Fact-checked by Grok 2 weeks ago

A Man of Reason

A Man of Reason is a South Korean action thriller film written and directed by in his feature-length directorial debut. The story follows Seo Su-hyuk (played by ), a former who, after serving a ten-year prison sentence for taking the fall for his mob boss, seeks to build a normal life upon discovering he has a nine-year-old daughter from a past relationship. However, his former boss, doubting his loyalty, dispatches assassins to eliminate him, forcing Su-hyuk into a deadly struggle for survival and redemption. The film features a strong including as assassin Woo-jin, as the ruthless mob boss Eung-guk, Kim Joon-han, and Park Yoo-na as Su-hyuk's girlfriend and the mother of his child. Produced by Acemaker Movie Works and others, it was shot primarily in with a runtime of 97 minutes. A Man of Reason had its world premiere at the on September 14, 2022, before its theatrical release in on August 15, 2023, where it screened on 685 theaters and attracted 128,534 admissions. It later received a limited U.S. theatrical release on July 5, 2024, distributed by , followed by video-on-demand availability. Jung Woo-sung, a prominent actor known for roles in films like A Moment to Remember and The Divine Move, brings his experience to the dual role of star and director, emphasizing themes of paternal responsibility, the inescapability of past sins, and moral ambiguity in the criminal underworld. The film's taut pacing, intense action sequences, and exploration of work-life balance for a killer have drawn comparisons to Hollywood hits like John Wick, while highlighting the gritty realism of Korean noir cinema.

Film overview

Plot

After serving a 10-year prison sentence for taking the fall in a crime committed on behalf of his boss, Su-hyuk, a former hitman played by , is released and seeks to leave his violent past behind. Upon his release, Su-hyuk visits his long-abandoned ex-girlfriend Min-seo and discovers that he has a 10-year-old daughter, In-bi, whose existence was unknown to him during his incarceration. Motivated by this revelation, he yearns for a peaceful, ordinary life, focusing on reconnecting with his daughter and rebuilding family ties while shielding her from his criminal history. However, Su-hyuk's former boss, Eung-kook, who heads a powerful syndicate, grows suspicious of his intentions and orders his underlings to monitor him closely, viewing his newfound family as a potential weakness. As tensions rise, Eung-kook's men pursue Su-hyuk relentlessly, leading to intense confrontations with former associates and forcing him to navigate dangerous underworld threats. Amid these external pressures, Su-hyuk grapples with profound internal struggles, torn between his desire for and normalcy and the violent skills ingrained from his past as a . Family dynamics complicate his efforts, as he attempts to foster a bond with his wary daughter and ex-girlfriend while evading escalating dangers, including an attempt by Eung-kook's operatives to abduct In-bi. The narrative builds toward a climactic showdown where Su-hyuk must leverage his expertise—potentially through deceptive maneuvers akin to undercover operations—to safeguard his loved ones and resolve the lingering ties to his criminal life.

Cast and characters

The film features a strong led by , who also makes his directorial debut, portraying the central figure in a tense . The characters are defined by their complex loyalties and personal stakes, with the navigating a shift from a violent past toward familial bonds, while antagonists and allies represent the persistent pull of . Jung Woo-sung as Soo-hyuk
Soo-hyuk is the stoic hitman protagonist, a former who emerges from a decade-long sentence seeking and a quiet life with his newly discovered daughter; his arc explores the internal conflict between his lethal skills and desire for normalcy, underscored by intense physical preparation that transformed Jung's physique for the demanding action sequences.
Kim Nam-gil as Woo-jin
Woo-jin serves as the cunning rival contract killer, a relentless pursuer whose professional detachment and strategic mindset heighten the film's cat-and-mouse dynamics, embodying the cold efficiency of the assassin trade.
Park Sung-woong as Eung-kook
Eung-kook is the authoritative boss, a manipulative figure whose doubts about loyalty drive much of the conflict, representing the hierarchical power structures of the criminal world.
Kim Jun-han as Seong-joon
Seong-joon acts as the boss's second-in-command, overseeing the monitoring and pursuit of Soo-hyuk, contributing to the film's escalating tensions through his antagonistic actions.
Park Yoo-na as Jin-ah
Jin-ah is a supporting involved in the pursuit of Soo-hyuk, adding to the ensemble's high-stakes interactions.
Lee Elijah as Min-seo
Min-seo is Soo-hyuk's ex-girlfriend and the mother of his daughter, bridging his past and present while navigating the dangers of his criminal history.
Ryu Jian as In-bi
In-bi is Soo-hyuk's 10-year-old daughter, symbolizing his motivation for change and the innocence he seeks to protect.
The casting emphasizes actors' prior experience in action genres, enhancing the authenticity of the ensemble's high-stakes interactions.

