B-Complex
Matia Lenická (born 9 May 1984), known professionally as B-Complex, is a Slovak drum and bass producer and DJ from Bratislava.[1] She came out as bigender in 2015.[2] B-Complex began producing music at the age of 12 in 1996, initially exploring genres like hardcore and trance before focusing on drum and bass around 2002.[3] She gained prominence with her 2009 single "Beautiful Lies" on Hospital Records and has since released music on labels including Shogun Audio and Critical Music.[4]Biography
Early life
Matia Lenická, born Matúš Lenický on 9 May 1984 in Šaľa, Czechoslovakia (present-day Slovakia), spent her early years in a musically rich environment in Bratislava.[1] Her parents, both journalists, fostered a deep appreciation for diverse sounds by sharing their collections of folk protest songs, rock, metal, jazz, and electronic music through tapes and a gramophone. Lenická's father was particularly fond of The Beatles, while her mother gravitated toward chanson, exposing her to emotionally resonant lyrics and varied rhythms from childhood.[5] This familial influence sparked Lenická's lifelong passion for music, leading her to experiment with production at the age of 12 in 1996. Using a modest setup consisting of a 486 computer, a Soundblaster Pro soundcard, and the Fast Tracker 2 software, she began creating her first tracks in a self-taught manner. These initial efforts laid the groundwork for her exploration of electronic genres, including hardcore, trance, psytrance, downtempo, and hip-hop, before she discovered drum and bass in 2001 upon hearing the track "Clockwork" by Stakka & Skynet.[5][3]Personal life
Matia Lenická, known professionally as B-Complex, publicly came out as bi-gender in 2015, identifying as both male and female and using she/her pronouns. This disclosure followed years of success in the drum and bass scene, allowing her to live authentically without the fear of being perceived as seeking attention through her identity. She has described drum and bass culture as particularly welcoming for transgender individuals, stating, "I have always found that drum & bass and jungle has been one of the most open and welcoming cultures for myself as trans and bi-gender."[4] As a prominent transgender advocate, Lenická hosts LGBT-focused drum and bass events and supports broader causes, including aid for Ukrainian immigrants. Her activism stems from a desire to improve conditions for future generations, as she noted, "That’s why I’m an activist – so the next generation can have easier lives." She has also spoken out against transphobic rhetoric, critiquing figures like J.K. Rowling for statements that undermine transgender rights and calling for apologies from those promoting fundamentalist views on gender.[4][6] Lenická resides in Bratislava, Slovakia, where she maintains a home studio within a community art space, blending her personal and creative lives. Personal experiences, such as a past breakup, have influenced her music, with tracks like "Beautiful Lies" drawing from emotional relationships. Her family background includes parents who are journalists, fostering an early exposure to diverse music genres in a creative household.[4][5]Musical career
Career beginnings
B-Complex, born Matúš Lenický on May 9, 1984, in Šaľa, Slovakia, began experimenting with music production at the age of 12 in 1996. Using a basic setup consisting of a 486 computer, a Soundblaster Pro soundcard, and Fast Tracker 2 software, the self-taught artist initially explored genres such as hardcore, trance, and psytrance. Early influences stemmed from a diverse family background, including her parents' tastes in folk, rock, metal, jazz, and electronic music like the Beatles and French chanson, as well as Slovak folk protest songs shaped by the country's post-Soviet era.[5][7] By 2001, at age 17, B-Complex discovered drum and bass (D&B) through underground techno parties in Slovakia, where she encountered jungle and D&B sounds that captivated her. This marked a pivotal shift, drawing inspiration from producers like John B, Concord Dawn, and Teebee, whose atmospheric and technical styles resonated deeply. She upgraded her equipment to include MIDI keyboards and transitioned to Renoise software, honing her skills locally in Bratislava. During this period, she produced tracks blending emotional melodies with intricate rhythms, though initial output remained underground and self-released digitally.