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Travis Scott


Jacques Bermon Webster II (born April 30, 1991), known professionally as Travis Scott, is an American rapper, singer, songwriter, and record producer recognized for pioneering a psychedelic subgenre characterized by atmospheric production and auto-tuned vocals. Raised in a suburb, Scott began producing music as a teenager and gained initial traction through mixtapes and production credits for artists like in the early 2010s. Scott's breakthrough came with his 2015 debut album , followed by commercial successes including Birds in the Trap Sing McKnight (2016) and Astroworld (2018), the latter certified multi-platinum with over 16 million equivalent units sold worldwide. His discography has amassed more than 70 million equivalent album sales, bolstered by hit singles such as "" featuring , which has exceeded 3 billion streams. Scott has received ten Grammy Award nominations, a Latin Grammy, and multiple , while his tours, including the record-breaking in 2024-2025, rank among the highest-grossing for a solo rapper. Beyond music, Scott has built a business empire through , apparel lines, and high-profile collaborations with on sneakers and on meal promotions, contributing to an estimated net worth of $80 million as of 2025. His signature high-energy, mosh-pit-encouraging performances have drawn praise for innovation but also scrutiny for safety issues, culminating in the 2021 in that killed ten attendees and injured hundreds amid overcrowding and compression against barriers. Multiple lawsuits alleged by Scott and organizers Live Nation, though criminal charges against him were declined. Recent legal troubles include a 2024 arrest in for an altercation with a at a , from which he was released without charges.

Early Life

Family Background and Childhood

Jacques Bermon Webster II, professionally known as Travis Scott, was born on April 30, 1991, in , , to parents Wanda Webster and Jacques Webster Sr.. Wanda worked in corporate roles, including at , while Jacques Sr. owned a music equipment rental business and pursued musical interests himself.. The family included Webster's two younger brothers, and Joshua, and maintained ties to extended relatives involved in music, such as his grandfather, a jazz composer.. From ages one to six, Webster primarily resided with his paternal grandmother, Sealie, in Houston's South Park neighborhood, a low-income area marked by elevated crime rates that later informed elements of his artistic themes.. At around age six, following family relocation enabled by his father's business, he moved to the middle-class suburb of Missouri City, south of Houston, where his parents raised the children in a stable household.. This shift from urban hardship to suburban normalcy exposed Webster to contrasting environments, with the former fostering early resilience amid local dangers like gang activity.. Webster's childhood interests leaned toward music production, influenced by his father's sound engineering background and access to equipment, though he did not formally study instruments until later.. Family dynamics emphasized self-reliance, as Webster has described periodic stays with his grandmother shaping his independence, while parental support provided resources for creative pursuits without early professional pressure..

Education and Initial Musical Pursuits

Webster attended Elkins High School in , graduating in 2008 at the age of 17 after completing the program a year early. During this period, he participated in musical theater and began skipping classes to experiment with music , fostering an early interest in beats and recording. He formed a hip-hop group called The Classmates with high school friends Chris Holloway and OG Chess, marking his initial foray into collaborative music efforts. Following high school, Webster enrolled at the University of Texas at San Antonio but dropped out during his sophomore year around 2009–2010 to prioritize music full-time. His parents had conditioned financial support for a home studio on his continued enrollment in college, but withdrew aid upon learning of the dropout, compelling him to relocate initially to New York City for greater exposure in the music scene. At age 16, while still in high school, Webster had already begun producing hip-hop tracks, entering his first songwriting contest and uploading early work to platforms like MySpace to build a rudimentary online presence. These pursuits reflected a self-directed shift from formal education toward hands-on audio engineering and beat-making, driven by dissatisfaction with academic structure.

Musical Career

Career Beginnings and Early Deals (2008–2012)

In 2008, at age 16, Jacques Webster—later known as Travis Scott—formed the hip hop duo The Graduates with childhood friend Chris Holloway while attending Elkins High School in . The pair self-released an untitled EP exclusively via , consisting of eight tracks such as "No Introductions," "," and "Dream," which showcased early experimentation with production and rapping influenced by artists like and . After graduating high school in 2009, Scott enrolled in in but dropped out during his second year, using funds intended for tuition and supplies to finance a move to in pursuit of a music career. There, he immersed himself in the industry by producing beats, uploading demos online, and cold-calling labels for unpaid internships to gain experience in recording and A&R processes. His persistence led to initial production credits and connections, including work on early tracks that caught the attention of established figures in hip hop. By 2012, Scott's networking efforts culminated in key deals that formalized his entry into major label structures. He signed his first major-label with , securing resources for recording and distribution. In November of that year, he inked a agreement with Kanye West's as part of its production wing, Very GOOD Beats, positioning him as an in-house producer amid West's orbit. These agreements, negotiated amid Scott's relocation between and , provided creative autonomy while leveraging GOOD Music's infrastructure, though they emphasized production over immediate artist releases.

