Balinese temple
A Balinese temple, known as a pura, is an open-air Hindu sanctuary unique to the island of Bali, Indonesia, consisting of walled enclosures that house shrines, pavilions, and ritual spaces dedicated to deities and ancestral spirits. These temples integrate seamlessly with Bali's volcanic landscape, often positioned near mountains, springs, or the sea to symbolize cosmic harmony, and serve as vital centers for worship, community ceremonies, and the preservation of cultural traditions under Balinese Hinduism.[1][2] Bali is home to over 20,000 puras, varying in scale from small village temples to expansive complexes that anchor village life and regional identity.[3] They are broadly classified into types such as Kahyangan Desa (village temples for communal rituals), Pura Tirta (water temples for purification rites), Pura Segara (sea temples honoring ocean deities), and the nine directional Kahyangan Jagat temples that mark Bali's cardinal points and protect the island from malevolent forces.[1][4] Within villages, the Kahyangan Tiga trio—Pura Desa (for fertility and prosperity), Pura Puseh (honoring ancestors and village founders), and Pura Dalem (for protection against evil)—forms the spiritual core, reflecting Bali's emphasis on social cohesion.[5] Architecturally, puras adhere to ancient guidelines rooted in Hindu cosmology, organized in a Tri Mandala zoning system that progresses from the profane outer courtyard (nista mandala) through a transitional middle zone (madya mandala) to the innermost sacred area (utama mandala), oriented from the sacred mountain direction (kaja, toward Gunung Agung) to the profane sea (kelod).[1] Prominent features include multi-roofed meru towers (with an odd number of tiers symbolizing Mount Meru, the cosmic axis), empty thrones (padmasana) for gods, open pavilions (bale) for offerings, and ornate stone gates (kori) carved with mythical motifs, all constructed from local volcanic stone, wood, and thatch without nails to maintain ritual purity.[6] The significance of puras extends beyond religion to embody Tri Hita Karana, the Balinese principle of balance among humans, nature, and the divine, particularly through their role in the ancient subak cooperative irrigation system that sustains rice terraces and fosters ecological sustainability since the 9th century.[2][1] Originating from pre-Hindu megalithic traditions and evolving under influences like the 10th-century Warmadewa Dynasty and the 14th-15th-century Majapahit Empire,[1][7] these temples host cyclical ceremonies tied to the 210-day Pawukon calendar, reinforcing Bali's unique syncretic faith amid Indonesia's Muslim majority.[8]Etymology and Terminology
Etymology
The term "pura," used to denote a Balinese temple, derives from the Sanskrit word pura, which originally signified a "city," "walled city," "fortress," or "palace."[9] In the context of Balinese Hinduism, this term evolved to specifically refer to a sacred temple complex, reflecting the adaptation of Indian architectural and religious concepts to local island traditions.[10] A key distinction exists between "pura" and the related term "puri," both rooted in Sanskrit origins but diverging in usage within Balinese culture: "pura" designates a religious temple, while "puri" refers to a secular palace or royal residence.[11]Key Terms
In Balinese Hinduism, a pura (pronounced /ˈpuː.rə/) refers to a walled temple compound dedicated to the worship of Hindu deities, serving as a sacred space for rituals, offerings, and community ceremonies.[10] The term originates from Sanskrit, where it means "city" or "palace," evolving in Balinese usage to denote these enclosed religious precincts.[10] Key related concepts include kahyangan (pronounced /kəˈhjaŋ.ən/), which designates directional guardian temples that protect specific regions or the island as a whole, often aligned with cosmological directions and dedicated to major deities or ancestral spirits.[4] Tirta (pronounced /ˈtɪr.tə/), or holy water, is a vital element in Balinese rituals, sourced from natural springs and believed to possess purifying and spiritual properties essential for ceremonies and blessings. Dang, as in dang kahyangan, indicates temples of state-level or regional sanctity, encompassing larger public shrines that hold significance beyond local communities, such as the six principal Sad Kahyangan temples.[12] A brief glossary of additional essential terms includes:History
Origins and Influences
