Fact-checked by Grok 2 weeks ago

Acala

Acala, also known as Achala or Acalanātha (Sanskrit: "The Immovable One"), is a wrathful deity central to Vajrayana Buddhism, often regarded as a wrathful emanation of the bodhisattva Manjushri (or Vairocana in some traditions),^[1] revered as a vidyārāja (wisdom king) and dharmapāla (protector of the Dharma) who embodies unshakeable compassion to dispel ignorance and obstacles.^[1]^[2]^[3] Originating as a minor acolyte of the Buddha Vairocana in early tantric texts such as the Mahāvairocana-abhisambodhi Tantra, Acala evolved into a major meditational figure across Buddhist traditions, particularly in esoteric schools like Shingon in Japan, where he is known as Fudō Myō-ō and ranked first among the thirteen principal deities.^[2]^[3] Iconographically, Acala is depicted in a fierce, wrathful form with a blue or dark complexion, bulging eyes, protruding fangs, and a grimace symbolizing his battle against delusion; he typically holds a flaming sword in his right hand to sever ignorance and a noose or lasso in his left to capture and bind malevolent forces, often seated on a rock throne within a blazing aureole representing the fire of wisdom that consumes evil.^[1]^[2]^[3] His hair is bound in topknots, and he may be accompanied by a consort like Vishvavajri or mounted on figures such as Ganesha, emphasizing his role in removing antarāya (obstacles) and kleśa (defilements).^[2] This imagery underscores his dual nature as both destroyer of hindrances and awakener of bodhicitta (enlightened mind), with variations in color—yellow, red, blue, white, or green—appearing in different tantric lineages.^[2]^[3] In Tibetan Buddhism, Acala functions as part of the Twelve or Ten Wrathful Deities in Anuttarayoga Tantras like the Guhyasamāja and Hevajra, serving as a meditational yidam (deity) rather than a strict protector, while in Japanese Shingon and Tendai traditions, he is invoked through mantras like "Namaḥ samanta-vajrāṇām caṇḍa mahāroṣaṇa sphoṭaya hūṃ traṭ hāṃ māṃ" to guide the deceased, aid in healing, and ensure safe journeys by subduing inner passions.^[2]^[3] His vow to eternally combat evil with compassion highlights his significance in rituals for protection and enlightenment, as seen in Nepalese paintings from the Early Malla period (ca. 1322 CE), where he appears amid flames and subsidiary figures to safeguard devotees and their families.^[1]^[3]

Identity and Role

Etymology

The name Acala originates from Sanskrit, where it is a compound of the prefix a- meaning "not" or "without" and cala meaning "movable" or "shaking," thus denoting "immovable" or "unshakable."^[4] This etymology underscores the deity's symbolic role as a steadfast protector, embodying unwavering resolve against the passions and defilements that disturb the mind.^[5] In Buddhist tantric traditions, Acala's immovability represents the unyielding nature of enlightened wisdom, serving as a dharmapala to safeguard practitioners from obstacles.^[6] Across Buddhist traditions, the name Acala has been transliterated and translated into various languages while preserving its core meaning of immovability. In Japanese esoteric Buddhism, it is rendered as Fudō Myōō, literally "Immovable Wisdom King," reflecting the deity's status among the vidyarajas. The Chinese equivalent is Bùdòng Míngwáng, meaning "Immovable Bright King," a direct translation emphasizing the luminous and protective aspects of wisdom.^[7] In Tibetan Buddhism, the name appears as mi g.yo ba, translating to "the immovable one," and is used in contexts such as the retinue of wrathful deities in Vajrayana practices.^[6] The historical evolution of Acala's name in tantric texts began in the early 8th century with its appearance in the Mahavairocana Abhisambodhi Tantra (Toh 494), where it denotes a wrathful emanation of Vairocana Buddha associated with protective functions.^[8] By the late 8th to 9th centuries, the name gained prominence in subsequent tantras, such as the Candamaharosana Tantra (Toh 431) and Acala Tantra (Toh 432), evolving to highlight Acala's role as a chief vidyaraja subduing demonic forces and obstacles to enlightenment.^[9] These texts mark the consolidation of Acala's identity in Vajrayana Buddhism, with the name increasingly linked to rituals for invoking unshakeable determination.^[6]

Significance in Buddhism

In esoteric Buddhism, Acala serves as a prominent wrathful dharmapala and vidyaraja, or wisdom king, manifesting the fierce compassionate aspect of Vairocana Buddha to safeguard the Dharma from threats and degeneration.^[10] As a vidyaraja, Acala embodies the indomitable energy required to uphold Buddhist teachings, personifying the transformative power of wisdom that confronts and overcomes adversarial forces.^[11] His role derives from the understanding that such wrathful forms represent not malice, but enlightened compassion directed against the root causes of suffering, ensuring the integrity of the Dharma for practitioners.^[10] Acala's primary function involves subduing both inner and outer obstacles that hinder enlightenment, including ignorance, delusions, demonic influences, and negative karmic forces, through his symbolic acts of compassionate wrath.^[10] In doctrinal terms, this entails purifying the practitioner's mind from internal defilements like ego and attachment, while externally repelling malevolent entities or societal disruptions that oppose Buddhist practice.^[11] Such intervention is framed as an expression of Vairocana's all-encompassing wisdom, where Acala's fierce demeanor breaks down barriers to spiritual progress, converting potential harm into opportunities for salvation.^[10] Within the pantheon of the five wisdom kings (myōō), Acala holds a central position as their leader, particularly in Vajrayana and Shingon esoteric traditions, where he anchors mandalas and rituals dedicated to esoteric realization.^[11] This hierarchy underscores his preeminence among the vidyarajas, who collectively represent the five wisdoms of the Buddhas, with Acala embodying the mirror-like wisdom of Vairocana in its most unyielding form.^[10] His integration into these traditions highlights the esoteric emphasis on harnessing wrathful deities to accelerate the path to buddhahood, making him indispensable in initiations and protective rites.^[12]

