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Anotherloverholenyohead

"Anotherloverholenyohead" is a song written, produced, and performed by American musician Prince with his backing band the Revolution, released as the eleventh track on the 1986 soundtrack album Parade for the film Under the Cherry Moon, which Prince directed and starred in. The album Parade, issued on March 31, 1986, by Paisley Park Records and Warner Bros. Records, marked the third and final release credited to Prince and the Revolution, blending funk, pop, and psychedelic elements with orchestral arrangements contributed by Clare Fischer. The song itself was recorded primarily at Sunset Sound in Hollywood, California, during late 1985, featuring Prince on most instruments alongside backing vocals from Susannah Melvoin. Issued as a single on July 2, 1986, in the United States, "Anotherloverholenyohead" reached number 63 on the Billboard Hot 100, number 18 on the Hot R&B/Hip-Hop Songs chart, and number 21 on the Dance Club Songs chart; in the United Kingdom, it peaked at number 36 in November 1986. The single's extended version, clocking in at 7:52, included additional horn overdubs by Eric Leeds and Atlanta Bliss, and was backed by "Girls & Boys" in most territories. The title is a portmanteau derived from the chorus lyric "You need another lover like you need a hole in yo head," reflecting the song's themes of pleading for in a faltering marked by and emotional investment. Clocking in at 3:58 in its album version, the track exemplifies Prince's versatile songwriting during his mid-1980s commercial peak, following hits like "" from the same album.

Background and recording

Development

"Anotherloverholenyohead" was conceived as the fourth single from 's eighth studio , , which served as the soundtrack to his directorial debut film , released in 1986. Following the blockbuster success of Purple Rain in 1984, entered a transitional creative phase with , experimenting with a fusion of , pop, and orchestral elements to align with the film's sophisticated romantic narrative set in . The song's initial writing occurred in late , during the album's core development period, drawing inspiration from themes of and emotional possession. Its distinctive portmanteau title emerged from lyrical brainstorming, condensing the chorus hook—"You need another lover like you need a hole in yo head"—into a evocative phrase to capture the protagonist's desperate plea. As a mid-tempo track, "Anotherloverholenyohead" bridges the album's upbeat singles like "Kiss" and introspective ballads such as "Sometimes It Snows in April," contributing to Parade's eclectic structure.

Recording process

The primary recording of "Anotherloverholenyohead" took place at Sunset Sound in Hollywood, California, during sessions spanning 16 and 17 December 1985, as the final track added to the Parade album, with overdubs continuing into early 1986. Engineer Susan Rogers oversaw the process, capturing Prince's solo multi-instrumental performance that formed the track's bedrock, including piano, bass guitar, Roland GR-700 guitar synthesizer, and programming on the Linn LM-1 drum machine. This approach allowed Prince to layer elements sequentially in real-time, building the rhythmic and harmonic foundation without the full Revolution band present for the initial tracking. To achieve the song's distinctive baroque texture, orchestral strings and woodwinds arranged and conducted by Clare Fischer were added. Fischer's arrangements were recorded post-initial tracking at Monterey Sound Studios in Glendale, California, in late December 1985 to early January 1986, emphasizing the minor-key drama through swelling string sections and contrapuntal lines, though only select portions were retained in the mix. Backing vocals by Susannah Melvoin provided harmonic depth during these overdubs. Rogers handled the mixing, with the initial mix completed on 17 December 1985 at Sunset Sound and final adjustments following the overdubs in early 1986, refining the blend of synthetic and acoustic elements into the 3:58 album version released on . This production emphasized Prince's vision of fusing pop-funk grooves with orchestral sophistication, completed amid the intensive sessions that ran from November 1985 to January 1986.

Composition

Musical elements

"Anotherloverholenyohead" is written in key, with verses centered in and the shifting to , at a tempo of 104 beats per minute (). This combination establishes an energetic yet introspective foundation for the track. The instrumentation begins with a piano-driven intro featuring layered, crystalline voicings by Lisa Coleman, transitioning into prominent synth-guitar riffs executed by on a synthesizer guitar. String swells arranged by provide dramatic builds throughout. A standout bass line further anchors the groove, contributing to the song's funky propulsion. Structurally, the song adheres to a verse-chorus form augmented by an extended , running 3:58 in its album version and ending with a fade-out that reinforces the underlying rhythmic . In terms of genre, "Anotherloverholenyohead" fuses funk-rock with , embodying Prince's signature through its blend of synthetic textures and live instrumentation, while Fischer's classical-inspired arrangements introduce sophisticated string elements.

