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Anti World Tour

The ANTI World Tour (stylized as ANTI World Tour) was the seventh by Barbadian singer , launched to promote her eighth studio album, (2016). Announced on November 23, 2015, and produced by Live Nation, the tour was initially set to begin on February 26, 2016, at in , , but production delays led to a postponement, with the first show occurring on March 12, 2016, at Jacksonville Veterans Memorial Arena in . Spanning , , and the , it featured 75 shows across 20 countries, with special guests including for the North American leg and for the European dates. The tour concluded as the headline performance for the Formula 1 after-race concert on November 27, 2016, at du Arena in , . Commercially, it became one of Rihanna's highest-grossing tours, generating over $110 million in revenue from an average of $1.2 million per show. The production, known for its elaborate stage design, thematic transitions between intimacy and spectacle, and a setlist blending Anti tracks like "Work" and "Needed Me" with hits such as "Stay," "Diamonds," and "Umbrella," earned widespread acclaim for Rihanna's vocal delivery and energetic performances.

Background and Development

Album Promotion Context

Rihanna's eighth studio album, , was released on January 28, 2016, through and Westbury Road Entertainment, representing a deliberate pivot from her earlier sound to more experimental R&B and pop influences. The project incorporated eclectic elements such as , , and , highlighted by standout tracks like "Work" featuring and "," which showcased Rihanna's evolving vocal delivery and thematic depth. This shift allowed Rihanna to explore personal artistry beyond commercial constraints, distinguishing as her most introspective work to date. The album's rollout was marked by a digital release after an accidental leak on the previous day, with initial exclusivity to the streaming platform through a that included one million free downloads via promotion. Leading singles drove significant momentum; "Work" debuted as the lead and topped the for nine consecutive weeks, becoming Rihanna's 14th number-one hit and underscoring the album's commercial viability despite its unconventional approach. Anti's core themes of rebellion against industry norms and personal introspection directly informed the conceptual branding of the subsequent tour, framing it as an "anti" spectacle that subverted traditional mainstream pop extravagance with raw, genre-blending energy. The album's defiant ethos—evident in lyrics confronting relationships, independence, and societal expectations—positioned the live shows as a continuation of this artistic rebellion, emphasizing emotional vulnerability over polished perfection. Key promotional moments early in the tour included Rihanna's medley performance of "Work" and "" at the 2016 on April 3, which incorporated dynamic staging and choreography similar to the tour's innovative production style. This event amplified 's visibility and sustained anticipation by blending the album's hits with visual flair. The tour announcement itself served as a natural extension of this hype, revealed in November 2015 to capitalize on the album's growing buzz.

Tour Announcement and Planning

The Anti World Tour was officially announced on November 23, 2015, through Rihanna's account and a from her label , revealing plans for her seventh concert tour in support of the forthcoming Anti. The tour's name directly referenced the , embodying its defiant, genre-defying ethos that challenged pop conventions with raw, experimental sounds. This reveal served as an early promotional anchor for the , which had been teased since 2014 but faced delays in its full release. Produced in partnership with Live Nation for global routing and logistics, the tour's initial planning centered on 26 arena dates across , marking Rihanna's return to a full-scale arena production since her 2013 . The North American leg was scheduled to commence on February 26, 2016, at in , California, with tickets for these shows entering presale for cardholders and subscribers on November 30, 2015, followed by general onsale on December 4, 2015, at noon local time. European dates were announced simultaneously, set to begin on June 11, 2016, at Amsterdam Arena in the , while legs were added later in planning to extend the tour's international reach. Key strategic decisions in the planning phase included multi-night residencies in major markets to maximize capacity and fan access, such as three shows at in , , from March 29 to March 31, 2016. Rehearsals commenced in early 2016 in , allowing the production team to refine the tour's structure ahead of the postponed opening due to production delays. These elements positioned the Anti World Tour as a comprehensive global endeavor, blending high-energy arena performances with broad geographic coverage.