Historical Development

Origins in India

Acala's emergence in Indian tantric Buddhism can be traced to the 7th century, with conceptual precursors in earlier texts, marking the initial integration of wrathful deities into esoteric practices. An early textual appearance occurs in the Amoghapāśakalparāja Sūtra, a Kriyātantra translated into Chinese by Bodhiruci around 707–709 CE, where he is depicted as a servant or messenger of the Buddha Vairocana and as a form of Avalokiteśvara, tasked with protective roles in ritual contexts.^[10] A precursor reference appears in the Dharani Samgraha (653 CE) by Atigupta, describing "Hayagriva Avalokiteśvara Bodhisattva" with wrathful attributes linked to Acala.^[10] This sutra represents an early phase of Esoteric Buddhism (Phase One), where figures like Acala served as attendants embodying the compassionate yet fierce aspects of higher deities to aid practitioners in overcoming obstacles.^[10] Acala's role expanded significantly in the Mahāvairocana Tantra (also known as the Mahāvairocana Abhisaṃbodhi Sūtra), composed in the early 8th century and translated into Chinese by Śubhakarasiṃha and Yixing in 725 CE. Here, he gains prominence as a Vidyārāja, or wisdom king, positioned in the Garbhadhātu mandala as a key protector who subdues inner impurities and external hindrances, symbolizing the unshakeable nature of enlightened wisdom.^[10] This development reflects the transition to more advanced yogatantric practices, where Acala embodies Vairocana's power to purify offerings and secure ritual spaces, evolving from a subordinate figure to a central emblem of transformative compassion.^[10] Acala's conceptualization draws from broader traditions of wrathful deities in Indian Vajrayāna, particularly evident in connections to figures like Caṇḍamahāroṣaṇa, an alternate name for Acala in later tantras such as the Caṇḍamahāroṣaṇa Tantra from the 8th century onward. These influences stem from non-Buddhist yakṣa and śaiva sources adapted into Buddhist esotericism, emphasizing violent subjugation of ego and defilements as a path to enlightenment.^[10] By the 9th–10th centuries, primarily in eastern India, Acala had solidified as an independent krodha-vighnāntaka, influencing the spread of these traditions to regions like Tibet and East Asia through monastic transmissions.^[10]

Transmission to East Asia

The transmission of Acala to East Asia began in China during the Tang dynasty in the 8th century, primarily through the efforts of Indian tantric masters who introduced esoteric Buddhist teachings known as Zhenyan (True Word). Śubhakarasiṃha (637–735 CE) arrived in 716 CE and translated key texts such as the Mahāvairocana Sūtra, which describes Acala as a prominent wrathful vidyārāja (wisdom king) and manifestation of Vajrapāṇi, tasked with subduing obstacles to enlightenment.^[13] His work laid the foundation for integrating Acala into Chinese esoteric practices, emphasizing mandalas, mantras, and protective rituals. Subsequently, Vajrabodhi (671–741 CE) and his disciple Amoghavajra (705–774 CE) further propagated these teachings; Amoghavajra, in particular, translated over 120 esoteric texts, including rituals invoking Acala for state protection and imperial ceremonies under emperors like Xuanzong and Suzong.^[13] Through these translations and initiations (abhiṣeka), Acala became central to the Zhenyan school's pantheon, revered as an immovable guardian against demonic forces. By the 9th century, Acala's cult spread to Japan via Japanese monks who studied in Tang China, marking a pivotal phase in East Asian esoteric Buddhism. Kūkai (774–835 CE), founder of the Shingon school, received transmission from the monk Huiguo, a disciple in Amoghavajra's lineage, and returned in 806 CE with scriptures and mandala diagrams incorporating Acala (known as Fudō Myōō) into the Womb Realm and Diamond Realm configurations.^[14] Similarly, Saichō (767–822 CE), founder of the Tendai school, encountered esoteric elements during his 804–805 CE sojourn in China, though his focus was broader; both integrated Acala into their sects' mandalas as a fierce protector aligned with the cosmic Buddha Vairocana.^[14] This adoption elevated Acala's role in Japanese imperial rituals, where he symbolized unyielding defense of the dharma and the state.^[15] In East Asia, Acala's iconography underwent notable adaptations from his Indian origins, reflecting cultural and doctrinal shifts. While Indian depictions often portray him in a dynamic standing posture wielding a sword and noose amid flames, Chinese Zhenyan images retained much of this ferocity but emphasized his vidyārāja status in mandalas.^[16] In Japan, particularly from the Heian period onward, he evolved into a seated form on a rock platform (banjaku or acala), symbolizing immovable stability akin to Mount Sumeru and grounding his wrathful energy in meditative resolve; early sculptures used tiered pedestals, later simplifying to natural rock bases.^[16] These changes influenced local pantheons, positioning Acala as a multifaceted deity in Shingon and Tendai traditions, blending protection with esoteric visualization practices.^[15]

Iconography and Symbolism

Depictions

Acala is typically depicted with a fierce expression, bulging eyes, wild disheveled hair, and protruding fangs, embodying his role as a wrathful protector in Buddhist iconography.^[17] In Japanese art, he is commonly portrayed in a standing or seated pose on a rocky outcrop, symbolizing his immovable nature, as seen in wooden sculptures from the Heian period (794–1185 CE).^[18] For instance, a 12th-century joined-woodblock statue at the Metropolitan Museum of Art shows Fudō Myōō seated cross-legged on a stylized rock, holding a sword in his right hand raised and a noose in his left.^[17] Regional variations highlight diverse artistic traditions. In Nepalese depictions, Acala often kneels on his left knee or stands astride, as exemplified by a painting (distemper and gold on cloth) from the Kathmandu Valley in the Metropolitan Museum's collection, emphasizing his dynamic posture.^[1] Tibetan art frequently presents him surrounded by a nimbus of flames, with some esoteric forms featuring multiple arms to denote his multifaceted protective powers, integrated into thangka paintings and bronze sculptures from the 13th century onward.^[6] While Chinese representations generally align with East Asian conventions, certain early 13th-century silk tapestries, such as one from Zhejiang Province at the Cleveland Museum of Art, depict him in a blue, nude form enveloped in flames, underscoring his universal wrathful aura across traditions.^[19] Artistic media for Acala's portrayals include sculptures in wood and bronze, as well as paintings within mandalas. Japanese examples from the 12th century, like the polychromed wooden Fudō Myōō at the Art Institute of Chicago, utilize lacquer and gold leaf for vivid detailing.^[20] In Himalayan regions, bronze casts prevail, with intricate examples from Nepal and Tibet showcasing his fierce attributes in temple settings.^[6] Mandala paintings, particularly in Tibetan and Japanese esoteric contexts, position Acala centrally amid flames, often accompanied briefly by his two child acolytes, Kongara and Seitaka, as attendants.^[21]

