Byllis was an ancient city-state in southern Illyria, located on a hilltop plateau approximately 547 meters above sea level overlooking the Vjosa River valley in present-day Albania, serving as the capital of the Bylliones, an Illyrian tribe.[1][2] Founded in the mid-4th century BCE (c. 370–350 BCE) following the collapse of earlier regional kingdoms, it emerged as the largest urban center in South Illyria, spanning about 30 hectares and featuring a planned layout with extensive fortifications and minting its own coins.[1][2]Throughout the Hellenistic period, Byllis experienced conflicts between regional powers, including conquests by Macedonian rulers such as Cassander in 314 BCE and Philip V in 213 BCE, before gaining autonomy and eventually allying with Rome after the Battle of Pydna in 167 BCE.[1][2] Under Roman rule, it was rebuilt as the colonia Iulia Augusta in the 1st century CE, prospering as a key administrative and episcopal center with a population supported by agriculture and trade.[2] The city endured sacks by the Visigoths in the late 4th century CE and Slavs in 586 CE, leading to its abandonment, though it was fortified anew under emperors Theodosius II and Justinian I.[1][2]Archaeologically, Byllis is renowned for its well-preserved remains, including a 7,500-seat theater, an agora, gymnasia, a stadium, a stoa, and five early Christian basilicas with intricate mosaics dating from the 4th to 6th centuries CE, all enclosed by 2 kilometers of cyclopean walls up to 9 meters high.[2] Designated a protected cultural monument, the site highlights Illyrian urbanism and Greco-Roman influences, with ongoing excavations revealing artifacts noted in ancient texts by authors like Ptolemy and Cicero. In recent years, as of 2025, the site has benefited from a €6 million EU-funded project for conservation, including a new visitor center and management plan through 2029.[1][3]
Name and Etymology
Attestation in Ancient Sources
The earliest attestation of Byllis appears in the Periplus attributed to Pseudo-Scylax, a geographical text compiled around 380 BCE, which describes the "Boulinoi" (Bylliones) as an Illyrian people marking the extent of Illyrian territory along the Adriatic coast near the Ceraunian Mountains.[4]Subsequent references in classical sources affirm Byllis's prominence as a key Illyrian settlement. Strabo, in his Geography (ca. 7 BCE–23 CE), identifies the region of Bylliaca immediately after Apollonia, portraying it as a significant Illyrian area extending to Oricum and the start of the Ionian Gulf.[5]Pliny the Elder, in Natural History (ca. 77 CE), lists the Buliones (Bylliones) among the native tribes in the vicinity of Apollonia and the Amantes, highlighting their position within the Macedonian province's coastal territories.[6] Ptolemy's Geography (ca. 150 CE) explicitly names Byllis as a city in Epirus Nova, assigning it coordinates that place it inland from the Adriatic, underscoring its role as a recognized urban center in the Illyrian-Macedonian borderlands.[7]Numismatic evidence further attests to Byllis's autonomy and the Bylliones' political organization from the 3rd century BCE onward. The koinon of the Bylliones began minting silver and bronze coins around 230 BCE, featuring legends such as "BYΛΛIΩN" and depictions of deities like Artemis, continuing until the Roman conquest in 168 BCE; these issues confirm Byllis as the primary center of the tribal league.Attestations persist into the Roman and Byzantine periods through inscriptions and later compilations. Roman-era epigraphy, including a 1st-century CE dedication establishing Byllis as Colonia Julia Augusta, reflects its integration into the imperial administrative structure.[2] In the 6th century CE, Stephanus of Byzantium's Ethnica describes Byllis as a city of Illyris, attributing its foundation to the Myrmidons under Neoptolemus, thereby preserving its legendary status in late antique geographical lore.[8]
Linguistic Origins and Usage
The name of the ancient city is attested in various forms across classical languages, reflecting phonetic adaptations in Greek and Latin texts. In Greek sources, it appears as Βύλλις, while Latin renderings include Byllis and Bullis, with an alternative Greek variant Βουλλίς noted in some geographical accounts.[9] These variations likely stem from the transcription of the local Illyrian pronunciation by Greek and Roman authors.[2]The name may derive from Illyrian roots, possibly related to terms denoting "hill" or "bull," reflecting the site's topography or local fauna, though the exact etymology remains uncertain. In epigraphic evidence, the name is used in Greek inscriptions dating to the 3rd century BCE, indicating the integration of Greek script and forms within the Bylliones community's administrative and religious practices.[2] Similarly, bronze coins minted by the Bylliones from the late 3rd to 2nd century BCE bear the ethnic ΒΥΛΛΙΝΙΩΝ in Greek, alongside symbols like the tripod or fire altar, underscoring the name's role in asserting civic identity under Hellenistic influences.[10] This adoption of Greek linguistic conventions highlights the bilingual environment of southern Illyria, where the original Illyrian toponym was Hellenized for broader Mediterranean communication.[2]
