Aja Naomi King
Aja Naomi King is an American actress best known for her portrayal of ambitious law student Michaela Pratt in the ABC legal drama series How to Get Away with Murder (2014–2020).[1] Born on January 11, 1985, in Los Angeles, California, and raised in Walnut, she developed an early interest in the performing arts, supported by her family who recognized her talent in song and dance.[2] King pursued formal training, earning a Bachelor of Fine Arts in acting from the University of California, Santa Barbara, where she was the only Black woman in her program, followed by a Master of Fine Arts from Yale School of Drama in 2010.[3][4] King's career began with guest-starring roles on television series such as Blue Bloods, Person of Interest, and Emily Owens, M.D., establishing her presence in ensemble casts before her breakthrough with How to Get Away with Murder, which spanned six seasons and showcased her as a driven, complex character navigating ambition and identity.[2] She transitioned to film with supporting roles in projects like the historical drama The Birth of a Nation (2016), where she played Cherry Turner, and the biographical film A Girl from Mogadishu (2019), portraying Somali-Irish activist Ifrah Ahmed.[2] Additional film credits include Four (2012), Reversion (2015), the romantic drama Sylvie's Love (2020), and The Knife (2025), where she played Alex, highlighting her versatility across genres.[2]) In modeling, she served as a spokesperson for L'Oréal Paris starting in 2017 and appeared in Olay's 2015 campaign, while advocating for greater inclusion and representation in Hollywood, addressing issues like colorism and mental health pressures on performers of color.[2][5] Her performance as Harriet in the Apple TV+ limited series Lessons in Chemistry (2023) earned her first Primetime Emmy Award nomination for Outstanding Supporting Actress in a Limited or Anthology Series in 2024, along with a Critics' Choice Television Award nomination, marking a significant milestone in her career.[6] She has received multiple NAACP Image Award nominations, including for Outstanding Supporting Actress in a Drama Series for How to Get Away with Murder, and was honored with the "Shining Star" award at the 2017 Essence Black Women in Hollywood Awards.[5] In personal life, King married Dan King in 2020, and they welcomed their son, Kian, in the summer of 2021, following her public discussions on fertility struggles and miscarriages; she has since shared insights on motherhood and self-care.[7] In 2025, she starred as Catherine, a secretive suburban realtor, in the NBC murder mystery series Grosse Pointe Garden Society, which premiered on February 23 and was canceled after one season.Early life and education
Upbringing and family
Aja Naomi King was born on January 11, 1985, in Los Angeles, California, and spent her formative years in the nearby suburb of Walnut.[2][1] This environment in Southern California provided her with early exposure to a multicultural setting, shaping her perspective on identity and community from a young age. King was raised by her mother, Theresa Moore King, alongside her sister Miya.[8] Her family emphasized creativity and expression, fostering an atmosphere where artistic pursuits were encouraged within the home. From childhood, King displayed a natural affinity for the performing arts, often entertaining family and friends with impromptu song and dance routines in the living room.[9] Her mother played a key role in nurturing this passion, recognizing her daughter's talent early on and supporting her involvement in such activities, which laid the groundwork for her future endeavors in acting.[9]Academic pursuits
King earned a Bachelor of Fine Arts degree in acting from the University of California, Santa Barbara.[3] During her undergraduate studies, she was the only Black woman in the acting program, an experience that highlighted the lack of diversity in theater education at the time.[3] She pursued advanced training at the Yale School of Drama, where she received a Master of Fine Arts degree in 2010.[4] The program provided rigorous classical theater training, emphasizing techniques in voice, movement, and character development essential for stage and screen performance.[2] As a student, King appeared in several notable productions, including A Midsummer Night's Dream, Little Shop of Horrors, and Angels in America: A Gay Fantasia on National Themes.[10] Following her graduation from Yale, King relocated to New York City to pursue professional opportunities in acting.[3] She supported herself through waitressing jobs while attending auditions over the next three years, navigating the competitive landscape of the city's theater and television scenes.[3] This period of persistence built on her academic foundation, preparing her for eventual breakthroughs in the industry.[4]Acting career
