A Werewolf Boy
A Werewolf Boy (Korean: 늑대소년; RR: Neukdae Sonyeon) is a 2012 South Korean romantic fantasy drama film written and directed by Jo Sung-hee in his feature directorial debut.[1][2] The story follows an elderly woman who returns to her childhood countryside home and recalls her encounter with a mysterious feral boy exhibiting wolf-like behaviors during the 1960s; she gradually teaches him human manners and language, fostering a deep bond between them amidst societal pressures and supernatural elements.[3] Starring Park Bo-young as the young Kim Sun-yi and Song Joong-ki as the enigmatic wolf boy Cheol-soo, the film blends tender romance with poignant drama, exploring themes of love, isolation, and humanity.[1][2] Released on October 31, 2012, by CJ Entertainment, it quickly became a box office phenomenon in South Korea, attracting 7,069,127 admissions and grossing approximately $45.6 million, ranking as the third-highest-grossing Korean film of 2012 and earning acclaim for its emotional depth and the leads' performances.[4][5] The film's success propelled it to international recognition, including screenings at festivals like the Far East Film Festival, and it received multiple accolades at the 49th Baeksang Arts Awards, such as Best New Director for Jo.[2] Its evocative soundtrack, featuring songs like "My Prince" by Park Bo-young, further enhanced its cultural impact, cementing A Werewolf Boy as a modern classic in Korean cinema.[6]Production
Development
Jo Sung-hee, born on February 3, 1979, initially majored in industrial design at Seoul National University before transitioning to film studies at the Korean Academy of Film Arts (KAFA), where he enrolled in 2008.[7][8][9][10] During his time at KAFA, Jo directed short films including Don't Step Out of the House! (2008), which won third place at the Cannes Film Festival's Cinéfondation section, and later made his independent feature debut with End of Animal (2010), screened at international festivals.[9][11] Jo wrote the screenplay for A Werewolf Boy himself, conceptualizing it as a personal fantasy story centered on themes of loyalty, emotional connection, and lost childhood innocence, drawing from his experiences training pets and evoking a nostalgic, dream-like portrayal of 1960s rural Korean life rather than precise historical accuracy.[9][11] The project marked Jo's transition to a commercial feature following his indie background, produced by the independent company Bidangil Pictures with initial support from KAFA resources during development, and later financed and distributed by CJ Entertainment after script finalization around 2011.[12][13] This low-profile pre-production phase reflected Jo's vision for an emotionally resonant romance over spectacle-driven fantasy.[11] The film's success helped establish Jo's career, leading to subsequent directorial works such as Phantom Detective (2016) and Space Sweepers (2021).[7]Filming
Principal photography for A Werewolf Boy commenced on December 21, 2011, in Jeonju, South Korea, and concluded on April 14, 2012.[14] Shooting primarily utilized rural sets at the Suncheon Open Film Set, which recreated Korean villages from the 1950s to 1970s to evoke the film's period atmosphere.[15] Additional scenes were filmed in countryside areas, including waterfalls in Pocheon for dynamic outdoor sequences, the cypress forest in Jangheung for forested environments, and scenic walkways on Jeju Island for house and landscape shots.[11] Cinematographer Choi Sang-muk employed softly filtered, romantically lit widescreen techniques to capture emotional intimacy, drawing on natural elements of Korea's landscapes for a dream-like quality.[16][11] Visual effects for the werewolf transformations were managed by a small team at Mofac Studio, led by supervisors Jang Seong-ho and Park Young-soo, with an emphasis on practical effects through makeup and actor performance rather than extensive CGI.[11] Production faced challenges from harsh winter conditions, as many outdoor night scenes were shot in sub-zero temperatures, with the coldest moments occurring around 4 a.m., affecting the entire crew.[14] Director Jo Sung-hee prioritized animalistic performance training for lead actor Song Joong-ki, who prepared by observing animals at zoos and watching nature documentaries to mimic wolf-like movements and behaviors, relying on minimal rehearsals to maintain raw authenticity.[11][17] This approach built upon Jo's script rewrites, which served as the foundation for on-set shot planning.[11]Cast
