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Bank Shot

Bank Shot is a 1974 American heist directed by and written by Wendell Mayes. It is loosely based on Donald E. Westlake's 1972 novel Bank Shot, the second installment in his Dortmunder series. The film stars as con artist Walter Ballantine, alongside , , and .

Synopsis

Plot

Walter Upjohn Ballentine, a skilled but impulsive career criminal serving a life sentence at the , is visited by his former associate Al G. Karp, who poses as his to propose a daring bank heist and provide an escape map. Using the map, Ballentine hijacks an earthmover and demolishes part of the prison wall to make his getaway, pursued by the institution's determined director, Bulldog Streiger, who chases him in a . After evading capture, Ballentine reunites with Karp outside the prison and is introduced to the rest of the ragtag crew assembled for the job: Karp's nervous nephew , a disgraced ex-FBI ; , a jittery explosives ; Hermann X, a burly safe-cracker with a bicycle-powered drill nicknamed ""; and Eleonora "", a thrill-seeking providing financial backing and serving as Ballentine's seductive accomplice. The group travels to via private jet, where reveals her role in funding the operation, and Ballentine takes charge of refining the plan. The target is a branch of the Mission Bell Bank, temporarily relocated to a trailer in a due to on its permanent building, making it an ideal mark with fewer security measures. Ballentine dismisses a conventional break-in as too risky given the trailer's exposed location and instead devises an audacious scheme to steal the entire structure: jacking it up at night with house-moving equipment, reinstalling wheels underneath, and towing it away to a secluded spot for cracking the vault later. During the heist execution, comedic chaos ensues as the crew lifts the trailer—with oblivious guards still inside—while El distracts passersby on a noisy motorbike to mask the sounds. They successfully haul the bank away but face immediate hurdles: hiding it by hastily painting the exterior pink to blend into a crowded , only for the washable paint to fail under scrutiny; multiple botched attempts to open the burglar-proof using Hermann's and Manfred's charges, which cause more destruction than progress; and close calls with bumbling authorities, including Streiger and FBI agents who surround the wrong trailer in the park. Ballentine employs disguises and gadgets, such as saltpeter to fend off El's advances, to keep the team focused amid the escalating mishaps. As the crew finally gets the mobile bank rolling toward a remote desert hideout, Streiger and the police close in, leading to a high-speed pursuit filled with farcical collisions and narrow escapes. The culminates at a coastal cliff, where the out-of-control trailer plunges into the ocean with Ballentine still inside, leaving the team and pursuers—including Streiger—watching in stunned silence from the edge. In a twist narrated by Streiger, Ballentine survives by swimming ashore and is later implicated in an armed robbery at the of , committed by a "sopping wet" intruder, suggesting his criminal escapades continue unabated.

Cast

The cast of Bank Shot features in the lead role, supported by an ensemble of character actors who bring humor to the film's eccentric team and authority figures.
ActorRoleDescription
Walter Upjohn BallentineThe charismatic mastermind con artist who escapes prison and orchestrates an elaborate bank with a ragtag .
EleonoraThe alluring financier who provides funding and enthusiasm for the team's risky endeavor.
Al G. KarpThe scheming criminal associate who organizes the and assembles the .
Andrew ConstableThe bumbling police captain tasked with pursuing the fugitives and unraveling the scheme.
Bulldog StreigerThe tough, no-nonsense prison warden who oversees Ballentine during his incarceration.
Supporting members of the team include as Victor Karp, Al's inventive nephew skilled in electronics; as Hermann X, the physically imposing safe-cracker; and as Stosh Gornik, the erratic getaway driver. Scott's performance marks a departure into following his Academy Award-winning dramatic portrayal in Patton (1970), highlighting his range in lighter fare. The production leverages familiar character actors like Booke, known for comedic timing, and James, a staple in authoritative yet humorous roles, to amplify the film's farcical elements.

