Alex Van Halen
Alexander Arthur Van Halen (born May 8, 1953) is a Dutch-American musician best known as the drummer and co-founder of the hard rock band Van Halen, which he established with his younger brother, guitarist Eddie Van Halen, in Pasadena, California, in 1972.[1][2] Born in Amsterdam, Netherlands, Van Halen immigrated to the United States with his family as a child, settling in Pasadena where the brothers honed their musical skills amid diverse influences including classic rock, big band swing, blues, early rock 'n' roll, and African drumming.[1][2][3] As Van Halen's longtime drummer, Alex played on all of the band's twelve studio albums, contributing to their genre-defining sound through an energetic, unpredictable style characterized by unique tones from evolving setups that incorporated rototoms, timbales, cowbells, tube drums, and electronics.[3] The band achieved enormous commercial success, selling more than 80 million records worldwide and becoming one of the best-selling rock groups in history, with landmark releases like their self-titled 1978 debut and hits such as "Jump" and "Panama."[2] Van Halen was inducted into the Rock & Roll Hall of Fame in 2007 as part of the original lineup, recognizing their influential contributions to hard rock and heavy metal.[4] Following Eddie's death from throat cancer in October 2020, Alex Van Halen stepped away from performing but honored their lifelong partnership by co-authoring the memoir Brothers, released in October 2024, which offers an intimate account of their family bond, musical journey, and the challenges of fame without delving into sensational "dirt."[5][6] In November 2025, he announced an upcoming anthology book on Van Halen, featuring photographs and stories from their early years.[7] In the book and subsequent interviews, he reflected on their 65 years together, from immigrant roots to rock stardom, and addressed stalled reunion attempts with original singer David Lee Roth.[5][8]Early life
Childhood in the Netherlands
Alexander Arthur Van Halen was born on May 8, 1953, in Amsterdam, Netherlands, to Jan Van Halen, a professional jazz clarinetist, saxophonist, and pianist, and Eugenia van Beers, an Indo (Eurasian) woman originally from Rangkasbitung in the Dutch East Indies (now Indonesia), who worked as a factory laborer.[9][10] The family soon relocated to Nijmegen, where they resided in a modest apartment amid the economic hardships of post-World War II recovery, a period marked by housing shortages and limited opportunities for repatriated Indo-Dutch families like theirs.[11] Jan's career as a musician provided some stability, but the household reflected the broader challenges faced by mixed-heritage families in 1950s Netherlands, including subtle discrimination against Indos.[12] The Van Halens' Dutch-Indonesian heritage shaped their early experiences, with Eugenia's background as a repatriate from Indonesia after its 1949 independence contributing to the family's sense of displacement in a society still grappling with colonial legacies. Living conditions were austere; the family occupied a small, two-bedroom flat in a working-class neighborhood, where resources were stretched thin during the nation's slow postwar rebuilding. Jan's itinerant performances occasionally brought in extra income, but economic pressures loomed large, fostering a frugal environment that emphasized resilience and creativity.[13][14] From a young age, Alex and his younger brother Eddie were immersed in music through their parents' influences, beginning with classical piano lessons arranged by Jan to instill discipline and appreciation for the arts. These sessions introduced the boys to structured musical training in a home filled with instruments, laying the groundwork for their lifelong passion, though Alex would later gravitate toward percussion.[15] The family's decision to emigrate in 1962 stemmed primarily from the pursuit of better economic prospects abroad and the desire to escape the pervasive racial prejudice encountered due to their mixed heritage, which often left the brothers feeling like outsiders in their homeland.[12][16]Immigration to the United States
In 1962, the Van Halen family immigrated to the United States, departing from the Netherlands on March 9 aboard a steamship bound for New York, followed by a four-day train journey to California.[17] They arrived with limited resources—approximately 75 Dutch guilders (equivalent to about $15 USD) and a few suitcases—and settled in Pasadena, where they rented a cramped one-bedroom apartment at 486 South Oakland Avenue, sharing a bathroom with neighboring families.[17] This modest dwelling marked the beginning of their new life in America, far from the relative stability they had known in Europe. The family faced significant challenges upon arrival, including profound language barriers and cultural shock that left Alex and his younger brother Eddie feeling isolated in their new environment.