Production and Logistics

Creative and Design Team

The creative and design team for 's Anti World Tour was led by the artist herself, who shaped the tour's overall vision to reflect the rebellious and eclectic spirit of her eighth studio album, . Willo Perron served as , a role in which he designed the sets, lighting, video content, and broader artistic elements, drawing on his decade-long collaboration with to create a futuristic, immersive . Choreography was developed collaboratively by a team of specialists, including Parris Goebel, who contributed to the high-energy, vogue-influenced routines showcased from the tour's opening night onward, and Nadine "Hi-Hat" Ruffin, part of the core group crafting the performance sequences. The musical arrangements were supported by a live band tailored to Anti's genre-blending sound, featuring guitarists, drummers, backup vocalists, and keyboardist Monte Neuble, ensuring a blend of live instrumentation and electronic elements during shows. Rihanna's wardrobe was curated through close collaboration with designer Adam Selman, who produced custom pieces like ruched bodysuits and that embodied the tour's aesthetic while prioritizing mobility for . Scenic projections and were handled by a dedicated design team, incorporating of defiance and innovation to complement the performances without overshadowing the music. The support staff, including production managers and security leads under Live Nation's oversight, formed a diverse ensemble that mirrored Rihanna's international fanbase and ensured seamless global execution.

Stage and Technical Setup

The stage design for the Anti World Tour featured a minimalist aesthetic dominated by white geometric shapes, including cubes, rectangles, and wrapped risers that created a clean, modern platform for performances. A central catwalk extended into the audience, allowing Rihanna to traverse the arena floor during songs like "Pose," while a secondary B-stage, supported by a flying bridge mechanism, enabled intimate segments closer to fans. This setup was complemented by a prominent WinVision Air 9mm LED monolith screen with custom mirror-tint plates positioned at the rear, providing immersive visuals that synchronized with performances, such as dynamic content playback during high-energy tracks. Lighting and effects were integral to the production's atmosphere, with designer Jesse Blevins creating explosions of light integrated into the show's pacing. A massive overhead served dual purposes as both a array and video screen, adapting seamlessly between illumination for dramatic and visuals. included a custom 10-foot foam wall, dubbed the "shower curtain," which cascaded biodegradable foam during "" for a thematic shower scene, produced by Pyrotek . The sound system utilized arrays for arena-filling clarity, configured with 10 K1 over 6 K2 mains per side, 12 K2 outfills per side, and 24 SB28 subwoofers in cardioid groups for optimized low-end distribution without excessive bleed. Performers relied on 64 Audio ADEL in-ear monitors for precise monitoring during the dynamic set. Video elements were managed by eight Hippotizer V3 servers (four mains and four backups) in various modes for timecoded playback and effects, ensuring synchronized projections across the LED surfaces. These technical choices reflected the creative vision's emphasis on intimacy and precision over extravagance.

