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Bertrand Chamayou

Bertrand Chamayou is a classical born on March 23, 1981, in , recognized internationally for his virtuosic and imaginative interpretations of French repertoire, including works by Ravel, Liszt, Messiaen, and Saint-Saëns, as well as contemporary compositions by composers such as Boulez, Adès, and Kurtág. Chamayou's musical talent was evident from a young age and was quickly identified by pianist Jean-François Heisser, who became his primary teacher when Chamayou entered Heisser's class at the Conservatoire at age 15. He further refined his technique under Maria Curcio in and drew inspiration from masters including , , and . Throughout his career, he has performed as a soloist with leading orchestras such as the , , , , and Chamber Orchestra of Europe, collaborating with conductors including , , and . In recent seasons, his engagements have included recitals with artists like , , and , alongside appearances with the and at major venues in , , , , , and . Since 2021, Chamayou has served as co-artistic director of the Festival Ravel in France, underscoring his deep affinity for Maurice Ravel's music. Chamayou has garnered numerous accolades for his recordings and performances, including five Victoires de la Musique awards, the 2016 Echo Klassik for his complete recording of Ravel's solo piano works, and the 2019 Gramophone Award for his album of Saint-Saëns piano concertos with the Orchestre National de France. His discography, primarily on labels such as Warner Classics/Erato and Naïve, features acclaimed releases like Franck (Naïve), Saint-Saëns: The Complete Piano Concertos (Warner/Erato), Letter(s) to Erik Satie (exploring Satie and Cage), and his latest album Fragments (2025), centered on Ravel's oeuvre. These works highlight his commitment to both historical French masters and innovative programming, establishing him as one of the most distinctive and influential pianists of his generation.

Early life and education

Early years

Bertrand Chamayou was born on March 23, 1981, in , . Raised in a non-musical household, Chamayou's interest in developed spontaneously during his early childhood, as he began exploring an upright piano at home and improvising on it without formal encouragement from his family. Around the age of seven, his innate musicality became evident when a local recognized his exceptional talent and rapid ability to read music, which he mastered in less than a month. This led to his first lessons with private instructors in , where he delved into and , initially aspiring to become a rather than a performer. Chamayou's foundational influences stemmed from recordings of French composers, particularly and , whose impressionistic styles captivated him from a young age. By nine or ten, he had begun learning Ravel's works, such as Jeux d'eau, drawn to their evocative, fluid qualities that mirrored his own playful experiments at the ; Ravel soon became an enduring icon of his childhood and adolescence. These early encounters, combined with local lessons, also involved participation in regional youth competitions in , where he honed his skills through performances of diverse beyond traditional pedagogical pieces. This period of self-directed discovery in , including initial studies with teacher Claudine Willoth at the local conservatory, laid the groundwork for Chamayou's advanced training; he began private lessons with Jean-François Heisser at age 13, leading to his admission to the at age 15.

Musical training

Chamayou enrolled at the Conservatoire de at the age of 11, where his early interest in was nurtured through structured studies that laid the foundation for his technical development. At age 15, he was admitted to the Conservatoire National Supérieur de Musique et de Danse de (CNSMDP) and entered Jean-François Heisser's class, marking a significant advancement in his formal education. At the CNSMDP, Chamayou undertook primary studies under the guidance of Jean-François Heisser, a prominent and pedagogue whose instruction emphasized the nuances of repertoire, including works by composers such as Ravel and Debussy, fostering Chamayou's affinity for this stylistic tradition. This period honed his virtuosic technique and interpretive approach within a rigorous conservatory environment renowned for its excellence in classical training. Following his time at the CNSMDP, Chamayou pursued postgraduate training with Maria Curcio in starting in 2003, where the focus shifted toward deepening interpretive depth and musical expression, drawing on Curcio's renowned legacy as a disciple of . This advanced mentorship refined his artistic sensibility, enabling greater emotional and structural insight in performances. Chamayou's training culminated in notable successes at international competitions that validated his emerging skills. He secured first prize at the 2001 Robert Schumann International Piano Competition in , recognized for his command of Romantic repertoire central to the event's focus. In 2005, he won first prize at the Clara Haskil International Piano Competition in , further establishing his reputation for precision and poetic sensitivity in a contest honoring one of the 20th century's great interpreters. These victories provided crucial platforms for showcasing the technical and artistic foundations built during his educational journey.

Career

Rise to prominence

Chamayou's professional career gained momentum following his graduation from the Conservatoire National Supérieur de Musique et de Danse de , where he studied under Jean-François Heisser. At age 20, he secured fourth prize at the prestigious International Long-Thibaud Competition in 2001, a milestone that opened doors to initial engagements with leading French orchestras and conductors. One of his early breakthroughs came with a live recording of Franz Liszt's Études d'exécution transcendante released in 2006 on , capturing a performance noted for its technical brilliance and rhetorical flair, which established him as a rising talent in repertoire. This was followed by his first studio on Naïve in 2008, featuring Felix Mendelssohn's piano works, further showcasing his interpretive depth. Chamayou also made his debut as a concerto soloist with the under , performing Béla Bartók's Piano No. 2, an experience that highlighted his affinity for modern and . In 2010, Chamayou released a critically acclaimed album on Naïve dedicated to César Franck's works, including the Prélude, choral et fugue and Les Djinns, earning several accolades for its urbane and color-filled interpretations. His international profile rose with his London recital debut at in late 2010, where he performed a of pieces that drew praise for its poise and sensitivity. Throughout this period, he built foundational collaborations with French ensembles, including performances with the Orchestre National de France and conductors such as Louis Langrée, solidifying his reputation in his home country before expanding globally.