Attributes and Their Meanings

Acala's attributes in Buddhist iconography are richly symbolic, embodying his role as an immovable protector (vidyārāja) who wields wisdom to combat ignorance and malevolent forces. These elements, drawn from esoteric texts and artistic traditions, emphasize themes of purification, subjugation, and enlightenment, often depicted in wrathful forms to evoke transformative power.^[16] The sword, typically a flaming khanda or vajra sword known as Kurikara in Japanese traditions, is held in Acala's right hand and represents the cutting through of ignorance, delusion, and the three poisons of greed, hatred, and delusion. In esoteric visualizations, this attribute symbolizes the blade of wisdom that severs attachments and destroys heretical views, with the coiled naga (serpent or dragon) around the blade signifying the conquest of obstructive forces like "naga-fire."^[16]^[3] The sword's fiery nature further underscores its role in illuminating truth and dispelling spiritual darkness.^[22] In his left hand, Acala grasps a lasso (pāśa or kensaku), a noose that symbolizes the binding and subduing of negative forces, demons, and unruly passions, drawing afflicted beings toward the path of enlightenment. This attribute illustrates compassionate control, restraining evil influences without destruction and guiding practitioners toward self-mastery and bodhi (awakening).^[16]^[3] In some tantric depictions, the lasso is paired with weights, emphasizing its function in capturing and reforming those beyond ordinary persuasion.^[23] Acala is enveloped by a halo and aureole of flames, which denote the purifying fire of wisdom that consumes defilements, karmic obstacles, and all forms of suffering. These flames, often depicted as a dynamic mandorla surrounding his body, evoke the perpetual fire-emitting samādhi of esoteric practice, transforming wrath into a force for spiritual renewal and protection of the Dharma.^[16]^[3] The fiery halo reinforces Acala's unyielding presence, burning away illusions to reveal innate purity.^[22] A third eye on Acala's forehead signifies profound insight and the destruction of ignorance, akin to the all-seeing wisdom in tantric traditions. This feature grants him the ability to perceive hidden truths and penetrate illusions, serving as a mark of his enlightened awareness amid his fierce exterior.^[22] Occasionally, Acala holds prayer beads (akṣamālā), which symbolize the recitation of mantras and the disciplined accumulation of merit through meditative practice. These beads represent the cyclical nature of time and spiritual effort, aiding in the invocation of protective energies and the transcendence of samsaric bonds.^[22]

Acolytes

In Japanese esoteric Buddhist iconography, Acala, known as Fudō Myōō, is frequently depicted with two primary child attendants known as Kongara Dōji (金剛童子, Sanskrit: Kiṃkara) and Seitaka Dōji (制多迦童子, Sanskrit: Ceṭaka).^[24] These youthful figures, often portrayed as boys standing on either side of Acala, hold symbolic implements that complement his attributes, such as a three-pronged vajra (a ritual thunderbolt scepter representing indestructibility) for Seitaka and clasped hands or a staff for Kongara, emphasizing their supportive roles in ritual contexts.^[21] Together, they form the standard Fudō triad in sculptures and paintings from the Heian period onward, symbolizing the protective hierarchy within the Wisdom Kings' mandala.^[25] The acolytes serve as devoted protectors and aides to Acala, embodying the dual principles of wisdom (prajñā) and skillful means (upāya) in subduing malevolent forces and guiding practitioners toward enlightenment. Kongara, typically depicted with a darker complexion and in a gesture of reverence, represents obedience and the method aspect, while Seitaka, often lighter-skinned and holding a weapon, signifies active wisdom in combating ignorance and obstacles.^[11] Their presence underscores Acala's function as an unyielding guardian of the Dharma, aiding in the destruction of delusions and the restraint of demonic influences during esoteric rites.^[26] Variations in Acala's attendants appear across regional traditions. In Chinese Buddhist art, where Acala is revered as Bùdòng Míngwáng, similar child attendants—often two youthful figures mirroring Kongara and Seitaka—are included in mandala depictions and temple icons, though they may lack the detailed implements and are more generically portrayed as protective spirits.^[27] Indian sources, by contrast, feature fewer or no specific acolytes for Acala, as he originated as a minor attendant to Vairocana in early Tantric texts like the Mahāvairocana Sūtra, with attendants emerging more prominently only in later East Asian developments.^[11]

Scriptural Foundations

Primary Texts

The Amoghapāśakalparāja Sūtra, composed around the 8th century and translated into Chinese by Bodhiruci circa 707–709 CE, introduces Acala as a servant and messenger of the Buddha Vairocana, emphasizing his role in protecting practitioners from obstacles through ritual invocation.^[28] In this text, Acala is depicted as a wrathful figure who aids in the unfailing snare (pāśa) of compassion, marking his early integration into esoteric Buddhist frameworks as a guardian deity. The Mahāvairocana Tantra, also known as the Vairocanābhisaṃbodhi Tantra and dating to the 7th–8th century, establishes Acala as a central wisdom king (vidyārāja) within the Womb Realm mandala, positioned in the southwest direction (Nairṛti) below Mahāvairocana or Vajrapāṇi.^[29] Here, Acala is described as a ferocious, flame-encircled deity holding a wisdom sword and noose, seated on a rock with one eye and hair on his left shoulder, embodying the Tathāgata's wrathful emissary to quell impediments and safeguard beings during meditation and rituals.^[29] His seed syllable Hāṃ and mantras, such as "Namaḥ samantavajrāṇāṃ, caṇḍamahāroṣaṇa sphoṭaya hūṃ traṭ hāṃ māṃ," are prescribed for site purification, obstacle removal, and offerings in the mandala's structure, highlighting his preeminence among the five wisdom kings.^[29] This tantra's teachings on Acala's seals, including the wisdom-sword mudrā formed by adamantine fists, underscore his function in empowering esoteric practices like bathing rituals and food offerings to foster enlightenment.^[29]^[30] The Caṇḍamahāroṣaṇa Tantra, a key yogatantra from the 8th–9th century, expands on Acala's wrathful aspects under the name Caṇḍamahāroṣaṇa ("Fierce Great Wrathful One"), portraying him as an immovable manifestation of Vajrasattva who crushes the four Māras and destroys ignorance through fierce compassion.^[31] In this text, Acala is visualized as a blue, two-armed, single-faced deity in union with his consort Vajradhātvīśvarī, holding a sword and noose while seated in the sattvaparyaṅka posture on a lotus, moon, and sun, with fangs bared and lips bitten in anger to symbolize the subjugation of defilements.^[32] The tantra details yogic practices centered on Acala, including meditation on his five colored variants (black, white, red, green, and yellow, corresponding to the five buddhas) for generating bliss and stability, alongside sexual yoga to attain the four joys (ānanda, paramānanda, viramānanda, sahajānanda) and ultimate mahāsukha through consort union and prāṇa control.^[32] Mantras like "oṃ caṇḍamahāroṣaṇa hūṃ phaṭ" are recited in secrecy during these rituals to invoke his protective wrath, integrating him into advanced tantric sādhanas for liberation.^[32] The Sarvatathāgatatattvasaṃgraha Tantra, a foundational 7th-century yoga tantra, incorporates Acala into its expansive mandala systems, particularly the Vajradhātu mandala with 1,037 deities, where he serves as a key wisdom king aiding in the integration of wrathful protectors within the fourfold maṇḍala structure.^[33] This text positions Acala among the guardians of the esoteric path, emphasizing his role in warding off obstacles to bodhicitta and supporting the tantra's teachings on the reality of all tathāgatas through ritual and visualization.^[34]