Concert Overview

Set List and Performance Structure

The Anti World Tour featured a standard set list of approximately 25 to 30 songs, blending tracks from Rihanna's eighth studio album Anti (2016) with her career-spanning hits, performed over roughly 90 minutes. The show opened with the ballad "Stay" (featuring Mikky Ekko), performed intimately amid the audience on a B-stage, setting a vulnerable tone before transitioning to high-energy numbers like "Love the Way You Lie (Part II)" (with Eminem) and "Woo". Early segments emphasized seductive, trap-infused Anti cuts such as "Sex with Me", "Birthday Cake", "Pour It Up", and "Numb", interspersed with medleys of collaborations including "Live Your Life" (with T.I.), "All of the Lights" (with ), and "Run This Town" (with ). Mid-show highlights included "Bitch Better Have My Money" and "Consideration", the latter serving as a pivotal Anti showcase with Rihanna emerging on a floating platform for dynamic staging. The performance built to explosive hits like "Umbrella", "Rude Boy", "We Found Love", and "Where Have You Been", before culminating in the tour's finale, "Work", a dancehall-infused Anti single that ignited crowd participation with its repetitive hooks. The show's structure was divided into distinct acts connected by a moving bridge and catwalk, allowing Rihanna to traverse the arena for closer audience engagement, with transitions featuring costume changes—often six or more outfits designed by stylist Mel Ottenberg, including hooded coats, embellished jumpsuits, and bold accessories from brands like Giuseppe Zanotti and Armani Privé. Fan interactions peaked during "Pour It Up", where Rihanna and dancers hyped the crowd with choreographed twerking and direct calls to the audience, while slower moments like "Needed Me" and "Desperado" incorporated brief banter, such as Rihanna querying fans on album sales. Encores typically featured emotive closers "Diamonds", "FourFiveSeconds" (with Paul McCartney and Kanye West), and "Love on the Brain", emphasizing raw vocal delivery amid piano and guitar accents. Supporting the flow was an eight-piece live band providing robust instrumentation, including guitar solos and percussion to bridge segments, alongside a team of about 17 dancers who executed precise choreography blending voguing, breaking, and contemporary styles to enhance song transitions and amplify Rihanna's commanding stage presence. Rihanna's vocals adapted fluidly to the live setting, shifting from pre-recorded elements in high-energy tracks to unaccompanied belts in ballads, reflecting adjustments honed during rehearsals to maintain pacing despite occasional rushed medleys for crowd momentum. Minor regional variations occurred, such as the inclusion of "Rude Boy" earlier in European dates for localized dancehall flair, while overall sequencing evolved slightly from initial rehearsals to prioritize seamless energy shifts in live executions.

Tour Itinerary and Venues

The Anti World Tour consisted of 75 concerts across three legs, beginning on March 12, 2016, at the Jacksonville Veterans Memorial Arena in , and concluding on November 27, 2016, at the Du Arena in , . The tour covered with 40 arena dates from March to May, with 20 stadium performances from June to August, and a final Oceania-Asia leg featuring 4 Australian shows in October and 11 Asian dates through November. Key venues were selected for their high capacities and acoustic qualities, including multi-night residencies at the in (April 6 and 8), the Air Canada Centre in (April 12 and 14), and The Forum in (May 3 and 4). In Europe, standout locations encompassed in (June 24) and in (July 14), while the Australian portion highlighted Etihad Stadium in (October 12) and Allphones Arena in (October 10). High demand prompted expansions, with additional dates added in cities including (March 30 at ), (April 30 at ), and (May 4 at The Forum). Logistical coordination for the global itinerary involved private jets for the artist, such as the flight to ahead of the April 6 show, alongside tour buses for the crew and arrangements for international visas and acclimation across continents. The set list remained largely consistent throughout the venues, providing a standardized performance structure for audiences worldwide.