Production

Development

Bank Shot originated as a loose adaptation of Donald E. Westlake's 1972 comic crime novel of the same name, the second installment in his Dortmunder series featuring the hapless thief plotting to steal a temporary bank housed in a . The , written by Wendell Mayes, altered key elements such as renaming the protagonist and emphasizing antics over the novel's more cynical, dialogue-driven cons. The project was greenlit in 1973 by United Artists, with production handled by Landers-Roberts Productions and a budget estimated at $3 million, reflecting the era's modest scale for comedy features. Gower Champion was selected to direct, marking his second feature film after the 1973 comedy 40 Carats; his extensive Broadway experience, including choreographing hits like Bye Bye Birdie (1960) and Hello, Dolly! (1964), was leveraged to inject rhythmic, visually dynamic energy into the film's comedic sequences. Script revisions during development focused on amplifying physical humor and ensemble interplay to suit Champion's stylized approach, diverging from the book's subtler satirical tone. Casting presented pre-production challenges, particularly in securing George C. Scott as the lead following his breakout fame in Dr. Strangelove (1964) and amid his selective post-Patton (1970) career choices for comedic roles. Scott's involvement anchored the ensemble, which included as the love interest, as a bumbling accomplice, and supporting players like and to build a ragtag crew of crooks, requiring auditions and negotiations to balance dramatic talent with comic timing.

Filming

Principal photography for Bank Shot took place from September 10 to December 7, 1973, spanning approximately three months in , California. The production utilized the city's urban landscapes for exterior scenes depicting the film's sequences, aligning with the story's contemporary setting. The film was shot in and widescreen format, enhancing the visual scale of its comedic action. Cinematographer Harry Stradling Jr. handled the photography, employing wide shots to capture the chaotic ensemble dynamics central to the heist comedy. Albert Brenner oversaw the art direction, including the construction of practical sets for the mobile bank trailer that drives the plot's central gag. The shoot faced logistical hurdles typical of location filming, such as coordinating vehicle-based stunts for the trailer's low-speed chases, though specific on-set improvisations by the cast were not documented in production records. Director , drawing from his , emphasized precise timing in these sequences to amplify the elements.

Release

Theatrical release

Bank Shot was released theatrically in the United States on July 31, 1974, by . The film had a limited initial rollout, beginning with screenings in major markets. The distribution expanded to a limited engagement across select theaters, with the film receiving a rating for mild language and comic violence. Its runtime was 83 minutes. Marketing efforts highlighted the film's absurd premise, featuring taglines such as "They didn't rob the money, they stole the whole " and promotional posters depicting the rolling trailer with the cast. Advertisements included print ads and limited television spots aimed at summer audiences, with tie-ins referencing Donald E. Westlake's source novel. Internationally, the film rolled out in starting in late 1974, with releases in the on September 19 (premiering in ), on September 20, on October 9, and in January 1975, often under localized titles.

Home media

The film received its initial home video release on VHS in the mid-1980s through MGM/UA Home Video, making it accessible to consumers during the early era of videotape distribution. A DVD edition followed in 2003 from , featuring a standard-definition transfer but lacking special features or commentary. Kino Lorber issued the first Blu-ray in 2015, sourced from a new 2K transfer of the original 35mm interpositive, with 2.0 stereo sound enhancing the original mono mix, and including the original theatrical trailer as the sole extra. Critics noted the release's strong visual quality, particularly the vibrant colors that accentuated the comedic sequences. As of 2025, Bank Shot is available for free streaming on ad-supported platforms such as and , included with subscriptions to , , and MGM+, and offered for rental or purchase on services like (iTunes) and ; high-definition streaming predominates, with no 4K UHD option yet available digitally.

