Bic Runga
Briolette Kah Bic Runga MNZM (born 13 January 1976), known professionally as Bic Runga, is a New Zealand singer-songwriter, multi-instrumentalist, and producer of Māori (Ngāti Kahungunu and Rongomaiwahine) and Malaysian Chinese descent.[1][2][3] Born in Christchurch to a Māori Vietnam War veteran father and a Chinese Malaysian cabaret singer mother, Runga grew up in a musical household with her sisters Boh and Pearl, beginning to write songs at age four and playing drums from age 11.[3][2][4] She rose to prominence in the 1990s with her debut album Drive (1997), which reached seven-times platinum in New Zealand and included the international hit "Sway", earning her the APRA Most Performed Work award in 1997 and the New Zealand Music Award for International Achievement in 1999.[5][2] Subsequent releases like Beautiful Collision (2002, eleven-times platinum), Birds (2005), and Belle (2011) established her as one of New Zealand's highest-selling artists, blending pop, alternative, and indie elements with her distinctive, timeless voice.[2][3][5] Runga holds the record for the most New Zealand Music Awards (Tuis) won by an individual, with 20 accolades including multiple Best Female Vocalist and Best Producer honors, and was inducted into the New Zealand Music Hall of Fame in 2016 as its youngest member at the time.[2][3][5] In addition to her solo career, she has collaborated with artists such as Neil Finn, Dave Dobbyn, and Lorde, and co-founded the alt-pop group Opossom, releasing King Sweeties in 2020.[5][3] More recently, after a period focusing on family life with husband Kody Nielson and their three children, Runga released the singles “It's Like Summertime” in October 2025 and “Paris in the Rain” in November 2025, heralding her forthcoming album Red Sunset set for 2026, recorded in Paris, while continuing to tour New Zealand and Australia.[6][7][8][3]Early life
Family background
Briolette Kah Bic Runga was born on 13 January 1976 in Christchurch, New Zealand.[9] Her father, Joseph Te Okoro Runga, was of Ngāti Kahungunu and Rongomaiwahine Māori descent from the Mahia Peninsula and served as a soldier in the Vietnam War for the New Zealand Army.[3] Her mother, Sophia Tang (born Leong Lai Ying), is a Chinese Malaysian who worked as a cabaret and lounge singer.[4][9] Joseph and Sophia met in Ipoh, Malaysia, during his leave from military service, where they married before relocating to New Zealand.[2][10] Runga is the third daughter in the family, with two older sisters: Boh Runga, six years her senior, and Pearl Runga, two years older.[10] Both sisters pursued careers in music and later collaborated with Runga on various projects.[4] The family settled in the Hornby suburb of Christchurch, where Runga spent her childhood in a working-class environment; her parents operated dairies in nearby Kaiapoi to support the household.[5][10] The Runga home was a vibrant, multicultural space infused with musical and artistic encouragement, reflecting the blended Māori, Chinese Malaysian, and broader New Zealand influences.[3] Sophia's background as a singer filled the household with cabaret standards and pop from the 1960s and 1970s, including artists like The Carpenters, Shirley Bassey, and Barbra Streisand, often performed during family car rides or casual gatherings.[4][10] Joseph contributed by playing piano and harmonica, while the sisters' early songwriting sessions—initiated by Boh when Runga was just four—fostered a creative atmosphere that prioritized self-expression through music and art.[3][2] This environment, though predominantly Western in its day-to-day cultural practices, laid the groundwork for Runga's deep connection to her diverse heritage.[3]Education and musical beginnings
Runga attended Cashmere High School in Christchurch, where she developed her musical skills during her teenage years.[11] She began learning the drums at age 11, followed by the guitar and keyboards at age 14, and regularly played in school jazz groups and bands.[11] These experiences, combined with a musically inclined family environment, laid the foundation for her instrumental proficiency and performance abilities.[5] Her initial forays into songwriting were shaped by early family collaborations, as she started recording songs with her sisters Boh and Pearl in their Christchurch home from a young age.[2] By her early teens, Runga was composing original material, drawing on these familial influences to explore her creative voice.[4] This success highlighted her talent as a songwriter and performer. Following graduation, she continued performing in local Christchurch bands in the early 1990s, including the duo Love Soup with Kelly Horgan, which achieved third place in the 1993 Smokefreerockquest regional finals.[12][13]Musical style and influences