Reception and Impact

Critical Reviews

The Anti World Tour received widespread critical acclaim for Rihanna's commanding stage presence, vocal delivery, and the innovative minimalism of its production design. Reviews from major outlets such as The Guardian and The New York Times highlighted her charisma as a central strength, describing her as a performer who could captivate audiences with minimal embellishments, often likening her to a "tent preacher and part dominatrix" who mastered the arena space through sheer personality. The tour's staging, featuring stark white aesthetics, moving catwalks, and subtle visual effects like pulsing cocoons, was praised for its futuristic restraint, allowing Rihanna's performance to take center stage rather than overwhelming it with spectacle. Overall, critics assigned ratings averaging around 4 out of 5 stars, reflecting a consensus on its artistic triumph despite some structural quibbles. A recurring theme in reviews was the tour's effective balance of deep cuts from the Anti album with longstanding hits, creating a narrative arc that celebrated Rihanna's evolution while delivering fan favorites. Tracks like "Needed Me" and "Kiss It Better" were lauded for coming alive in live settings, showcasing vulnerability through raw emotional conviction, particularly in ballads such as "Love on the Brain." However, some critiques noted pacing issues during slower segments, including an unconventional ballad-heavy opening that felt like a mid-set lull and occasionally rushed medleys of older hits, which disrupted momentum in songs like "Same Ol' Mistakes." Billboard recaps emphasized the setlist's well-defined moods, blending introspection with high-energy anthems to maintain engagement. Regional variations in coverage underscored different emphases: North American reviews, such as those from and , focused on the electric crowd energy and Rihanna's interactive rapport, with audiences fueling high-octane moments amid the tour's subdued production. In , critiques from and highlighted theatrical elements and emotional depth, praising how the minimalist staging amplified Rihanna's "prowling charisma" and innovative costumes, like all-white ensembles evoking "Star Wars chic." Coverage from and was more limited, with sparse reports. Influential commentary captured the tour's essence as a bold artistic statement; The Guardian dubbed it a "hit-packed victory lap" that compensated for any vocal inconsistencies with impeccable choreography and Rihanna's peak showmanship. Similarly, Vanity Fair portrayed it as a platform for Rihanna's mature persona, where she luxuriated in Anti's tracks to blend vulnerability with unapologetic spectacle, marking a triumphant evolution in her live dominance.

Commercial Success

The Anti World Tour achieved significant commercial success, grossing over $110 million across its 75 shows according to Billboard Boxscore data, positioning it as one of the highest-grossing concert tours of 2016 and marking Rihanna's most financially lucrative outing to date. This figure surpassed her previous record set by the 2011 Loud Tour, which earned $90 million, and reflected strong demand for the arena-based production supporting her eighth studio album, Anti. The tour's revenue was bolstered by an average gross of approximately $1.2 million per show, highlighting Rihanna's enduring draw as a live performer in the mid-2010s pop landscape. Reported attendance figures from 38 dates totaled 593,000, with overall attendance nearing 1 million fans. Ticket pricing contributed to the robust earnings, with standard seats averaging around $150 and premium VIP packages reaching up to $1,000, including perks like meet-and-greets and exclusive merchandise. Positive further fueled demand, amplifying the tour's visibility during its run. The tour's momentum also extended to chart performance, propelling back to the No. 1 spot on the in March 2016 shortly after the North American leg began, where it held or re-entered the top ranks multiple times amid heightened promotion. Related singles like "Work" and "" similarly benefited, re-entering the and sustaining streams and sales tied to live performances, which helped the album accumulate over 1.8 million equivalent album units in the U.S. for 2016 alone. This between touring and recorded music success exemplified Rihanna's integrated promotional strategy during the .

Challenges and Cancellations

Postponed and Cancelled Dates

The Anti World Tour experienced several disruptions early in its run, primarily affecting the initial North American leg. In February 2016, eight dates originally scheduled for late February and early March—including shows in (February 26), (February 29), Austin (March 1), (March 3), (March 5), (March 8), New Orleans (March 10), and Oakland (March 12)—were postponed due to production delays compounded by Rihanna's , which had already forced her to cancel a performance at the earlier that month. These postponements shifted the tour's start to March 12 in , with the affected shows rescheduled to April and May without issuing full refunds; instead, existing tickets remained valid for the new dates. Two European dates were outright cancelled prior to the tour's commencement. The June 16 show at Principality Stadium in , , and the June 18 concert at Stadium of Light in , , were axed in 2016 for logistical reasons beyond the production team's control, with full refunds provided to ticket holders. During the European leg, an additional cancellation occurred on July 15 in Nice, France, at , following the terrorist attack that killed 84 people; the decision prioritized public safety amid heightened security concerns, and refunds were issued to fans. No further cancellations were reported for the remainder of the tour, which concluded successfully in November 2016. These schedule changes, while disruptive, were largely resolved without legal repercussions, as affected audiences received either rescheduled access or financial reimbursements, allowing the tour to maintain its overall momentum across 73 completed shows.