Hinduism was introduced to Bali primarily through Indian traders and the cultural exchanges facilitated by Javanese kingdoms, beginning around the 8th century CE. The earliest archaeological evidence includes inscriptions in Sanskrit and Old Balinese from the 8th century, which reflect the arrival of Hindu and Buddhist concepts via travelers from the Indian subcontinent or Indianized regions of Java.[15] These interactions built on earlier contacts dating back to the 1st century CE in the broader Indonesian archipelago, where Indian merchants established trade routes that carried religious ideas alongside commerce.[16] By the 9th to 11th centuries, the Warmadewa Dynasty ruled Bali as a Hindu-Buddhist kingdom, fostering the construction of early temples and integrating Shaivite practices, with the spread intensifying through Hindu kingdoms in Java, such as those during the Mataram period, which transmitted Indian cultural and religious elements to Bali.[17][18] The core influences on early Balinese temple practices stemmed from Shaivite and Vaishnavite traditions originating in Java, which emphasized devotion to Shiva and Vishnu as supreme deities within the broader Hindu pantheon. Shaivism, in particular, arrived through Tantric texts and practices circulating from the 7th century onward, peaking in the 10th to 11th centuries, and was integrated into Balinese rituals focused on temple worship and purification ceremonies.[19] Vaishnavism played a complementary role, contributing to the veneration of the Trimurti (Brahma, Vishnu, Shiva), though it was less dominant than Shaivism in shaping temple-centric devotion.[20] These Javanese-derived traditions underwent unique Balinese adaptations, blending with indigenous animistic beliefs to form a syncretic system where temple rituals honored both cosmic deities and local ancestral spirits, distinct from mainland Indian forms.[19] Ancient lontar manuscripts, inscribed on palm leaves, were instrumental in codifying these imported traditions into Balinese temple worship, serving as sacred repositories of ritual procedures, Hindu spells, and customary guidelines. Originating from the 9th century, lontar texts like those on Agama (religious law) detailed ceremonial protocols for temple offerings and purifications, ensuring the continuity of Shaivite and Vaishnavite practices amid local adaptations.[21] These manuscripts, often treated as embodiments of divine knowledge from the goddess Sarasvati, were consulted by priests during temple rites, reinforcing the structured worship that defined early Balinese Hinduism.[21]Development and Key Figures
Following the conquest of Bali by the Majapahit Empire in 1343, waves of Javanese Hindu priests, nobles, and artisans migrated to the island, introducing structured temple architectures and ritual networks that integrated local animistic beliefs with Shaivite Hinduism.[22] This influx laid the foundation for Bali's extensive pura (temple) system, where priests established interconnected subak temple networks to manage irrigation and communal worship, ensuring spiritual and agricultural harmony across villages.[23] After the Majapahit kingdom's collapse around 1527 amid the rise of Islam in Java, a second major migration of high-caste priests and courtiers to Bali further solidified these networks, transforming isolated shrines into a hierarchical system of regional temples that symbolized royal legitimacy and cosmic order.[23] Early Hindu influences from Java, evident in shared iconography like lingga shrines, thus evolved into distinctly Balinese forms through this priestly diaspora.[22] In the late 15th to early 16th century, the Javanese Brahmin Dang Hyang Nirartha emerged as a pivotal figure in Balinese temple development during his Dharmayatra, a sacred pilgrimage across the island that lasted over two decades starting around 1489.[22] Through this journey, he founded or reformed key sea temples, including Pura Luhur Uluwatu and Pura Tanah Lot, to protect Bali's shores from malevolent spirits and maritime threats, establishing a directional network of nine coastal puras aligned with Hindu cosmology.[24] Nirartha standardized ritual practices by introducing the padmasana (empty throne shrine) for the supreme deity Acintya, blending Javanese Shaivism with local traditions and unifying disparate temple congregations under a cohesive Agama Hindu Dharma framework. His teachings, preserved in lontar manuscripts, emphasized ethical governance and communal odalan (temple anniversaries), profoundly shaping Bali's temple-centric society.[22] Dutch colonial rule, formalized after the 1906-1908 conquests, initially disrupted temple maintenance through indirect rule that prioritized economic extraction over cultural support, leading to neglected restorations amid forced labor demands.[25] However, the Baliseering policy of the 1920s-1930s shifted toward preservation, treating Bali as a "living museum" to attract European tourists and safeguard Hindu temples from modernization pressures, which inadvertently protected ritual sites while commodifying them.[26] Post-independence in 1949, Balinese temples experienced a revival as Hinduism was officially recognized in 1962 and reformed as monotheistic Agama Hindu Dharma Indonesia to align with national ideology, spurring community-led restorations and the formation of the Parisada Hindu Dharma Indonesia in 1959 to organize temple networks nationwide.[27][28] This era saw increased funding for odalan ceremonies and subak temple upkeep, reinforcing temples as symbols of Balinese identity amid Indonesia's secular state.[22]Architecture and Layout
Design Principles
