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Boni Boyer

Boni Boyer (July 28, 1958 – December 4, 1996) was an American vocalist, multi-instrumentalist, and composer best known for her contributions to Prince's music during the late 1980s, including backup vocals and performances on albums such as (1988) and Graffiti Bridge (1990). Born Bonita Louisa Boyer in , she developed a versatile musical talent early in life and became a sought-after , collaborating with artists like , Tony! Toni! Toné!, , and . A classmate of Sheila E., Boyer joined Prince's band for the tour in 1987, where she served as a and , later participating in the Lovesexy Live tour until being replaced by Rosie Gaines in 1990. Her work extended to visual media, including appearances in the film (1990) and Prince's concert film (1987). Boyer tragically died of a brain aneurysm at age 38 while on tour in Australia.

Early life

Childhood and family background

Bonita Louisa Boyer was born on July 28, 1958, in Washington, D.C., United States. Her family relocated to Oakland, California, during her early childhood when she was five years old. Boyer received her formal early education in the public school system of Oakland starting at that age. Limited information is available regarding her immediate family members and specific parental influences during her upbringing.

Musical education and early influences

Boyer spent her formative years in , where the city's dynamic music culture profoundly shaped her artistic development. Immersed in the Bay Area's rich tapestry of , , and traditions, she began engaging with music early on, drawing from the local scene that fostered her multi-instrumental talents. Her upbringing in this environment allowed her to explore keyboards and vocals, laying the groundwork for her distinctive style before entering professional circles. A key aspect of Boyer's early musical involvement stemmed from her close ties to Oakland's community of emerging artists, including growing up alongside , with whom she performed in early bands. This collaboration highlighted her burgeoning skills and exposed her to collaborative performance dynamics central to the region's sound. Described as the "Queen of Oakland" for her commanding presence across and genres, Boyer's foundational experiences emphasized community-driven music-making that prioritized expressive, rhythmic innovation. Gospel music emerged as a pivotal influence in Boyer's youth, infusing her work with an "electric church powerhouse" energy characterized by soaring vocals and spiritual depth. This tradition, prevalent in Oakland's religious and cultural settings, informed her self-taught approach to and performance, blending sacred fervor with secular grooves to create a versatile foundation. Her early inspirations also encompassed and pioneers encountered through local airwaves and gatherings, which honed her ability to fuse emotional intensity with technical proficiency on and keyboards.

Musical career

Early professional collaborations

Boni Boyer entered the professional music scene in the mid-1970s as a vocalist and ist within the vibrant Bay Area and R&B communities in . She quickly established herself as a versatile , contributing to local sessions and performances. Her early involvement in the region's burgeoning movement helped solidify her reputation as a sought-after , blending gospel-inflected vocals with rhythmic work. One of her notable early contributions came through session work with the established funk group Con Funk Shun, a Bay Area staple. On their 1981 album 7, released by Mercury Records, Boyer provided backing vocals across several tracks, adding layered harmonies that enhanced the group's signature upbeat, horn-driven sound. This collaboration exemplified her role in supporting R&B and funk projects during the early 1980s, where she often handled both vocal and instrumental duties to elevate ensemble performances. Boyer's influence extended to mentoring and partnering with emerging Bay Area talents, fostering the next generation of R&B artists. She led her own band in the local scene, where young musicians like —later a key member of Tony! Toni! Toné!—gained early experience playing alongside her. Known as the "Queen of Oakland" in the region, Boyer's guidance and collaborative spirit helped shape the foundational sounds of mid-1980s R&B acts rising from the Bay Area clubs and studios.