Mixtape Era and Independent Releases (2012–2014)

Following his signing to Epic Records and association with Grand Hustle Records in 2012, Travis Scott chose to release free mixtapes rather than immediately pursuing a commercial debut album, aiming to cultivate a dedicated fanbase through independent-style projects. This approach allowed him to experiment with production and showcase his emerging psychedelic trap aesthetic, characterized by heavy auto-tune vocals, atmospheric synths, and high-energy beats. Scott's debut mixtape, , was released for free on May 21, 2013, via under Grand Hustle and Epic. The 14-track project, largely self-produced by Scott, featured guest appearances including A$AP Ferg on "Uptown" and showcased tracks like "Upper Echelon," which highlighted his chaotic, genre-blending style blending with and influences. Critics noted its ambitious but uneven execution, with Stereogum describing it as a "messy splurge of ideas, both good and bad," praising its innovative energy while critiquing inconsistencies. Building on this foundation, Scott prepared his second mixtape, Days Before Rodeo, which served as a precursor to his anticipated debut album Rodeo. The lead single, "Don't Play" featuring Big Sean and The 1975, was released on May 6, 2014, emphasizing Scott's ability to fuse rap with indie rock elements. The full 12-track mixtape dropped for free on August 18, 2014, via SoundCloud and Grand Hustle, with production primarily by Scott alongside contributors like Mike Dean. Notable features included Rich Homie Quan and Young Thug on "Mamacita," T.I. on "SportsCenter," and Migos on "Quintana Pt. 2," tracks that amplified the mixtape's club-ready, mosh-inducing vibe. Days Before Rodeo received acclaim for its cohesive production and heightened ambition, with later highlighting its restraint compared to Scott's fuller later works, crediting standout beats and vocal performances. The project solidified Scott's reputation for immersive, rage-fueled live shows and atmospheric soundscapes, generating significant buzz and paving the way for his major label breakthrough, as evidenced by sold-out promotional performances in cities like .

Major Label Debut and Breakthrough (2015–2016)

Travis Scott released his debut studio album, , on September 4, 2015, through and . The album featured collaborations with artists including , , , , and , and included singles such as "3500" released on July 10, 2015. debuted at number three on the US chart and topped the Rap Albums chart, selling 70,000 album-equivalent units in its first week. The project marked Scott's transition from mixtapes to a full-length major-label release, building on prior independent work and production credits with Kanye West's . Following Rodeo, Scott's single "Antidote" from the album gained significant traction, peaking at number 14 on the in early 2016 and achieving triple certification by the RIAA. This success propelled Scott's visibility, leading to extensive touring including the Tour, which spanned late 2015 into 2016 with over 100 performances. The tour showcased high-energy live productions incorporating and elaborate stage designs, contributing to Scott's reputation for immersive concert experiences. In 2016, Scott achieved a commercial breakthrough with his second studio album, Birds in the Trap Sing McKnight, released on September 2 via the same labels. The album debuted at number one on the , marking Scott's first chart-topping release and selling over 88,000 units in its debut week. Featuring tracks like "Goosebumps" with and "Pick Up the Phone" with and , it solidified Scott's trap-influenced sound and auto-tuned vocal style as mainstream forces. This period established Scott as a leading figure in , with Birds outperforming Rodeo in streaming and sales longevity.

Label Expansion and Collaborative Projects (2017–2018)

In March 2017, Travis Scott founded as a and imprint under , with the primary goal of nurturing new talent alongside his own projects. The label quickly became a platform for Scott's creative control, incorporating publishing through Cactus Jack Publishing. A key collaborative effort emerged later that year with the release of Huncho Jack, Jack Huncho on December 21, 2017, a joint album by Scott and Quavo under the duo name Huncho Jack. Distributed via Cactus Jack, Grand Hustle, Epic, Quality Control, and other imprints, the 13-track project featured production from Mike Dean and Southside, blending trap beats with auto-tuned hooks; it debuted at number three on the US Billboard 200, selling 68,000 album-equivalent units in its first week. Label expansion continued into 2018 with the signing of on February 2, in a between Cactus Jack, , and Kanye West's . This deal supported Wes's rising profile, particularly around his viral single "Mo Bamba," and marked Cactus Jack's initial push to build a roster beyond Scott. Similarly, Houston rapper joined the label in 2018, further diversifying its artist base ahead of Scott's Astroworld album release on August 3, 2018, which was issued under the Cactus Jack banner.

Documentary, Group Efforts, and Interim Releases (2019–2020)

In August 2019, Travis Scott released the documentary Look Mom I Can Fly exclusively on , chronicling the period surrounding the creation and promotion of his 2018 album Astroworld. The 84-minute details Scott's creative process, including studio sessions with producers like Mike Dean, as well as personal challenges such as family dynamics and his relationship with . Directed by the trio of Scott's creative collaborators, it premiered on August 28, 2019, and received mixed reviews, with some critics praising its raw portrayal of artistic ambition while others noted its self-indulgent elements. Throughout 2019, Scott focused on elevating his Cactus Jack Records imprint through collective projects, signing artists like Don Toliver and Sheck Wes to build a roster emphasizing trap-influenced hip-hop and psychedelic production. The label's flagship group effort culminated in the compilation album JackBoys, released on December 27, 2019, via Cactus Jack and Epic Records, featuring seven tracks from label affiliates. Key contributors included Scott on tracks like "GANG GANG" and the remix of "HIGHEST IN THE ROOM" with Lil Baby and Rosalía, alongside solo cuts from Don Toliver ("Can't Say") and Sheck Wes ("Mo Bamba (Remix)"). The project highlighted the collective's sound—blending auto-tuned melodies, heavy bass, and mosh-pit energy—serving as a showcase for Cactus Jack's emerging talent rather than a traditional Travis Scott solo release. Interim releases bridged Scott's solo work during this period, including the single "HIGHEST IN THE ROOM" on October 4, 2019, which debuted at number four on the before its remix inclusion on . In December 2019, he collaborated with on "Antisocial," a track from Sheeran's that peaked at number 37 on the Hot 100, fusing Scott's hazy production with pop-rap hooks. Extending into 2020 amid the , Scott formed the duo with , releasing their self-titled EP on May 15, 2020, which debuted at number one on the with tracks like "THE SCOTTS" emphasizing atmospheric synths and introspective lyrics. These efforts maintained Scott's momentum without a full solo album, prioritizing collaborations and label development until later projects.