Balinese temple design is fundamentally guided by the Tri Mandala system, a cosmological principle derived from Hindu philosophy that divides the temple compound into three concentric zones of increasing sanctity, reflecting the tripartite structure of the universe known as Tri Bhuwana (the three realms: earth, atmosphere, and heaven). The outermost zone, Nista Mandala or Jaba Pisan, serves as the profane entrance area, connecting the temple to the external world and accommodating initial visitor activities. The middle zone, Madya Mandala, acts as a transitional space for communal rituals and gatherings, bridging the profane and sacred. The innermost zone, Utama Mandala or Jero, is the most sacred area reserved for divine presences, housing principal shrines and accessible only during key ceremonies.[29] This spatial hierarchy aligns with the island's directional cosmology, where temples are oriented along the kaja-kelod axis: kaja (toward the sacred mountain) and kelod (toward the profane sea). Mount Agung, Bali's highest volcano and abode of the gods, defines the ultimate kaja direction, with most temples oriented towards it, generally in the northeast direction, to symbolize ascent toward the divine; in regions where the mountain is obscured, local peaks substitute to maintain this spiritual alignment.[30][31] Construction emphasizes harmony with Bali's volcanic landscape and tropical climate through natural, locally sourced materials and open layouts. Black volcanic stone, abundant from the island's eruptions, forms durable bases, walls, and floors, providing thermal stability and a grounded aesthetic. Roofs are typically thatched with ijuk (black sugar palm fibers) or alang-alang grass, layered steeply to withstand heavy rains while allowing ventilation in open-air pavilions that integrate the structure with surrounding nature, fostering a seamless blend of built and natural environments.[32]Gates and Enclosures
Balinese temples are typically enclosed by high brick or stone walls that define their sacred boundaries and separate the internal spaces from the surrounding profane world. These enclosures consist of multiple courtyards arranged in a hierarchical layout aligned with the trimandala zoning system, which divides the temple into outer (nista), middle (madya), and inner (utama) zones to reflect cosmic order.[33] The walls serve both functional and symbolic purposes, providing physical protection while symbolizing the demarcation between the earthly realm and divine spaces, with gates as the controlled points of transition.[33] The primary entry to the outer zone is through the candi bentar, a split ornamental gate that mimics the silhouette of a temple tower divided symmetrically in the center to form a passageway. This gate, influenced by Majapahit-era architecture, symbolizes the passage from the profane to the sacred, representing the splitting of the cosmic mountain into dual energies of positive and negative forces, thereby emphasizing balance and spiritual transition.[33][34] Functionally, it allows public access to the initial courtyard for communal activities while maintaining the temple's sanctity through its imposing, elaborately carved form made of brick and stone.[33] Progressing inward, the kori agung marks the boundary between the middle and inner zones, featuring a towering, roofed structure with a narrow door often guarded by mythical figures. Composed of three main parts—the head (cepak), body (kubu), and legs (gantung)—it is adorned with intricate motifs of flora, fauna, and geometric patterns using materials like sandstone and brick, signifying prestige and cultural identity.[35] Symbolically, the kori agung represents restricted access to the most sacred areas, embodying hierarchy and spiritual elevation, while its restricted entry enforces ritual purity.[33][35] Within these walled enclosures, the bale kulkul serves as a key pavilion, typically positioned at a corner of the outer or middle courtyard wall, housing a slit drum (kulkul) made from wood or bamboo. This open-air structure, designed with tiered roofs and decorative elements reflecting the Tri Angga proportioning system, functions to signal religious ceremonies, gatherings, or emergencies by producing rhythmic beats audible across the community.[36] Symbolically, it embodies Balinese social unity and autonomy, reinforcing the temple's role as a communal and spiritual hub.[36]Shrines and Structures
The core sacred structures within Balinese temples, known as pelinggih, embody profound symbolic and cosmological significance, representing the divine hierarchy and the connection between the earthly realm and the cosmos. These shrines are meticulously crafted from local materials such as wood, stone, and thatch, adhering to traditional principles that ensure harmony with nature and spiritual purity. Primarily situated in the innermost utama mandala, the holiest enclosure, they serve as focal points for devotion, with their forms drawing from Hindu-Buddhist cosmology to evoke the universe's sacred geometry.[37] The pelinggih meru stands as one of the most iconic shrines, a multi-tiered pyramidal tower symbolizing Mount Mahameru, the mythical cosmic mountain that connects heaven and earth in Hindu cosmology. Constructed with overlapping thatched roofs supported by wooden pillars, it features an odd number of tiers—typically 3, 5, 7, 9, or 11—to denote escalating levels of sanctity, where the greater the number, the higher the deity's status. For instance, an 11-tiered meru may honor Sang Hyang Widhi Wasa, the supreme deity, while 9 tiers are reserved for Shiva as the paramount manifestation of divinity. The structure's earthquake-resistant design, achieved through precise proportions and interlocking joints, underscores its role as a enduring symbol of divine stability amid natural forces.