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Anthony Shim

Anthony Shim is a Canadian filmmaker and of descent, best known for directing and writing the critically acclaimed Riceboy Sleeps (), which explores the experiences of immigrants in and won the Platform Prize at the . Born in , , Shim immigrated to , , with his family in the early 1990s, where he grew up on and in . He began his career in the arts after enrolling in a high school class, subsequently co-founding a theatre company where he served as while acting, producing, and directing various productions. His transition to film came with his feature directorial debut, (), a micro-budget of his own that marked his entry into narrative filmmaking. Shim's breakthrough arrived with Riceboy Sleeps, a semi-autobiographical story inspired by his relationship with his single mother and the challenges of immigrant life, which premiered at the and earned six nominations at the , including for best motion picture, direction, and original screenplay. The film also secured the Rogers Best Canadian Film Award from the , along with an audience award at the Glasgow Film Festival, and a Best Screenplay nomination at the 2023 . In addition to directing, Shim has appeared as an actor in projects such as Supernatural and , though his recent work emphasizes writing and directing films centered on themes. Currently based between and , he is attached to direct the adaptation of the novel Offerings.

Early life

Birth and family background

Anthony Shim was born on July 27, 1986, in , , to parents. His early years were spent in the bustling capital city, immersed in a traditional cultural environment that emphasized family bonds and educational achievement as core values. Shim grew up alongside his younger sister, with his mother taking on a primary role of provider and nurturer. She instilled a strong and determination in her children, prioritizing opportunities for their personal and academic growth. This familial dynamic in shaped Shim's sense of resilience and close-knit relationships, laying the foundation for his later creative pursuits.

Immigration and childhood

In 1994, at the age of eight, Anthony Shim immigrated to from , , with his family, settling initially in the Vancouver suburb of . The family later spent time on , including in the city of , where Shim grew up navigating life as one of the few children in predominantly white communities. Following the death of his father later in life, Shim grew up primarily in a single-mother household. As a young immigrant in , Shim faced significant cultural adjustments, including feelings of alienation and pressure to assimilate into a society where he was often the only Asian child in school. He encountered casual , , and , which highlighted the challenges of maintaining amid efforts to fit into Canadian norms, such as embarrassment over traditional foods and language differences. Shim's mother made profound sacrifices to support the family, working as a blue-collar while raising him as a . These experiences of familial resilience and personal struggle amid immigrant hardships would later loosely inform aspects of his creative work, reflecting broader themes of adaptation and identity.

Career

Acting roles

Anthony Shim began his acting career in 2003, prompted by his mother enrolling him in high school drama classes to help overcome his shyness. He continued training at the Lyric School of Acting under instructor Kate Twa, where he also developed his voice work skills. This early encouragement led to his professional entry into the industry, initially through theater and small screen appearances. Shim's early film roles included portraying Mark in the horror thriller (2013), a supporting character in the supernatural drama. That same year, he appeared as a barista in , a fantasy adventure filmed in . On television, he guest-starred as the angel Nithael in the episode "" (2016), marking one of his first genre roles. These early credits established Shim in supporting parts within Canadian and international productions often shot in . In his mid-career, Shim expanded into larger ensemble casts and recurring television work. He played Jin, a crew member, in the blockbuster (2016), filmed partly in . Shim had a recurring role as Zhen across five episodes of the /Super Écran soccer drama 21 Thunder (2017). He portrayed Hideo in the sci-fi film (2018), directed by Drake Doremus. Further television credits included Detective Mishima in three episodes of Amazon's The Man in the High Castle (2018). In film, he appeared as a checkpoint guard in the romantic sci-fi Little Fish (2020) and as Ben in the comedy The Right One (2021). Throughout his acting tenure, Shim amassed over a dozen credits in film and television, predominantly in Vancouver-located productions such as Star Trek Beyond and 21 Thunder, honing his craft in supporting and character roles. This foundation later informed his transition to directing, beginning with short films.