Geography and Location
Site Description
The archaeological site of Byllis occupies a prominent hilltop position near the village of Hekal in Fier County, central southern Albania, at an elevation of 524 meters above sea level, providing strategic oversight of the surrounding Vjosa River valley.[11] The settlement covers approximately 30 hectares, enclosed by robust fortified walls constructed around 350 BCE, which extend 2.25 kilometers in length, measure 3.5 meters in width, and rise to heights of 8–9 meters, incorporating defensive towers and six gates for access control.[1][12]The site's layout integrates naturally with its topography, featuring a distinct acropolis on the higher elevation, separated by an additional fortification wall, which served as the elevated core of the urban center. Below lies the agora, a spacious rectangular marketplace flanked by stoas, functioning as the economic and social hub, while the Hellenistic theater, hewn directly into the hillside, accommodates up to 7,500 spectators across 40 tiers of seating. Remnants of the aqueduct and cistern systems, including channels and reservoirs, weave through the terrain to manage water supply, enhancing the site's self-sufficiency amid its isolated hill position.[9][13][11]Geologically, Byllis rests on a limestone plateau, with local grey limestone quarried extensively from nearby cliffs and slopes to build the walls and monuments using ashlar techniques without mortar, a method that has aided long-term structural integrity and preservation despite exposure to the elements.[14] The terrain's karstic features, including natural outcrops and erosion patterns, further shaped construction adaptations and the overall integration of architecture with the landscape.[11]
Regional Context
Byllis was strategically positioned in southern Illyria, approximately 30 kilometers inland from the ancient Greek colony of Apollonia at the mouth of the Aoös River (modern Vjosa), facilitating trade routes and cultural exchanges between Illyrian inland settlements and coastal emporia.[2] Its proximity to Oricum, a key harbor at the southern end of the Bay of Vlorë about 40 kilometers to the southwest, further enhanced its role in regional alliances and commerce, as Byllis served as an inland hub connecting Illyrian tribes to Adriatic maritime networks during the Classical and Hellenistic periods.[1] These connections influenced economic interactions, with Byllis benefiting from Apollonia's role as a major export point for goods from the interior.[2]Situated on a hill overlooking the Vjosa River valley, Byllis played a pivotal role in controlling this fertile corridor, which supported agriculture through its alluvial soils and provided natural defenses via the river's barriers and the site's elevated terrain.[2] The valley's position enabled effective oversight of north-south land routes, linking the city to broader Illyrian territories and ensuring connectivity to the Adriatic coast for the transport of agricultural surplus and other resources.[1] This strategic location bolstered Byllis's military and economic significance, allowing it to function as a defensive stronghold against incursions while promoting trade with neighboring centers.[2]The region's Mediterranean climate, characterized by mild, wet winters and hot, dry summers, fostered the cultivation of olives and grapes, staples of ancient Illyrianagriculture that were mastered by local tribes and symbolized prosperity, as seen in coin iconography featuring cornucopias.[15][16] Ancient terracing in the hilly Vjosa valley, adapted to the rugged landscape, optimized arable land for these crops and other produce, sustaining the city's population and contributing to its regional influence.[17]
History
Foundation and Classical Period
Byllis was established in the fourth century BCE by the Illyrian tribe known as the Bylliones, who inhabited the region south of the Aous River in southern Illyria.[18] The settlement originated as a fortified hilltop site at Gradisht, developing amid a broader wave of Illyrian urban growth during this era of regional instability.[18] Its founding around 350 BCE, marked by the construction of massive defensive walls, likely served as a strategic response to the encroaching threats from Greek colonization along the Adriatic coast, including nearby settlements like Apollonia.[11]The city's early layout demonstrated sophisticated urban planning, with buildings arranged on an orthogonal grid of streets spanning about 30 hectares atop terraced hillsides.[11] Initial fortifications, constructed using coursed dressed stone in a style typical of Illyrian hill-forts, enclosed the core settlement and included a network of supporting strongholds such as those at Gurëzë and Margëllic.[18] These defenses, dated to the late fourth century BCE, underscored Byllis's role as a political and economic hub for the Bylliones koinon, or tribal commonwealth.[18]Throughout the Classical period, the Bylliones maintained interactions with Greek city-states, particularly through trade and cultural exchanges facilitated by proximity to colonies like Apollonia.[18] By the mid-fourth century BCE, this contact led to the adoption of the Greek alphabet, as seen in a lead inscription from the Dodona sanctuary where the Bylliones sought oracular advice on sacrificial rites. Similarly, the tribe embraced Greek-style coinage practices during this time, reflecting economic integration, though actual minting at Byllis began in the subsequent Hellenistic era with issues bearing local symbols like stags.[18]