Early roles (2010–2013)
King made her television debut in 2010 as a guest star on the CBS police procedural Blue Bloods, portraying Denise in the episode "Samaritan". Fresh out of Yale School of Drama, where she earned her MFA that year, she balanced auditions with multiple part-time jobs in New York City's service industry, including waiting tables, bartending, and hosting at restaurants, which often left her physically exhausted and hindered her preparation for casting calls.[3][4] In 2012, King landed her first major television role as Dr. Cassandra Kopelson, a sharp-tongued surgical intern and antagonist, on the CW medical drama Emily Owens, M.D. The series, which premiered that October, faced production challenges including a limited 13-episode order and ultimately low viewership ratings, leading to its cancellation by the network in November 2012, with the final episode airing in February 2013. Critical reception was mixed; while some praised the smart writing and ensemble performances, including King's portrayal of the bullying yet vulnerable Kopelson, others criticized the show for relying on clichéd high school dynamics transposed to a hospital setting.[11][12][13] During this period, King also appeared in independent films, notably co-starring as Abigayle, the introspective adolescent daughter of Wendell Pierce's closeted character, in the drama Four (2012), which screened at festivals and was released theatrically in September 2013. Her performance, alongside the ensemble cast, earned the Los Angeles Film Festival's Best Performance in a Narrative Feature award in 2012, highlighting her emerging screen presence in low-budget projects exploring themes of identity and relationships.[14][15]Breakthrough success (2014–2020)
In 2014, Aja Naomi King was cast as Michaela Pratt, an ambitious and driven law student, in the ABC legal thriller series How to Get Away with Murder, created by Peter Nowalk and produced by Shonda Rhimes.[16] The role marked her first major television lead, following guest appearances in shows like Blue Bloods and Person of Interest, and she beat out several actresses during a competitive audition process that emphasized her ability to portray a character balancing vulnerability and ruthlessness.[1] Over the series' six seasons, spanning 2014 to 2020, King's portrayal of Pratt evolved from an overachieving adoptee grappling with impostor syndrome and a desire for validation—stemming from her hidden adoption by a white family—to a more self-assured figure confronting moral ambiguities, romantic entanglements, and identity crises in high-stakes legal and criminal scenarios.[17] On set, King formed a mentor-mentee dynamic with co-star Viola Davis, who played professor Annalise Keating; Davis often provided guidance on emotional depth and resilience, describing King as a "force" whose intensity matched the ensemble's demands during intense table reads and shoots. This collaboration contributed to the show's layered interpersonal dynamics, with Pratt's arc frequently intersecting with Keating's through themes of ambition and betrayal. The series itself had a significant cultural impact, advancing representation by centering Black women in complex, non-stereotypical roles—Viola Davis as a flawed anti-heroine and King as a multifaceted student—while featuring a diverse ensemble that included LGBTQ+ characters, challenging Hollywood's limited portrayals of people of color and fostering discussions on inclusivity in network television.[18] It garnered critical acclaim for its bold narrative twists and social commentary, earning multiple Emmy nominations and boosting visibility for Black-led stories.[19] King's rising profile led to her film debut in Nate Parker's historical drama The Birth of a Nation (2016), where she portrayed Cherry, the resilient wife of enslaved preacher Nat Turner (played by Parker), whose brutal assault becomes a catalyst for Turner's 1831 rebellion against slavery in Virginia.[20] The film, which dramatized Turner's real-life uprising and its suppression, premiered at the 2016 Sundance Film Festival to a standing ovation and was acquired by Fox Searchlight Pictures in a record-breaking $17.5 million deal for North American rights, the largest in festival history at the time.[21] Despite controversy surrounding director Parker, King's performance was praised for its emotional authenticity, drawing from historical accounts of Cherry's strength amid enslavement; the film grossed $15.8 million domestically against an $8.5 million budget, establishing scale for independent Black-led historical epics.