Directing projects

Anthony Shim transitioned from acting to directing with his debut feature film Daughter in 2019, drawing on personal experiences of loss to explore themes of grief and familial bonds. The film follows Jim, a divorced father played by John Cassini, who descends into isolation and self-destruction following his daughter's death, eventually confronting his past through unexpected connections. It premiered at the Vancouver International Film Festival in the BC Spotlight program, marking Shim's entry into feature filmmaking as a Vancouver-based writer-director. Daughter received seven nominations at the 2020 Leo Awards, including for Best Motion Picture, Best Direction, Best Screenwriting, Best Lead Performance by a Male (John Cassini), Best Supporting Performance by a Female (Gabrielle Rose), Best Cinematography, and Best Picture Editing; it won Best Supporting Performance by a Female for Gabrielle Rose. Shim's second feature, Riceboy Sleeps (2022), served as his breakthrough, a semi-autobiographical drama centered on the immigrant experience of a single mother and her son navigating life in 1990s suburban . After the death of her husband, So-young () relocates from to with her young son Dong-hyun (Dohyun Noel Hwang as a child, Ethan Hwang as a teenager), facing cultural , , and the strains of while striving for a better future. The film had its world premiere at the in 2022 and was primarily shot in the area, emphasizing authentic depictions of Korean-Canadian suburban life. Shim, who also appears in a supporting role, infused the project with insights from his own upbringing, highlighting the emotional toll of mother-son dynamics amid displacement. In 2023, Shim was announced as writer and for Offerings, an of the acclaimed coming-of-age novel by Kim Byung-ju (pen name Michael Kim), which draws from the 1990s Asian . The story follows Dae, a Korean-American banker confronting personal turmoil, family secrets, and corruption during a high-stakes bond offering in . Produced by and Anthology Studios in a Canada-Korea co-production, filming is slated to begin in fall 2024 across and the . Across his directorial works, Shim consistently examines immigrant experiences, particularly within Korean-Canadian contexts, delving into mother-son relationships, cultural identity, and the search for belonging amid generational and societal pressures. His background in has informed a nuanced approach to character-driven , allowing him to blend personal authenticity with broader explorations of challenges.

Awards and recognition

For Riceboy Sleeps

Riceboy Sleeps, Anthony Shim's second , garnered significant critical acclaim for its sensitive portrayal of immigrant life in 1990s , earning a 94% approval rating on based on 36 reviews. Critics praised the film's compassionate and poetic storytelling, with describing it as a "graceful, moving immigrant " that handles familiar themes with "delicate, precise" insight. The highlighted its emotional depth as a "classic ," signaling Shim's emergence as a notable Canadian filmmaker. This positive reception underscored the film's impact in addressing and family bonds, contributing to its breakthrough status. The film won the Platform Prize at the , recognizing its innovative storytelling and bold directorial vision. It earned six nominations at the 2023 , including for Best Motion Picture, Best Direction, and Best Original Screenplay; Shim received the for Best Original Screenplay for the film's script, which drew from his semi-autobiographical experiences. That same year, Riceboy Sleeps was awarded the Rogers Best Canadian Film by the , the largest film prize in valued at $100,000, affirming its excellence among domestic productions. The film also won the Audience Award at the 2023 Glasgow Film Festival. Shim also earned the inaugural Jean-Marc Vallée Discovery Award from the Directors Guild of Canada in 2022 for outstanding direction in Riceboy Sleeps, honoring emerging talent in the field. The film was selected for TIFF's Canada's Top Ten list in 2022, spotlighting it among the year's standout Canadian features. Furthermore, Riceboy Sleeps achieved international recognition through screenings at festivals including the Busan International Film Festival, Tromsø International Film Festival, and the Asia Pacific Screen Awards, where it won Best Screenplay in 2023, broadening its global reach and influence. In 2024, at the Tromsø International Film Festival, it received the Don Quixote Award Special Mention and the FIPRESCI Prize.

Other honors

Shim's directorial debut, (2019), earned nominations at the 2020 , including for Best Motion Picture and Best Picture Editing in a Motion Picture. In addition to major accolades for Riceboy Sleeps, the film received the WIFF Prize in Canadian Film at the 2022 Windsor International , a $25,000 award recognizing outstanding Canadian cinema. It was also nominated for the Nechama Rivilin Award for Best International Film at the 2023 . Shim's contributions to cinema have led to broader recognition, including membership in the Asia Pacific Screen Academy, where he joins international peers in selecting APSA honorees. He has also served on prominent festival juries, such as the 2023 Toronto International Film Festival's Platform Prize jury, chaired by alongside .

References

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