Main cast
Song Joong-ki stars as Kim Chul-soo, the adult feral werewolf boy who exhibits animalistic traits and relies on non-verbal communication throughout the film. To embody the character, Joong-ki underwent physical transformations including wild hair and makeup to enhance his beastly appearance, while employing method acting techniques to capture wolf-like mannerisms such as growls and instinctive movements. He prepared intensively by visiting zoos multiple times to observe and study animal behaviors, ensuring his portrayal conveyed a sense of primal innocence and loyalty without spoken dialogue. This role marked a significant step in his career, coming after his breakout performance in the 2010 drama Sungkyunkwan Scandal, which propelled his rising popularity and led to his casting as the lead in this fantasy romance.[18][19] Park Bo-young plays the dual role of the young Kim Sun-yi, the teenage protagonist who forms a deep bond with the werewolf boy, and her daughter Kim Eun-joo, showcasing her emotional versatility in scenes of tenderness and conflict. Bo-young was selected for her innocent yet resilient on-screen presence, a quality that had already garnered attention from her breakout performance in the 2008 comedy Scandal Makers. Her portrayal highlights the character's growth from vulnerability to strength, emphasizing the film's themes of love and protection through subtle expressions and heartfelt interactions.[20] Lee Young-ran portrays the elderly Kim Sun-yi in the present-day framing sequences, providing a poignant narrative anchor that reflects on the past events and underscores the story's enduring emotional impact. Her brief appearance as the aged protagonist effectively conveys decades of quiet longing and resolve, setting the stage for the flashback-driven plot.[21]Supporting cast
Jang Young-nam portrays Sun-yi's mother, a protective figure who opposes her daughter's budding relationship, creating familial tension in the narrative.[22] Known for her supporting roles in prior Korean dramas, Jang brings depth to the maternal conflict.[23] Yoo Yeon-seok plays Ji-tae, a rival suitor whose presence introduces romantic tension and social pressures surrounding Sun-yi.[24] This role marked an early film appearance for Yoo, preceding his breakout fame in the 2013 drama Reply 1994. Kim Hyang-gi appears as Sun-ja, Sun-yi's younger sister who offers sibling support and injects moments of comic relief amid the story's emotional weight. As a rising child actress at the time, her performance enhances the youthful dynamics of the ensemble. Among other notable supporting performers, Kim Cheol-jun takes on the role of a laborer, contributing to scenes of rural labor and community backdrop.[24] Brief appearances include Hong Hee-won as the hospital doctor and Seo Dong-soo as the army colonel, both advancing key plot progression without dominating the focus.[24] These secondary characters interact with the protagonists to foster a layered ensemble atmosphere, underscoring themes of isolation and external influences.[25]Music
Score
The original score for A Werewolf Boy was composed primarily by Shim Hyun-jung, who served as the film's music director, with additional contributions from Um Se-hyun, crafting instrumental music to enhance its romantic and fantastical elements.[1][26] Described as haunting, the score builds emotional tension and atmospheric mood, particularly in scenes depicting the protagonists' tender interactions and the werewolf's primal transformations.[27] Key instrumental cues include variations on the main theme, such as "Time She's Forgotten," "47 Years Ago," "A Boy in the House," and "Suni's Family," which highlight Chul-soo's isolation and Sun-yi's personal growth through subtle, evocative motifs.[28] These pieces form part of the film's 27-track original soundtrack album, where the instrumental score integrates seamlessly to support the narrative's dual timelines.[29] The score complements vocal soundtrack songs during emotional peaks, amplifying the story's poignant romance.[27]Soundtrack