[5][4] B-Complex's first official releases emerged in the mid-2000s on small independent labels, signaling her entry into the international D&B scene. In 2005, she debuted with the single "Amazon Rain / Oceans" on Language Lab, featuring lush, ambient textures over rolling breaks. This was followed in 2006 by "Shteel / Hunter (2006 VIP)" on Future Sickness Records, showcasing evolving production techniques with VIP remixes emphasizing deeper basslines and melodic progressions. By 2007, "Sober Yet Overdosed" appeared on Force Recordings, a track noted for its introspective mood and precise drum programming. These early works, often distributed as digital files, built a modest following in European D&B circles and demonstrated her growing affinity for liquid funk subgenres. In 2008, prior to her major breakthrough, she released "Acid Trip & Squelch" on Zardonic Recordings, experimenting with neurofunk elements while maintaining melodic cores.[7][8][9]Breakthrough and later releases
B-Complex achieved her breakthrough in the drum and bass scene with the release of "Beautiful Lies" in 2009, featured on Hospital Records' compilation album Sick Music. This track, initially showcased on the label's Democast series in 2008, marked her first major label appearance and quickly became an anthem, solidifying her reputation for emotive, melodic liquid funk.[10][11] The song's soaring synths and intricate rhythms resonated widely, contributing to the compilation's success and establishing B-Complex as a prominent figure in the genre.[4] Following this milestone, B-Complex continued to build her catalog with a series of singles and EPs on esteemed labels. In 2010, she released the "Beautiful Lies VIP / Little Oranges" single on Hospital Records, expanding on the original track with a VIP version that amplified its club appeal, alongside the upbeat "Little Oranges." That same year, "Rolling with the Punches / Reflections" appeared on Spearhead Records, showcasing her versatility through punchy breaks and reflective atmospheres. These releases highlighted her growing influence, blending atmospheric elements with dancefloor energy. In the mid-2010s, B-Complex maintained momentum with tracks like the 2015 "Early Bird" single on Santorin Records, featuring trancey synths and old-school piano influences for a nostalgic yet fresh sound. Her output remained consistent through sporadic singles, often appearing on Hospital compilations. Marking a reflective chapter, the 2023 Beautiful Lies EP on Hospital Records commemorated the track's 15th anniversary, including an edited version, a remix by Rameses B, and further reinterpretations that underscored its enduring legacy.[12] Into 2025, she continued releasing singles such as "Supergirl," affirming her ongoing presence in the evolving drum and bass landscape.[13]Musical style and influences
Style characteristics
B-Complex's musical style is rooted in drum and bass, particularly the liquid funk subgenre, characterized by atmospheric melodies, smooth grooves, and melodic chord progressions that evoke emotional depth and introspection. This approach blends intricate breakbeats with reverb-heavy synths and sampled instruments, creating a sense of fluidity and space often contrasted by heavier sub-bass lines and punchy drums for added intensity. Tracks like "Beautiful Lies" exemplify this balance, featuring anthemic vocal chops and uplifting progressions that transition seamlessly between chilled introspection and euphoric builds.[4][11][14] A hallmark of B-Complex's production is the incorporation of diverse sampling techniques, drawing from spoken-word excerpts, comedy sketches, and cultural references to infuse tracks with narrative and thematic layers. For instance, "Salad Is OK" samples UK comedian John Cleese for a pro-vegetarian funk twist, while "Past Lessons For The Future" uses Czech actor Jan Werich's voice to convey messages of peace and unity. This method avoids conventional repetition, introducing surprising rhythmic shifts and harmonic surprises to maintain dynamism and prevent formulaic structures, reflecting a commitment to unique, character-driven compositions.