Artistic style
Bic Runga's artistic style is characterized by her signature ethereal vocals, which possess a haunting, pillowy warmth that creates a dreamlike quality in her music.[2] This soft, breathy delivery sets her apart from contemporaries, emphasizing emotional intimacy over power, and is often paired with delicate lyricism that weaves introspective narratives through minimalist phrasing.[5] Her sparse instrumentation further enhances this approach, blending elements of pop, folk, and indie to produce an intimate, auteur-driven sound that prioritizes space and subtlety over dense production.[14] As a multi-instrumentalist, Runga frequently handles guitar, drums, and keyboards herself, contributing to the raw, organic texture of her recordings.[14] She has taken on self-production duties for multiple albums, allowing her to maintain artistic control and foster an intimate aesthetic that reflects her singer-songwriter roots.[14] This hands-on role underscores her preference for arrangements that highlight vocal performance and melodic clarity, often incorporating live drums and snappy snares to evoke a sense of immediacy.[14] Thematically, Runga's work centers on introspective explorations of love, nature, and personal reflection, conveyed through poetic, minimalist arrangements that invite listeners into quiet emotional spaces.[2] Her lyrics often adopt a conversational tone, delving into experiences of coming of age, grief, and relational dynamics with a gentle, evocative touch.[2] Over time, Runga's style has evolved from the raw singer-songwriter pop of her early albums to more orchestral and experimental textures in later releases, such as the dark, cinematic elements in Birds and the psychedelic pop intricacies in Close Your Eyes, featuring synths and funky bass.[15][16] This progression maintains her core dreamlike vocal essence while incorporating broader sonic palettes, including symphonic collaborations that amplify her emotive depth. Subsequent work, such as the alt-pop of Opossom's King Sweeties (2020) and the groovy vibe of the lead single "It's Like Summertime" from her forthcoming album Red Sunset (2026), continues this experimental expansion as of October 2025.[5][6]Key influences
Bic Runga's early musical inspirations were rooted in rock, particularly the British band The Smiths, which she discovered around age 12 and whose frontman Morrissey profoundly shaped her approach to lyrical introspection and poetic expression.[17][18] This exposure crystallized her ambition to pursue music as a career, influencing the emotional depth in her songwriting.[5] Her family's tastes introduced orchestral and pop elements from the 1960s and 1970s, drawn from her father's preferences for artists like James Last and Harry Connick Jr., as well as her mother's cabaret background as a lounge singer in Malaysia, which exposed her to performers such as Barbra Streisand, Gene Pitney, and Dusty Springfield.[3][19][20] These influences fostered an appreciation for dramatic phrasing and emotional delivery, evident in her vocal style from childhood car sing-alongs of cabaret standards.[10] During her school years at Cashmere High, Runga explored broader genres through participation in jazz groups and various bands, alongside folk elements that later informed her acoustic leanings.[5] In her later work, Māori cultural elements from te ao Māori became prominent, driven by her reclamation of Ngāti Kahungunu heritage following her father's passing, leading to bilingual tracks that integrate te reo Māori translations and themes of identity.[3][21] Family music exposure, including her sisters Boh and Pearl's professional pursuits, reinforced her creative environment, while personal reclamation of Māori heritage infused her themes with cultural resonance.[3] Collaborations with producers like Kody Nielson introduced electronic and experimental layers, expanding her sound with funky bass and intricate production on albums such as Close Your Eyes.[22][16]Career
1993–1999: Early career and Drive