The soundtrack for A Werewolf Boy prominently features two vocal tracks that capture the film's themes of innocent love and longing, released as singles to promote the movie ahead of and shortly after its October 31, 2012, theatrical debut.[14] The lead single, "My Prince" (나의 왕자님), is a tender romantic ballad performed by actress Park Bo-young, who plays the female protagonist Sun-yi. Composed by Shim Hyun-jung with lyrics by Jo Sung-hee, the song underscores key emotional moments in the story, including a scene where Sun-yi sings it to the titular werewolf boy. Released digitally on November 12, 2012, it received widespread attention in South Korea for its heartfelt melody and Park's emotive vocals.[6][30] Another key track, "Childlike" (철부지), performed by singer John Park, plays during the end credits and evokes the childlike wonder and purity of the central romance. Composed and written by Lee Juk, the ballad highlights Park's soulful voice and was accompanied by an official music video featuring film stars Song Joong-ki and Park Bo-young recreating tender scenes from the movie. Released on October 21, 2012—ten days before the film's premiere—it served as an early promotional tool to generate buzz.[31][32] The full soundtrack album, A Werewolf Boy OST, was released on November 21, 2012, by Stone Music Entertainment and comprises 27 tracks, including the vocal song "My Prince" alongside instrumental compositions. Contributions come from Park Bo-young for the lyrical piece, with the majority of the album featuring work by Shim Hyun-jung and Um Se-hyun.[29] The album's tracklist is as follows:| No. | Title | Artist/Composer |
|---|---|---|
| 1 | My Prince | Park Bo-young |
| 2 | Time She's Forgotten | Shim Hyun-jung |
| 3 | 47 Years Ago | Shim Hyun-jung |
| 4 | A Boy In The House | Shim Hyun-jung |
| 5 | Decision To Train Him | Um Se-hyun |
| 6 | Suni's Family | Shim Hyun-jung |
| 7 | Chul-Soo In The Bath | Um Se-hyun |
| 8 | First Love | Shim Hyun-jung |
| 9 | Training | Um Se-hyun |
| 10 | Let's Go To Play | Shim Hyun-jung |
| 11 | Cosplay | Um Se-hyun |
| 12 | Where There's Love | Shim Hyun-jung |
| 13 | Special Power | Shim Hyun-jung |
| 14 | Turning To Wolf | Shim Hyun-jung |
| 15 | Discover The Secret | Shim Hyun-jung |
| 16 | She Collapses | Shim Hyun-jung |
| 17 | Ji-Tae's Anger | Shim Hyun-jung |
| 18 | Chul-Soo In Chains | Shim Hyun-jung |
| 19 | Evil Plan | Shim Hyun-jung |
| 20 | Searching For Guitar | Shim Hyun-jung |
| 21 | Out Of Control | Shim Hyun-jung |
| 22 | To The Forest | Shim Hyun-jung |
| 23 | Love Unreached | Shim Hyun-jung |
| 24 | Don't Leave Me | Shim Hyun-jung |
| 25 | Walking Away | Shim Hyun-jung |
| 26 | For A Long Time | Shim Hyun-jung |
| 27 | A Werewolf Boy | Shim Hyun-jung |
Release
Premiere and distribution
A Werewolf Boy had its world premiere at the Toronto International Film Festival on September 11, 2012. The film opened theatrically in South Korea on October 31, 2012, distributed by CJ Entertainment.[35][36] The film launched with a limited number of screens in South Korea but rapidly expanded its theatrical footprint to approximately 854 screens due to strong word-of-mouth buzz.[13] Internationally, it was released in Taiwan on December 28, 2012, where it emerged as a sleeper hit with robust audience turnout[37]; in the Philippines on September 18, 2013[38]; and in Japan on May 25, 2013, under the title My Werewolf Boy[39]. Marketing efforts focused on the film's romantic elements rather than its supernatural horror aspects, featuring trailers that highlighted the tender love story alongside promotional interviews with the cast.[40] The film received a limited U.S. theatrical release on November 30, 2012, through CJ Entertainment America, without a wide rollout, and became available on streaming platforms in subsequent years.[11] A director's cut version with an alternate ending was re-released in South Korean theaters on December 6, 2012.[14]Alternate ending
In response to audience feedback, particularly from male viewers who expressed dissatisfaction with the original film's ambiguous conclusion, director Jo Sung-hee decided to release an alternate ending version of A Werewolf Boy. This director's cut was screened in South Korean cinemas starting December 6, 2012, alongside the original version in select theaters.[41][42] The re-release extended the runtime by two minutes, from 125 to 127 minutes, incorporating deleted scenes that provided additional context, including moments from the character Ji-tae's childhood and greater focus on the neighborhood setting. The core alternate ending features an emotional exchange between the young Sun-yi (played by Park Bo-young) and Chul-soo (played by Song Joong-ki), emphasizing Sun-yi's remorse for leaving him and Chul-soo's forgiveness, thus offering a more definitive and hopeful resolution to their relationship compared to the original's open-ended ambiguity. These additions enhanced the emotional beats without altering the fundamental plot, giving the female lead a larger role in the finale.