Work with Sheila E. and Prince

In 1986, Boni Boyer joined Sheila E.'s band as a and vocalist, supporting the artist's live performances during the promotion of her self-titled third album. This role marked her entry into the circle, where she contributed to the E-Train touring ensemble, bringing her Oakland-rooted funk sensibilities to Sheila E.'s rhythmic percussion-driven sound. Her prior session work had honed her skills for these high-energy shows, allowing her to seamlessly integrate into the band's dynamic. By 1987, Boyer transitioned to Prince's newly assembled 87-89 Band for the Sign o' the Times Tour, serving as second keyboardist and providing backing vocals across the European leg from May to June. Positioned on the stage's high rear riser, her keyboard parts supported Prince's intricate arrangements, adding layers to tracks like "Sign o' the Times" and "U Got the Look" during the 31-date run. This period extended into the recording of Prince's 1988 album Lovesexy, where Boyer played keyboards on several tracks and contributed backing vocals, including keyboards on 'Anna Stesia' and backing vocals on tracks such as 'Alphabet St.' and 'I Wish U Heaven,' helping shape the album's eclectic fusion of pop, funk, and spiritual elements. Boyer continued with Prince on the expansive Lovesexy Tour from July 1988 to February 1989, handling keyboards and vocals in the round-stage production that visited , , and . Her and gospel-infused vocal deliveries enriched the tour's psychedelic R&B vibe, particularly in medleys blending Lovesexy material with earlier hits, before she departed after the Japan leg alongside . In 1990, Boyer provided organ and background vocals for Prince's Graffiti Bridge project, including the soundtrack album's , bridging her tour experience into studio work that echoed the era's innovative sound. Her gospel-funk style, characterized by soulful exclamations and rhythmic keyboard grooves, complemented Prince's evolving and R&B palette, infusing spiritual depth into performances and recordings.

Later projects and contributions

Following her tenure with Prince, Boni Boyer expanded her session work into , contributing additional background vocals to Digital Underground's sophomore album (1991), where her layered harmonies on the track "Kiss You Back" infused the group's P-Funk-inspired sound with her signature vocal depth. This collaboration marked an evolution in Boyer's style, blending her funk-rooted and vocal techniques—honed through high-energy live performances—with emerging hip hop elements, creating a hybrid energy that bridged genres. In the realm of R&B and , Boyer provided lead background vocals on Al Jarreau's Heaven and Earth (1992), notably enhancing the track "Love of My Life" with her rich, emotive delivery that complemented Jarreau's smooth phrasing and the album's fusion arrangements. Her contributions extended to uncredited vocal support and arrangements for R&B artists including Tony! Toni! Toné! and during the early 1990s, applying her multi-instrumental versatility to diverse session roles that emphasized soulful harmonies over lead features. These projects showcased Boyer's adaptability, incorporating subtle hip hop rhythms into her foundational base while prioritizing collaborative textures in studio environments.

Personal life and death

Personal relationships

Boyer kept her personal affairs largely shielded from public view, resulting in minimal documented information on romantic partners or family beyond her Oakland roots. She formed enduring friendships in the Bay Area music community, including a childhood connection with R&B producer and musician , with whom she grew up and who later played in her early band; Saadiq has described her as "the Queen of Oakland." Boyer also shared a close bond with dancer and vocalist , whom she befriended during their overlapping time in Prince's touring ensemble, with Glover noting they were "really close" and often shared dressing rooms. These personal ties to the Bay Area, stemming from her upbringing in Oakland, appear to have anchored her lifestyle choices, as she remained based in throughout her career, prioritizing proximity to family and longtime friends over relocations elsewhere.

Illness and passing

Boyer died suddenly from a brain aneurysm on December 4, 1996, at the age of 38 while touring in . She had been actively performing and collaborating on projects right up to this point. She is buried at Chapel of in . No public records detail immediate family statements following her passing.

Legacy

Influence on funk and R&B

Boni Boyer's integration of elements into and R&B was particularly evident in her live performances with Prince's band during the late , where her powerful vocals evoked an "electric church-style" delivery that infused spiritual intensity into rhythmic grooves. On the tour, she contributed -infused backing vocals to songs like "Anna Stesia," blending devotional fervor with Prince's signature arrangements to create a transcendent, soul-stirring sound. Music critic described her as a " shouter" on , highlighting how her organ keyboard work added soulful, improvisational depth to live jams, elevating the genre's emotional expressiveness in concert settings. Her arrangements and multi-instrumental contributions played a key role in bridging pop-funk with hip hop fusions, as seen in her work on the Graffiti Bridge , where she provided and layered backing vocals that merged syncopated grooves with emerging and elements. Recruited from Sheila E.'s band for Prince's tour, Boyer embodied the multicultural Oakland sound—rooted in and genre-blending influences from artists like —helping transition Prince's music toward hip hop-infused R&B hybrids in the early . As a prominent in the male-dominated world of and R&B bands, Boyer's role as and vocalist in Prince's ensembles provided a model for women navigating similar spaces, with her commanding stage presence and technical versatility inspiring greater participation by artists in live performances. Dubbed the "Queen of Oakland" by for her dominance across and related styles, her work underscored the potential for women to lead and vocal innovations within these genres.