Production

Development

A Man of Reason marked Jung Woo-sung's directorial debut, stemming from his long-standing in cinema where he often portrayed complex characters grappling with moral dilemmas and . The project originated as a means for Jung to explore his directorial voice, emphasizing themes of personal transformation and the struggle for normalcy after a life of violence, inspired by his own reflections on character depth rather than external film influences. To foster originality, Jung directed the creative team to draw inspiration exclusively from the script, eschewing references to other movies and relying on intuitive responses to shape the film's tone. The screenplay was co-written by and Jung Hae-shin, crafting an -thriller centered on a former confronting his past through high personal stakes, including uncovered after imprisonment. This collaborative writing process allowed Jung to infuse the narrative with introspective elements, prioritizing character flaws and internal conflicts over conventional genre tropes. Produced by Studio Take on a budget typical of South Korean films, the phase highlighted Jung's as and lead , where he portrayed the Seo Su-hyuk. Development began in 2019 under the Korean Film Council's registration, with ramping up in early ahead of . However, the emerging disrupted planning, imposing strict health protocols and logistical hurdles that tested the team's adaptability during script finalization and casting preparations. Despite these obstacles, including personal hardships like the loss of Jung's father in , the stayed on track to commence filming in February.

Filming

Principal photography for A Man of Reason commenced on February 10, 2020, and concluded on May 21, 2020, taking place entirely in over a compressed three-and-a-half-month period. The production utilized a variety of locations to capture the film's dual tones of high-stakes action and intimate family dynamics, including urban environments in for intense action sequences and controlled indoor sets for dramatic family interactions. Additional shooting occurred in regional sites such as , , and to enhance the narrative's scope. Director , in his feature debut, emphasized gritty realism in the , opting for work and natural lighting to convey the raw tension of the protagonist's world, particularly in the action scenes. The action choreography, handled by a team led by experienced stunt coordinator Heo Myeong-haeng, incorporated practical effects and to highlight authentic, visceral confrontations rather than relying on extensive , with key sequences filmed in single takes to maintain momentum. The short shooting schedule was exacerbated by production challenges stemming from the emerging , which imposed strict restrictions on crew size, movement, and on-set interactions in early 2020. Safety protocols, including mandatory masking, frequent testing, and measures, were rigorously implemented to protect the cast and crew, contributing to the efficient but demanding timeline. Compounding these difficulties, suffered the personal loss of his father during filming but returned to the set after just one or two days to prevent further delays. Initial editing began immediately after wrap, with rough cuts prepared on location to address any pandemic-related disruptions in post facilities.

Release

Distribution and marketing

The distribution of A Man of Reason was handled domestically in by Acemaker Movieworks, which managed the film's theatrical rollout. Internationally, the film achieved widespread sales through deals secured at film festivals, reaching 153 countries including , the , , , , , , , , and . North American rights were acquired by ahead of the film's world premiere at the , where it screened in the Special Presentations section. The film was also invited to the and the Hawaii International , facilitating further global distribution agreements. The marketing campaign emphasized the film's action-thriller elements and themes of , with promotional materials highlighting and star Jung Woo-sung's feature debut. Trailers were released in in early August 2023, ahead of the domestic premiere, showcasing intense chase sequences and character confrontations. A U.S. trailer followed in June 2024, distributed by to build anticipation for the limited theatrical run. Promotional posters featured stark imagery of Jung's character against urban backdrops, underscoring the narrative of a former hitman seeking normalcy. Key promotional events included a on July 24, 2023, at CGV Yongsan in , attended by the cast including , , , , and Park Yoo-na, where they discussed the film's production and themes. Additional publicity events occurred in August 2023, such as a cast appearance at a promotion on August 10. At the , a post-screening session with focused on his directorial vision and the challenges of balancing acting and directing. Interviews with Jung, such as one in August 2023, highlighted his intentional avoidance of cinematic references to craft an original story, positioning the film as a personal artistic milestone.

Theatrical release

A Man of Reason had its world premiere at the on September 13, 2022. The film was subsequently screened at the 2023 as part of the Korean Cinema Today section, where director and star participated in an open talk event alongside cast members. Its theatrical rollout in began on August 15, 2023, following challenges during production amid the that impacted filming schedules. The film's international expansion included a in on September 7, 2023, and a broader distribution deal covering 153 countries. In , it received a on July 5, 2024, distributed by , primarily targeting select theaters before transitioning to platforms on July 9, 2024. While the initial plan had eyed a 2022 theatrical debut post-premiere, delays extended the wide release timeline. Home media availability followed the theatrical runs, with a limited edition Blu-ray released in on August 22, 2024, featuring a full . International physical releases included a Blu-ray edition on January 26, 2024, and availability through retailers like in regions such as by December 2023. By mid-2024, the film became accessible via streaming on in select territories, including , alongside video-on-demand options on platforms like Prime Video.