Recovery, Utopia, and Ongoing Tours (2021–present)

Following the crowd surge at the on November 5, 2021, during Scott's headline performance in , , which resulted in 10 deaths from compression asphyxia and hundreds of injuries, Scott faced extensive scrutiny and litigation. A grand jury declined to bring criminal charges against him on June 29, 2023, citing insufficient evidence of criminal intent or negligence on his part. All 10 wrongful death lawsuits filed by victims' families were settled out of court by May 2024, with the final settlement involving the family of 9-year-old victim Blount reached on May 23, 2024. By October 2024, Scott and promoter Live Nation had settled nearly 100 claims ahead of an upcoming civil , though thousands of additional injury suits remained pending. Scott resumed live performances in the aftermath, including headlining Coachella in April 2022 and appearing at the 2022 Grammy Awards, signaling a professional recovery amid ongoing civil proceedings. His fourth studio album, Utopia, was released on July 28, 2023, via Cactus Jack Records and Epic Records. The project debuted at number one on the Billboard 200 with 496,000 album-equivalent units in its first week, marking the third-largest opening week of 2023 and Scott's third consecutive chart-topping solo album. It also achieved his first number-one position on the UK Albums Chart and reached platinum certification in the United States by August 25, 2023, driven by strong streaming performance exceeding one million equivalent units sold shortly after release. To support Utopia, Scott launched the Utopia Tour Presents Circus Maximus in August 2023, featuring elaborate stage production with circus-themed elements and guest appearances. The tour initially covered North American arenas, grossing millions and selling out venues like Chicago's , before extending into 2024 with additional U.S. dates in cities including Louisville and . International legs followed, encompassing (e.g., in , , on June 28, 2024), South America starting September 7, 2024, in , and further stops in , , , and . As of October 2025, the tour continued with scheduled performances in , , on October 19, 2025, and , , reflecting sustained global demand despite the absence of dates.

Business Ventures

Cactus Jack Records

is an founded by rapper Travis Scott in March 2017. Scott established the imprint to nurture emerging talent, emphasizing support for other artists over personal financial autonomy, as he explained in a 2017 . The label maintains an exclusive distribution partnership with , handling releases for Scott and its roster through Sony Music. The label's artist roster includes rappers Don Toliver, Sheck Wes, SoFaygo, and Wallie the Sensei, along with producer Chase B; former signees encompass Smokepurpp and Malú Trevejo. Key projects spotlight these acts via compilation albums, such as the December 2019 release JackBoys, which assembled tracks from Scott and label affiliates including Toliver and Wes. In July 2025, Cactus Jack issued JackBoys 2, featuring contributions from Toliver, Wes, SoFaygo, Wallie the Sensei, and additional collaborators, which debuted at number one on the with 232,000 album-equivalent units, including 160,000 in pure sales. Scott's solo efforts, including Astroworld in 2018, have also appeared under the Cactus Jack banner in conjunction with , contributing to the label's output of certified hits like the platinum single "Nightcrawler."

Fashion and Sneaker Collaborations

Travis Scott's fashion collaborations emphasize aesthetics infused with his Cactus Jack branding, often blending urban cowboy motifs, distressed elements, and custom graphics across apparel and accessories. In January 2017, he partnered with Helmut Lang on a limited-edition 19-piece men's capsule collection, including T-shirts, jeans, bomber jackets, hoodies, and leather goods, drawing inspiration from themes and reinterpreting archival designs from the brand's Spring/Summer 2004 lineup. That same year, Scott collaborated with on a range of distressed pieces, bomber jackets, T-shirts, and hoodies featuring flaming skull graphics and co-branded logos. Earlier efforts included a capsule with Bape featuring limited-edition Baby T-shirts sold at ComplexCon, and a Maharishi "Year of the Cowboy" collection with sheriff-patched hats, sweatshirts, trousers, and tour jackets. In June 2021, Scott co-designed Dior Men's Spring/Summer 2022 collection with artistic director Kim Jones, marking the first such collaboration between the luxury house and a rapper; it incorporated Cactus Jack motifs into Dior's historic Oblique monogram pattern across tailored pieces, tracksuits, Saddles bags, and accessories, debuting at Paris Fashion Week. Select items from the collection, including the Dior B713 sneaker in eight colorways inspired by Y2K skate shoes, released in July 2022 for $1,450 per pair, with proceeds partly directed to Scott's Project H.E.A.L. community initiative. Despite the Astroworld Festival tragedy in November 2021 prompting indefinite postponement of some planned "Cactus Jack Dior" products originally slated for January 2022 launch, the partnership proceeded with limited apparel and footwear drops. Scott's sneaker collaborations, primarily with and its Jordan Brand subsidiary, commenced in November 2017 with the Air Force 1 Low "AF100" Triple-White edition, released at $150 to commemorate the model's 35th anniversary and featuring early Jack branding. The partnership expanded to Brand with the 4 "Cactus Jack" in June 2018, priced at $225 and drawing from colors, followed by additional Air Force 1 variants like the "Sail" in August 2018. Key subsequent releases include the 1 High "" in May 2019 ($175), 6 "Medium Olive" in October 2019 ($250), and 1 Low "Reverse " in July 2022 ($150), characterized by signature reversed Swooshes, earthy palettes, and desert-inspired detailing across over 25 models by late 2024. In 2024, Scott launched his signature Jack line, with the "Sail" colorway debuting April 30 at $200, followed by "University Red" on May 10 and "" on November 26, emphasizing features like reinforced uppers for use. These drops often involve limited quantities, friends-and-family exclusives, and raffles, contributing to resale values exceeding original prices by factors of 5-10 times due to high demand.