[17] Their father, Jan, struggled to find steady work initially, taking jobs as a dishwasher—walking six miles each way to and from shifts—and later as a machinist, while their mother, Eugenia, worked as a maid to help support the household.[17] Amid the poverty, the brothers contributed by taking on odd jobs, such as newspaper delivery routes in the Pasadena area, to ease the financial strain.[18] Alex adapted to American schooling gradually, starting with local elementary education before enrolling at Pasadena High School by the late 1960s, where he navigated the social and academic adjustments of high school life alongside his brother.[19] He graduated from Pasadena High in 1971 and briefly attended Pasadena City College, studying music theory, scoring, composition, and arrangement, though he soon shifted focus toward his emerging musical pursuits.[20] Throughout these early years in Pasadena, the family emphasized music as a vital coping mechanism and source of unity, drawing on their parents' own musical inclinations from the Netherlands to foster the brothers' talents.[17] With limited means, they pooled resources to purchase shared instruments, including hiring a piano teacher to nurture Alex and Eddie's skills, viewing music as a pathway out of their hardships.[17]Musical beginnings
Upon arriving in the United States, Alex Van Halen, who had been trained in classical piano alongside his brother Eddie during their childhood in the Netherlands, initially continued with piano and briefly explored guitar influenced by flamenco styles.[21] In 1969, at age 16, Alex switched to drums after Eddie expressed a strong interest in guitar; the brothers briefly swapped roles, with Eddie attempting drums before they permanently exchanged instruments, recognizing each other's aptitudes.[18] This pivotal decision marked Alex's entry into rock drumming and laid the foundation for their lifelong musical partnership. Largely self-taught, Alex honed his drumming skills by emulating records from rock and jazz artists such as Ginger Baker, Hal Blaine, and the Dave Clark Five, while incorporating techniques from his classical piano background to develop precision and dynamics.[21] He practiced extensively on a basic $125 used Japanese St. George drum kit, which Eddie had purchased with earnings from his paper route job, often sharing the cramped family home in Pasadena for rehearsals.[20] This rudimentary setup and independent learning approach fostered Alex's intuitive sense of groove and timing, essential to his emerging style. In the late 1960s and early 1970s, Alex and Eddie formed their first garage bands in Pasadena, starting with The Broken Combs around 1964—where Alex played saxophone before transitioning to drums—and evolving into Genesis by 1970, a cover band featuring local musicians.[18] These groups performed at backyard parties, local venues, and high school events, including assemblies at Marshall Junior High and Pasadena High School, allowing the brothers to refine their sibling synergy through covers of popular rock tunes.[22] Such grassroots gigs built Alex's confidence and stage presence, setting the stage for more ambitious endeavors.Career
Formation of Van Halen
In 1972, brothers Alex and Eddie Van Halen formed the band Mammoth in Pasadena, California, initially consisting of Alex on drums, Eddie on guitar and lead vocals, and bassist Mark Stone.[23] The group relocated their practices to a garage near their family home in Pasadena, where they honed their sound through local house parties and informal performances.[24] By 1974, David Lee Roth had joined as lead vocalist after the band began renting his PA system for gigs, and Michael Anthony replaced Stone on bass, solidifying the classic lineup.[25][23] The band changed its name from Mammoth to Van Halen around 1974, prompted by a cease-and-desist letter from another group using the name Mammoth and Roth's suggestion to adopt the brothers' surname for its strong ring; this also resolved ongoing rental fees for Roth's PA by formally integrating him as the frontman.[23][25] From 1974 to 1977, Van Halen built a dedicated local following through frequent performances at Hollywood clubs, starting with their debut on the Sunset Strip at Gazzarri's on April 4, 1974, where they played as the house band over 50 times that year alone.[26] Their sets primarily featured high-energy covers of rock staples like Deep Purple's "Smoke on the Water" and funk tracks from artists such as the Ohio Players, drawing crowds with Roth's charismatic stage presence and the Van Halen brothers' technical prowess.[26][27] In 1976, KISS bassist Gene Simmons discovered the band at a Hollywood club show and produced an eight-song demo at Electric Lady Studios in New York, including tracks like "Runnin' with the Devil," though he ultimately passed on managing them due to their lifestyle and his commitments with KISS.[28] The demo circulated in the industry, leading Warner Bros. Records executives Mo Ostin and Ted Templeman to sign Van Halen in 1977 after attending a live performance at the Starwood.[28]Rise to fame and peak years