Reception

Critical response

Upon its release, A Man of Reason garnered mixed reviews from critics, reflecting a divide between its technical achievements and narrative execution. On , the film holds a 33% Tomatometer score based on nine reviews, indicating a generally unfavorable critical consensus. User ratings on average 5.9 out of 10 from 1,358 votes as of November 2025, suggesting moderate audience appreciation amid broader indifference. Critics frequently praised Jung Woo-sung's assured directorial debut, highlighting his commanding performance as the navigating emotional turmoil. The MSP Film Society commended the film's fast-paced action that keeps viewers engaged, marking it as a confident entry from a first-time director. Korean reviewers, such as those from , lauded the stylish action sequences that underscore the character's , blending visceral thrills with moments of quiet intensity. Strong supporting performances, particularly in scenes exploring familial bonds, were also noted for adding emotional weight to the proceedings. Conversely, several reviews pointed to pacing issues in the action sequences, which occasionally felt rushed or uneven, detracting from the tension. The predictable use of thriller genre tropes, such as the reluctant anti-hero facing old loyalties, drew criticism for lacking originality. IndieWire described the film as "visually inspiring" yet "dramatically inert," arguing that its action star roots overshadowed deeper character development. AsianMovieWeb echoed this, calling the elements "hackneyed" and recommending it primarily for dedicated genre enthusiasts. Notable critiques from sources emphasized the film's cultural resonance within the nation's tradition, appreciating how it updates familiar motifs of and betrayal with modern stakes. The highlighted Jung's multifaceted role, praising the debut for its polish despite conventional plotting. Internationally, outlets like The Film Verdict noted the effective genre blending of kinetic action and personal drama, though it stops short of innovating within South Korea's prolific thriller landscape. Thematically, A Man of Reason delves into through its portrayal of a former striving for normalcy after discovering his daughter, examining the burdens of in a . This lens critiques the allure and cost of criminal life, portraying family as both a motivator for change and a vulnerability in exiting that world, as the grapples with societal reintegration and paternal instincts. Reviews interpret these elements as providing interpretive depth, contrasting with quiet vulnerability to question traditional notions of strength in Korean cinema.

Box office performance

A Man of Reason opened in South Korea on August 15, 2023, earning $270,086 from 685 screens during its debut weekend, attracting a modest audience amid competition from higher-profile releases like Smugglers and The Roundup: Punishment, which dominated the summer box office. The film's performance reflected the broader South Korean market's ongoing recovery from the pandemic, where total attendance in 2023 reached 125 million, up 11% from 2022 but still 45% below 2019 pre-pandemic levels. Domestically, the film grossed approximately $849,000 (1.15 billion KRW) over its theatrical run, placing it outside the top 30 films of the year and attracting 128,534 total admissions. This total included a second-weekend haul of $39,140, indicating an 85% drop from the opening, as viewer interest waned in a crowded thriller genre landscape. Internationally, saw limited releases, including a theatrical debut in on January 26, 2024, and a limited U.S. rollout on July 5, 2024, via , followed by VOD availability. These contributed modestly to its global earnings, with worldwide gross reaching $928,721 by late 2024. By 2025, availability on streaming platforms such as , , and Prime Video provided additional exposure, though specific viewership metrics remained undisclosed.

Accolades

Awards

A Man of Reason achieved recognition at the 42nd , where and lead actor received the Halekulani Golden Maile Career Achievement Award for his feature directorial debut. The award was presented on November 14, 2022, during the festival held in , , from November 3 to 13, with additional screenings on neighbor islands from November 17 to 20, acknowledging Jung's transition from acclaimed actor to filmmaker with this project. The film itself was screened as part of the official selection in the narrative feature category, highlighting its international appeal prior to its wider release. The film was also screened at the 2025 . No other major awards were won by the film, its cast, or crew at domestic or international ceremonies as of November 2025.

Nominations

A Man of Reason received no nominations at major ceremonies such as the or the , despite Jung Woo-sung's prominent role as both director and lead actor. Similarly, no nominations were reported at the or from the Korean Association of Film Critics for categories like Best Screenplay or Best New Director. Overall, the film received no nominations across awards bodies.