Reception

Critical response

Upon its release in 1974, Bank Shot received mixed reviews from critics, who praised elements of its comedic execution while lamenting its inconsistencies. The film holds a 27% approval rating on , based on 10 reviews, reflecting a general consensus of mild amusement tempered by disappointment in its execution. Reviewers frequently highlighted George C. Scott's charismatic performance as the clever Walter Ballantine, noting his ability to infuse energy into the role despite the material's limitations. Director Gower Champion's handling of sequences was also commended for their effortless grace, particularly in the film's central visual gag of stealing an entire bank trailer. Critics pointed to uneven pacing and humor that felt forced or dated even at the time, with some gags undermined by rushed staging. Vincent Canby of The New York Times described the film as a "rather ordinary pound-cake of a movie that's been mixed with a lot of baking powder," appreciating its disarming energy and Scott's comedic turn alongside supporting players like Clifton James and Sorrell Booke, but concluding it was "not a great movie" and lacked depth to fully engage. Similarly, a Chicago Reader review called it a "really minor Scott vehicle," praising the cinematography by Harry Stradling Jr. but faulting the overall lightness as insufficient to sustain interest. Bernard Drew in Gannett Newspapers went further, stating that "nothing saves Bank Shot from total disaster," including Scott's efforts as the mastermind. A Time Out assessment noted that "potentially good gags get lost in the rush," underscoring the film's strident tone and failure to balance its caper elements effectively. Central to the critiques were the film's attempts to blend Donald E. Westlake's witty cons—rooted in the novel's clever plotting—with broad visual humor and ensemble dynamics, often at odds with its 1970s production style of exaggerated and period-specific production values like vibrant and a lively score by John Morris. The supporting cast's chemistry, including Joanna Cassidy's spirited portrayal of the love interest, provided occasional sparks, but the script's thinness left these elements underdeveloped, as reviewers observed a disconnect between the premise's ingenuity and its delivery. In retrospective assessments, particularly around the 2015 Kino Lorber Blu-ray release, Bank Shot has been reevaluated as a cult curio appealing primarily to fans of , who elevate its status through his commanding presence in an otherwise mediocre . Critics like Brian Orndorf described it as one of Scott's "silliest professional detours," appreciating the free-spirited air but noting its failure to match the source material's wit. A Screen Anarchy piece highlighted the oddity of Scott in broad caper fare during his peak years, viewing it as lightweight entertainment that pales against more sophisticated Westlake adaptations like The Hot Rock. Overall, it remains a minor entry in Champion's filmography, overshadowed by his musical successes like Hello, Dolly!, though its anti-authority antics offer mild nostalgic charm for 1970s enthusiasts.

Box office

Bank Shot underperformed commercially, marking a disappointment compared to George C. Scott's earlier success with Patton (1970), which had grossed over $61 million domestically. Released during the summer of , Bank Shot competed with major blockbusters such as . It experienced a rapid decline after its first two weeks, largely due to mixed word-of-mouth and critical reception.

Legacy

Cultural impact

Bank Shot contributed to the heist comedy genre by emphasizing absurd, mobile caper elements, such as the protagonists' scheme to relocate an entire prefabricated bank building, which highlighted the 1970s trend toward democratized and naturalistic portrayals of crime in film. As a loose adaptation of Donald E. Westlake's second Dortmunder novel, the film formed part of a series of screen versions that popularized the author's hapless thief archetype in comedic caper narratives. Released amid the post-Watergate era, Bank Shot captured cinematic cynicism through its depiction of incompetent , including bumbling FBI agents and a comically inept , reflecting broader anti-authority sentiments in the decade's comedies. This aligned with the era's shift in films toward messy realism and skepticism of institutions, though the movie's tone distinguished it from more polished cons in contemporaries like The Sting. The film has achieved minor status through home revivals, such as its 2015 Blu-ray release. It is referenced in the 2014 anthology The Getaway Car: A Westlake Miscellany, where Westlake critiques the adaptation's fidelity, noting he viewed one scene and found it "pretty bad."

Availability in 2025

As of November 2025, Bank Shot remains accessible across multiple digital platforms, reflecting ongoing interest in comedy capers. The film is freely available on ad-supported streaming services such as and , allowing viewers to watch without subscription costs beyond ads. For paid options, it is offered for rental on at Home at $2.99 in HD, with purchase available for $9.99. Additionally, following Amazon's acquisition of MGM, the movie is included in MGM+ subscription bundles, accessible via channels, , and other providers for around $6.99 per month. On physical media, Kino Lorber's 2015 Blu-ray edition continues to serve as the definitive high-definition release, featuring a remastered transfer and original trailer but no supplemental essay on author . No 4K UHD version has been released by 2025, though fan discussions speculate a potential anniversary edition in 2026 marking the film's 50th year—such rumors remain unconfirmed by distributors. Accessibility features include closed captions in English on major streaming platforms and subtitles in multiple languages such as , , and on rental services. No official restorations have been announced by 2025, though unofficial AI-upscaled versions appear on sites—viewers are advised to prioritize legal sources to avoid copyright issues.

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