Major Brand Partnerships

Travis Scott has secured high-profile partnerships with global brands, leveraging his Cactus Jack imprint to integrate music, fashion, and consumer products. These collaborations often align with album releases or cultural events, generating substantial revenue estimated in tens of millions annually across deals. In September 2020, Scott partnered with to launch the "Travis Scott Meal," featuring a with cheese, bacon, lettuce, and sauce alongside fries and a , available nationwide in the U.S. The deal included branded merchandise like socks, T-shirts, and mugs sold separately, contributing to an estimated $20 million in earnings for Scott from direct payments and merch sales. The promotion boosted U.S. sales amid pandemic recovery, with the chain reporting elevated drive-thru traffic and overall revenue uplift attributed partly to the celebrity tie-in. Scott's ongoing collaboration with , initiated around 2017 through Brand, has produced signature sneakers under the Cactus Jack label, including the 4 "Cactus Jack" released on June 9, 2018, featuring reversed logos, paint splatter details, and heel branding. Subsequent drops like the 1 and Jack models have sold out rapidly, with paying Scott approximately $10 million yearly for creative input and endorsements. These partnerships emphasize Scott's influence in , blending his aesthetic with Nike's performance heritage. In fashion, Scott collaborated with Men for the Spring/Summer 2022 collection, unveiled at on June 25, 2021, incorporating Cactus Jack motifs into tailored suiting and accessories that reinterpreted Dior's historic codes. Originally slated for early 2022 release, the capsule faced postponement following the incident but launched in stores on July 7, 2022. Additional ventures include a 2020 creative partnership with for the PS5 launch, featuring Scott in promotional content and earning at least $1 million. He also headlined a virtual concert with in April 2020, drawing 27 million viewers and generating $20 million in revenue through in-game purchases and branding. These deals underscore Scott's role in bridging entertainment and consumer tech.

Media and Entertainment Involvement

Travis Scott has ventured into film acting, most notably starring in the 2023 surreal action film , directed by and shot entirely in footage. In the film, Scott portrays a supporting role alongside lead actor as an assassin navigating a demonic underworld, marking one of his earliest substantial acting credits beyond music-related projects. The movie premiered at the in September 2023 and received a in 2024, with critics noting its experimental style but divided reception on its narrative coherence. Scott served as the central subject and for the 2019 Netflix documentary Look Mom I Can Fly, which chronicles the creation of his Astroworld, personal challenges including fatherhood, and tour preparations. Directed by , the film was released on August 28, 2019, and provides intimate access to Scott's creative process amid controversies like disputes. It garnered attention for its raw portrayal but faced criticism for glossing over certain relational dynamics. In entertainment, Scott headlined the "Astronomical" in-game concert event within on April 24–25, 2020, attracting 12.3 million concurrent players across multiple showings and a total of 27 million unique viewers. The performance featured custom visuals, a giant avatar of Scott transforming amid psychedelic environments, and premiered his track "" with , setting records for virtual music events during the . This collaboration with highlighted Scott's adaptation to digital platforms, influencing subsequent concerts by other artists. Scott made a live appearance at WWE's Monday Night Raw on January 6, 2025, during its streaming debut at the in , where he escorted wrestler to the ring and hyped the crowd. His entrance incorporated his music as the show's theme, marking his debut and blending with . The event drew significant viewership, with Scott also interacting backstage, further expanding his crossover appeal. Scott has made cameo appearances in television series such as (2020), contributing to episodes through musical integration or brief on-screen presence, and performed on shows like . These roles, often tied to soundtrack contributions rather than scripted acting, underscore his selective forays into scripted media outside music production.

Artistry

Influences and Inspirations

Travis Scott has frequently identified as a central influence, praising his innovative fusion of with melodic and introspective elements that informed Scott's own auto-tuned vocal style and atmospheric production. In a 2018 interview, Scott described Cudi as his favorite artist, stating, "I idolize a lot," and asserting that Cudi's lyrical prowess could rival that of . This admiration traces back to Scott's formative years; in a college admissions essay that surfaced in 2024, he detailed how Cudi's passion for music inspired him to drop out of and pursue a career in , viewing Cudi's risks as a model for artistic commitment. Kanye West represents another pivotal inspiration, particularly in expansive production and genre-blending ambition, with Scott crediting West's endorsement and mentorship for launching his career after interning on West's * in 2013. Scott has echoed West's experimental ethos in creating immersive, psychedelic soundscapes, as seen in his early mixtapes that built on the sonic foundations laid by West's collective. Additional influences include producers like and for their sampling and beat-making techniques, as well as M.I.A. for her boundary-pushing energy, which Scott highlighted in a 2015 Hot 97 interview as life-saving inspirations during his come-up. He has also drawn from rock acts like Nirvana, incorporating their chaotic live energy into his performances, and indie artists such as for textural depth in instrumentation. These diverse sources underscore Scott's synthesis of , rock, and electronic elements into a signature "psychedelic " aesthetic.