In the early 1990s, Bic Runga formed the duo Love Soup in Christchurch with singer Kelly Horgan, marking her initial foray into performing as part of a group before transitioning to a solo career.[5] Seeking greater opportunities in the music industry, she relocated from Christchurch to Auckland in 1994 to focus on songwriting and live performances, building a reputation through solo shows in local venues.[23] Earlier that year, using a QEII Arts Council grant, Runga had recorded an initial version of her EP Drive in Wellington, immersing herself in the city's vibrant music scene to refine her sound.[5] Runga's breakthrough came in 1995 when, at age 19, she signed with Columbia Records (a Sony Music label in New Zealand) and released her debut single "Drive," which quickly climbed to the top 10 on the New Zealand charts and earned her the APRA Silver Scroll Award for songwriting in 1996.[24] This success paved the way for her self-produced debut album Drive, released on July 14, 1997, which debuted at number one on the New Zealand Top 40 Albums Chart and achieved seven-times platinum certification for shipments of 105,000 units.[25] At around age 20, Runga handled much of the songwriting and production for the album, drawing from personal experiences to craft introspective tracks like "Gravity," a contemplative ballad, and "Sway," which became an international hit peaking at number seven in New Zealand, number 10 in Australia, and number 26 in Ireland, while gaining widespread media exposure in films such as American Pie.[4][26][27] Following the album's release, Runga experienced rapid domestic success through early tours across New Zealand, including opening slots for prominent acts like the Finn Brothers in 1996, which helped solidify her presence in the local scene.[28] The album's impact culminated in her receiving the New Zealand Music Award for Album of the Year in 1998, recognizing Drive as a landmark in contemporary New Zealand pop music.[25]2000–2005: Beautiful Collision and Birds
Following the success of her debut album Drive, Bic Runga took a period of hiatus to recharge personally before returning to recording.[29] Her second studio album, Beautiful Collision, was released on 1 July 2002 in New Zealand by Sony Music and debuted at number one on the New Zealand Albums Chart, where it spent seven weeks at the top and remained in the top ten for an extended period.[30] The album was certified 11 times platinum in New Zealand, denoting shipments of 165,000 units, and marked her international breakthrough with a promotional release in the United States via Columbia Records.[31] It peaked at number 41 on the ARIA Albums Chart in Australia.[32] Beautiful Collision explored themes of romance and emotional maturity through introspective lyrics and lush arrangements, blending pop with subtle orchestral elements.[33] Key singles included "Get Some Sleep," which peaked at number three on the New Zealand Singles Chart and number four on the ARIA Singles Chart, becoming one of the year's top local songs in both countries, and "Election Night," a poignant track reflecting on political and personal uncertainty.[34] To promote the album, Runga toured extensively in the United States and United Kingdom, including appearances at major venues and radio sessions that expanded her global audience.[35] In 1999, prior to the album's release, she collaborated with New Zealand electronic group Strawpeople on a cover of her own song "Drive," which highlighted her versatility and appeared on their album Strawpeople Are Forever.[36] Runga's third album, Birds, arrived on 28 November 2005 via Sony BMG and debuted at number one on the New Zealand Albums Chart, earning platinum certification in its first week and ultimately triple platinum status for sales exceeding 45,000 copies domestically.[29] The record represented a stylistic evolution toward more experimental folk-pop, incorporating acoustic textures, bird calls in interludes, and tracks like the lead single "Winning Arrow," which captured a sense of introspection and renewal.[29] It won Album of the Year at the 2006 New Zealand Music Awards, affirming its critical and commercial impact.[29] By 2005, Runga's catalog, including Drive, Beautiful Collision, and Birds, had sold over 500,000 copies globally, establishing her as New Zealand's highest-selling solo artist at the time and solidifying her international profile.[37]2006–2010: Hiatus and preparations for Belle