Van Halen's self-titled debut album, released on February 10, 1978, by Warner Bros. Records, propelled the band to national prominence in the hard rock genre, redefining elements of rock guitar and overall sound through its high-energy tracks. The album featured the single "Runnin' with the Devil," which peaked at No. 84 on the Billboard Hot 100, and exemplified the band's raw, party-hearty aesthetic driven by Alex Van Halen's drumming. His sturdy rhythmic foundation and quirky sense of time, paired with thunderous bass lines, provided the prizefighter punch that anchored songs like "I'm the One," where his shuffle groove added swing and momentum.[29][30] Building on this momentum, the band released follow-up albums that solidified their dominance: Van Halen II on March 23, 1979, Women and Children First on March 26, 1980, Fair Warning on April 29, 1981, Diver Down on April 14, 1982, and their sixth studio album 1984 on January 9, 1984. These records showcased Van Halen's innovative blend of hard rock with technical flair, with Alex co-writing several tracks across them, including contributions to the debut's "Runnin' with the Devil" and subsequent hits. The 1984 album, in particular, achieved massive crossover success, propelled by the lead single "Jump," which reached No. 1 on the Billboard Hot 100 for five weeks starting February 25, 1984. By the end of 1984, Van Halen's debut and 1984 albums had each sold over 10 million copies in the United States alone, contributing to the band's total sales exceeding 20 million units worldwide during this peak period.[31][32])[33][34][35][30] Throughout 1978 to 1984, Van Halen undertook extensive world tours that amplified their live reputation, including headlining slots across North America, Europe, and beyond, culminating in performances at the inaugural Monsters of Rock festival in Castle Donington, England, on August 18, 1984, before 65,000 fans. Alex Van Halen's live drumming earned acclaim for its power and precision, featuring dynamic solos and forceful beats that maintained the band's high-octane energy during sets blending classics like "Unchained" and new material such as "Hot for Teacher." His technical accuracy and energetic style were integral to Van Halen's hard rock innovations, helping the band transition from club scenes to arena stardom while influencing a generation of drummers with their rhythmic drive.[36][37]Lineup changes and later tours
In 1985, following creative and personal tensions, original lead singer David Lee Roth departed Van Halen to pursue a solo career, prompting the band to recruit Sammy Hagar as his replacement.[38] This shift marked the beginning of the "Van Hagar" era, which saw the release of the album 5150 in 1986, featuring hits such as "Why Can't This Be Love" and "Dreams," and debuting at number one on the Billboard 200.[38] The follow-up, OU812, arrived in 1988 and continued the band's commercial momentum with tracks like "When It's Love," solidifying their arena rock dominance during this period.[39] Throughout these years, drummer Alex Van Halen maintained a steady, powerful presence behind the kit, adapting his hard-hitting style to the more melodic, keyboard-infused sound while navigating internal band dynamics. Hagar's tenure ended acrimoniously in 1996 amid disputes over creative direction and Eddie's ongoing battles with addiction, leading to his abrupt dismissal during a recording session.[40] The band then brought in Gary Cherone, formerly of Extreme, as the new vocalist, resulting in the 1998 album Van Halen III, which experimented with grunge and alternative influences but achieved only modest sales and critical reception.[41] Cherone's time with the group lasted until 1999, after which Van Halen entered a hiatus. A brief reunion with Hagar occurred in 2004 for a summer tour, but it was marred by Eddie's health issues and substance struggles, ultimately straining relationships further.[42] The band reunited with Roth in 2007, launching a highly successful North American tour that grossed over $93 million and drew massive crowds, revitalizing Van Halen's legacy with performances of classic material.[43] This lineup, featuring Roth, Eddie, Alex, and Eddie's son Wolfgang on bass, continued with additional tours in 2012 and 2015, culminating in a final show on October 4, 2015, at the Hollywood Bowl.[44] Alex Van Halen's drumming remained a consistent anchor through these reunions, providing rhythmic drive amid the band's turbulent history of conflicts, including Eddie's efforts toward sobriety starting in 2008 after years of alcohol and drug challenges that had impacted prior eras.[45] Over its career, Van Halen sold more than 80 million records worldwide, underscoring the enduring appeal of Alex's contributions across lineup shifts.[35]Retirement and post-Eddie era