Musical Style and Production Techniques

Travis Scott's musical style fuses trap hip-hop with psychedelic and ambient elements, characterized by atmospheric instrumentals, heavy basslines, and multi-layered synths that create immersive, disorienting sonic environments. This approach draws from influences like Kid Cudi's melodic structures, emphasizing mood over strict narrative lyricism, as evidenced in tracks from his debut album Rodeo, released on September 4, 2015. His vocals feature prominent Auto-Tune application—not merely for pitch correction but as a core stylistic tool—to produce a warped, melodic distortion, often layered with energetic ad-libs such as "straight up" or "it's lit," which enhance the hypnotic, crowd-chanting energy of his performances. In production techniques, Scott employs meticulous vocal engineering, including and multiple overdubbed tracks, to build dense auditory textures that prioritize emotional immersion over clarity, as demonstrated in Astroworld (released August 3, 2018). He collaborates closely with producer Mike Dean, who integrates principles like chords for suspenseful tension and resolution, shifting to relative majors for fleeting uplift, while incorporating Houston-specific samples such as Big Hawk's flows to ground the psychedelic abstraction in regional trap roots. This method contrasts traditional production's linear songwriting and by favoring experimental, tech-driven iteration—refining beats over months with added elements like harmonica solos or flourishes—resulting in a signature "journey" structure per track. Scott's sound has evolved from the raw, sample-heavy of Days Before Rodeo (2014 mixtape) and , which pioneered broader subgenre expansion through layered melodies, to the polished, theory-infused expanses of Astroworld and (released July 28, 2023), where production amplifies stadium-scale immersion with saturation and reverb tails. Self-production credits on tracks like "Stargazing" from Astroworld highlight his hands-on role in boosts for high-end presence (10-20 kHz) and sidechained , techniques that replicate live chaos in studio recordings. This progression reflects a causal emphasis on sonic innovation driving listener engagement, with empirical streaming data underscoring the style's commercial viability—Astroworld amassed over 5 million equivalent album units in its first year—while avoiding over-reliance on formulaic beats.

Creative Vision and Thematic Elements

Travis Scott's creative vision emphasizes immersive, cinematic experiences that integrate music, visuals, and live performances to evoke surreal, euphoric states. He conceptualizes albums as expansive worlds, drawing from Houston's and personal to craft narratives of and excess. This approach manifests in elaborate rollouts resembling blockbuster films and concerts that prioritize , redefining traditional staging. Thematic elements in Scott's work frequently explore the duality of and , light and dark, often symbolized through contrasting imagery of , , and psychedelic motifs. His music delves into , drug-induced altered realities, and the paradoxes of , portraying lavish lifestyles alongside and . These themes reflect a pursuit of utopian ideals amid dystopian realities, where personal struggles with relationships and underscore tracks blending beats with experimental production. In Astroworld (2018), Scott pays homage to Houston's defunct park, using metaphors to depict fame as a thrilling yet perilous ride, incorporating themes of drugs, excess, and hometown through psychedelic soundscapes. The album's narrative arc traces entry into a fantastical realm, escalating from to introspection on fame's toll. Scott's 2023 album Utopia extends this vision by positing that "utopia is wherever you are," illustrating attainable escapist havens through tracks addressing rebellion, apathy, and fame's elusive highs. Producers and collaborators highlight its conceptual depth, flipping familiar samples into eerie, meditative explorations of mortality and desire, maintaining continuity with prior works via earthy, shadowy palettes evoking transience. Songs like "Meltdown" and "Sirens" confront insatiable pursuits and siren calls of celebrity, blending raw emotion with innovative flows to critique modern excess.

Philanthropy

Cactus Jack Foundation Initiatives

The Cactus Jack Foundation, founded by Travis Scott, directs resources toward through and creative opportunities, with a emphasis on underserved communities in . Its initiatives include targeted scholarships and partnerships aimed at alleviating financial barriers and fostering skill development. The Waymon Webster Scholarship Fund, honoring Scott's grandfather, prioritizes support for students at (HBCUs) facing economic challenges. Established in November 2020 amid pandemic-related disruptions, the program disbursed $1 million total—$10,000 per recipient—to 100 graduating HBCU seniors in 2022, covering tuition and related costs to enable degree completion. The foundation sustains this effort by awarding $10,000 scholarships annually to high-achieving HBCU enrollees, prioritizing those with demonstrated academic merit and financial need. In creative fields, the foundation partnered with the Fashion Scholarship Fund to launch the Cactus Jack Design Ethos 101 Program in early 2025, selecting participants for $10,000 grants plus mentorship in design principles and industry practices; initial awards targeted two students from the fund's network, with selections based on submitted projects. A October 2025 collaboration with introduced a STEM initiative for students, incorporating virtual and in-person workshops at TXRX Labs on three Saturdays; participants engage in hands-on engineering tasks—such as brainstorming, prototyping, and testing—while consulting engineers to build competencies in design and careers. To amplify fundraising and visibility, the foundation organizes the annual HBCU Celebrity Softball Classic, with the third event on February 13, 2025, at featuring Scott and celebrity participants; proceeds bolster scholarships and programs aligned with the foundation's youth-focused mission.