[22] Amid her breakthrough, King addressed racial stereotypes in Hollywood through interviews, emphasizing the pressure on Black actresses to represent an entire community and her efforts to subvert "angry Black woman" tropes by portraying nuanced ambition in roles like Pratt.[23] In a 2017 Essence Black Women in Hollywood speech, she discussed overcoming self-doubt and the industry's colorism barriers, advocating for authentic storytelling that counters dehumanizing images of Blackness. By 2020, in conversations with Variety, she reflected on how How to Get Away with Murder helped dismantle limited casting norms, paving the way for more inclusive ensembles.Established roles (2021–present)
In 2023, Aja Naomi King portrayed Harriet Sloane, a passionate civil rights activist and single mother, in the Apple TV+ miniseries Lessons in Chemistry, adapted from Bonnie Garmus's novel.[24] Her performance, which reimagined the character as a young Black woman navigating 1960s societal constraints, earned widespread critical acclaim for its depth and emotional resonance, particularly in highlighting themes of feminism, racial injustice, and female ambition.[25] King received her first Primetime Emmy nomination for Outstanding Supporting Actress in a Limited or Anthology Series or Movie for the role. King starred as Alex, a devoted wife and mother confronting racial tensions and family crisis during a home invasion, in the psychological thriller The Knife (2024), released in 2025, directed by and co-starring Nnamdi Asomugha.[26] The film, which premiered at the Tribeca Film Festival, explores themes of trust and societal bias over one tense night, with King's nuanced depiction of resilience praised for adding emotional layers to the suspenseful narrative.[27] It holds a 91% approval rating on Rotten Tomatoes, reflecting its impact as a taut examination of Black family dynamics.[28] In 2025, King debuted as Catherine, a sharp-witted and ambitious member of a suburban garden club entangled in a murder mystery, in NBC's Grosse Pointe Garden Society.[1] Created by Jenna Bans and Bill Krebs, the series follows four women in a affluent Detroit suburb whose seemingly perfect lives unravel amid suspicion and secrets, featuring an ensemble cast including Melissa Fumero, AnnaSophia Robb, and Ben Rappaport. Premiering on February 23, 2025, the show received mixed reception for its soapy drama and social commentary, earning a 6.8/10 on IMDb before its cancellation after one season in July 2025.[29] King's role drew on her legacy from How to Get Away with Murder, reuniting her with co-star Jack Falahee as a neighbor.[30] Following the birth of her son in 2021, King adopted a more selective approach to roles, prioritizing projects that align with her values as a mother and allow for meaningful character exploration.[31] In 2025 interviews, she discussed balancing her career with family, emphasizing the importance of work-life integration amid industry shifts toward streaming platforms and shorter production schedules.[32] At the Black Women Film Network Summit in March 2025, where she was honored for her contributions, King highlighted navigating these pivots as a Black actress, focusing on roles that amplify diverse voices in an evolving television landscape.[33]Modeling and endorsements
Brand campaigns
Aja Naomi King served as the face of Olay's fall 2015 advertising campaign for the skincare brand, marking one of her early forays into commercial endorsements.[34] In 2017, King became a global spokesperson for L'Oréal Paris, a role she continues to hold, appearing in campaigns that emphasize inclusive beauty and diversity in representation. Specific advertisements, such as those tied to the brand's "Women of Worth" initiative, feature her advocating for self-acceptance and empowerment among women of color, highlighting how beauty standards should reflect varied skin tones and experiences.[35][36] King collaborated with Chopard in 2022, prominently wearing the luxury jewelry house's pieces during high-profile red carpet events, including the Cannes Film Festival closing ceremony, where she donned Fairmined-certified diamond earrings and a necklace with an Armani Privé gown. These appearances underscored her alignment with the brand's elegant, sustainable luxury aesthetic. In January 2025, she was featured in Chopard's "Happy Diamonds" advertising campaign.[37][38][39] Throughout her modeling career, King's approach has evolved from opportunistic endorsements tied to her rising acting profile to more deliberate partnerships with brands that champion social causes, such as L'Oréal's focus on women's empowerment and diversity.[40]Media appearances