[4][14] The overall sound also incorporates influences from jump-up and rave energy, resulting in powerful, emotive anthems that bridge melodic subtlety with high-energy drops, as heard in "Dramababes" with its "all we need is love" motif. B-Complex's style emphasizes technical precision in drum programming and bass design, often exploring social commentary on identity, activism, and global issues, while prioritizing heartfelt expression over commercial tropes. This evolution from early experiments in hardcore and trance to a signature drum and bass voice underscores a versatile yet cohesive aesthetic focused on emotional resonance and innovation, continuing in recent releases such as the 2024 Winter EP and 2025 singles like "Supergirl."[4][11][15][13]Key influences
B-Complex's musical influences draw from a diverse array of genres and artists, shaped by her Slovakian upbringing and exposure to both traditional and electronic sounds. In her early years, she was exposed to her parents' musical preferences, including the Beatles—particularly John Lennon's politically charged work such as "Imagine"—which instilled a appreciation for melody, emotional depth, and social messaging in music.[5][4] Her mother's fondness for French chanson and Slovak folk protest songs further broadened this foundation, emphasizing storytelling and cultural expression.[5] Her journey into electronic music began in the mid-1990s, starting with experimentation in hardcore, trance, psytrance, downtempo, and hip-hop, which helped her develop skills in rhythm and harmony. A pivotal moment came in 2001 when she discovered drum and bass (D&B) through influential albums like Clockwork by Stakka & Skynet, igniting her passion for the genre's high-energy drums and sophisticated melodies.[16] This led to early productions in happy hardcore before fully committing to D&B, where she sought to blend its pace with intricate harmonies.[5] Within D&B, B-Complex has cited key figures who shaped her liquid and neurofunk-leaning style, including John B for his melodic accessibility, Concord Dawn and Teebee for their atmospheric depth, and High Contrast for innovative liquid funk elements.[5] Broader electronic influences include Shpongle and Hybrid for their narrative-driven compositions, as well as big beat pioneers like The Prodigy, The Chemical Brothers, and Fatboy Slim, whose fusion of rock energy and electronic beats informed her dynamic production approach.[5] Beyond electronic realms, her work reflects draws from punk rock (e.g., Nirvana's raw emotion), world music groups like Värttinä and Celtic ensembles for rhythmic complexity, and classical minimalists such as Steve Reich and Arvo Pärt for harmonic subtlety.[5] Film soundtracks by composers like Yann Tiersen, Howard Shore, and Hans Zimmer also play a role, contributing to the cinematic quality in her productions. Additionally, non-musical inspirations such as comedian John Cleese (sampled in "Salad Is OK") and actor Jan Werich (referenced in "Past Lessons For The Future") highlight her integration of humor and peace advocacy into sound design.[4]Discography
EPs
B-Complex has released a series of extended plays (EPs) since 2006, primarily in the liquid drum and bass style, often featuring two to four tracks that blend melodic elements with intricate rhythms. These releases appeared on independent labels such as Future Sickness Records, Dysfunktional Audio, and Hospital Records, contributing to her reputation in the underground electronic music scene.[7] Early works like the Shteel EP marked her debut in EP format, showcasing raw production techniques with tracks such as "Shteel" and "Hunter (2006 VIP mix)."[9] By the late 2000s, EPs on Hospital Records, including Three Dots / Revox (with Platinum) and Beautiful Lies VIP / Little Oranges, highlighted her growing affinity for atmospheric and VIP (version in progress) remixes of prior singles.[7] The 2010 Salad Is OK EP on Santorin expanded to four tracks, incorporating deeper, oceanic-themed soundscapes in "Ocean Deep" and "Raindrops." Similarly, Rolling With The Punches / Reflections (feat. Diane Charlemagne) on Spearhead Records that year emphasized punchy basslines and reflective melodies.| Title | Year | Label | Tracks |
|---|---|---|---|
| Shteel EP | 2006 | Future Sickness Records | Shteel; Hunter (2006 VIP mix)[9] |