Eddie Van Halen died on October 6, 2020, at the age of 65 from complications related to throat cancer, with his brother Alex by his side during his final moments at Saint John's Health Center in Santa Monica, California.[46] Alex had been actively involved in Eddie's caregiving in the preceding months, limited by COVID-19 restrictions that restricted family visits, and later recalled the profound shock of the event despite the long illness, describing how "the room was empty" after Eddie's last breath.[47] In a heartfelt tribute shortly after, Alex shared a simple message: "Hey Ed, love you. See you on the other side," emphasizing Eddie's unyielding spirit by noting that "he fought it till the very end" and "never gave up."[48][47] Following Eddie's death, Alex effectively stepped away from performing and the music industry, expressing in subsequent years that he had no interest in continuing without his brother, as Van Halen was intrinsically tied to their partnership.[5] This shift became more apparent in 2024 when Alex auctioned off his extensive collection of drum kits, cymbals, and memorabilia—over 350 items from his personal archive—signaling to many the end of his active drumming career, though he clarified he was not fully retiring and intended to "die with sticks in my hand."[49] Former bandmate Michael Anthony expressed sadness over the auction, interpreting it as closing the door on any potential Eddie Van Halen tribute tours involving Alex.[50] Alex participated in occasional tributes to honor the band's legacy, including a 2021 memorial mural unveiling for Eddie at Hollywood's Guitar Center, where fans gathered to celebrate the guitarist's impact.[51] In 2024, he released the memoir Brothers: A Love Letter from Alex to Eddie Van Halen, described as a "love letter" to his sibling, featuring personal stories, photos, and reflections on their shared life, which served as a major public acknowledgment of their bond amid his ongoing grief.[5] Since then, Alex has embraced a more private existence, residing on a lemon farm in Ventura County, California, with his wife Stine, focusing on family, physical recovery from a 2022 spinal injury, and quiet reflection on his loss.[5] He has described experiencing "oceanic grief" and PTSD, still breaking down when hearing Eddie's music, yet finding solace in believing his brother's spirit remains present, marking a period of introspection rather than public performance.[47][5]Personal life
Marriages and family
Alex Van Halen was first married to actress Valeri Kendall in June 1983, following a two-year engagement; the union ended in divorce just two months later.[52][53] He married Kelly Carter in 1984, and the couple had a son, Aric Van Halen, born on October 6, 1989.[54][11] Their marriage ended in divorce in August 1996 after 12 years, leading to legal disputes over Carter's use of the Van Halen name in her designer handbag business, which was settled amicably in 2015.[54][55] Aric, who briefly explored music through violin, piano, drums, saxophone, and guitar in his youth, ultimately pursued track and field competitively, qualifying for the U.S. Olympic Trials in the 3,000-meter steeplechase and earning acclaim as a collegiate runner at the University of Colorado without entering the professional music industry.[56][57] Van Halen has been married to art director and designer Stine Schyberg since 2000 in a low-profile relationship; the couple welcomed a second son, Malcolm, and Schyberg has been described by Van Halen as a key stabilizing influence in his personal life.[58][59]Health and residences
Alex Van Halen has maintained strong ties to Pasadena, California, where he and his family settled after immigrating from the Netherlands and where the brothers owned a single-story home until selling it in 1988 for $450,000. In later years, he shifted residences within the Los Angeles area, including ownership of a Mediterranean-style home built in 1993 in Beverly Park near the Hollywood Hills, which he later sold. Public records indicate he purchased a property in Hidden Hills, California, in 1997 for $2 million, reflecting his preference for private, upscale enclaves in Southern California. Unlike his brother Eddie, who battled throat cancer diagnosed in 2000—widely attributed to years of heavy smoking and alcohol use—Alex has faced no major publicized health crises, though the family history of substance-related illnesses has influenced his outlook. In recent years, Alex has dealt with a spinal injury sustained in 2022, when the recoil from a rifle at a shooting range knocked him to the ground, fracturing his spine, which severely limited his mobility and ability to play drums for several years, requiring extensive recovery including physical therapy. By 2024, he reported gradual improvement, resuming light practice on pads. Alex has been an outspoken advocate for sobriety, drawing from his own experiences with addiction during Van Halen's peak touring years in the 1990s, when he developed a dependence on benzodiazepines that he credits his wife, Stine Schyberg, with helping him overcome through intervention and support. He achieved sobriety in the early 2000s and has remained substance-free since, often reflecting on how alcohol was a pervasive