[14][40] The purpose of this version was to thank fans for the film's success, which had surpassed 6.5 million admissions shortly after its initial release, by addressing calls for a clearer closure while preserving the story's bittersweet tone. Although the alternate ending was filmed during production, it was not used in the theatrical debut, allowing the re-release to serve as a special gesture to audiences seeking further insight into the characters' fates.[41][42]Reception
Box office performance
A Werewolf Boy achieved remarkable commercial success in its home market of South Korea, where it debuted at number one and held the top spot for four consecutive weeks. The film ultimately drew 7.01 million admissions, grossing ₩46.6 billion (approximately US$44.1 million). This performance allowed it to surpass Architecture 101 (4.1 million admissions) and become the highest-grossing Korean melodrama at the time.[5][37][43][44] Despite a modest production budget of approximately ₩3.5 billion (US$3.2 million), the film emerged as a sleeper hit, opening strongly with over 500,000 admissions in its first weekend before building momentum through word-of-mouth recommendations, far exceeding projections and securing profitability early on.[45][46] On the international front, A Werewolf Boy contributed to a worldwide total of US$46.3 million in earnings. It found particular resonance in Taiwan, generating NT$4 million (US$138,000) during its opening week and evolving into a sleeper hit there. Releases in Japan and the Philippines, however, saw more modest initial returns.[47][37]Critical reception
A Werewolf Boy garnered positive critical reception, achieving a 100% Tomatometer score on Rotten Tomatoes based on five reviews, with praise for its heartfelt blend of fantasy, romance, and drama.[2] The film holds an average rating of 7.2 out of 10 on IMDb from over 9,500 user votes.[1] In Korean audiences, it averaged 8.5 out of 10 on MyDramaList, based on nearly 37,000 ratings.[48] Critics lauded director Jo Sung-hee's direction for seamlessly merging fantasy and romance, with the screenplay's subversion of expectations creating a captivating narrative.[16] Song Joong-ki's performance was widely acclaimed as transformative, portraying the titular character's evolution from feral innocence to emotional depth with remarkable physicality and subtlety.[16] The leads' chemistry, evocative cinematography, and themes of innocence, love, and irreparable loss were highlighted as emotional cornerstones that elevated the story beyond genre conventions.[40][49] Among criticisms, several reviewers noted the plot's predictability and the underdeveloped werewolf mythology, including rudimentary visual effects that occasionally undermined the fantasy elements.[40][50] Western outlets like Variety emphasized the film's strong cultural specificity to Korea's rural heritage, which added authenticity but potentially narrowed its international resonance.[16] Audience feedback was enthusiastic, with an 85% positive score on Rotten Tomatoes from over 2,500 verified ratings, fueled by strong word-of-mouth that propelled its box office success through emotional resonance.[2] Viewers often focused on the tear-jerking climax and the poignant portrayal of unspoken bonds, contributing to its status as a beloved tearjerker among fans.[51]Adaptations
Novelization
The novelization of A Werewolf Boy was published on October 31, 2012, by the South Korean publisher Isup (이숲), coinciding with the film's theatrical release.[52] Authored by Kim Mi-ri, it is based on the original screenplay by director Jo Sung-hee and spans 200 pages in Korean, with illustrations by Yu Hae-in.[52] The ISBN is 978-89-94228-50-1, and the book is formatted as a half-bound edition measuring 130 x 190 mm.[52] The narrative closely follows the film's main plot, depicting the tender romance between the young girl Sun-yi and the feral werewolf boy Chul-soo in 1960s rural Korea, including their budding love, separation due to external threats, and emotional reunion decades later. However, the novel expands on the source material by incorporating deeper internal monologues and emotional insights, such as Chul-soo's fascination with Sun-yi's singing voice and her personal struggles with illness, which add layers to their characters beyond the visual storytelling of the film.