Hellenistic Period
During the Hellenistic period, Byllis experienced conquests by Macedonian rulers, including Cassander in 314 BCE and Philip V in 213-214 BCE, integrating the city into broader Hellenistic political dynamics.[2][18] By the early 3rd century BCE, under Pyrrhus of Epirus, Byllis experienced a period of brief autonomy as part of the Epirote koinon, following Pyrrhus's annexation of neighboring Taulantii lands and Dyrrhachium in 272 BCE, which temporarily elevated regional self-governance before Epirus's decline.[18]Architectural expansions in Byllis during the Hellenistic era reflected the adoption of Greek urban planning and cultural influences, with significant developments occurring between the 4th and 2nd centuries BCE. The theater and agora were key structures, constructed using dressed stone and exemplifying monumental public spaces that fostered communal identity; the agora, built around the mid-3rd century BCE, spanned approximately 4 hectares and featured a geometric layout separated from residential areas, serving both local residents and the broader koinon.[19][20] A stadium and double portico complemented these, alongside evidence of tile production, highlighting Byllis's growth as an urban center influenced by Hellenistic architectural standards.[21]Byllis participated actively in Illyrian political networks through the Koinon of the Bylliones, established after 232 BCE as a commonwealth that minted its own coins and coordinated regional affairs.[18] This involvement extended to conflicts, including resistance to early Roman incursions in the 3rd century BCE, as Roman interventions in Illyria from 229 BCE disrupted local alliances and led to tensions with the koinon, positioning Byllis within broader Hellenistic power struggles.[18]
Roman Period
Following the Roman victory in the Third Macedonian War in 168 BCE, Byllis was incorporated into the expanding Roman sphere of influence as part of the province of Epirus Nova, marking the end of its prior autonomy under Hellenistic oversight.[2] The city was subsequently granted the status of civitas libera et foederata, a free and allied community that afforded it significant self-governance while maintaining a formal alliance with Rome, as evidenced by its mentions in ancient texts like those of Cicero.[1][22] This privileged position allowed Byllis to thrive politically and economically during the late Republic and early Empire, avoiding direct provincial administration until later reorganizations.Under Emperor Augustus in the late 1st century BCE, Byllis experienced notable urban development, including the settlement of Roman veterans and the official renaming of the city as Colonia Iulia Augusta, reflecting its integration into the imperial framework.[2] Existing Hellenistic structures, such as the theater and stoa, were rebuilt in Roman style, while the defensive city walls were repaired to enhance security amid regional civil strife.[1] These enhancements, including the development of public facilities like baths—though some major examples date to the later 3rd century—facilitated civic life and administration, transforming Byllis into a prosperous Romansettlement.[2]Economically, Byllis played a vital role in regional trade during the Roman era, leveraging its elevated position overlooking the fertile Vjosa River valley for agricultural production, particularly olives, which supported olive oil manufacturing.[2] Evidence from the surrounding landscape indicates intensive olive cultivation, with the oil serving as a key commodity exported through nearby Adriatic ports such as Apollonia, connecting Byllis to Mediterranean markets and sustaining its prosperity from the 2nd century BCE through the 4th centuryCE.[1] This trade network not only bolstered local wealth but also positioned the city as a strategic hub for goods moving inland from coastal routes, contributing to the overall economic vitality of RomanIllyria.[2]
Byzantine Period and Decline