family issue from childhood—his father introduced him to drinking at age six—and how Eddie's ongoing struggles with addiction exacerbated his health decline. Alex has emphasized the destructive cycle of substance abuse in rock culture, urging others to prioritize recovery over the excesses of the band's "party era," where he personally moderated his intake compared to peers but still required intervention to avoid deeper pitfalls. As of 2025, following Van Halen's retirement and Eddie's death, Alex leads a low-key lifestyle focused on personal well-being and quiet pursuits in his California home. He remains committed to philanthropy, particularly supporting music education through organizations like the Mr. Holland's Opus Foundation, where the Van Halen family has donated instruments and funds to under-resourced schools to foster young musicians.Drumming style and influences
Technique and innovations
Alex Van Halen's drumming fuses the precision derived from his classical piano training with the raw power of hard rock, creating a style that emphasizes tight swing and dynamic control. Both he and his brother Eddie received formal piano instruction, as arranged by their father, Jan Van Halen, a professional jazz saxophonist and clarinetist, which instilled a foundation in musical structure and timing that informed Alex's rhythmic approach.[60] This background enabled him to blend jazz-like accuracy with rock intensity, as seen in his use of intricate patterns that maintain a swinging feel even in aggressive contexts.[37] A hallmark of his technique is the incorporation of complex fills and unconventional rhythms, particularly evident in the iconic intro to "Hot for Teacher" from Van Halen's 1984 album. The track features thunderous hertas, rapid triplets, and a shuffling double bass pattern that alternates between straight-ahead rock drive, demanding precise footwork and hand independence.[37] Van Halen has noted that his right foot alone was insufficient for such shuffles, leading him to adopt double bass drumming to achieve the necessary speed and complexity.[61] Central to Van Halen's groove-oriented sound is Alex's emphasis on emphatic backbeats and seamless rhythmic synergy with Eddie Van Halen's guitar work, forming the band's propulsive foundation. His forceful yet melodic grooves, as in "Runnin' with the Devil," provide a supportive pulse that locks in with Eddie's riffing, creating emotional depth and drive; the brothers' daily jamming sessions fostered this intuitive interplay, where one player's ideas often sparked the other's.[21][61] Among his innovations, Van Halen pioneered the integration of electronic triggers and pads into rock drumming during the 1980s, notably using Simmons hexagonal modules for the synthetic bass and tom sounds on the 1984 album, including the "Hot for Teacher" intro.[62] This approach expanded the palette of live and studio percussion, blending acoustic power with synthesized precision to suit the era's evolving production demands. In live performances, Van Halen's high-energy drum solos exemplified his technical endurance, often serving as improvisational showcases during marathon tours like the 1984 Monsters of Rock outing. These solos, such as the extended improv following "Pretty Woman" in concert footage, highlighted his ability to sustain explosive dynamics over extended sets while adapting to the band's high-octane pacing.[61]Key influences
Alex Van Halen's drumming evolved from a foundation rooted in his family's musical heritage, where his father, Jan Van Halen, a professional jazz saxophonist and clarinetist, exposed him and his brother Eddie to big band swing and improvisational jazz during their childhood in the Netherlands and later in the United States.[63] Both brothers received classical piano training from a young age, instilling in Alex a disciplined approach to rhythm and phrasing that contrasted with the raw energy of rock but informed his precise execution.[20] This early immersion in jazz and classical elements provided a technical bedrock, allowing Alex to later integrate swing feels into rock grooves, as seen in his ability to blend European musical rigor with American hard rock dynamics. Among his primary influences, jazz legend Buddy Rich stood out for his unparalleled technique and swing, which Alex admired for emphasizing presence and efficiency in performance; Rich's approach to staying "in the moment" resonated deeply, shaping Alex's focus on clean, impactful fills and solos.[61] Similarly, Ginger Baker of Cream inspired Alex's improvisational flair and bombastic style, encouraging a sense of adventure in drum patterns that prioritized feel over strict metronomic precision.[61] John Bonham of Led Zeppelin, while not a direct personal influence, profoundly impacted Alex through his massive, groove-oriented power, which echoed in Van Halen's rhythmic backbone and contributed to the band's thunderous live sound.[61] Early rock drummers like Keith Moon of The Who further fueled Alex's development, with Moon's chaotic energy and melodic tom work influencing his explosive fills and stage presence during Van Halen's formative years.[64] Gene Krupa, a pioneering big band drummer, indirectly shaped Alex via familial jazz exposure, exemplifying swing and showmanship that aligned with his father's influences and informed Alex's rhythmic swing in rock contexts. A lesser-known but significant element came from fusion drummer Billy Cobham, whose progressive complexity in the 1970s inspired Alex's intricate shuffles, evident in songs like "Hot for Teacher." These influences converged to form Alex's hybrid style, merging Rich's precision with Bonham's groove to drive Van Halen's signature rhythms.[61]Equipment