Following the success of her 2005 album Birds, Bic Runga entered a period of relative seclusion from the public eye, prioritizing her personal life over musical output. In 2007, she gave birth to her son Joe, which marked a significant shift toward motherhood and led to a deliberate reduction in professional commitments. This hiatus allowed her to focus on family, resulting in minimal public appearances and no major solo releases during these years.[5][38] Runga's activities remained limited, consisting primarily of select performances and minor collaborations. In 2006, she performed at Bush Hall in London, but such events were rare. By 2010, she joined Tim Finn and Dave Dobbyn for the More FM Winery Tour, a nationwide series of 18 concerts across New Zealand vineyards, where she shared the stage with her sister Boh Runga and Che Fu as support acts. These engagements highlighted her enduring popularity but underscored the absence of new solo material.[5][39] In recognition of her contributions to New Zealand music, Runga was appointed a Member of the New Zealand Order of Merit (MNZM) in the 2006 New Year's Honours List. During this time, she began a relationship with musician Kody Nielson around 2010, which would later influence collaborative projects. Creatively, she turned inward, engaging in private songwriting shaped by her experiences as a mother, drawing on her longstanding roots in jazz and folk traditions to lay the groundwork for future work.[40][10][3]2011–2016: Belle, Anthology, and Close Your Eyes
In 2011, Bic Runga emerged from a period of creative hiatus to release her fourth studio album, Belle, on 14 November. Produced by her partner Kody Nielson, the record incorporated experimental elements such as Motown-inspired grooves and co-written tracks, shifting from her earlier self-produced efforts toward a more collaborative process.[41][15] The album debuted at number 5 on the New Zealand Top 40 Albums Chart and spent 11 weeks there, showcasing an intimate, piano-driven sound on songs like "Leaps and Bounds" and "Good Love."[42] During this time, Runga balanced her return to music with family life, including her marriage to Nielson, while contributing vocals and multi-instrumental work to Opossom's debut album Electric Hawaii, a psychedelic pop project led by Nielson and his brother Ruban.[43][44] In late 2012, Runga issued Anthology, her first career-spanning compilation, featuring hits like "Sway" alongside rarities and previously unreleased material. Released on 23 November, it peaked at number 24 on the New Zealand albums chart and charted for 5 weeks, serving as a reflective overview of her work up to that point amid her selective touring schedule.[45][46] The collection underscored her enduring popularity in New Zealand while she prioritized intimate live performances, such as a 2011 show at Auckland's Kings Arms venue, emphasizing emotional connection over large-scale productions.[47] Runga's fifth studio album, Close Your Eyes, arrived on 18 November 2016, self-produced and primarily comprising covers of artists like Nick Drake and Kanye West, with two originals including the title track. Recorded in the wake of her November 2016 induction into the New Zealand Music Hall of Fame, the album featured orchestral keyboard arrangements and debuted at number 15 on the New Zealand charts, charting for 3 weeks.[48][49][50] The single "Small Room" highlighted its dreamy, introspective vibe, and Runga supported the release with limited tours across New Zealand (17 dates) and select international shows in Australia, Ireland, and the UK, maintaining a focus on personal and familial equilibrium during this phase.[51][48]2017–2025: Hall of Fame induction and Red Sunset
In November 2016, Bic Runga was inducted into the New Zealand Music Hall of Fame at the Vodafone New Zealand Music Awards, becoming the youngest artist to receive the honour at age 40; the ceremony featured a performance of her hit "Sway" backed by musicians including Kody Nielson and Boh Runga.[48][52] The induction, presented by Dave Dobbyn, celebrated her two decades of contributions to New Zealand music, including multiple platinum albums and APRA awards, with lasting recognition extending into subsequent years through tributes and retrospectives.[53][54] Following the induction, Runga entered an extended creative hiatus, prioritising family life with her partner Kody Nielson and their three children, which limited her public engagements and new releases for several years.[3] During this period, she made sporadic appearances, such as a 2017 concert at The Civic in Auckland, but maintained a low profile amid personal commitments.[55] This phase culminated in greater visibility in 2023, highlighted by a sold-out tour marking the 20th anniversary of Beautiful Collision across Aotearoa and Australia, followed by her receipt of the inaugural Rolling Stone Icon Award at the Panhead Rolling Stone Aotearoa Awards, recognising her enduring career impact.