Key Descriptions

In the Amoghapāśakalparāja Sūtra, Acala is portrayed as a fierce protector serving as a messenger of the Buddha Vairocana, aiding in the bestowal of the unfailing noose (amoghapāśa) that ensnares and liberates sentient beings from samsaric suffering, ensuring their salvation through compassionate subjugation of obstacles.^[28] The Mahāvairocana Tantra elaborates Acala's role in esoteric fire rituals (homa), where he is invoked as a wrathful vidyārāja to purify sites, empower practitioners, and vanquish the forces of Māra through visualizations of his flaming form and adamantine seals, as in the mantra "Namaḥ samantavajrāṇāṃ caṇḍamahāroṣaṇa sphoṭaya hūṃ traṭ hāṃ māṃ," which dispels demonic armies and obstructors to facilitate awakening.^[29] Scriptural narratives symbolize Acala as an embodiment of non-dual wisdom, where his immovable stance amid encircling flames represents the transcendence of dualistic delusions, consuming ignorance like fire to shield devotees from spiritual perils and guide them toward enlightened unity.^[29]^[35] Doctrinally, Acala's wrathful aspect underscores the transformative power of fierce compassion in esoteric Buddhism, wherein his destructive fury serves as a skillful means (upāya) to incinerate defilements and propel beings toward enlightenment, reframing anger not as hatred but as an enlightened force for liberation.^[10]

Esoteric Practices

Mantras and Bīja

In Esoteric Buddhist traditions, Acala's primary bīja, or seed syllable, is hāṃ (हां), symbolizing indestructible wisdom and the unyielding essence of the deity's wrathful compassion that subdues delusions and obstacles.^[36] This monosyllabic mantra encapsulates Acala's role as an emanation of Vairocana Buddha, transforming destructive anger into mirror-like wisdom to protect practitioners.^[36] An extended form, hāmmāṃ, combines the final syllables of the full mantra, reinforcing the deity's immovable stability and is often visualized in Siddham script during meditation.^[36] The full mantra associated with Acala, known as the Mantra of Compassionate Salvage, is namaḥ samantavajrāṇāṃ caṇḍa-mahāroṣaṇa-sphoṭaya hūṃ traṭ hāṃ māṃ, which translates roughly to "Homage to all the vajras; O fierce great wrathful one, burst asunder! hūṃ traṭ hāṃ māṃ."^[36] Derived from the Mahāvairocana Abhisaṃbodhi Tantra (Chapter 4), this dharani invokes Acala's power to shatter ignorance, purify negative karma, and provide protection against malevolent forces.^[36] The phonetic elements—such as the explosive hūṃ for indomitability, traṭ for destruction of hindrances, and the culminating hāṃ māṃ for stabilization—embody the deity's fiery energy, channeling sonic vibrations to align the practitioner's mind with enlightened awareness.^[36] In Japanese Shingon practice, where Acala is revered as Fudō Myōō, the mantra is recited in a Sino-Japanese pronunciation: nōmaku sanmanda bazaradan senda makaroshada sowataya un tarata kanman, adapting the Sanskrit to facilitate ritual invocation while preserving its esoteric potency for subduing inner and outer adversaries.^[11] This variation is chanted during protective rites to summon Acala's unshakeable resolve, emphasizing the mantra's role in cultivating bodhicitta and overcoming spiritual impediments.^[11] The sounds' resonant quality is believed to activate the deity's compassionate ferocity, harmonizing the practitioner's subtle energies with the mandala's sacred geometry.^[36]

Rituals and Mudras

In esoteric Buddhist traditions, rituals involving Acala emphasize the integration of physical gestures (mudras), visualization, and offerings to harness the deity's wrathful compassion for subduing obstacles and providing protection. Central to these practices are specific mudras that symbolize Acala's role as a guardian. The vajra fist mudra, often depicted with the right hand grasping a flaming sword, represents the indestructible power to subjugate ignorance and malevolent forces, cutting through karmic defilements.^[16]^[10] Complementing this is the noose-binding gesture in the left hand, known as the tarjani mudra with a vajrapasa (thunderbolt noose), which signifies the capture and binding of enemies or negative influences, drawing them toward enlightenment.^[30]^[16] These mudras channel Acala's fierce energy, transforming wrath into a protective force that safeguards practitioners and the Dharma from harm.^[15]^[10] Key rituals include homa fire offerings, where Acala's image is invoked to burn away impurities and obstacles through consecrated flames. In these ceremonies, practitioners perform goma rituals for purification, offering substances into the fire while embodying Acala's form to eliminate defilements and foster wisdom.^[16]^[15] The process typically begins with visualization of Acala—imagining the deity's fierce countenance, flaming body, and attributes emerging from a seed syllable—followed by recitation of associated mantras and the presentation of offerings such as wood, oils, or symbolic items to empower the rite.^[30]^[16]^[15] This sequence culminates in the ritual's transformative effect, aligning the practitioner's body, speech, and mind with Acala's unyielding resolve. Esoteric initiations, such as abhiṣeka in Shingon traditions, further incorporate these elements to confer spiritual empowerment. During abhiṣeka, initiates receive consecration through mudras, mantras, and water offerings symbolizing rebirth, with Acala's protective presence invoked to shield against hindrances and integrate wrathful energy into meditative practice.^[15]^[16]^[10] Overall, these rituals and mudras underscore Acala's function as an immovable protector, directing destructive power toward the ultimate goal of compassion and liberation.^[30]^[15]