[38][39] Complementing the meru, the padmasana serves as the ultimate altar for the supreme god, Sang Hyang Widhi Wasa, depicted as an empty lotus throne atop a towering stone pedestal to signify the deity's omnipresence and transcendence beyond physical form. This shrine, often oriented toward the northeast and elevated on a multi-leveled base adorned with cosmic motifs like the Bedawang Nala turtle, embodies the macrocosm (bhuana agung) and the soul of the universe, aligning with Shiva Siddhanta philosophy. In temples like Besakih, variants such as the padmasana tiga feature three interconnected thrones representing the Tri Purusa—Parama Shiva, Sada Shiva, and Shiva—illustrating the divine's manifestation across realms. Its austere, unoccupied design emphasizes spiritual emptiness and universal harmony, distinguishing it from occupied shrines for lesser deities.[40][41][37] Beyond these elevated shrines, functional pavilions like the wantilan provide essential communal spaces within the temple complex, typically in the middle madya mandala. The wantilan is a spacious, open-air hall characterized by a vast multi-tiered roof supported by numerous pillars, lacking enclosing walls to foster openness and community interaction. As the largest type of bale pavilion, it functions as a meeting hall for village assemblies and supports large-scale ceremonies by accommodating gatherings, performances, and offerings preparation. During temple anniversaries known as odalan, the wantilan hosts processions, gamelan orchestras, and communal rituals, its expansive form symbolizing social unity and the integration of daily life with sacred duties. Other ceremonial pavilions, such as the bale pawedan for Vedic recitations or bale pepelik for offerings, similarly facilitate ritual activities, their thatched roofs and carved motifs reinforcing the temple's role as a living spiritual center.[37][42]Classification of Temples
Village and Family Temples
Village temples, known collectively as kahyangan desa or the three village temples (kahyangan tiga), form the foundational spiritual infrastructure of Balinese communities. These include Pura Desa, Pura Puseh, and Pura Dalem, serving as central hubs for daily worship and communal harmony.[43] The Pura Desa, dedicated to Brahma the creator, is typically located at the center of the village and functions as the primary site for collective rituals that sustain community prosperity and agricultural fertility.[4] These temples host odalan ceremonies every 210 days according to the Pawukon calendar, marking the temple's anniversary with offerings, prayers, and performances that reinforce social bonds and cosmic balance.[44] The Pura Puseh honors Vishnu the preserver and commemorates the village's founding, positioned at the kaja (mountainward) end to symbolize origins and continuity.[4] The Pura Dalem, dedicated to Durga and focused on protection against evil spirits and death rites, is often located at the kelod (seaward) end near graveyards, featuring boma statues to ward off malevolent forces.[4][45] All three adhere to the tri mandala zoning principle, dividing sacred spaces into utama (pure), madya (middle), and nista (impure) zones to align with Balinese cosmological order.[46] Family temples, referred to as sanggah, are integral to every Balinese household compound, ensuring ancestral veneration at the domestic level and upholding the principle of tri hita karana (harmony between humans, nature, and the divine).[47] Positioned in the kaja orientation within the home's most sacred zone, the sanggah consists of shrines such as the sanggah kemulan for clan ancestors and the sanggah pakaja for immediate forebears, where daily offerings like canang sari are made to honor the deceased and seek blessings.[47] These structures are mandatory in traditional house layouts, reflecting patrilineal descent and the belief that ancestors protect family welfare, with rituals intensifying during key life events to maintain spiritual lineage.[48] Unlike village temples, sanggah emphasize intimate family ties, yet they mirror the broader temple architecture in their orientation toward sacred mountains like Gunung Agung.[47] The ubiquity of these village and family temples underscores their role in embedding Hindu-Balinese practices into everyday life, fostering a sense of belonging and ritual continuity across generations.[43] Communal participation in kahyangan tiga events, such as odalan, draws residents from surrounding banjar (neighborhoods), while sanggah rituals ensure personal devotion aligns with village-wide observances.[46] This layered system of worship promotes social cohesion, with temples serving as venues for resolving disputes and celebrating milestones, thereby preserving Balinese cultural identity amid modern influences.[49]Specialized Temples