[56][57][58] Runga's creative revival accelerated in 2025 with the release of four new singles throughout the year: "Paris in the Rain," "Things Unspoken," "Kāore He Wā / There Is No Time," and "It's Like Summertime," the latter issued in October and co-produced with Kody Nielson, evoking nostalgic reflections on warmth and transience.[59][7] These tracks marked her return to original music after a 14-year gap since Belle (2011), blending orchestral pop with intimate storytelling.[6] The singles preview Runga's upcoming sixth studio album, Red Sunset, scheduled for release in 2026 and recorded during a family trip to Paris in the winter of 2025, where she rented an Airbnb equipped with a grand piano to compose amid the city's reflective atmosphere.[7][60] The album explores themes of renewal—framed as a "new dawn" post-parenthood—and cultural heritage, incorporating bilingual Māori-English elements that align with Runga's Ngāti Kahungunu and Rongomaiwahine iwi affiliations and her ongoing reclamation of te ao Māori.[60][61] In recent activities, Runga visited Paris, renting an Airbnb equipped with a grand piano during winter 2025—a city that has inspired her since a post-2002 relocation there—using it as a creative hub that informed the album's introspective tone while integrating her family's involvement in the process.[60][62] This period also saw performances like a live rendition of "It's Like Summertime" with the Auckland Philharmonic Orchestra in October 2025, underscoring her blend of heritage and contemporary evolution.[63]Personal life
Marriage and children
Bic Runga has been in a relationship with musician Kody Nielson, a drummer and former member of the band The Mint Chicks, since the early 2010s; the couple later married and has collaborated on musical projects throughout their relationship.[3][10] Runga has three children: a son named Joe, born in 2007 from a previous relationship, and two daughters, Sophia (born around 2013) and Frida (born around 2015), with Nielson.[10][64] Motherhood has profoundly shaped Runga's personal life, teaching her resilience in ways she describes as unmatched by other experiences, while also prompting a career hiatus in the late 2000s to prioritize raising her children.[65][3] She has noted that parenthood unexpectedly brought support from her children, who have been appreciative and encouraging of her musical return in 2025.[60] Runga and Nielson share family responsibilities equally, integrating parenting with their creative lives, including joint trips abroad for recording sessions such as the 2025 Paris visit where they worked on her album Red Sunset.[10][7]Cultural heritage and residences
Bic Runga, born Briolette Kah Bic Runga, has a multicultural heritage shaped by her paternal Ngāti Kahungunu and Rongomaiwahine iwi affiliations through her father, Joseph Te Okoro Runga, who hailed from the Mahia Peninsula, and her maternal Chinese Malaysian roots via her mother, Sophia Tang, a singer originally from Ipoh, Malaysia.[3][10][58] Growing up in a household where English dominated due to the cultural differences between her parents, Runga had limited early exposure to te reo Māori or traditional Māori practices, reflecting a broader assimilation narrative in her family's story.[3] In adulthood, she has actively worked to reclaim her te ao Māori identity, including visiting a marae for the first time at her father's tangi[21] and enrolling in cultural competency courses like Te Kaa, as discussed in her 2023 interview where she described this reconnection as invigorating her life.[3] Runga's residences have mirrored her career trajectory and personal phases. She was raised in Christchurch, where her family settled after her parents met abroad, fostering her early musical interests in a suburban environment.[3] As her career peaked in the early 2000s, she spent extended periods abroad, living in Paris and London from 2003 to 2004 to immerse herself in new creative environments before returning to New Zealand.[11] Later, she established bases in Wellington and Auckland, with the latter serving as her primary home during family and studio life in the 2010s.[10][66] More recently, in 2025, Runga returned to Paris with her family, renting an Airbnb equipped with a grand piano to draw inspiration for her album Red Sunset, recorded there during the winter months.[7] This heritage informs Runga's cultural expressions, particularly her reflections on her parents' intercultural marriage and its impact on her identity, which she has woven into interviews as a narrative of blended worlds.[3] Her reconnection to Māori culture has extended to her music, exemplified by her 2019 re-recording of "Sway" as "Haere Mai Rā" in te reo Māori, a labor-intensive project requiring 60 takes that symbolized her deepening engagement with the language.[3][21] Through such efforts, Runga continues to honor her multifaceted background while navigating personal growth amid evolving residences.Honours