Worship Traditions

In Japan

In Japan, Acala is known as Fudō Myōō and holds a central position in the Esoteric Buddhist traditions, particularly within the Shingon and Tendai sects, where he serves as a fierce protector of the Dharma and a converter of anger into salvific wisdom.^[11] Introduced by the monk Kūkai during his studies in China in the early 9th century, Fudō Myōō became integral to these sects' rituals and iconography, embodying the unyielding wisdom of Dainichi Nyorai.^[15] As a patron deity, he is revered by warriors for granting indomitable resolve in battle and by firefighters for his association with purifying flames that ward off calamity.^[11] Key pilgrimage sites underscore Fudō Myōō's prominence, including Naritasan Shinshō-ji Temple in Chiba Prefecture, a major Shingon center founded in 940 CE and dedicated to him as its principal image, where annual festivals like the Narita Gion Festival in July feature processions and rituals invoking his protective powers.^[37] Another significant location is Ōya-ji Temple in Utsunomiya, Tochigi Prefecture, renowned for its Heian-period (794–1185) rock relief carvings of Fudō Myōō flanking the main Senju Kannon statue, dating back to around 810 CE and exemplifying early Esoteric influences.^[38] These temples host ongoing veneration, drawing devotees for personal protection and communal harmony. Practices centered on Fudō Myōō emphasize esoteric rites for safeguarding against misfortune, such as the Fudō-hō, a protective ritual involving mantras, mudras, and the goma fire ceremony to purify obstacles and invoke his subduing force, commonly performed in Shingon temples for devotees seeking defense from evil or peril.^[15] In Tendai traditions, these extend to integration with yamabushi asceticism, where mountain ascetics draw on Fudō Myōō's immovable resolve during grueling practices like the Kaihōgyō pilgrimage, a 1,000-day circumambulation involving waterfalls, fasting, and endurance trials to embody his wrathful compassion.^[11] Historically, Fudō Myōō functioned as a state protector during the Heian and Kamakura periods, with his cult invoked in esoteric ceremonies to safeguard the realm from invaders and internal threats, as seen in Shingon rituals at imperial temples like Tō-ji, where his imagery reinforced political and military stability amid feudal upheavals.^[15] This role peaked in the 12th–13th centuries, when sculptures and mandala depictions proliferated, symbolizing national defense before the rise of Zen influences diminished some Esoteric emphases.^[15]

In China

Acala's worship was introduced to China during the Tang dynasty (618–907 CE) through the translation of key esoteric tantras by Indian and Central Asian masters such as Śubhakarasiṃha, Vajrabodhi, and Amoghavajra (705–774 CE), who emphasized the deity's role as a fierce protector against defilements.^[13] This marked the rise of Zhenyan (True Word), the Chinese esoteric Buddhist school, where Acala, known as Bùdòng Míngwáng (Immovable Wisdom King), became prominent as the chief among the Five Wisdom Kings in the Womb Realm mandala, invoked for subduing obstacles and enlightening beings through wrathful compassion.^[13] Zhenyan flourished under imperial patronage, particularly during the reigns of Emperors Xuanzong (r. 712–756) and Daizong (r. 762–779), integrating Acala into state rituals and monastic practices centered on mantras, mudras, and abhiṣeka initiations.^[39] Following the Huichang persecution of 845 CE, which suppressed esoteric lineages, Acala's cult persisted but was gradually absorbed into mainstream schools like Huayan and Tiantai, where esoteric elements such as dhāraṇīs and protective deities enhanced doctrinal frameworks without forming independent sects.^[13] In these traditions, Acala symbolized the unshakeable reality of buddha-nature, invoked in meditative visualizations to harmonize sudden enlightenment with gradual practice. A key ritual incorporating Acala is the Shuilu Fahui (Water-Land Dharma Assembly), a grand salvation ceremony originating in the Tang era, where the Ten Wisdom Kings—including Acala—are summoned through mandalas and chants to liberate sentient beings from suffering realms, blending esoteric invocations with offerings to water and land spirits. This rite, performed over seven days, underscores Acala's role in expelling malevolent forces and guiding the deceased, remaining a cornerstone of Chinese Buddhist liturgy.^[40] In Chinese temple art, Acala's iconography evolved from Tang cave depictions to Song and later murals, often portraying him as a blue-black figure wreathed in flames, wielding a sword to sever ignorance and a noose to bind demons, typically centered among the other Wisdom Kings in symmetrical sets symbolizing the mandala's protective array.^[41] Examples include Ming dynasty (1368–1644) portraits at Baoning Temple in Shanxi, where Acala is paired with deities like Trailokyavijaya and Kuṇḍali, emphasizing collective wrathful guardianship over the Dharma.^[42] Post-Song, overt Zhenyan practices declined amid the ascendancy of Chan and Pure Land, with Acala worship facing suppression during dynastic shifts, yet esoteric motifs endured in folk rituals and cliff carvings in regions like Sichuan.^[43] The modern revival of Acala's veneration, part of a broader Tantric resurgence since the Republican era (1912–1949), draws from Tang Zhenyan via Japanese Shingon and Tibetan influences, led by figures like Venerable Chi Song (1894–1972), who reintroduced initiations and deity yogas.^[44] In contemporary China, Acala images appear in restored temples across Sichuan, a hub of Buddhist activity with over 10,000 sites, where Shuilu Fahui ceremonies and Wisdom King altars sustain his protective role amid cultural revival post-1978 reforms.^[45] These practices highlight Acala's enduring appeal as a symbol of resilience in Chinese Buddhism's adaptation to modernity.^[39]

In Other Regions

In the Himalayan regions of Tibet and Nepal, Acala is venerated as Achala, a prominent wrathful deity in Vajrayana Buddhism, embodying unshakeable wisdom and protection against obstacles. Known as the "Immovable One," Achala serves as a dharmapala and manifestation of the buddha Vairocana or the bodhisattva Manjushri, appearing in tantric texts such as the Mahavairocana Abhisambodhi Tantra.^[6] In Tibetan traditions, particularly the Gelug school, Achala is integrated into practices like those of the Guhyasamaja Tantra, where he functions as one of the ten wrathful deities in the mandala's command wheel.^[46] Depictions in thangkas and sculptures typically show Achala with a dark blue or white body, one fierce face, and two arms—the right wielding a sword to sever ignorance and the left holding a lasso to bind afflictions—often in a dynamic kneeling posture amid flames.^[6] In Nepal, he is frequently portrayed in union with his consort Vishvavajri, emphasizing his role in highest yoga tantra practices across both Nyingma and Sarma lineages.^[47] Achala's significance as a heruka—a wrathful, enlightened being symbolizing the union of bliss and emptiness—is particularly pronounced in the Nyingma tradition, where such deities facilitate profound yogic and tantric meditations for advanced practitioners.^[48] This Himalayan context highlights a stronger emphasis on transformative tantric visualization and inner yoga compared to the more exoteric ritual worship found in East Asian forms.^[49] In Korea, Acala is known as Buldong Myeongwang and was venerated in esoteric Buddhist traditions during the Unified Silla (668–935 CE) and Goryeo (918–1392 CE) periods, integrated into state rituals and mandala practices influenced by Chinese Zhenyan. Though suppressed during the Joseon dynasty (1392–1910), remnants persist in temples like Haeinsa, where esoteric elements including wisdom king invocations continue in modern Korean Buddhism, often blended with Seon meditation. Acala's influence in Southeast Asia remains limited, primarily through historical remnants of esoteric Mahayana and Vajrayana traditions in Indonesia and Thailand, though direct representations or worship are scarce and not well-documented in major sites like Borobudur.^[50] In the modern diaspora, Achala's practices have spread to Western Vajrayana centers via Tibetan lineages, where he is invoked in tantric sadhanas for protection and obstacle removal, often within retreats and empowerments offered by organizations following Gelug, Nyingma, or other schools.^[51] These adaptations maintain the deity's core tantric emphasis while making advanced meditations accessible to global practitioners under qualified teachers.^[52]