Following the division of the Roman Empire in 395 CE, Byllis entered the Byzantine era as part of the Eastern Roman province of Epirus Nova, marking a shift toward intensified Christian influence and defensive adaptations built on its existing Roman infrastructure. The city was sacked by Visigoths around 400 CE but was reconstructed under Emperor Theodosius II (r. 408–450 CE).[2][23] The city, which had served as a bishopric since at least the early 5th century—evidenced by its bishop Felix attending the Council of Ephesus in 431 CE—underwent significant fortification reinforcements in the mid-6th century under Emperor Justinian I.[2] These works, led by the general Victorinus, reduced the enclosed urban area from approximately 30 hectares to 11 hectares and included robust walls constructed in opus incertum to counter mounting threats from barbarian incursions, reflecting broader Byzantine strategies to secure Illyrian frontiers.[2][24]Christianization accelerated during this period, with the construction of at least five early Christian basilicas between the late 5th and mid-6th centuries, transforming Byllis into a notable ecclesiastical center.[2]Basilica B, the largest at over 67 meters long and functioning as the cathedral, was accompanied by an episcopal palace, while others like Basilicas A, C, and D featured intricate floor mosaics depicting themes of salvation, including pastoral scenes, fishermen from Nazareth, and the Rivers of Paradise (Pishon, Gihon, Tigris, and Euphrates) symbolizing eternal life and divine abundance.[24][11] These structures, often funded by local bishops such as Praisos (noted in inscriptions from Basilica C), underscored the city's investment in religious display amid Late Antique urban evolution.[24][11]By the late 6th century, Byllis faced precipitous decline due to a confluence of external pressures and internal vulnerabilities, culminating in its abandonment by the early 7th century. Slavic invasions, which sacked and burned the city around 586 CE, severely disrupted its stability and prompted the relocation of the bishopric to nearby Ballsh.[2] This was compounded by broader economic shifts including ruralization, reduced trade, and over-reliance on ecclesiastical investments that strained resources.[11] With no evidence of reoccupation, the site faded into obscurity, its population dispersing amid the collapsing urban networks of the western Balkans.[2][11]
Archaeology
Excavation History
The archaeological exploration of Byllis began in the early 19th century with visits by European travelers who documented the site's visible ruins. In 1815, British physician Henry Holland identified the site as Byllis, describing its fortification walls and a Latin inscription bearing the city's name in his travelogue Travels in the Dominions of Ali Pasha of Ioannina.[25] Subsequent observers, including French diplomat François Pouqueville in 1850, noted the theater structure in Voyage dans la Grèce, while Théodore de Claubry provided a refined reading of the inscription that year.[25] By 1881, French explorer Émile Isambert published detailed observations on the walls, theater, and inscription in Voyage en Orient, and in 1904, Austrian archaeologist Carl Patsch cataloged inscriptions, sculptures, and coins from the area in Das Sandschak Berat in Albanien.[25] These early accounts relied on surface surveys and visual documentation, laying the groundwork for later systematic work without extensive digging.During World War I, Austrian archaeologist Camille Praschniker conducted the first trial excavations between 1916 and 1918, targeting the fortification walls, a stoa, and the theater, amid wartime constraints.[25] Postwar efforts remained superficial until the 1970s, when Albanian archaeologists initiated more structured investigations. In 1974–1976, Neritan Ceka and Llazar Papajani began probing the site, followed by major excavations from 1978 to 1991 led by Ceka under the Institute of Archaeology in Tirana.[24] These campaigns uncovered elements of the agora, theater, stoas, gymnasium, houses, and basilicas A–E, incorporating restoration work by Papajani's team and shifting toward methodical stratigraphic analysis typical of mid-20th-century Eastern European archaeology.[25]International collaboration intensified in the late 1990s with the formation of a Franco-Albanian team under the auspices of the French School at Athens (École française d'Athènes) and the French Ministry of Foreign Affairs. From 1999 to 2012, archaeologists Skënder Muçaj and Jean-Pierre Sodini (joined by Pascale Chevalier in 2003) directed excavations focusing on Basilica B, the episcopal complex, and Byzantine features, emphasizing interdisciplinary approaches like ceramic typology and architectural phasing.[26] This period marked a methodological evolution, integrating French expertise in Late Antique studies with Albanian fieldwork to refine chronologies through detailed recording and conservation. A key outcome was the 2019 publication Byllis: Présentation du site, fortifications, basiliques A, C et D by Muçaj, Sodini, Chevalier, and Marie-Pascale Raynaud, which synthesized findings on the site's defenses and early Christian structures using integrated plans and epigraphic analysis.[11]Post-2020 efforts have emphasized joint Albanian-international partnerships, supported by EU funding exceeding €6 million—including a 2024 grant for ongoing archaeological research, excavations, civil works, and access improvements—to advance non-invasive techniques and site preservation.[27][24] These initiatives, involving teams from Albania and European institutions, have incorporated geophysical methods such as electrical resistivity tomography (building on earlier 2012 applications at Byllis) for subsurface mapping and conservation planning, reflecting a broader trend toward sustainable, technology-driven archaeology in Albania.[28]