Aja Naomi King has featured prominently in editorial spreads and covers for leading fashion and lifestyle magazines, often emphasizing themes of Black beauty standards and greater inclusion in Hollywood. In October 2016, she appeared in Vanity Fair's annual Vanities portfolio, photographed by Williams + Hirakawa, where she discussed her transition from television to film roles and the importance of diverse narratives in entertainment.[41] That same year, in November, King was one of eight cover stars for Elle's Women in Hollywood issue, highlighting emerging female talents and the push for equitable representation behind and in front of the camera. Her Essence appearances included a group cover in October 2015 alongside "How to Get Away with Murder" co-stars, celebrating Black excellence in television, and a 2016 feature on her beauty routines that underscored natural hair and skin care as acts of cultural affirmation. In February 2019, she fronted Nylon's Black History Month cover, shot by photographer Renell Medrano, in which she addressed mental health challenges faced by women of color in the industry, linking personal vulnerability to broader calls for inclusive storytelling.[42] King has actively participated in major fashion events, showcasing her style and advocacy for diversity on global runways. At New York Fashion Week in September 2025, she attended the Ulla Johnson Spring/Summer 2026 show, dressed in a flowing bohemian midi dress with layered accessories that echoed the designer's earthy aesthetic, seated front row with Gabrielle Union and Danai Gurira to support emerging designers focused on inclusive collections.[43] Her fashion week presence has extended to Paris, where she walked the runway for L'Oréal Paris' Le Défilé in 2024 and 2025, and attended shows by Schiaparelli and Giambattista Valli in 2024, often selecting outfits that blend elegance with cultural empowerment.[44][45] In digital spaces, King has leveraged social media for modeling and advocacy around inclusivity, particularly through Instagram highlights from 2025 events. Following her honor at the Black Women Film Network Summit in March 2025, she shared photos and videos of herself in tailored suits and vibrant prints, captioning them with messages on amplifying Black women's voices in media and fashion.[46] These posts, garnering thousands of engagements, promoted body diversity and representation, drawing from her experiences as a L'Oréal Paris ambassador to initially gain visibility in editorial modeling.[47] Throughout her media features, King has spoken candidly in interviews about body positivity and the need for authentic representation in fashion. In a 2018 Shape cover story, she emphasized holistic self-care, stating, "I feed my body for energy, but I also want to feed my spirit with things that make me happy," while advocating for strength training as a tool for empowerment rather than aesthetics alone. In a 2020 Flare interview, she addressed Hollywood's evolving standards, noting the role of diverse casting in challenging narrow beauty ideals and fostering inclusivity for women of color.[48] More recently, in a 2023 Popsugar discussion, King described beauty routines as "armor" for navigating industry pressures, reinforcing her commitment to platforms that celebrate varied body types and cultural identities.[49]Personal life
Marriage and family
Aja Naomi King married Dan King in 2020. The couple maintains a private relationship focused on mutual support and a shared commitment to wellness and healthy living, with King often crediting her husband for his role in fostering balance during challenging times.[50][51] King and her husband welcomed their son, Kian True King, on June 6, 2021, following two heartbreaking miscarriages that she openly discussed in a March 2021 Instagram announcement of her pregnancy. Describing the losses as profoundly painful yet transformative, King shared her journey to highlight the emotional toll of miscarriage and the hope of her "rainbow baby," drawing solace from other women's stories while advocating for greater awareness around reproductive health challenges.[52][53] The family resides in Los Angeles, where King balances the demands of motherhood with her acting career, including roles in projects like the 2025 NBC series Grosse Pointe Garden Society. Kian, now a spirited 4-year-old who enjoys activities such as snowboarding with his father, has occasionally appeared in King's selective social media posts, reflecting her stance on privacy—she shares meaningful family milestones but guards much of their daily life from public scrutiny.[53][54]Advocacy and philanthropy