In Modern Culture

Popular Media

In literature, American poet Gary Snyder's 1969 work "Smokey the Bear Sutra" reimagines the U.S. Forest Service mascot Smokey Bear as an avatar of Fudō Myō-ō, the Japanese manifestation of Acala, portraying the character as a fierce guardian of forests and ecosystems through a lens of Buddhist environmentalism.^[53] This satirical sutra blends Acala's traditional role as an immovable protector against delusion with modern ecological advocacy, emphasizing the deity's flames as purifying forces for nature.^[54] Acala's imagery has permeated Japanese anime and video games, where the deity's wrathful form inspires summonable allies in supernatural conflicts. In the Yo-kai Watch franchise, Lord Acala—explicitly based on Fudō Myō-ō—appears as a high-rank sword-wielding Yo-kai who aids protagonists in combating mischievous spirits, with appearances spanning the anime series (2014–present) and games like Yo-kai Watch 4 (2020).^[55] These portrayals highlight Acala's role as an unyielding avenger, often enveloped in flames to represent his purifying wrath. The Shin Megami Tensei series further popularizes Acala through Fudō Myō-ō as a fuseable demon specializing in fire magic and physical strikes, embodying the Wisdom King's indomitable defense of dharma in apocalyptic narratives.^[56] Recent entries, including Shin Megami Tensei V (2021) and its enhanced version Vengeance (2024), integrate Fudō Myō-ō into expansive demon compendiums, allowing players to summon the deity for strategic battles against other mythological entities. Such adaptations draw briefly from Acala's classic iconography—a fierce figure wreathed in flames, sword in hand—to evoke themes of righteous fury in contemporary gaming.

Contemporary Practices

In Japan, worship of Acala, known as Fudō Myō-ō, has seen a notable revival in contemporary practices following the COVID-19 pandemic, particularly at prominent sites like Naritasan Shinshō-ji Temple in Chiba Prefecture. Annual festivals, such as the Otakiage fire ritual held on December 28, continued despite restrictions, with participants wearing masks to ensure safety while monks performed the ceremony to burn away misfortunes and pray for the new year.^[57] These events adapted to include live streaming of temple areas and rituals, allowing remote participation and broader access to the goma fire ceremonies central to Fudō devotion, where flames symbolize the deity's wisdom in purifying obstacles.^[58]^[59] Fudō Myō-ō's rituals have also played a role in disaster relief efforts, drawing on the deity's protective attributes to foster communal resilience. Following the 2011 Tōhoku earthquake and tsunami, Japanese communities turned to ancient Buddhist practices to cope with loss and invoke protection against further calamity.^[60] These ceremonies, which burn symbolic offerings to eliminate negative forces, continue in modern contexts as tools for spiritual recovery, emphasizing Fudō's unchanging resolve amid environmental and social upheavals.^[61] The global spread of Acala practices has expanded through Western Vajrayana Buddhist centers and digital platforms, making the deity's meditations accessible beyond traditional Asian contexts. In organizations like the Sakya lineage's Western branches, initiations into Acala practices, such as the Blue Acala form, are offered to practitioners seeking to cultivate unyielding compassion and obstacle removal.^[62] Online mantra chanting has surged in popularity, with guided sessions of Acala's seed mantra ("Hūṃ") shared via dedicated Buddhist resources, enabling lay practitioners worldwide to engage in protective recitations for personal and collective challenges.^[63]

