Al-Walid II
Al-Walid II ibn Yazid (died April 744 CE) was the eleventh Umayyad caliph, reigning from February 743 until his assassination the following year.[1] The son of the preceding caliph Yazid II and grandson of Abd al-Malik, he succeeded his great-uncle Hisham ibn Abd al-Malik amid disputes over succession, designating his own sons as heirs in a move that alienated other Umayyad princes.[2] Historical accounts, primarily from later Abbasid-era chroniclers, portray him as a patron of poetry and architecture who constructed lavish desert palaces such as Qusayr Amra, yet reviled for his alleged public indulgence in wine, music, and unconventional religious views expressed in his verses.[3] His rule, marked by fiscal pressures on provincial governors and favoritism toward non-Arab clients, fueled opposition from pious factions and tribal leaders, culminating in a conspiracy led by his cousin Yazid III that ended his life.[3] While traditional narratives emphasize his impiety as a cause of the Umayyad decline, some scholarly reassessments question the extent of bias in these sources against the dynasty's later rulers.[4]Origins and Early Years
Birth and Familial Lineage
Al-Walid ibn Yazid, who would rule as the eleventh Umayyad caliph, was the son of Yazid ibn Abd al-Malik, the ninth Umayyad caliph reigning from 720 to 724 CE, and his wife Umm al-Hajjaj bint Muhammad ibn Yusuf al-Thaqafi, from the prominent Thaqif tribe allied with the Umayyads.[5][6] His birth occurred in Syria, likely near Damascus, though the precise date remains unrecorded in surviving historical accounts; estimates place it circa 706–709 CE based on his reported age of about eleven during his nomination as a potential heir by his father around 720 CE.[3][1] As a member of the Umayyad dynasty's Marwanid branch, al-Walid descended from Caliph Abd al-Malik ibn Marwan (r. 685–705 CE), his paternal grandfather, who had stabilized and expanded the caliphate after the Second Muslim Civil War (Fitna) through administrative reforms and conquests reaching from Iberia to India.[1] Abd al-Malik's father, Marwan I (r. 684–685 CE), had seized power from the Sufyanid line, founding the Marwanids as the dominant Umayyad faction; al-Walid thus represented the third generation of this lineage, positioned within a family network of caliphs including uncles like al-Walid I (r. 705–715 CE) and Sulayman (r. 715–717 CE). This heritage embedded al-Walid in the elite Arab-Islamic aristocracy of Damascus, where Umayyad rulers intermarried with tribal elites like the Thaqif to consolidate loyalty, though primary sources provide scant details on his immediate siblings beyond indications of at least one sister.[6] His familial ties underscored the dynasty's reliance on hereditary succession tempered by nomination (walī al-ʿahd), a practice Yazid II employed to secure al-Walid's future amid rivalries with cousins like Hisham ibn Abd al-Malik.[3]Education and Formative Experiences
Al-Walid ibn Yazid was designated heir apparent by his father, Caliph Yazid II, in 720 CE at about eleven years old, indicating a birth circa 709 CE.[7] Following Yazid II's death in 724 CE, he lived under the authority of his uncle, Caliph Hisham ibn Abd al-Malik, whose reign extended until 743 CE.[7] During this two-decade interval, al-Walid's youth unfolded at Hisham's court in Rusafa (likely Qasr al-Hayr al-Sharqi), marked by isolation and resentment stemming from succession disputes that alienated him from court factions.[7] Barred from administrative duties, he withdrew to desert palaces, including those in the Jordanian region, prioritizing personal and intellectual activities over political engagement.[7][2] In these retreats, al-Walid cultivated literary interests, particularly poetry, consistent with Umayyad princely training in Arabic eloquence and adab (belles-lettres).[2] His patronage of the Qusayr Amra bathhouse frescoes as crown prince underscores early immersion in artistic expression, featuring motifs of princely leisure and authority.[8] Abbasid-era chronicles, prone to anti-Umayyad polemics, depict his formative phase as one of precocious indulgence—wine, music, and revelry—but such portrayals likely amplify traits to discredit the dynasty, overlooking evidence of cultured refinement in his surviving verses.[7]