Lyrics and theme

The song "Anotherloverholenyohead" centers on a core theme of possessive yearning and emotional reclamation, where the narrator pleads with a partner drifting toward due to another suitor's influence. This motif of and redemption underscores the ' exploration of a strained by perceived , portraying as an urgent battle to restore intimacy and mental . Key excerpts highlight this tension, beginning with the opening verse's depiction of and impending consequences: "I gave my , I gave my life / I gave my and ," which conveys the narrator's deep emotional investment. The reinforces a theme of , urging with the repeated plea, "You need another lover like you need a hole in your head," emphasizing resistance to external sway and a call to reaffirm the original . These lines capture the song's emotional urgency, blending with hopeful . The portmanteau title originates from a of the "another lover" with "a hole in yo' head," evoking not just physical but mental and intimate control, a hallmark of Prince's playful yet profound style. This linguistic twist transforms a simple warning into a multifaceted , symbolizing the narrator's desire to recapture the partner's thoughts and . In broader context, the track ties into the romantic intrigue of the film , for which serves as the soundtrack, framing love as a contest of dominance amid opulent, dramatic pursuits. This aligns with the movie's narrative of seduction and rivalry, where emotional possession mirrors the characters' high-stakes affections.

Release and commercial performance

Release details

"Anotherloverholenyohead" was released as the fourth single from the album on July 2, 1986, by and in the United States, following the single "Mountains" and coinciding with the theatrical premiere of the associated film on the same day. The was issued in multiple formats, including a 7-inch edition featuring an edited version of the track at 3:23, backed by "Girls & Boys" as the B-side in the . The 12-inch , released on July 30, 1986, in the , included an extended version of "Anotherloverholenyohead" running 7:52 and the "Girls & Boys" B-side. In the UK and , the 7-inch release on October 20, 1986, paired the 3:23 edit with "" as the B-side, while the 12-inch version mirrored the extended content. The song was also included on the original album in , cassette, and formats upon its March 1986 release, but no standalone was issued until the posthumous reissues following Prince's death in 2016. As a soundtrack single, "Anotherloverholenyohead" was promoted to support 's box office performance, with radio stations prioritizing the accessible 3:23 edit to broaden appeal amid the film's marketing push.

Chart performance

"Anotherloverholenyohead" achieved moderate commercial success upon its release, peaking at number 63 on the US chart in August 1986 and spending 10 weeks on the tally. On the Hot Black Singles chart, it reached number 18 over 12 weeks, reflecting stronger performance among R&B audiences despite competition from prior singles like "" and "Mountains" from the same album. It also peaked at number 21 on the Dance Club Songs chart. The track's Hot 100 airplay was relatively subdued, impacted by the dominance of other releases, including "," which topped the earlier that year. In the , the debuted on the Gallup Singles Chart in 1986, peaking at number 36 and charting for three weeks, benefiting from the lingering hype surrounding 's Purple Rain era and the film. This modest international showing aligned with the song's position as a later release in the promotional cycle, following the blockbuster success of "Kiss." Internationally, it also peaked at number 36 in and number 15 in Ireland, but failed to chart notably in or additional markets beyond the UK. The single's performance was bolstered by the Parade album's strong commercial run, which peaked at number 3 on the 200. However, its later timing in the album's rollout—after the number-one hit ""—contributed to it being overshadowed, limiting broader global penetration.
Chart (1986)Peak PositionWeeks on Chart
US 6310
US Billboard Hot Black Singles1812
US Dance Club Songs21Unknown
UK Singles (OCC)363
Ireland (IRMA)15Unknown
New Zealand (RMNZ)36Unknown

Promotion

Music video

The music video for "Anotherloverholenyohead" was filmed on June 7, 1986—Prince's 28th birthday—at Cobo Arena in Detroit, Michigan, during a special concert segment of the Parade Tour, capturing the high-energy live rendition by Prince and the Revolution. Directed by Daniel Kleinman, the production involved key crew members including producers Bob Cavallo, Joe Ruffalo, and Steve Fargnoli, co-producer Simon Fields, director of photography Jerry Watson, editor Steve Purcell, and recording engineer Susan Rogers, employing a multi-camera setup to capture dynamic stage lighting effects and lively crowd interactions. The video features color footage of the live performance, showcasing Prince on guitar amid intense solos, intercut with shots of Revolution band members like Wendy Melvoin, Lisa Coleman, and Matt "Doctor" Fink, alongside enthusiastic audience reactions; with a runtime of 3:18, it highlights the song's raw concert vitality without any scripted narrative. It premiered on MTV during the week of July 7, 1986, and was later distributed on the 1990 VHS compilation Nothing Compares 2 Him as well as the 2004 DVD release of Under the Cherry Moon, functioning solely as a promotional live clip to amplify the single's visibility.