References

[1]
Acala, The Buddhist Protector - Nepal, Kathmandu Valley
Acala (literally, “immovable”) is a wrathful manifestation of Manjushri. He wields a sword to dispatch ignorance and a noose to snare disbelievers.
[2]
Buddhist Deity: Achala Main Page - Himalayan Art Resources
Achala, also known as Krodha Chanda and Chanda Maharoshana, is a meditational deity in wrathful appearance. He is not a protector.
[3]
Fudo Myoo - Shingon Buddhist Intl. Institute
Acala is placed first among the thirteen deities. His vow is to do battle with evil with a powerful mind of compassion and to work for the protection of true ...
[4]
https://sanskritdictionary.com/?iencoding=iast&q=acala&lang=sans&action=Search
[5]
Acala, Ācal, Ācāḷ, Acal, Acalā, Achal, Achala, Māchala, Machala
Aug 6, 2025 · Acala (अचल) is the name of a Kumbhāṇḍa appointed as one of the Divine protector deities of Kinnara, according to chapter 17 of the Candragarbha: ...In Hinduism · In Buddhism · India history · Languages
[6]
Buddhist Deity: Achala (Early Treasures) - Himalayan Art Resources
The Buddhist deity Achala, also known as Chanda Maha Roshana, of Himalayan and Tibetan Buddhism is the same deity as Fudo-myoo of Japanese Tantric Buddhism. ...<|control11|><|separator|>
[7]
https://www.termatree.com/blogs/termatree/acala-buddhism
[8]
https://read.84000.co/translation/toh494.html
[9]
https://read.84000.co/translation/toh431.html
[10]
[PDF] Ruthless Compassion - Journey to the West Research
... Acala, eastern India, metalwork, ca. 11th century, author's collection. 144 ... dharmapala,. Lokapala, ksetrapala, dikpala [p. 23]. Graph 2 Schematic ...
[11]
Fudo Myo-o (Fudou Myou-ou) - Wrathful Messenger Who Protects ...
Ācala-vidyā-rāja, Acala Vidyaraja (Sanskrit for Fudō Myo-o); Āryācalanātha 阿 ... Numerous online scholarly papers and its semi-annual Japanese Journal of ...
[12]
[PDF] The Iconography of Nepalese Buddhism - Bajracharya.org
laya, a bi-annual journal dealing with Buddhism in the Hima- layan regions .... A special tantra dedicated to Acala can be found in origi- nal sanskrit text.
[13]
East Asian Tantric Buddhism
Tantric Buddhism was first transmitted to China by the tantric masters Śubhakarasiṃha, Vajrabodhi and Amoghavajra, who established the Zhenyan (Chinese: 真言, " ...
[14]
https://oxfordre.com/religion/display/10.1093/acrefore/9780199340378.001.0001/acrefore-9780199340378-e-619
[15]
[PDF] FUDO MYOO'S INDEPENDENT CULT IN JAPAN
Thoughout this evolution of Esoteric Buddhism, images of Fudō Myōō remained ... The Indic form of Acala is a destroyer of obstacles and a defender of Buddhism and ...
[16]
[PDF] Ritual and Iconography in the Japanese Esoteric Buddhist Tradition
sit (or sometimes stand) on his rock platform (acala) motionless (judo). In the early Japanese images seen above, Fudo's rock platform is predominately a tiered.
[17]
Fudō Myōō (Achala Vidyaraja) - Japan - Heian period (794–1185)
12th century; Culture: Japan; Medium: Wood with lacquer, gold leaf, and color; joined-woodblock construction (yosegi-zukuri); Dimensions: H. 63 3/4 in. (162 cm)Missing: Acala materials bronze
[18]
Fudō Myōō (Achala-vidyārāja) - Smarthistory
Fudō Myōō (Achala-vidyārāja), 12th century (Heian period), joined-woodblock construction with traces of color and cut-gold, Japan, 162 cm high (The Metropolitan ...
[19]
Achala, King of the Wrathful Ones | Cleveland Museum of Art
Tapestry depicting Achala, a nude, blue deity waving a sword in his right hand. Achala, King of the Wrathful Ones. early 1200s. China, Zhejiang Province, ...
[20]
Fudo Myo-o | The Art Institute of Chicago
A wooden sculpture of an angry looking diety, holding a sword in his right hand and ope in his left, sitting cross-legged on an stylized rock formation.<|separator|>
[21]
Fudo Myo 'o, with attendants Kongara and Seitaka
The Buddhist deity Fudo Myo'o stands atop a rocky ledge, attended by two young boys, Kongara and Seitaka, who stand together at right.Missing: poses | Show results with:poses
[22]
[PDF] Iconography of the Hindus Buddhists and Jains
I néed no excuse for writing this book: There is no single book at present which covers the iconographies: of the Hindus, the Buddhists and the Jains in its ...
[23]
Chapter V - Forms Of Vajrapani - Wisdom Library
Feb 16, 2018 · Acala-Vajrapani (Dharmapala). He has four heads, four arms as well as four legs, and his symbols are vajra, sword, lasso, and skull-cup (kapala) ...
[24]
Fudō Myōō (Achala Vidyaraja), The Immovable Wisdom King - Japan
He is flanked by his two attendants Seitaka and Kongara (Sanskrit: Cetaka and Kimkara), whose smaller size indicates their subsidiary role. The pale Seitaka ...
[25]
JAANUS / Fudou Myouou 不動明王
Although Fudou may appear alone, his usual attendants are Seitaka and Kongara douji, and he may be accompanied by eight child attendants. Thirty-six attendants ...
[26]
[PDF] Child Guardian Spirits (Gohō Dōji) in the Medieval Japanese ...
They were children aged from five or six, up to twelve or thirteen years old. These children were usually boys, although there were also some rare instances of ...
[27]
Five-color Acalas-真佛宗TBSN - True Buddha School
Acala was the first vajra protector of the True Buddha School. Dharma Discourse (2): Extracted from Dharma King Living Buddha Lian-sheng Five-color Acalas Vajra ...Missing: Amoghapāśakalparāja | Show results with:Amoghapāśakalparāja<|control11|><|separator|>
[28]
Acala | Fudō Myōō | Buddhism & Healing - Red Zambala
In China, he is known as Bùdòng Míngwáng ( Immovable Wisdom King , the Chinese translation of Sanskrit Acala Vidyārāja), while in Japan, he is called Fudō Myōō.<|control11|><|separator|>
[29]
[PDF] The Vairocanabhisambodhi Sutra
Aug 7, 1991 · The Mahā-Vairocana-Abhisaṃbodhi Tantra with Buddhaguhya's. Commentary. London: RoutledgeCurzon, 2003. Hopkins, Jeffrey, trans. and ed. The ...
[30]
[PDF] Acala, the 'Krodharaja' of Tantric Buddhism in the Sculptural Art of ...
From Siddhaikavira Tantra,. Acala takes his primary role as the remover of obstacles and secondly as the special protector for the meditational practices ...
[31]
The Tantra of Caṇḍamahāroṣaṇa / 84000 Reading Room
The tantra offers instructions on how to attain the wisdom state of Buddha Caṇḍamahāroṣaṇa through the practice of the four joys.Missing: historical evolution
[32]
[PDF] ༄༅། ། ་ ་ ན་ ་ ད། The Tantra of Caṇḍa mahā roṣaṇa
Feb 17, 2025 · Under his other name, Acala, he has a tantra devoted to himself, the Acalakalpa. This is one of the core. Kriyātantras of the Tathāgatakula ...
[33]
Buddhist Subject: Tattvasamgraha Tantra - Himalayan Art Resources
Yoga Tantra Subjects, Topics & Types: - Description - Sarvatatagata Tattvasamgraha Nama Mayahana Sutra [Toh 479] --- Vajradhatu Mandala (1,037 Deities)Missing: Sarvatathāgatatattvasaṃgraha Acala
[34]
https://brill.com/display/book/9789004508446/BP000024.xml
[35]
Mahavairocana Tantra | Religion Wiki - Fandom
