought to craft a cohesive, vocal-driven that showcased his songwriting depth and prowess, aiming to capture the essence of classic R&B while appealing to modern audiences. This vision was shaped by his experiences in Atlanta's vibrant music scene, where he honed his craft as a self-taught performer. Jacquees' signing to Cash Money Records in October 2014 played a pivotal role in the album's development, providing access to the label's infrastructure and creative network after he had already established a grassroots following. The deal, brokered with label co-founder Birdman, fostered an environment of familial collaboration that influenced the project's scope, encouraging Jacquees to integrate elements of Cash Money's hip-hop heritage into his R&B sound. This partnership enabled him to expand beyond solo efforts, incorporating label synergies that enriched the pre-production planning. The overall recording timeline for 4275 extended from 2014 to 2018, reflecting a deliberate build-up during which Jacquees balanced mixtape releases, tours, and feature work to refine his debut into a comprehensive statement.

Recording process

The recording of Jacquees' debut album 4275 spanned from 2014, following his signing to Cash Money Records, through 2018, allowing for an extended creative period that incorporated evolving ideas and collaborations. Sessions occurred in multiple studios across various cities to infuse diverse influences, with primary work taking place in Atlanta—Jacquees' hometown—and Los Angeles, the hub for Cash Money operations, alongside shorter stints in Miami and London. This multi-location approach enabled the capture of different sonic vibes, from intimate Atlanta-rooted R&B grooves to broader West Coast polish. Key producers shaping the album included DJ Spinz, who handled the title track "4275" alongside Nash B, London on da Track, who contributed to tracks like the atmospheric "London," and OG Parker, among others who brought a mix of contemporary beats and nostalgic elements. The production sessions emphasized layered vocals to create Jacquees' signature rich, multi-dimensional sound, drawing on his vocal-heavy R&B style, while incorporating live instrumentation such as keys and percussion in select arrangements to add organic texture beyond sampled loops. One notable challenge during recording was navigating sample clearances, a novel process for compared to his prior mixtapes, which contributed to delays in finalizing the project. Aligning features with high-profile artists like on "Inside," on "All My Life," on "Forget Me," and on "Studio" required coordinating busy schedules across time zones and locations, further extending the timeline but enhancing the album's collaborative depth. These efforts culminated in an 18-track release that balanced personal storytelling with star-powered moments.

Composition

Musical style

4275 is predominantly a album that draws heavily from the revival, incorporating smooth, pliant vocals over low-to-mid tempo tracks characterized by bottom-heavy beats and simple, sturdy chord progressions. The sound blends elements of and pop, as seen in swampy, bass-driven rhythms on tracks like "Red Light" featuring , which features a trap beat that halts for intimate moments, while pop-infused melodies add accessibility to the overall sensual vibe. This 64-minute runtime emphasizes a laid-back, chill atmosphere, with synth-heavy production creating atmospheric layers that evoke a moody, bedroom-oriented aesthetic. The album's style reflects influences from 1990s R&B icons such as , , , , and , upcycling their hits into modern sex jams with referential melodies and harmonies. , a key influence, even appears on the intro to "23," symbolically passing the torch to ' smooth and playful delivery. While most tracks maintain slower jams, uptempo contrasts like the brassy, infectious "B.E.D." and the bonus track "You" introduce higher energy with modernized R&B melodies, balancing the album's predominantly seductive pace. Production techniques further define the album's contemporary edge, employing sparingly to enhance rather than dominate ' natural vocals, alongside brooding synths and bass lines that drive the rhythmic foundation. This approach mirrors the high-production polish of R&B while integrating new-school elements, resulting in a cohesive sound that prioritizes intimacy and groove across its 18 tracks.

Lyrical themes

The lyrics of 4275 predominantly revolve around romance and seduction, portraying relationships through a confident male perspective that emphasizes pursuit and desire. Jacquees explores the thrill of attraction in tracks like "Studio," where he frames sexual encounters as intimate dates, singing lines that blend tenderness with explicit invitation, such as turning a recording session into a private rendezvous. This seductive lens extends to the album's core motif of sexual intimacy, often depicted in confined, personal spaces that heighten vulnerability and immediacy, as seen in the titular promise of passion in "B.E.D.," where he declares, "I know you wanna love, but I just wanna fuck," underscoring a direct, unapologetic approach to physical connection. Heartbreak and post-breakup reflections provide emotional counterpoints, infusing the album with moments of introspection amid the bravado. In "Beauty Doesn't Cry," addresses a woman's pain with a mix of and possessiveness, her ex while positioning himself as a , which reveals the sting of relational fallout through lyrics tagged with themes of despair and hope. emerges as a recurring in songs like "All About Us," where he reflects on familial bonds and personal growth as anchors in love, contrasting the fleeting seductions elsewhere and highlighting a desire for enduring commitment. These elements draw from ' own relational experiences as a , lending an autobiographical authenticity to the narratives. The songwriting style balances vulnerability with bold bravado, often co-authored with collaborators to amplify ' voice as both storyteller and provocateur. Tracks like "" employ explicit language and candy metaphors to symbolize irresistible temptation, praising a partner's allure while asserting superiority over rivals, which encapsulates the album's blend of raw confession and swaggering assurance. This approach, inspired by ' life lessons in love, creates that feel personal yet universally relatable, prioritizing emotional depth over subtlety in exploring relational dynamics.