New Zealand Music Awards
Bic Runga holds the record for the most Tui Awards won by any individual artist at the New Zealand Music Awards, with a total of 20 victories across her career.[58][67][68] These accolades highlight her dominance in categories such as vocal performance and production, where she has been recognized as Best Female Vocalist four times and Best Producer three times.[58] Her debut album Drive propelled her to early success at the 1998 ceremony, where she secured Album of the Year, Best Female Vocalist, and Single of the Year for "Sway," among six total wins that year.[11][2] In 2000, Runga received the International Achievement Award, acknowledging her growing global profile following the international release of Drive.[69] The 2003 awards celebrated Beautiful Collision with wins for Best Female Vocalist, Best Solo Artist, and Best Producer, alongside Highest Selling NZ Album; her single "Get Some Sleep" earned a nomination for Single of the Year that year.[70] Runga's 2006 triumphs included Album of the Year and Best Female Solo Artist for Birds, as well as Best Producer for the same album, contributing to three awards overall at that ceremony.[71][72][73] She has amassed numerous nominations across various categories from 1998 to 2016, though her extended hiatus from new releases has resulted in no recent appearances on the shortlists.[74][75]Other awards and recognitions
In 2006, Bic Runga was appointed a Member of the New Zealand Order of Merit (MNZM) in the New Year's Honours for her services to music.[40] Runga received the APRA Silver Scroll Award in 1996 for her songwriting on "Drive," recognizing outstanding original songs by New Zealand writers.[5] She was inducted into the New Zealand Music Hall of Fame in 2016 during the New Zealand Music Awards ceremony, becoming the youngest artist to receive this honour at the time.[48] In the same year, she was awarded the NZ Herald Legacy Award for her enduring contributions to the New Zealand music industry over two decades.[76] In 2023, Runga was presented with the Rolling Stone Aotearoa Icon Award at the Panhead Rolling Stone Aotearoa Awards, honouring her lifetime achievements as a pioneering New Zealand artist.[56] Her debut album Drive (1997) achieved seven-times platinum certification in New Zealand, while her second album Beautiful Collision (2002) reached eleven-times platinum status there, reflecting her commercial impact.[48]Discography
Studio albums
Bic Runga's debut studio album, Drive, was released on 14 July 1997 and features 11 tracks. It debuted at number one on the New Zealand Top 40 Albums Chart and has been certified seven times platinum by Recorded Music NZ for sales exceeding 105,000 units.[67][77][48] Her second album, Beautiful Collision, released on 1 July 2002, contains 12 tracks and also debuted at number one on the New Zealand charts, where it remained for multiple weeks. The album was certified 11 times platinum in New Zealand by Recorded Music NZ, reflecting sales over 165,000 copies, and marked her highest-selling release to date. In Australia, it peaked at number 41 on the ARIA Albums Chart after one week in the top 50.[48][35][78] Birds, Runga's third studio album, arrived on 28 November 2005 with 11 tracks and debuted at number one on the New Zealand Top 40 Albums Chart. It earned a triple platinum certification from Recorded Music NZ for over 45,000 units sold.[79][80] The fourth album, Belle, released on 14 November 2011, includes 10 tracks and peaked at number two on the New Zealand albums chart. It achieved gold certification in New Zealand for sales surpassing 7,500 copies.[81] In 2016, Runga issued Close Your Eyes on 18 November, comprising 12 tracks primarily of covers with two originals; it peaked at number 15 on the New Zealand Top 40 Albums Chart and was certified gold by Recorded Music NZ.[82][81] Runga's sixth studio album, Red Sunset, is scheduled for release in 2026 and was recorded in Paris during the winter of 2025. The lead single, "It's Like Summertime" (co-written and produced with Kody Nielson), integrates into the album's tracklist. The second single, "Paris in the Rain", was released in November 2025.[7][8]Compilation and live albums