Project Heal and Other Efforts

In March 2022, Travis Scott announced Project HEAL, a multi-tier philanthropic initiative through his Cactus Jack Foundation aimed at addressing safety challenges at large-scale events and supporting youth from marginalized and at-risk communities. The program committed $5 million to Texas-based community efforts, including academic scholarships, free resources, creative design centers, and investments in event safety technologies and training protocols. A portion of proceeds from Scott's Cactus Jack x 1 collaboration, released in June 2022, was directed toward the initiative. Project HEAL's rollout included plans for product development related to event safety, though updates on implementation have been limited since the initial 2022 announcement. The effort emerged four months after the in November 2021, which resulted in ten deaths, prompting Scott to emphasize safer event environments through partnerships and resource allocation. Beyond Project HEAL, the Cactus Jack Foundation has conducted annual holiday toy and food drives; in December 2024, its fifth Park event distributed 2,000 toys and bicycles to underprivileged children in . In September 2025, the foundation partnered with the Fashion Scholarship Fund to launch the Cactus Jack Design Ethos 101 Program, providing $10,000 awards and mentorship to students pursuing fashion and design education. Additionally, Scott donated $500,000 to community initiatives in partnership with the ahead of his 2024 halftime performance.

Personal Life

Relationships and Family

Travis Scott was born Jacques Bermon Webster II on April 30, 1991, in , , to parents Webster Sr., a and who influenced his son's interest in music, and Wanda Webster, who shaped his fashion sense. He has two younger siblings, fraternal twins Jordan Webster (sister) and Joshua Webster (brother), born June 14, 2000; Joshua is nonverbal and autistic, a fact Scott has publicly discussed to highlight themes of acceptance and family support. Scott's most prominent romantic relationship is with entrepreneur Kylie Jenner, which began in April 2017 after they met at Coachella. The couple welcomed daughter Stormi Webster on February 1, 2018, followed by son Aire Webster (originally named Wolf Jacques Webster, renamed in January 2023) on February 2, 2022. Their partnership has been on-and-off, with a split in October 2019 after two years together, a reconciliation in early 2020, and another breakup in late 2022 amid reported lifestyle differences, including Scott's touring demands contrasting Jenner's home-focused routine. Despite separations, they maintain co-parenting arrangements, evidenced by shared family activities such as a outing with Stormi and Aire in October 2025 and cowboy-themed photos posted by Scott in April 2025.

Lifestyle and Public Persona

Travis Scott owns several luxury residences, including a 17,000-square-foot ultra-modern mansion in , valued at $23.5 million, and multiple properties in , , such as a $14 million estate purchased in November 2021 and an $8 million home. His vehicle collection features exotic supercars like a , , , , , and Range Rovers, reflecting an affinity for high-performance automobiles that he has described as numerous enough to lose track of. Scott incorporates into his regimen through rigorous weight training, frequently training alongside other rappers to maintain physical conditioning amid demanding tour schedules. Scott's public persona revolves around entrepreneurial versatility and cultural disruption, leveraging his Cactus Jack imprint to forge high-profile partnerships across industries, including apparel with , fast food with in 2020, and luxury fashion with . He projects an image of innovative self-promotion, integrating psychedelic visuals, immersive experiences, and youth-oriented aesthetics that transcend music into lifestyle , though he has expressed aversion to explicit terms like "" or "." This cultivated identity emphasizes relentless energy and boundary-pushing creativity, solidifying his status as a tastemaker in and subcultures.

Controversies and Legal Matters

Concert-Related Incidents

Travis Scott's concerts have repeatedly featured high-energy crowd participation, including encouragement of , stage rushing, and barrier breaches, contributing to a pattern of injuries, arrests, and disruptions. This approach, integral to his performance aesthetic, has blurred boundaries between audience and stage, heightening risks in densely packed venues despite security measures. Prior to the , several incidents underscored these hazards, involving direct actions by Scott to incite chaotic behavior. During his August 2015 set at Lollapalooza in Chicago's Grant Park, Scott halted his performance briefly but then urged fans to climb security barricades and rush the stage, overwhelming personnel and prompting his arrest. He faced charges of misdemeanor reckless conduct for endangering attendees; Scott pleaded guilty, receiving one year of court supervision and fines. No severe fan injuries were reported, but the event highlighted tensions between his style and venue safety protocols. On May 13, 2017, at the AMP in , Scott explicitly called for fans to bypass and storm the stage during his headline performance, leading to multiple injuries among attendees, a employee, and a . Arrested post-show, he was charged with inciting a , disorderly conduct, and endangering a minor; in 2018, two charges were dropped, and he pleaded guilty to , agreeing to pay over $6,800 in restitution to two injured fans. Weeks earlier, on April 30, 2017, at Terminal 5 in , video captured Scott directing a fan, identified as Kyle , to "jump" from a third-floor into the pit below, after which Green fell, suffering spinal injuries that left him partially paralyzed and requiring a . Green filed a civil against Scott, the venue, and security firms, alleging in crowd control and failure to prevent the fall. The case illustrated how Scott's on-stage prompts could escalate dangers in multi-level venues. These pre-2021 events, while not fatal, established a record of Scott prioritizing immersive chaos over immediate safety signals, often resulting in legal accountability shared with promoters but tied to his directives. Investigations into subsequent incidents, including Astroworld, referenced this history as context for systemic failures in by artists, organizers, and enforcers.