Major performances and collaborations

Chamayou has established himself as a prominent figure in the international scene through numerous solo recitals at leading venues worldwide. His performances include debuts and return engagements at the , where he has presented programs featuring French repertoire such as Ravel's complete solo piano works in celebration of the composer's 150th anniversary in 2025. Additionally, Chamayou has been a regular participant at the since his early appearances there in the 2010s, contributing to its piano series with interpretations of composers from to contemporary figures. In the realm of concerto performances, Chamayou has collaborated with premier orchestras across Europe and North America. He made his debut with the New York Philharmonic in 2018 under Semyon Bychkov, performing Mendelssohn's Piano Concerto No. 1 to critical acclaim for its technical brilliance and emotional depth. His engagements with the Cleveland Orchestra began in 2017, led by Susanna Mälkki, where he performed Scriabin's Piano Concerto in a program highlighting Russian modernism. Chamayou served as the featured artist in the London Symphony Orchestra's 2023–24 Artist Portrait series, encompassing major concerts at the Barbican Hall, recitals at LSO St Luke's, and a European tour exploring French and Romantic repertory. Throughout his career, Chamayou has forged significant partnerships with renowned conductors, enhancing his interpretations of key works. He collaborated with in the early 2010s, including concerts that highlighted his affinity for modern music. With Semyon Bychkov, he has undertaken cycles of Saint-Saëns piano concertos, notably in live presentations around 2019 that complemented his acclaimed recording of the composer's complete concerti. More recently, from 2023 to 2025, Chamayou has worked closely with on Messiaen projects, including vocal and piano explorations of the composer's mystical oeuvre at venues like ; their 2024 recording of Messiaen's Poèmes pour Mi and Chants de terre et de ciel (Alpha Classics) underscores this partnership. In 2025, Chamayou's activities center on immersive performances commemorating Ravel's 150th anniversary, spanning with multimedia events that integrate the composer's works, , and orchestral scores. These include appearances at the Festival Ravel in the , where he performs alongside ensembles like the Orchestre National de France under Philippe Jordan, blending traditional recitals with innovative staging to evoke Ravel's roots and cosmopolitan influences.

Festival and directorial roles

Chamayou has been a regular performer at the Lucerne Festival since 2010, appearing frequently as a soloist in recitals and orchestral programs that highlight his interpretive depth in French repertoire. In 2016, he presented complete cycles of Maurice Ravel's piano works as part of the festival's programming, showcasing his authoritative command of the composer's oeuvre through a series of dedicated performances. These engagements underscore his ongoing role in elevating Ravel's music within one of Europe's premier gatherings. Since 2021, Chamayou has served as co-artistic director of the Festival Ravel in , , a position he shares with Jean-François Heisser to oversee the event's vision and operations. In this leadership capacity, he curates programs centered on , drawing on Ravel's legacy to feature innovative explorations of the composer's influences and contemporaries, including interdisciplinary events that blend music with and . By 2023, Chamayou assumed sole artistic direction, expanding the festival's scope to include masterclasses and young artist initiatives through the affiliated Ravel Academy. In 2019, Chamayou acted as guest curator for the Festival's piano series, shaping a program that emphasized 20th-century compositions with a focus on virtuosic and exploratory works by composers such as Ravel and Stravinsky. His curatorial choices highlighted thematic connections across the era, integrating solo recitals with chamber collaborations to illuminate evolving techniques and aesthetics. For the 150th anniversary of Ravel's birth in 2025, Chamayou spearheaded several initiatives, integrated into the Festival Ravel's expanded programming, involving cross-cultural partnerships to contextualize Ravel's innovations within modern performance practice.