Aja Naomi King has been a prominent advocate for racial justice and equity in the entertainment industry, emphasizing the need for greater representation of Black women. In 2020, she publicly supported the Black Lives Matter movement amid widespread protests against police violence and systemic racism, using her platform to amplify calls for change.[55] In May 2025, at the NAACP Image Awards, she discussed ongoing systemic biases in Hollywood, highlighting how Black actors must navigate dehumanizing stereotypes and advocating for authentic portrayals that counter historical underrepresentation.[56] Her commitment to these issues was further demonstrated in March 2025, when she was honored with the AcceleratHER Award at the 10th Annual Black Women Film Network Summit in Atlanta, where she participated in panel discussions focused on industry equity and opportunities for Black women filmmakers.[33] King has also been actively involved in women's rights initiatives, particularly addressing workplace harassment and reproductive health. She contributed $1,000 to the Time's Up Legal Defense Fund in 2018, supporting efforts to provide legal aid to survivors of sexual assault and harassment across industries, including Hollywood.[57] Since 2019, she has served on the Creative Council of the Center for Reproductive Rights, participating in advocacy campaigns and videos to promote access to reproductive healthcare, including high-profile efforts ahead of Supreme Court cases on abortion rights.[58] In her philanthropy, King focuses on education and community support for underprivileged youth, serving on the Artistic Advisory Board of Opening Act since 2017, an organization that provides theater education to underserved high school students to foster creative expression and career skills.[5] She has also collaborated with Habitat for Humanity on housing initiatives.[59] Her advocacy for reproductive health is personally motivated by her experiences with two miscarriages in the years leading up to the birth of her first child in 2021, which prompted her to speak openly about maternal health challenges to destigmatize loss and encourage support for affected women.[52] King continues her advocacy through her role as a L'Oréal Paris spokesperson, including participation in the program's 20th anniversary celebration in October 2025, honoring women driving social change.[60]Filmography
Film credits
Aja Naomi King's film career includes a mix of independent and studio productions, beginning with her uncredited debut in the independent comedy Damsels in Distress (2011), directed by Whit Stillman. She has since taken on supporting and leading roles in historical dramas, romantic films, and thrillers, often portraying strong, nuanced characters in around 14 feature films to date.[8] The following table lists her film credits chronologically, including role and director details:| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 2011 | Damsels in Distress | Positive Polly | Whit Stillman | Independent comedy; uncredited role. |
| 2012 | Four | Abigayle | Joshua Sanchez | Independent drama adapted from a play.[61] |
| 2013 | Black Nativity | Nyla | Kasi Lemmons | Independent musical drama. |
| 2013 | 36 Saints | Joan | Christopher Douglas Reed | Independent thriller. |
| 2014 | The Rewrite | Rosa | Marc Lawrence | Independent romantic comedy. |
| 2015 | Reversion | Sophie Clé | Jose Nestor Marquez | Independent sci-fi thriller; lead role. |
| 2016 | The Birth of a Nation | Cherry | Nate Parker | Independent historical drama. |
| 2018 | If Beale Street Could Talk | Sophia | Barry Jenkins | Studio adaptation of James Baldwin's novel. |
| 2019 | A Girl from Mogadishu | Ifrah Ahmed | Mary McGuckian | Biographical drama.[62] |
| 2019 | The Upside | Latrice | Neil Burger | Studio comedy-drama remake.[63] |
| 2020 | Sylvie's Love | Viola | Eugene Ashe | Independent romantic drama. |
| 2020 | The 24th | Marie Johnson | Kevin Willmott | Independent historical drama. |
| 2021 | Boxing Day | Lisa | Aml Ameen | Independent romantic comedy. |
| 2023 | A Little White Lie | Sasha | Michael Maren | Independent comedy. |
Television credits
Aja Naomi King's television career spans guest appearances on network procedurals to leading roles in acclaimed series, with a total of approximately 12 projects distinguishing between one-off guest spots, recurring parts, and series regular commitments. Her early work featured brief roles on broadcast networks like CBS and NBC, transitioning to more substantial parts on The CW and ABC, before recent streaming series on platforms such as Apple TV+ and HBO Max.[8] The following table lists her television credits chronologically:| Year(s) | Series | Role | Episodes | Notes |
|---|---|---|---|---|