Release and promotion

Announcement and formats

Jacquees announced his debut studio album 4275 on May 15, 2018, via his Instagram account, revealing the title and artwork while building anticipation for the project. The album was released on June 15, 2018, through Cash Money Records and Republic Records, marking a significant milestone after years of mixtape releases. The standard edition was distributed as a download comprising 18 tracks with a total runtime of 64 minutes and 10 seconds. A bonus version expanded the tracklist to 19 songs by including the additional track "You," extending the length to approximately 67 minutes. Physical formats included a edition, which mirrored the standard digital release and was made available through major retailers. The album's initial marketing emphasized ' self-proclaimed "King of R&B" persona, a moniker he had cultivated through earlier mixtapes such as If You Like Japan: The EP (2015) and (2016), positioning 4275 as a defining statement in . This branding tied into the announcement, which also previewed the "Inside" featuring , released shortly thereafter to heighten pre-release buzz.

Singles

The lead single from the 4275 era, "B.E.D.", was released on July 8, 2016, and served as ' breakout track, peaking at number 69 on the and number 30 on the chart. The song's sultry lyrics about intimacy resonated widely, amassing over 399 million streams on as of 2025, underscoring its enduring popularity in R&B circles. An official , directed by Jon J, emphasized romantic and sensual themes through intimate bedroom scenes featuring with female leads, enhancing the track's visual allure. A remix featuring Ty Dolla $ign and , released in August 2017, expanded its appeal with added elements while maintaining the core romantic narrative. As a promotional single ahead of the album's June 15, 2018, release, "Inside" featuring debuted on May 18, 2018, blending smooth harmonies to explore themes of emotional and physical closeness. The track gained traction on digital platforms and contributed to pre-album buzz through its infectious melody. Its accompanying , released in late May 2018, depicted a of longing and connection between lovers in dimly lit, evocative settings, reinforcing the song's romantic storytelling. Following the album's launch, "You" featuring was issued as a post-release single on July 24, 2018, peaking at number 5 on Billboard's chart and later reaching number 1 on the chart. The duet's heartfelt plea for commitment amplified anticipation for deeper cuts from 4275, with over 243 million views as of 2025. The official video portrayed a cinematic romance, following a couple's ups and downs to highlight themes of devotion and . A 2019 remix with introduced a contrasting verse, broadening its crossover potential while preserving the original's emotional core.

Content and credits

Track listing

The standard edition of 4275 consists of 18 tracks, all primarily written by , with additional writing credits for featured artists where applicable.
No.TitleFeatured artist(s)Length
1"Rodriquez Jacquees Broadnax (Intro)"1:36
2"4275"4:00
3"I Know Better"2:54
4"23"4:33
5"B.E.D."3:56
6"Studio"4:21
7"Beauty Doesn't Cry"3:58
8"No Validation"3:12
9"Inside"4:08
10"London"4:46
11"All About Us"3:01
12"All My Life"3:21
13"House or Hotel"3:37
14"Play the Field"2:53
15"Infatuated"4:04
16"Whateva You Into"2:41
17"Red Light"3:53
18"Special"3:15
The deluxe edition adds one bonus track: 19. "You" – 3:37.

Personnel

Jacquees provides lead vocals on all tracks of the album. Featured vocalists include Birdman on track 2, on track 6, on track 9, on track 12, on track 15, on track 17, and Jagged Edge on track 18. Production is handled by several contributors, including on tracks 2 and 6, Nash B. on tracks 2, 6, 7, 10, and 11, on tracks 8 and 16, on track 1, on track 4, and on track 19 (deluxe edition). Technical roles encompass mixing by Fareed “Rip” Salamah on all tracks, mastering by Dave Kutch, and A&R direction by Bryan "Birdman" Williams.

Reception and legacy

Critical reception

Upon its release in 2018, 4275 received generally positive to mixed reviews from critics, who frequently highlighted ' vocal prowess while critiquing the album's reliance on familiar R&B conventions. awarded it a 3.9 out of 5, praising the seductive vibes and polished production on tracks like "Studio" featuring , which captured heartfelt, lustful narratives, but noted a lack of originality, describing the project as a "collection of romanticized tropes" that occasionally lacked depth beyond initial premises. Pitchfork gave 4275 a 6.9 out of 10, commending its referential nods to R&B icons like and , which infused the sex-themed jams with playful charm and a velvety tenor, yet criticized the over-reliance on formulaic structures and an excessive 64-minute runtime that burdened the material with unnecessary filler and disruptive guest spots. echoed these sentiments, lauding Jacquees' "great tone" in R&B but faulting the album's slow and repetitive low-to-mid- beats for failing to fully capitalize on his talents. Other outlets offered varied takes, with highlighting the strength of ' smooth vocals amid the album's guest-heavy tracks, while The Root described it as an enjoyable blend of trap and classic R&B influences from artists like , though it pointed to uneven songwriting and a feel that reflected immaturity in lyrical polish. Rated R&B coverage leaned mixed, appreciating the timeless appeal but questioning the project's maturity in evolving beyond nostalgic tropes. Overall, reviewers converged on ' undeniable vocal talent as a standout amid elements, positioning 4275 as a solid if unoriginal debut in the landscape.

Commercial performance

4275 debuted at number 35 on the US chart in June 2018. The album also entered the Top R&B/ Albums chart at number 15. The project achieved its first certification from the (RIAA) on June 25, 2020, when it was awarded Gold status for 500,000 album-equivalent units in the United States. This milestone was primarily propelled by streaming activity, as traditional sales were supplemented by digital consumption; by November 2025, the album had amassed over 780 million streams on alone. Over the long term, the album's performance benefited from the enduring popularity of its singles, such as "B.E.D.," which contributed significantly to ongoing streams and helped maintain its relevance into 2025.

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