Astroworld Festival Tragedy

On November 5, 2021, during the at in , , a crowd surge occurred amid rapper Travis Scott's headline performance, resulting in a deadly crush that killed 10 attendees aged 9 to 27 via compression asphyxia. The event, attended by approximately 50,000 people, featured multiple stages and artists, but the main-stage area became overcrowded as fans pushed forward, breaching barriers and overwhelming security. Chief Samuel Peña reported that medical personnel treated over 300 individuals for injuries ranging from to , with the youngest fatality being 9-year-old Blount. The surge began shortly after Scott took the stage around 9:00 p.m., exacerbated by fans climbing barricades and a lack of sufficient perimeter control, as documented in incident reports. Organizers, including Live Nation, had approved a capacity that reports later deemed inadequate for crowd density, contributing to "" of factors like poor sightlines and delayed emergency response. Scott continued performing for about 30 minutes after security informed him of fatalities, including a relaying "three have died," though he later claimed unawareness of the full severity and prioritized attendee safety by pausing to direct aid. Critics attributed partial causation to Scott's promotion of high-energy "raging" at prior events, but investigations highlighted systemic failures in planning and execution over individual artist encouragement. A 19-month Houston Police investigation culminated in a June 2023 grand jury decision not to indict Scott, Live Nation executives, or other principals on criminal charges, citing insufficient evidence of intent amid shared responsibility. The Texas Task Force on Concert Safety, formed post-incident, recommended enhanced regulations like real-time crowd monitoring and barrier standards, influencing industry reforms without assigning primary blame to performers. Civilly, over 2,500 lawsuits alleged negligence by Scott, Live Nation, and Apple (streaming partner); by May 2024, nine of 10 wrongful death suits settled confidentially, with the tenth pending, and hundreds of injury claims resolved ahead of a October 2024 trial. Scott denied liability, asserting cooperation with authorities and offering funeral expense coverage, which some families rejected.

Other Performance Disruptions

In 2015, during his performance at in on August 1, Scott urged fans to rush the stage and climb over security barricades, resulting in a that disrupted the event and prompted his removal by security. He was arrested shortly after and charged with disorderly conduct, inciting a , and endangering the of a ; Scott later pleaded guilty to reckless conduct. A similar incident occurred on May 30, 2017, at the Walmart AMP in Rogers, Arkansas, where Scott again encouraged attendees to bypass security and surge toward the stage, leading to chaos and his arrest for inciting a riot and disorderly conduct. On July 4, 2022, at The Day Party event in New York City's Coney Art Walls, Scott halted his set mid-performance after spotting fans scaling a stage fixture, addressing the crowd to prioritize safety before resuming. During the stop at Marvel Stadium in , , on October 21, , pre-show disorder erupted outside as fans broke through barricades, threw bottles and trash, and engaged in physical altercations, while inside the venue reports emerged of a fan being assaulted and suffering a amid mosh pit activity. Most recently, on October 19, 2025, at Stadium in , , Scott's set descended into chaos when overzealous fans pulled him off the stage, requiring security intervention to restore order.

Arrests and Criminal Charges

Travis Scott has been arrested on multiple occasions, primarily for charges related to , , and altercations with security personnel, though most cases have resulted in dropped charges or no convictions. On May 20, 2015, during his set at in , Scott was arrested for disorderly conduct after repeatedly urging fans to rush the stage and climb barricades, leading to crowd surges. He faced charges, but the case was resolved through completion of and , with no formal conviction. A similar incident occurred on May 30, 2017, at a concert in , where Scott again encouraged fans to breach barriers, resulting in his arrest for inciting a ; charges were dropped after he fulfilled probation requirements including . On June 20, 2024, Scott was arrested at 1:44 a.m. in Miami Beach, Florida, on charges of trespassing and disorderly intoxication following a disturbance at the Miami Beach Marina. Police responded to reports of a drunken individual yelling profanities at passengers on a yacht; Scott refused multiple warnings to leave the private property and appeared intoxicated but cooperative during handcuffing. He posted a $650 bond and was released by 8:00 a.m. the same day. The State Attorney's Office dropped both misdemeanor charges on August 31, 2024, citing insufficient evidence for prosecution. In on August 9, 2024, Scott was arrested early in the morning at the for alleged violence against a . The guard intervened during a physical altercation between Scott and his own inside the . prosecutors confirmed the but released Scott later that day without filing charges, as the found no basis for further action. Video showed and escorting Scott from the premises amid the commotion.

Miami Beach Incident

![Travis Scott mugshot (2024)][float-right] On June 20, 2024, Travis Scott, whose legal name is Jacques Bermon Webster II, was arrested in Miami Beach, Florida, on charges of disorderly intoxication and trespassing after an altercation at the Miami Beach Marina. According to police reports, Scott had been yelling and causing a disturbance directed at individuals on a yacht docked at the marina, appearing heavily intoxicated. Officers issued a trespassing warning, which Scott allegedly ignored, leading to his detention. Body camera footage released on August 8, 2024, captured the arrest, showing Scott being handcuffed after refusing to leave the area despite repeated instructions from . He was booked into Miami-Dade County Jail around 4:35 a.m., with mugshots released publicly. Scott was released later that morning after posting a $5,000 bond for the combined charges. On August 30, 2024, prosecutors dropped both charges, stating that the evidence did not support prosecution. The decision followed review of the incident details, with no further legal action pursued against Scott in connection with the event.