| Aztec / Girl With Flower | 2009 | Dysfunktional Audio | Aztec; Girl With Flower |
| Three Dots / Revox (with Platinum) | 2009 | Hospital Records | Three Dots; Revox[7][17] |
| Beautiful Lies VIP / Little Oranges | 2010 | Hospital Records | Beautiful Lies VIP; Little Oranges[7] |
| Salad Is OK | 2010 | Santorin | Salad Is OK; Raindrops; Ocean Deep; It's a Funny World[18] |
| Rolling With The Punches / Reflections (feat. Diane Charlemagne) | 2010 | Spearhead Records | Rolling With The Punches; Reflections[7][19] |
| Beautiful Lies EP | 2023 | Hospital Records | Beautiful Lies (Edit); Beautiful Lies (Rameses B Remix); Beautiful Lies (Mandidextrous Remix); Beautiful Lies (Original Mix)[12] |
| Winter EP | 2024 | Self-released (Bandcamp) | Winter; Frozen Love; Reliance; Amazon Rain[15] |
Singles
B-Complex's singles output reflects her progression from underground drum and bass releases to more polished, emotive tracks associated with Hospital Records. Her early singles, often released on smaller labels, established her reputation for intricate production and atmospheric soundscapes within the liquid funk subgenre. Notable early efforts include the split digital single "Amazon Rain / Oceans" with Insane Frequencies, released in 2005 on Language Lab, which highlighted her emerging melodic style.[8] This was followed by "Acid Trip / Squelch" in 2008, a digital release on Zardonic Recordings that incorporated acid-influenced basslines, marking a pivotal step in her technical experimentation. By 2009, B-Complex gained wider recognition with "Aztec / Girl With Flower" on Dysfunktional Audio, a 12-inch vinyl single praised for its lush, orchestral elements and rhythmic complexity. That same year, collaborations like "Three Dots / Revox" with Platinum on Hospital Records introduced her work to a broader audience, blending deep bass and ethereal pads. Her 2010 output was prolific, featuring "Beautiful Lies VIP / Little Oranges" on Hospital Records, where the title track's VIP version became a cornerstone of her catalog, noted for its emotional depth and smooth transitions. Additional 2010 singles included "Sober Yet Overdosed" and "Rolling With The Punches / Reflections" (feat. Diane Charlemagne) on Spearhead Records, emphasizing her ability to fuse introspective melodies with driving percussion. In the mid-2010s, B-Complex shifted toward more accessible releases, with "Early Bird" in 2015 standing out for its uplifting vibe and integration of live instrumentation elements. The 2018 re-release of "Girl With Flower" as a digital single further solidified its status as a fan favorite, originally from the 2009 vinyl but remastered for broader digital distribution. Recent years have seen a resurgence, particularly with the 2023 "Beautiful Lies EP" on Hospital Records, which included an edit of the seminal track and a remix by Rameses B, renewing interest in her classic sound.[12] In 2024, "Desolation / ATRC" (with REEBZ) explored darker, more introspective themes, while 2025 releases like "Supergirl" (with OHKAY), "Lorem Ipsum" (with Jordana LeSesne feat. Zak Meow), and a remix of "Bloom" continued her trend of collaborative and remix-focused singles.| Selected Singles | Year | Label | Notes |
|---|---|---|---|
| Amazon Rain / Oceans (split with Insane Frequencies) | 2005 | Language Lab | Debut digital release, digital media format.[8] |
| Acid Trip / Squelch | 2008 | Zardonic Recordings | Early acid-influenced track, 2x digital file. |
| Aztec / Girl With Flower | 2009 | Dysfunktional Audio | Vinyl single introducing orchestral elements. |
| Beautiful Lies VIP / Little Oranges | 2010 | Hospital Records | Seminal VIP version, digital media. |
| Early Bird | 2015 | Hospital Records | Uplifting single with live-inspired production. |
| Girl With Flower | 2018 | Hospital Records | Remastered digital re-release of 2009 track. |
| Beautiful Lies (Edit) | 2023 | Hospital Records | Part of anniversary EP, concise radio version.[12] |
| Desolation / ATRC (with REEBZ) | 2024 | Independent | Darker thematic exploration, digital single.[20] |
| Supergirl (with OHKAY) | 2025 | Independent | Recent upbeat release, digital single.[21] |
| Lorem Ipsum (with Jordana LeSesne feat. Zak Meow) | 2025 | Independent | Collaborative vocal track, digital single.[22] |