[52] It also provides additional backstory elements on the werewolf origins and alternate interpretations of key scenes, emphasizing themes of prejudice, purity, and enduring love in a world marked by violence and greed.[53] Released amid the film's massive popularity, which drew over 7 million viewers in Korea, the novelization capitalized on the hype to appeal to fans seeking a more introspective exploration of the story's emotional core.[54] It received positive reader feedback, with an average rating of 4.1 out of 5 on major Korean bookstore sites, praising its heartfelt prose and character depth.[54] Sales were modest, reflecting its niche appeal as a tie-in for film enthusiasts rather than a standalone bestseller, and it has not received an official English translation, though unofficial versions exist in some markets.[53] The book remains available primarily through second-hand channels in Korea.[55]Philippine adaptation
The Philippine adaptation of the 2012 South Korean film A Werewolf Boy was announced on September 29, 2025, by VIVA Films, marking the studio's effort to localize the werewolf romance story for Filipino audiences.[56][57] Directed by Crisanto B. Aquino, known for films such as My Future You and Instant Daddy, the project reimagines the tale of a feral boy and a young woman, retaining the core elements of emotional bonding and supernatural elements while infusing Filipino cultural themes.[58][59] Rabin Angeles stars as the werewolf boy, equivalent to the original's Chul-soo character, portraying a figure torn between innocence and primal instincts, while Angela Muji takes on the role of the female lead, akin to Sun-yi, a compassionate young woman who forms a deep connection with him.[60][61] Supporting cast includes notable actors such as Lorna Tolentino and Candy Pangilinan.[62] The adaptation blends the original's dramatic and romantic essence with local nuances to resonate with Philippine viewers.[63] As of November 2025, the film is in production, with official teasers released starting November 4, 2025, generating significant fan excitement ahead of its theatrical debut.[58][64] No specific release date has been confirmed, though it is slated for cinemas soon under VIVA Films' banner, with potential for broader distribution.[65]Legacy
Awards and nominations
A Werewolf Boy garnered recognition at several prominent South Korean film awards ceremonies following its release, earning a total of more than 20 nominations and several wins between 2012 and 2013. The film's direction, performances, and technical aspects were particularly praised, contributing to its acclaim in the fantasy romance genre.[66] Director Jo Sung-hee received the Best New Director award at the 49th Baeksang Arts Awards in 2013 for his debut feature.[67] Park Bo-young was honored with the Best Actress award at the 4th Pierson Movie Festival in 2012 for her lead role as Sun-yi.[68] At the 50th Grand Bell Awards in 2013, Jang Young-nam won Best Supporting Actress for her portrayal of the adult Sun-yi's mother.[69] The film itself was nominated for Best Film at the same Baeksang ceremony, alongside other categories such as Best Screenplay.[70] Song Joong-ki earned multiple Best Actor nominations for his role as the titular werewolf boy, including at the 49th Baeksang Arts Awards.[66] Jo Sung-hee was also nominated for Best New Director at the 34th Blue Dragon Film Awards and the 50th Grand Bell Awards.[66] On the international stage, the film received a nomination for Best Costume Designer at the 7th Asian Film Awards in 2013.[66]| Award Ceremony | Year | Category | Recipient | Result |
|---|---|---|---|---|
| Baeksang Arts Awards | 2013 | Best New Director | Jo Sung-hee | Won[67] |
| Baeksang Arts Awards | 2013 | Best Actor | Song Joong-ki | Nominated[66] |
| Baeksang Arts Awards | 2013 | Best Film | A Werewolf Boy | Nominated[70] |
| Pierson Movie Festival | 2012 | Best Actress | Park Bo-young | Won[68] |
| Grand Bell Awards | 2013 | Best Supporting Actress | Jang Young-nam | Won[69] |
| Grand Bell Awards | 2013 | Best New Director | Jo Sung-hee | Nominated[66] |
| Blue Dragon Film Awards | 2013 | Best New Director | Jo Sung-hee | Nominated[66] |
| Asian Film Awards | 2013 | Best Costume Designer | Kwak Jung-ae | Nominated[66] |