Live performances

"Anotherloverholenyohead" debuted live on March 3, 1986, at First Avenue in Minneapolis during the opening night of the Parade Tour, serving as a mid-set highlight that showcased extended instrumental solos by Prince on piano and guitar. The song became a staple of the tour's setlist, performed regularly across its approximately 30 dates in North America, Europe, and Asia, typically mid-set, after earlier tracks including "Controversy" and before later tracks such as "Girls & Boys." This placement emphasized the track's energetic transition in the Revolution's final outing together before their disbandment later that year. A notable rendition occurred on June 7, 1986—Prince's 28th birthday—at Cobo Arena in , , where the performance was filmed and later edited into the official music video, capturing the full band's dynamic interplay with horn accents from and Matt "Atlanta Bliss" Blistan. The Parade Tour concluded on September 9, 1986, in , , marking the song's primary era of consistent live delivery in a high-energy format that highlighted Prince's improvisational skills and audience engagement through call-and-response elements in the chorus. The song saw occasional revivals in later years, including a 2006 performance at the Aladdin Theatre in where mashed it with The B-52's "" for an extended funky outro. In 2007, it appeared in a medley with "Joy in Repetition" and "" during the 21 Nights residency at London's . The final known live performance took place on June 27, 2011, during an appearance on the French TV show Le Grand Journal in , where it opened the set with a streamlined arrangement focusing on 's piano work. These later adaptations often shortened the track for broadcast or medley purposes while retaining its core rhythmic drive and vocal intensity.

Reception and legacy

Critical reception

Upon its release in 1986 as part of the soundtrack album, "Anotherloverholenyohead" garnered praise from critics for its energetic groove and melodic appeal, though some noted its place within the album's broader . Jon Bream, writing in the , predicted strong chart performance, calling it a fusion of " meets with a tough line, a string-section passage and scratch sounds rendered by rhythm machines." Retrospective analyses have reinforced the song's reputation as a strong funk-pop entry in 's catalog, often citing its rhythmic drive and playful elements amid 's hit-dominated tracklist. In his 2022 book Prince: All the Songs, biographer Benoît Clerc analyzed the track's lyrical wit, noting how its punning title and themes of romantic overload reflect 's clever wordplay and thematic depth. Critics commonly lauded the song's innovative title and infectious groove as highlights of its danceable energy, yet critiqued it for being somewhat overshadowed by 's blockbuster singles like "," which overshadowed its relative lack of boundary-pushing innovation.

Legacy

No major official covers exist by prominent artists, though rare live renditions by tribute bands, including singer Morten Abel's version on the 2008 tribute album Shockadelica, keep its spirit alive in niche performances. The song was remastered for the 2016 reissue of , enhancing its archival accessibility and underscoring its enduring appeal as a fan favorite for its high-energy live renditions, which contributed to Prince's overall legacy as a Rock & Roll Hall of Fame inductee in 2004.

Credits

Songwriting and production

"Anotherloverholenyohead" was written solely by Prince (full name: Prince Rogers Nelson), who also handled the composition and arrangement, with no co-writers credited. As the primary producer, Prince oversaw the track's development, credited collectively to Prince and the Revolution on the album Parade. Engineering duties were performed by Susan Rogers, who captured the core recordings at Sunset Sound in Hollywood, California, during December 1985. Clare Fischer provided orchestral supervision, integrating strings and horns recorded at Monterey Sound Studios in , in mid-to-late January 1986, adding a layer of symphonic texture to the funk-driven composition. Publishing for the song is controlled by Controversy Music and administered by , consistent with Prince's ownership of his material during this era. Prince directed the creation of version variations for commercial release, including a single edit shortened from the album's 3:58 length to 3:23 for radio airplay, as well as an extended 7:53 mix featuring additional horn overdubs by Eric Leeds and Atlanta Bliss.

Musicians

The recording of "Anotherloverholenyohead" primarily featured Prince handling multiple instruments, reflecting his hands-on approach during the Parade sessions. Prince performed lead vocals, played piano, guitar synthesizer (using a Roland GR-700), drum programming (via Linn LM-1), and bass guitar, while the track credits the full Revolution band, with members contributing keyboards (Lisa Coleman), guitar (Wendy Melvoin), drums (Bobby Z.), and bass (Brown Mark). Susannah Melvoin, twin sister of guitarist , contributed backing vocals, adding layered harmonies that enhanced the track's emotional intensity. For the single's extended version, horn accents were overdubbed by on saxophone and "Atlanta Bliss" on , providing brief but punchy interludes absent from the album cut. Orchestral depth was achieved through strings arranged and conducted by , involving a ensemble of violinists (including Isabelle Daskoff and Assa Drori), cellists (such as Ray Kelley and Fred Seykora), and other string players, though only select elements appear in the final mix to underscore the song's climactic sections.

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