Specialized temples in Bali serve distinct ritual and environmental functions, adapting the core architectural and spiritual principles of Balinese Hinduism to specific needs such as water sanctity, death rites, and cremation processes. These structures, often integrated into village complexes but with unique emphases, highlight the island's emphasis on harmony between the divine, human, and natural realms under the Tri Hita Karana philosophy.[2] Pura tirta, or water temples, are dedicated to the veneration of holy springs and their purifying powers, central to Balinese rituals and agriculture. These temples house natural water sources believed to embody divine energy, where devotees perform melukat, a purification ceremony to cleanse the body, mind, and spirit of impurities. A prominent example is Pura Tirta Empul in Gianyar Regency, constructed in the 10th century during the reign of King Jaya Singa Warmadewa, featuring sacred pools fed by a natural spring within the temple grounds.[1] The water flows through structured bathing areas for ritual immersion before being channeled into the subak irrigation system, supporting rice terraces in nearby villages like Pejeng while maintaining ecological balance.[2] Pura prajapati, closely linked to cremation rites, function as shrines for worshiping Prajapati, the lord of creatures often embodied by Shiva, facilitating the soul's transition after death. Positioned adjacent to cemeteries, these temples host ceremonies that prepare the deceased for ngaben, the communal cremation process, by invoking divine aid to free the atman from the body. Rituals here emphasize purification and ancestral veneration, serving as a spiritual "melting pot" for death-related observances in Balinese Hindu practice.[50]Major Sacred Sites
Nine Directional Temples
The Nine Directional Temples, known as Pura Kahyangan Jagat, form a sacred network across Bali designed to shield the island from malevolent spirits emanating from the nine cardinal directions and the center, thereby upholding the cosmic equilibrium essential to Balinese Hindu beliefs.[51] Positioned according to ancient astronomical calculations involving stars, planets, and natural features, these temples represent a protective mandala that integrates Bali's landscape with divine order.[52] Each is dedicated to specific deities who embody directional energies, fostering harmony between the human, natural, and spiritual realms. Note that traditional lists vary slightly by source and region. At the heart of this system is Pura Besakih, the "Mother Temple" located on the southern slopes of Mount Agung in Karangasem Regency, which serves as the spiritual axis mundi for all Balinese temples.[53] This expansive complex includes 23 main temples and over 35 shrines honoring the Trimurti (Brahma, Vishnu, and Shiva) alongside ancestral and nature deities, with its multi-tiered pagodas and courtyards reflecting the island's hierarchical cosmology.[52] Besakih anchors the directional guardians, channeling universal energies, and hosts more than 70 annual rituals, including the major piodalan every 210 days that draws pilgrims from across Bali to renew cosmic balance.[51] The following table enumerates the nine temples, their assigned directions, primary dedications, and key protective roles (based on common traditional assignments; variations exist):| Direction | Temple Name | Location | Dedication and Role |
|---|---|---|---|
| Center | Pura Besakih | Karangasem Regency, Mount Agung slopes | Trimurti deities; central hub for all-Bali worship, ensuring overall spiritual stability.[53] |
| East | Pura Lempuyang Luhur | Karangasem Regency, Mount Lempuyang summit | Sang Hyang Iswara; wards off eastern chaos, symbolized by its iconic "Gates of Heaven" portal requiring 1,700 steps for purification rituals.[51] |
| West | Pura Luhur Batukaru | Tabanan Regency, Mount Batukaru foothills | Dewa Mahadewa (god of vegetation); safeguards western harvests with sacred freshwater springs, vital for agricultural rites post-Galungan festival.[52] |
| South | Pura Andakasa | Karangasem Regency, Manggis Village | Dewa Brahma; protects southern energies, serving as a meditation site for priests and healers, founded in the 11th century.[52] |
| North | Pura Ulun Danu Batur | Bangli Regency, Lake Batur shores | Dewi Danu (goddess of waters); protects northern fertility, relocated after the 1926 eruption, with nine subsidiary shrines blessing rice fields and lakes.[54] |
| Southeast | Pura Goa Lawah | Klungkung Regency, coastal cave | Naga Basuki (mythical serpent) and ancestors; its bat-inhabited cave repels southeastern threats, mythically linked to Besakih via underground passages.[52] |
| Southwest | Pura Luhur Uluwatu | Badung Regency, Bukit Peninsula cliffs | Dewa Rudra (god of the elements); balances southwestern sea and land forces, guarded by monkeys, with twice-yearly odalan ceremonies invoking ocean peace.[51] |
| Northwest | Pura Pucak Mangu | Bangli Regency, Mount Mangu highlands | Hyang Sangkara and water deities; ancient megalithic site accessed by a 6 km jungle trek, preserving northwestern agrarian and meditative traditions.[51] |
| Northeast | Pura Pasar Agung | Karangasem Regency, Mount Agung slopes | God Sambhu; overlooks eastern sunrises for renewal, featuring two main meru towers and bustling ceremonies during Purnama Kadasa.[52] |