Drum kits
Alex Van Halen has held a primary endorsement with Ludwig Drums since 1978, a partnership that has defined much of his career and led to custom designs tailored to his dynamic style.[65] His classic setup during the band's early years featured a 24" bass drum, 9" and 10" rack toms, 16" floor toms, and a 14" snare, providing a powerful foundation for Van Halen's hard-rocking sound on their debut album and initial tours.[66] This configuration emphasized double bass drumming in a seven-piece setup, often expanded for live performances to include additional toms.[66][67] Throughout the 1980s, Van Halen's kits evolved toward maple shells for their brighter, more resonant tone, aligning with the band's polished production on albums like 1984.[68] Ludwig introduced a custom "Alex Van Halen" signature model in 1986, featuring personalized hardware and finishes that reflected his preference for versatile, high-volume setups.[69] Tour rigs grew more elaborate, starting from the early shows and expanding to a 5-piece arrangement with roto-toms by the 1984 tour, allowing for greater tonal variety and visual spectacle on stage.[62] In the post-2000 era, particularly during reunion tours, Van Halen opted for simplified Ludwig kits, such as Classic Maple models, to achieve an acoustic warmth that cut through modern mixes while reducing the complexity of his earlier massive configurations.[68][69] These setups focused on essential elements like double bass drums and select toms, prioritizing reliability and tone over extravagance in the band's later performances.[68]Cymbals and accessories
Alex Van Halen has maintained a long-term endorsement with Paiste cymbals, beginning his association with the brand in the late 1970s and officially joining as an artist in March 1983.[70] His classic setup from the band's early years featured a 24" Giant Beat ride cymbal for its full, powerful wash and defined ping, paired with 16" and 18" 2002 crashes known for their bright, explosive attack, and 14" New Beat hi-hats offering a crisp, versatile chick and edge.[71] This configuration provided the dynamic, rock-oriented sound that defined Van Halen's initial albums and tours. During the 1990s, particularly in the Sammy Hagar era spanning albums like For Unlawful Carnal Knowledge (1991) and Balance (1995), Van Halen shifted to Paiste's Signature series, incorporating thinner models such as 18" Fast Crashes for enhanced sustain and quicker decay to suit the era's more polished production.[71] Later collaborations with Paiste included the development of the 24" 2002 Big Ride "Reverend Al's" in 2010, a versatile ride with a silky tone and crashability tailored to classic rock demands.[72] For drumsticks, Van Halen endorses Regal Tip's signature model, a long and wide design measuring 17.75" in length and 0.570" in diameter with an oval tip for increased head contact, volume, and power—ideal for his aggressive style and grip preferences.[73] He has occasionally used other brands, but the Regal Tip sticks emphasize durability during extended performances. Among his accessories, Van Halen favors Remo drumheads, including custom Emperor Coated models branded with the Van Halen logo for their warm attack and full frequency response on toms and snare.[74][75] In live setups, he incorporates Latin Percussion cowbells for rhythmic accents, culminating in a 2024 signature 8" chrome-plated model with a high-pitched, dry overtone suited to rock grooves.[76] For bass drum operation, he employs double pedals from Ludwig, aligning with his overall hardware endorsement, to handle complex patterns on both single and dual bass configurations.Discography
Studio albums with Van Halen
Alex Van Halen was the drummer on all 12 studio albums recorded by Van Halen, spanning from the band's self-titled debut in 1978 to A Different Kind of Truth in 2012.[77] His contributions were integral to the group's hard rock sound, providing powerful, groove-oriented rhythms that complemented Eddie Van Halen's guitar work and the varying lead vocalists across the eras.[37] The albums are:- Van Halen (1978)
- Van Halen II (1979)
- Women and Children First (1980)
- Fair Warning (1981)
- Diver Down (1982)
- 1984 (1984)
- 5150 (1986)
- OU812 (1988)
- For Unlawful Carnal Knowledge (1991)
- Balance (1995)
- Van Halen III (1998)
- A Different Kind of Truth (2012)