Notable Incidents

During the lead-up to the Anti World Tour, faced significant health challenges when she was diagnosed with in February 2016, prompting her doctor to place her on 48 hours of vocal rest to prevent potential hemorrhaging of her . This condition forced her to withdraw from a scheduled performance at the and resulted in the postponement of the tour's initial dates from late February to mid-March. A highlight of fan and celebrity interactions occurred on April 14, 2016, during the second night of shows at Toronto's Air Canada Centre, where made a surprise onstage appearance. The Canadian rapper joined to perform their collaborative hits "Work" and "One Dance," drawing enthusiastic cheers from the crowd and showcasing their longstanding professional chemistry. Another memorable moment unfolded on June 21, 2016, at Dublin's , when became visibly emotional during her performance of "Love the Way You Lie (Part II)." Overcome with tears, she abruptly cut the song short, later explaining it as a personal connection to the track's themes of vulnerability; she also met UFC fighter backstage, adding to the night's celebrity buzz. This incident sparked concern among fans but highlighted 's raw emotional engagement with her material. In the tour's Middle East leg finale on November 27, 2016, at Abu Dhabi's Du Arena, Rihanna delivered a high-energy set without reported disruptions. No major safety incidents involving the crew were documented throughout the tour.

Legacy

Cultural and Industry Influence

The Anti World Tour significantly reinforced Rihanna's status as a global , showcasing her evolution from a chart-topping to a multifaceted cultural force through its blend of intimate performances and bold artistic expression. Critics praised the tour for highlighting Rihanna's vocal maturity and commanding stage presence, positioning her as a defiant figure in who challenged conventional pop norms. In terms of fashion influence, the tour's wardrobe, curated by stylist , featured custom pieces from emerging designers such as Craig Green and Giuseppe Zanotti, spotlighting silhouettes like oversized coats, lace-up bodysuits, and structured suits in neutral palettes. These outfits not only dominated headlines but also popularized minimalist and high- elements in everyday style, encouraging broader adoption of bold, gender-fluid aesthetics among fans and influencing runway trends in subsequent seasons. The production featured voguing performers, celebrating queer culture on a major platform. On the industry front, the tour elevated standards for pop concerts by prioritizing visual and immersive, narrative-driven sets over elaborate , with minimalist and thematic transitions that emphasized emotional depth. This approach set a for integrating concepts into live experiences, influencing the production design of subsequent tours by emphasizing artistry and fan connection. The tour received notable recognition, ranking No. 61 on Pollstar's Top 100 Worldwide Tours of 2016 with a gross of $61.4 million from 59 reported shows. It also bolstered Rihanna's view counts on through fan-uploaded clips and official highlights from the performances. Social media amplified the tour's reach, with #AntiWorldTour becoming a global trending topic as fans shared videos, memes, and outfit recreations, generating widespread engagement that exemplified evolving fan-artist interaction models in the digital era.

Post-Tour Recordings and Broadcasts

Following the Anti World Tour's conclusion in November 2016, Rihanna's team released an official tour program book featuring high-resolution photographs of the production, stage designs, and behind-the-scenes moments from various shows, bundled with a deluxe edition of the Anti album containing bonus tracks and artwork. A complete concert film capturing Rihanna's headline set at the 2016 Budweiser Made in America Festival in Philadelphia—incorporating key elements of the tour's setlist and choreography—was made available for streaming on platforms including Qello Concerts and Amazon Prime Video later that year. No comprehensive 4K Blu-ray edition of a full tour performance has been issued as of 2025, though select official clips from tour dates appeared on Rihanna's channel in the years following. Fan-recorded videos, often compiled into unofficial full-show edits, proliferated on , with popular uploads exceeding 10 million views each and sustaining interest in the tour's high-energy staging and medley arrangements. These bootlegs have shaped a dedicated online community, where fans trade and remaster footage, extending the tour's accessibility beyond official channels.

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