Recognition and tributes

Boni Boyer's enduring impact within the Prince musical circle has been highlighted through retrospective accounts by her bandmates and collaborators. In a 2018 Wax Poetics magazine feature on Prince's Lovesexy era, Raphael Saadiq, a funk and R&B artist who grew up alongside Boyer in Oakland and performed in her band, praised her as "the Queen of Oakland," emphasizing her commanding presence and versatility in blending funk, house, and other styles. Similarly, Cat Glover, dancer and vocalist in Prince's 1987–1989 band, described their close bond during the Lovesexy tour, likening it to the partnership of Wendy Melvoin and Lisa Coleman from The Revolution, and recounting Boyer's fearless onstage demeanor, such as playfully gesturing at Prince during a performance mishap. Industry appreciation for Boyer's vocal and keyboard talents extends to live acknowledgments from himself; during the 1988 Lovesexy tour encores of "," he incorporated a rap line proclaiming, "Her name is Boni B.," spotlighting her as a standout performer in the ensemble. These tributes underscore her role as arguably the most powerful vocalist in any of Prince's touring bands, as noted in the same . Boyer's contributions remain preserved and credited in posthumous archival projects. The 2020 Super Deluxe Edition of Prince's explicitly lists her on keyboards and vocals for numerous tracks across the original album, outtakes, and live recordings, ensuring her foundational work on the 1987 project is documented in remastered form. Her influence on subsequent and R&B artists is evident in Saadiq's reflections, where he attributes part of his early musical development to Boyer's mentorship and innovative approach during their shared time in Oakland's vibrant scene.

Discography

Album credits as performer

Boni Boyer's performances as a vocalist and spanned several notable albums, beginning with her early contributions to ensembles and extending into high-profile R&B and pop projects in the late and . Her work emphasized soulful backing vocals and textures, often enhancing the rhythmic and harmonic layers of collaborative recordings. In 1978, Boyer provided backing vocals on Con Funk Shun's 7, contributing to the group's signature soundtracks with layered harmonies on tracks that highlighted their era. Transitioning into the mid-1980s, she provided backing vocals on Sheila E.'s 1987 self-titled album Sheila E., including on "One Day (I'm Gonna Make You Mine)," supporting the album's fusion of pop, funk, and Latin influences under production. Her association with Prince peaked in 1988 on the album , where Boyer played and provided vocals, notably adding gospel-infused energy to songs like "Anna Stesia" and "I Wish U Heaven," as part of the evolving Band lineup. In 1990, Boyer contributed backup vocals and instrumentation to 's album Graffiti Bridge. In the early 1990s, Boyer contributed background vocals to Digital Underground's 1991 album , appearing as one of the featured singers on tracks such as "Kiss You Back," bringing her multi-layered choral style to the group's P-Funk-inspired sound. She continued with backing vocals on Al Jarreau's 1992 album Heaven and Earth, delivering lead backgrounds on "Heaven and Earth (So Fine)," which underscored the jazz-R&B crossover produced by . Later in the decade, Boyer appeared on the 1995 soundtrack Higher Learning: Music from the Motion Picture, providing backing vocals on Raphael Saadiq's "Ask of You," a track tied to his Tony! Toni! Toné! affiliations and reflecting her ongoing Bay Area R&B connections.

Production and arrangement credits

Boni Boyer's production and arrangement credits are limited in documented records, with her primary recognition stemming from her multi-instrumentalist background that supported collaborative creative roles in R&B and funk projects. She contributed to arrangements on Prince's albums Lovesexy (1988) and Graffiti Bridge (1990) alongside her performance input. No solo composition attempts or extensive production works by Boyer have been released or widely documented.