Bic Runga's compilation and live albums provide retrospectives of her career, gathering hits, rarities, and performance recordings rather than new original material. These releases highlight her evolution as a songwriter and performer, often drawing from her earlier work while offering fresh interpretations or archival material. Her first live album, Together in Concert: Live, was released in 2000 with Tim Finn and Dave Dobbyn. It features 14 tracks from their joint tour and peaked at number 2 on the New Zealand Top 40 Albums Chart, certified triple platinum by Recorded Music NZ. Her second live album, Live in Concert with the Christchurch Symphony, was released in 2003 by Columbia Records. Recorded during performances with the Christchurch Symphony Orchestra under conductor Marc Taddei, the album features 11 tracks, including orchestral arrangements of songs from her studio albums Drive and Beautiful Collision, as well as covers like Bob Dylan's "One More Cup of Coffee." It peaked at number 7 on the New Zealand Top 40 Albums Chart and spent 5 weeks in the top rankings, certified platinum.[83][84] In 2008, Runga issued Try to Remember Everything, a compilation of B-sides, demos, and unreleased recordings spanning 1996 to 2008, produced by Andre Upston and released by Sony Music. The 15-track collection includes previously unavailable material such as "All Fall Down" and demo versions like "The Daily Grind," offering fans insight into her creative process during the periods surrounding Birds and earlier projects. It debuted and peaked at number 28 on the New Zealand Top 40 Albums Chart, charting for 4 weeks.[85][86] Runga's first greatest hits compilation, Anthology, arrived in 2012 via Sony Music, encompassing 22 tracks that trace her career up to Belle. The album compiles major singles like "Sway" and "Get Some Sleep" from her four prior studio releases, alongside selected rarities and collaborations such as "Good Morning Baby" with Dave Dobbyn. It serves as a career-spanning overview, emphasizing her pop-rock and singer-songwriter style, and was certified gold in New Zealand for sales exceeding 7,500 copies, peaking at number 24 on the charts.[87][88]Singles and collaborations
Bic Runga's singles have been a cornerstone of her commercial success, particularly in New Zealand and Australia, where several achieved top 10 placements on national charts. Her breakthrough came with tracks from her debut album Drive (1997), blending introspective lyrics with melodic pop arrangements that resonated widely. Subsequent releases from albums like Beautiful Collision (2002) and Birds (2005) continued this trend, though chart performance varied, with some singles gaining prominence through media placements rather than peak positions. Key early singles include "Sway" (1997), which peaked at number 7 on the New Zealand Top 40 Singles Chart and spent 17 weeks there, while reaching number 10 on the ARIA Singles Chart in Australia. "Gravity" (1998), another track from Drive, was released as a single and featured in the New Zealand film Channelling Baby, contributing to its cultural impact despite not charting highly. From Beautiful Collision, "Get Some Sleep" (2002) became her biggest hit in New Zealand, peaking at number 3 on the Top 40 Singles Chart and ranking as the top local song of the year, though it only reached number 92 on the ARIA Singles Chart. "Something Good" (2002) followed, peaking at number 4 in New Zealand. Later singles such as "Winning Arrow" (2005) from Birds peaked at number 23 in New Zealand, reflecting a shift toward more experimental sounds. "Leaps and Bounds" (2011) from Belle and "Small Room" (2016), a contribution to a tribute project, received critical acclaim but did not achieve significant chart success. In 2025, ahead of her forthcoming album Red Sunset, Runga released "It's Like Summertime" in October (co-written and produced with Kody Nielson, featuring family collaboration on drums, bass, and guitar, evoking nostalgic warmth) and "Paris in the Rain" in November, a melancholic electro-leaning track inspired by urban rainscapes.| Single | Year | NZ Peak | Australia Peak |
|---|---|---|---|
| Sway | 1997 | 7 | 10 |
| Get Some Sleep | 2002 | 3 | 92 |
| Something Good | 2002 | 4 | - |
| Winning Arrow | 2005 | 23 | - |