This is also the understanding of Enlightenment found in Yogacara Buddhism. To achieve this vision of non-duality, it is necessary to recognise one's own mind.<|separator|>
[36]
Acala-vidyārāja / Fudō-myōō (不動明王) - Visible Mantra
Sep 10, 2015 · Acala-vidyārāja is known in Japan as Fudō-myōō. He is a wrathful figure associated with Vairocana. He is frequently described as a messenger.
[37]
Naritasan Temple - Narita Travel - Japan Guide
Oct 23, 2024 · Naritasan Shinshōji is a large and highly popular Buddhist temple complex in Narita City, not far from Narita Airport.
[38]
Oyaji Temple Utsunomiya | Japan Experience
Nov 16, 2018 · The statue is flanked by carvings of Fudo Myo-o and Bishamonten. Senju Kannon, Oyaji Temple, Utsunomiya, Tochigi Prefecture. Senju Kannon ...Missing: Myōō | Show results with:Myōō
[39]
Tantric Revival in China
### Summary of Tantric Revival in Modern China
[40]
Popular Buddhist Ritual in Contemporary Hong Kong
May 18, 2008 · Shuilu fahui is still performed in China, Hong Kong, Taiwan and Singapore, and continues to be very popular amongst such Chinese communities.Missing: Acala | Show results with:Acala
[41]
A Feast of Liberation: Tung Lin Kok Yuen Canada Society's shuilu ...
Apr 18, 2019 · The ceremony's full name is the Great Assembly to Liberate All Beings of Water and Land (法界聖凡水陸普度大齋勝會). The Chinese shorthand is ...Missing: Acala | Show results with:Acala
[42]
https://www.reddit.com/r/Buddhism/comments/p9gded/portraits_of_the_ten_wisdom_kings_ming_dynasty/
[43]
Portraits of the Ten Wisdom Kings (Ming dynasty, 15th century ...
Aug 22, 2021 · Portraits of the Ten Wisdom Kings (Ming dynasty, 15th century) - From Baoning Temple, Shanxi, China. Iconography.Acala swallowing a sword in dragon form. Japan, Edo Period, 1803 ...Eight Wisdom Kings - Xuedou Chan Temple, Zhejiang, China - RedditMore results from www.reddit.comMissing: paired | Show results with:paired
[44]
[PDF] The Unified Three Teachings in the Rock Carvings of the Song ...
Confucianism, Daoism and Buddhism are the three primary colours of the ancient Chinese culture. Confucianism has been an official ideology since over 2000 ...<|separator|>
[45]
The Venerable Chi Song, Chinese Esoteric Buddhist Innovator
Apr 15, 2025 · A polymath scholar-monk, the Venerable Chi Song (1894–1972) actively revived Esoteric Buddhism in China during the early twentieth century when ...Missing: Sichuan Acala
[46]
[PDF] Buddhism in Modern Suining (Sichuan)
Dec 29, 2021 · This article will illustrate that Sui- ning Buddhism reflects, on a macro level, key features of Buddhism in modern Sichuan generally, for ...Missing: Acala | Show results with:Acala<|separator|>
[47]
Achala (Buddhist Deity) Blue, Kneeling - Himalayan Art Resources
Tibet. Date Range, 1960 -. Lineages, Gelug and Buddhist. Material, Ground Mineral Pigment on Cotton. Collection, Private. Notes about the Central Figure.
[48]
Achala with His Consort Vishvavajri - The Metropolitan Museum of Art
This painting is a visualization of the Chandamaharoshana Tantra, the meditational text devoted to Acala. With its intense colors, dynamic postures, and ...
[49]
https://rubinmuseum.org/projecthimalayanart/glossary/achala/
[50]
Achala | Project Himalayan Art - Rubin Museum
Achala is a wrathful deity in Vajrayana Buddhism, sometimes associated with the bodhisattva Manjushri, or the buddhas Vairochana or Akshobhya.
[51]
Borobudur Temple Compounds - UNESCO World Heritage Centre
The Borobudur Temple Compounds is one of the greatest Buddhist monuments in the world, and was built in the 8th and 9th centuries AD during the reign of the ...
[52]
Looking Into the Future of Vajrayana Buddhism In the West
And I teach more basic-level practices of Vajrayana—so Chenrezig, or Tara—that are commonly presented at different Tibetan Buddhist centers throughout the ...
[53]
Immovable Lord Achala, Fudo Myoo, ferocious activity of ...
Nov 2, 2023 · Maha Vairochana and Achala Together Achala's mantra is the Mantra of Compassionate Help to signify his Buddhist role. He is the activity of ...Achala's poses and consistent... · The Wisdom Kings Vidyarajas...
[54]
Buddhism and Energy in the Recent Poetry of Gary Snyder - jstor
Snyder's Smokey the Bear is fancifully presented as a form of Achala, or. Fudo, and the "Smokey the Bear Sutra" is a droll parody of Buddhist scriptures.
[55]
Smokey the Bear Sutra - Inquiring Mind
Gary Snyder reveals the inspiration and context behind his “Smokey the Bear Sutra,” a timeless and timely classic in Buddhist environmentalism.Missing: Myōō | Show results with:Myōō
[56]
Lord Acala | Yo-kai Watch Wiki - Fandom
Lord Acala (Japanese: 不動明王, Fudō Myōō) is a Rank S, Sword Bearer, Deva Yo-kai of the Enma tribe. In Yo-kai Watch: Wibble Wobble, he is a Rank SSS Yo-kai.Missing: horror films
[57]
Fudou Myouou - Megami Tensei Wiki - Fandom
Fudou Myouou is a demon in the series. Fudou Myouou is the Japanese name for Acala, one of the Five Wisdom Kings of Vajrayana Buddhism.
[58]
在日本千叶县北部成田市，一年一度的“Otakiage"仪式在此举行，僧侣 ...
Dec 29, 2020 · 受#疫情影响，今年的仪式所有人佩戴口罩。 By 何欣蕾| CFP pic · No photo description available.
[59]
Live streaming around the Naritasan Shinshoji Temple - FEEL成田
Live streaming around the Naritasan Omotesando Street is performed. The congestion situation can be confirmed in real time.Missing: Fudo Myoo festival post- COVID digital
[60]
Fire ritual at Naritasan temple - YouTube
Dec 30, 2020 · A fire ritual took place at Naritasan cinchoji temple to wrap up the year. Visitors bought wooden wish cards, priests offered prayers.Missing: streaming post-
[61]
After Tsunami, Japanese Turn To Ancient Rituals - NPR
Mar 17, 2011 · Many Japanese will turn to Shinto and Buddhist rituals as they cope with the disaster stemming from a powerful earthquake.
[62]
The Subjugation of Evil - Tricycle: The Buddhist Review
Fudo Myoo is also the main figure invoked in the fire ritual, or goma, a core element of Shingon, which is performed to destroy negative energies and bring ...Missing: relief | Show results with:relief
[63]
H.E. Avikrita Rinpoche Bestows the Six Dharmas of Vajrasanapada ...
Apr 12, 2017 · The second initiation bestowed by H.E. Avikrita Rinpoche was of Blue Acala (also known as the Immovable One) in the kneeling form. H.E. Avikrita ...
[64]
Video: Achala Fudu Myoo Sanskrit Mantra 1 Hour; Compassionate ...
His mantra, famously called the Mantra of Compassionate Help in the Vairochana Sutra, is renowned for stopping enemies, removing our obstacles.Missing: vidyaraja | Show results with:vidyaraja
[65]
Buddhist Dharma Protectors - Buddhism - Oxford Bibliographies
Apr 17, 2025 · Later dharmapālas described in tantric texts of the period from around the 7th to the 13th century, such as Trailokyavijaya, Acala, Yamāntaka, ...
[66]
[PDF] THE FEMININE PRINCIPLE IN TIBETAN VAJRA YANA BUDDHISM
I wanted to explore all my doubts and questions, including the meaning of the terms "masculine" or "feminine principles" in Vajrayana Buddhism in the context of ...