Filmography

Concert films and tours

Boni Boyer served as the keyboardist and backing vocalist for Prince's Sign o' the Times Tour in 1987, appearing prominently in the accompanying concert film Sign 'o' the Times, directed by Prince and released the same year. The film captures live performances from the European leg of the tour, showcasing Boyer's contributions to the band's tight, multifaceted sound through her Hammond organ and vocal harmonies on tracks like "Forever in My Life" and "U Got the Look." Her stage presence added to the production's dynamic energy, delivering rhythmic and vocal pyrotechnics alongside drummer Sheila E. and dancer Cat Glover, which helped emphasize the tour's blend of funk, rock, and theatrical elements. Boyer also appeared in footage from Prince's New Year's Eve benefit concert at Paisley Park Studios on December 31, 1987, during the Tour. This performance, later released as the video Prince: Live at Paisley Park - December 31, 1987, featured her on keyboards and vocals, including a notable collaboration with jazz legend . The event supported the Coalition for the Homeless and highlighted her role in Prince's evolving live ensemble. In 1988–1989, Boyer continued in her role as keyboardist and vocalist during the Tour, which promoted Prince's album of the same name and featured elaborate staging with spiritual themes. This period was documented in the two-volume home video release Lovesexy Live (1989), compiling footage from a September 1988 concert at Westfalenhalle in , . The film highlights Boyer's powerful vocal leads and keyboard solos, particularly in gospel-infused segments like "Anna Stesia" and "I Wish U Heaven," where her emotive delivery and improvisational flair elevated the ensemble's communal performance style. Her contributions underscored the tour's emphasis on live improvisation and audience interaction, with Boyer often engaging in call-and-response vocals that amplified the show's uplifting vibe. Although Boyer performed on Prince's 1990 album Graffiti Bridge and contributed to related studio sessions, no major concert films from the supporting Nude Tour feature her, as she departed the band earlier that year.

Music videos and other appearances

Boni Boyer made several notable visual appearances in promotional music videos and television performances during her tenure as a keyboardist and backing vocalist in Prince's band from 1987 to 1989. Her roles were typically supportive, highlighting her contributions to the ensemble's dynamic energy without taking center stage. These appearances were concentrated in the late 1980s, aligning with Prince's Sign o' the Times and Lovesexy eras, where she provided keyboards and vocals alongside bandmates like Sheila E. and Cat Glover. In the music video for Prince's "I Wish U Heaven," released in 1988 to promote the Lovesexy album, Boyer appeared as a backup singer performing alongside and . Directed by and filmed at SIR Studios in on June 2, 1988, with additional footage from the in , the video features a surreal, computer-generated backdrop of a with floating objects, emphasizing Prince's vocals while the female band members contributed harmonies and percussion. This marked Boyer's final visual appearance in a Prince , as noted in production records, and it underscored the collaborative spirit of the Lovesexy tour band. Boyer also featured briefly in the background of Prince's "Glam Slam" music video, shot during Lovesexy tour rehearsals at Paisley Park Studios on May 7, 1988. In this performance-oriented clip, directed by Steve Purcell, the full band—including Boyer on s—played a short set to energize extras on set, though the final edit focused primarily on and dancer . The video, which aired in July 1988, captured the high-energy funk of the track, with Boyer's work and vocals adding to the layered , even if her screen time was limited. On television, Boyer performed live with at the , broadcast on September 11 from the Universal Amphitheatre in . As part of the Sign o' the Times tour band, she played keyboards and provided backing vocals during a medley that included "Sign o' the Times," "Play in the Sunshine," and "Housequake," sharing the stage with on drums and on dance and vocals. This high-profile appearance, viewed by millions, showcased Boyer's growling lead vocal moments and her integration into Prince's evolving live ensemble, as highlighted in contemporary reviews. In addition to her Prince-related work, Boyer appeared in the 1990 feature film , credited as part of the Club Band (billed as Bonnie Boyer). The comedy film, directed by and starring , features her in a musical performance sequence during a club scene. Beyond these, Boyer's visual presence extended to minor promotional spots tied to her work with in 1986–1987, where she occasionally appeared in rehearsal footage or band promos for albums like Sheila E., though no standalone cameos in Sheila E.'s music videos, such as "A Matter of Time" or "Hold Me," have been documented. Her contributions in these contexts emphasized her role as a versatile transitioning from Sheila E.'s group to Prince's, building on her Bay Area roots.

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