Discography

Solo piano recordings

Chamayou's solo piano recordings showcase his affinity for French and Romantic repertoire, often highlighting innovative interpretations of landmark works that blend technical precision with poetic depth. His discography in this genre began with the complete Années de pèlerinage by Franz Liszt. In 2011, Chamayou released a three-disc set on Naïve Classics featuring Franz Liszt's complete , a monumental drawing from the composer's travels and literary inspirations. Recorded at the Théâtre Auditorium de , the album emphasizes interpretive clarity and structural elegance, with critics praising Chamayou's ability to navigate the work's diverse moods—from introspective lyricism to virtuosic drama—without losing its narrative cohesion. A pivotal achievement came in 2016 with his two-disc recording of Maurice Ravel's complete works for solo piano on (Warner Classics), captured in his hometown of . This comprehensive survey includes staples like , Miroirs, and Jeux d'eau, where Chamayou's luminous tone and rhythmic vitality illuminate Ravel's impressionistic palette and modernist edges. The release earned the 2016 ECHO Klassik Award in the Solo Recording (20th/21st Century Music) Piano category, underscoring its impact on contemporary interpretations of the composer's oeuvre. Chamayou's 2022 Erato album dedicated to Olivier Messiaen's Vingt regards sur l'Enfant-Jésus further demonstrates his command of 20th-century complexity, presenting the sprawling, spiritually infused cycle alongside complementary pieces by Takemitsu and Murail. Recorded with a focus on the work's ecstatic bird calls and modal explorations, it received the CHOC de l'année award from Classica magazine, lauding Chamayou's balance of intensity and in this demanding on and sound. In 2023, Chamayou ventured into minimalism with the Warner Classics release Letter(s) to Erik Satie, pairing Satie's enigmatic miniatures—such as the Gnossiennes and Gymnopédies—with John Cage's prepared piano innovations, including In a Landscape and Dream. This album explores shared themes of simplicity and chance, with Chamayou employing subtle pedaling and spatial awareness to evoke the composers' influence on experimental traditions; by 2025, it had solidified his reputation for bridging historical and avant-garde piano aesthetics. In 2025, Chamayou released Ravel: Fragments on (Warner Classics) to mark the 150th anniversary of Maurice Ravel's birth. The album features Ravel's own transcriptions of works like and excerpts from , alongside Chamayou's arrangements of Ravel's vocal pieces and homages by contemporary , creating a of Ravel's influence.

Concerto and collaborative recordings

Chamayou's recordings showcase his virtuosic command in orchestral settings, often blending French Romantic repertoire with innovative interpretations. In 2018, he released a highly acclaimed album on featuring Camille Saint-Saëns's Nos. 2 and 5, performed with the Orchestre National de under Emmanuel Krivine, alongside select works by the composer. The recording, taped at the , highlights Chamayou's luminous touch and dynamic phrasing, earning the for Recording of the Year, praised for its elegance and vitality. In 2010, Chamayou collaborated with the Royal Scottish National Orchestra and conductor Stéphane Denève on a Naïve album centered on César Franck's Variations symphoniques for piano and orchestra, complemented by Franck's piano works including Prélude, choral et fugue and Les Djinns. Recorded in Glasgow, the project demonstrates Chamayou's ability to navigate the work's intricate dialogue between soloist and ensemble, with critics noting its poetic depth and structural clarity as a modern benchmark for the piece. More recently, Chamayou partnered with for a 2024 Alpha Classics release devoted to Olivier Messiaen's vocal-piano cycles Poèmes pour Mi and Chants de terre et de ciel, capturing their intimate interplay in songs evoking spiritual ecstasy and natural imagery. Produced in a focused studio session, the album underscores Chamayou's sensitive accompaniment, supporting Hannigan's expressive range while illuminating Messiaen's harmonic innovations, and has been lauded for its emotional intensity and technical precision.

Awards and honors

Victoires de la Musique

Bertrand Chamayou holds the record for the most Classique awards, with five wins across various categories since his debut recognition in the field. His first accolade came in 2006, when he was honored as the Révélation soliste instrumental de l'année, marking his emergence as a promising talent in . In 2011, Chamayou received the Soliste instrumental de l'année award, acknowledging his virtuosic performances and growing prominence as a . The following year, 2012, he was awarded for Enregistrement de l'année for his comprehensive recording of Franz Liszt's on Naïve, praised for its technical brilliance and interpretive depth. Chamayou's 2016 win in the Soliste instrumental de l'année category celebrated his two-disc Erato album featuring the complete works for solo piano by Maurice Ravel, recorded in his hometown of Toulouse and lauded for its revelatory approach to the composer's oeuvre. His fifth victory arrived in 2023, again as Soliste instrumental de l'année, tied to his Erato recording of Olivier Messiaen's Vingt regards sur l'enfant-Jésus, a monumental cycle that highlighted his command of complex, spiritually infused repertoire. These national honors have resonated internationally, as evidenced by the 2016 Echo Klassik award for his Ravel album.

International awards

Bertrand Chamayou's international acclaim has been marked by several high-profile awards outside , underscoring his exceptional interpretations of composers through recordings that have garnered worldwide attention. These honors build on his foundational successes in awards like the , which elevated his profile for global recognition. In 2016, Chamayou received the Echo Klassik award in the Solo Recording (20th/21st century music) Piano category for his Erato recording of Maurice Ravel's complete works for solo piano, celebrated for its poetic depth and technical precision. His 2019 Erato album of Camille Saint-Saëns's Piano Concertos Nos. 2 and 5, with the Orchestre National de France conducted by Emmanuel Krivine, won the Gramophone Classical Music Award for Recording of the Year, lauding its vibrant energy and revelatory insight into the composer's piano writing. In 2024, Chamayou's album Letter(s) to (Erato), exploring works by Satie and , received the Gramophone Award for Concept Album of the Year, the OPUS KLASSIK award for Solo Recording – Instrument of the Year, and the Diapason d'Or.

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