| 2010 | Blue Bloods (CBS, network) | Denise | 1 | Guest spot |
| 2012 | Person of Interest (CBS, network) | Lisa | 1 | Guest spot |
| 2013 | The Blacklist (NBC, network) | Elysa Ruben | 1 | Guest spot |
| 2012–2013 | Emily Owens, M.D. (The CW, network) | Cassandra Kopelson | 13 | Series regular |
| 2014 | Black Box (ABC, network) | Ali Henslee | 3 | Recurring role |
| 2014–2020 | How to Get Away with Murder (ABC, network) | Michaela Pratt | 90 | Series regular; lead role in Shonda Rhimes-created legal thriller |
| 2018 | Scandal (ABC, network) | Michaela Pratt | 1 | Guest spot (crossover from How to Get Away with Murder) |
| 2019 | A Black Lady Sketch Show (HBO, streaming) | Recluse | 1 | Guest spot in sketch comedy series |
| 2020 | Love Life (HBO Max, streaming) | Camille | 3 | Recurring role in romantic anthology series |
| 2021 | Blackout (QCode, audio podcast) | Wren Foster (voice) | 1 | Guest spot in audio drama series |
| 2023 | Lessons in Chemistry (Apple TV+, streaming) | Harriet Sloane | 8 | Series regular; limited series adaptation of Bonnie Garmus novel |
| 2025 | Grosse Pointe Garden Society (NBC, network) | Catherine | 10 (Season 1) | Series regular in murder mystery drama |
Awards and nominations
Wins
Aja Naomi King has garnered a select number of awards and honors that highlight her early breakout role and her broader impact as an actress, producer, and activist. These recognitions include festival accolades for her ensemble work and special honors from industry events celebrating Black women in entertainment.| Year | Award | Category | Project/Context |
|---|---|---|---|
| 2012 | Los Angeles Film Festival | Jury Prize - Outstanding Performance in a Narrative Feature | Four (shared with Wendell Pierce, Emory Cohen, and E.J. Bonilla) |
| 2017 | Essence Black Women in Hollywood Awards | Lincoln Shining Star Award | Career achievement honor |
| 2025 | Black Women Film Network Summit | AccelerateHER Award | Recognition for acting, producing, and activism |
Nominations
Aja Naomi King has garnered critical acclaim throughout her career, earning nominations from prestigious organizations that recognize excellence in acting, particularly for her portrayals of complex, multifaceted Black women in both television and film. Her nominations underscore her versatility, from supporting roles in ensemble dramas to standout performances in limited series, often emphasizing themes of resilience and social justice.[25] King's early recognition came with her debut major television role, leading to her first NAACP Image Award nomination in 2015 for Outstanding Supporting Actress in a Drama Series for How to Get Away with Murder, where she played the ambitious law student Michaela Pratt.[66] Following the 2016 release of The Birth of a Nation, she received two nominations in 2017: the NAACP Image Award for Outstanding Supporting Actress in a Motion Picture and the Black Reel Award for Outstanding Breakthrough Performance, Female, both for her role as Cherry, highlighting her contribution to historical narratives of Black resistance.[67] In 2024, King achieved a career milestone with multiple high-profile nominations for her role as Harriet Sloane in the Apple TV+ limited series Lessons in Chemistry, a character embodying quiet strength amid personal and societal challenges. These included the Primetime Emmy Award for Outstanding Supporting Actress in a Limited or Anthology Series, the Critics' Choice Television Award for Best Supporting Actress in a Limited Series or Movie Made for Television, the NAACP Image Award for Outstanding Supporting Actress in a Television Movie, Limited-Series or Dramatic Special, and the Black Reel Award for Outstanding Supporting Actress, TV Movie/Limited Series.[25][68][69][70] The following table summarizes King's major award nominations by year:| Year | Award | Category | Nominated Work |
|---|---|---|---|
| 2015 | NAACP Image Awards | Outstanding Supporting Actress in a Drama Series | How to Get Away with Murder |
| 2017 | NAACP Image Awards | Outstanding Supporting Actress in a Motion Picture | The Birth of a Nation |
| 2017 | Black Reel Awards | Outstanding Breakthrough Performance, Female | The Birth of a Nation |
| 2024 | Primetime Emmy Awards | Outstanding Supporting Actress in a Limited or Anthology Series | Lessons in Chemistry |
| 2024 | Critics' Choice Television Awards | Best Supporting Actress in a Limited Series or Movie Made for Television | Lessons in Chemistry |
| 2024 | NAACP Image Awards | Outstanding Supporting Actress in a Television Movie, Limited-Series or Dramatic Special | Lessons in Chemistry |
| 2024 | Black Reel Awards | Outstanding Supporting Actress, TV Movie/Limited Series | Lessons in Chemistry |