Paris Arrest

On August 9, 2024, Travis Scott was arrested in following an altercation at the luxury . The incident occurred early in the morning and stemmed from a physical fight between Scott and his , which escalated into a confrontation with a hotel , whom Scott allegedly assaulted. Scott was taken into police custody on suspicion of violence against a security agent. He was in at the time for events related to the . Scott was released from custody on August 10, 2024, without any charges being filed. The prosecutor's office stated that the police custody order was lifted and all proceedings against him were terminated, classifying the incident as minor. A representative for Scott confirmed the release and absence of charges. No further legal actions or investigations have been reported as of the latest available information.

Assault and Civil Allegations

In March 2023, Travis Scott faced allegations of assaulting a 52-year-old sound engineer during a DJ set at in , . The engineer claimed Scott punched him in the face, causing no visible injuries but prompting a report, and that Scott damaged approximately $12,000 worth of audio-visual equipment. Scott's representatives characterized the incident as a "misunderstanding" and affirmed his cooperation with the Department investigation. No criminal charges were filed against Scott. On August 9, 2024, Scott was arrested in , , following an alleged on a at the . French authorities reported that the incident stemmed from a physical altercation involving Scott, his , and hotel , leading to minor injuries to the guard. Scott was detained briefly before being released without charges later that day, with prosecutors noting insufficient evidence for further action. In February 2025, Omar Muhanna initiated a civil lawsuit against Scott in , alleging and perpetrated by one of Scott's security on August 17, 2024, outside a venue. Muhanna asserted that the guard violently attacked him without provocation, resulting in injuries including a fractured orbital bone, and sought damages for medical expenses and pain. Scott's team dismissed the suit as "frivolous and bogus," maintaining that Scott was performing elsewhere at the time and had no involvement or knowledge of the alleged events. The case remains pending.

Discography

[Discography - no content]

Tours and Live Performances

Travis Scott's tours emphasize immersive, high-energy experiences with custom stage designs, including , elevated platforms, and interactive elements that encourage crowd participation such as mosh pits. His debut headlining tour, the Tour, began on March 1, 2015, at the Observatory in , supporting the release of his album . Featuring and as opening acts, the North American outing included dates through spring 2015, such as a stop on March 23. Following the September 2016 release of Birds in the Trap Sing McKnight, Scott launched the Birds Eye View Tour in March 2017, commencing with a festival appearance at Buku Music + Art Project in New Orleans on March 10. The tour encompassed approximately 40 shows across Phase 1, from April 12 in Santa Barbara, California, to June dates including Coachella weekends, with additional phases extending into July. The Astroworld – supported his 2018 album Astroworld and ran from November 2018 to October 2019, comprising 56 concerts noted for elaborate production mimicking an , including a functional rollercoaster element at select venues like . In promotion of (2023), the debuted in August 2023 at , evolving into a global stadium run through 2025, with dates including in on October 11, 2025. By late 2024, it had sold 1.7 million tickets and grossed over $200 million. Scott has opened for major acts, including Kendrick Lamar's DAMN. Tour in 2017, and delivered notable festival sets, such as at Governors Ball and in 2018, where his performances were highlighted for intense crowd energy.

Awards and Recognition

Travis Scott has received ten Grammy Award nominations without a win, including Best Rap Album for at the in 2024 and for contributions to Kanye West's at the 64th in 2022. Other nominations encompass Best Rap Song for "Sicko Mode" in 2019, Best Melodic Rap Performance for "Highest in the Room" in 2021, and Best Rap Album for Astroworld in 2019. He secured one Latin Grammy Award for Best Short Form Music Video for "TKN" (with Rosalía) at the 21st Annual Latin Grammy Awards on November 19, 2020. At the BET Hip Hop Awards, Scott won the I Am Hip Hop Award in 2024, recognizing his influence as a rapper, producer, and entrepreneur; he accepted the honor during the ceremony taped on October 15, 2024. He has also earned multiple BET Hip Hop Awards in categories such as Best Video Director of the Year and for Astroworld. Scott won an Video Music Award for Best Hip-Hop Video for "Franchise" (with and M.I.A.) in 2021. He received a Music Award, though specific category details remain less documented amid his frequent performances at the event, such as "Mafia" and "Lost Forever" at the 2022 ceremony.

Cultural Impact and Legacy

Travis Scott's integration of psychedelic trap elements into hip-hop production has reshaped the genre's sonic landscape, emphasizing atmospheric soundscapes, distorted vocals, and experimental structures over conventional lyric-focused delivery. Drawing from influences like Kanye West's avant-garde techniques and Kid Cudi's melodic introspection, Scott's approach on albums such as Rodeo (2015) and Astroworld (2018) provided a template for mainstream rap's evolution toward genre fusion, enabling artists to prioritize immersive audio experiences. His commercial dominance is evidenced by the in 2024, which grossed $209.3 million and became the highest-earning tour by a solo rapper, reflecting sustained fan engagement through high-production spectacles featuring , custom stage designs, and crowd-surging energy. With over 170 million certified units sold in the United States alone, Scott's output has driven streaming records, including "" surpassing 2 billion streams by April 2025, underscoring his role in expanding hip-hop's profitability via digital platforms and merchandise integration. Scott's Cactus Jack brand has extended his influence into fashion and consumer culture, with collaborations like Nike's series—often selling out within minutes—and the 2020 McDonald's promotional meal, which boosted the chain's youth appeal and generated widespread media coverage. These partnerships exemplify a model of artist-driven branding that merges aesthetics with luxury, as seen in menswear lines and watches, positioning Scott as a pivotal figure in hip-hop's convergence with corporate strategies.

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