Key Structures and Artifacts
The Hellenistic-Roman theater at Byllis, constructed in the mid-third century BCE and later rebuilt during the Roman period, features forty rows of seats carved into the natural hillside, accommodating approximately 7,500 spectators.[2] Its stage building (scaenae frons) included architectural enhancements typical of Roman theaters, while an integrated drainage system managed rainwater flow from the slopes, ensuring structural integrity during performances and public gatherings.[2] This theater served as a central venue for cultural and civic events, reflecting the city's urban sophistication under Illyrian, Hellenistic, and Roman influences.[2]Byzantine basilicas A through D, dating primarily to the late fourth through mid-sixth centuries CE, represent key ecclesiastical architecture at the site, with extensive excavations revealing their role in the city's late antique Christianization. Basilica A, from the late fourth century, features simple basilical layout with naves and an apse, while Basilica B, the largest at over one hectare, functioned as the cathedral with associated episcopal structures.[2] Basilicas C and D, built in the sixth century, incorporate advanced construction including column-separated naves and semicircular apses with synthronon benches; for instance, Basilica C measures 33 by 22.8 meters and includes liturgical annexes.[29] These basilicas are renowned for their sixth-century mosaic pavements, which display geometric patterns such as interlocking circles and crosses in the chancel and narthex areas, alongside figural elements like birds and floral motifs in adjacent rooms, crafted in black, white, and red tesserae for symbolic and decorative effect.[11][29]Among the notable artifacts unearthed at Byllis are Illyrian coins minted by the Bylliones tribe starting around 270 BCE, featuring Greek inscriptions and symbols like the prytanis (magistrate) emblem, which circulated locally and indicate early monetary autonomy.[2]Roman inscriptions, such as the second-century CE dedication by equestrian Marcus Valerius Lollianus for a road and bridge, highlight infrastructure development and elite patronage, while later epigraphic evidence from the sixth century records Justinianic fortifications.[2] Pottery shards, including Hellenistic amphorae and Roman fine wares like African Red Slip, recovered from stratified layers, point to extensive trade networks connecting Byllis to Mediterranean ports via the nearby Vjosa River valley.
Religion and Culture
Religious Practices and Inscriptions
Archaeological evidence from Byllis indicates the absence of major pagan temples or dedicated sanctuaries within the city, yet epigraphic material reveals a vibrant array of religious dedications to both Greco-Roman and syncretized local deities beginning in the Hellenistic period. Evidence from coins and epigraphic material from the Hellenistic period attests to the worship of Zeus, including the cult of Zeus Tropaios, reflecting his prominence in the local pantheon, likely influenced by nearby Epirote and Illyrian traditions.[30] These texts, often carved on stone bases or altars, underscore Zeus's role as a protector of the Bylliones tribe. Other cults include those of Zeus Tropaios and Poseidon, as indicated by inscriptions. Local Illyrian deities appear through syncretism, as seen in a Roman-era inscription invoking JupiterSabazios, a Thracian-Illyrian god equated with Zeus and associated with fertility and chthonic rites, highlighting the blending of indigenous beliefs with imported cults.[31]Further epigraphic evidence points to the adoption of other Hellenistic and Roman deities, including dedications to Asklepios from the 2nd century CE, such as an ex-voto relief (CIGIME 3, no. 311) and a sundial inscribed with his name (CIGIME 3, no. 312), suggesting healing rituals performed in domestic or communal settings rather than formal temples. A dedication to Aphrodite (CIGIME 3, no. 303) and to Hera Teleia (EBGR 2016, no. 308) indicate marital and civic cults, while offerings to Parthenos—possibly a local manifestation of Athena or an Illyrian virgin goddess (EBGR 2016, nos. 309–310)—reflect magistrate-sponsored vows for community prosperity. The inscription to JupiterSabazios attests to a syncretic cult at Byllis. The worship of Sabazios generally involved mystery practices, including initiatory rites and nocturnal ceremonies emphasizing rebirth and ecstasy, with parallels to Dionysiac mysteries though no direct Dionysus dedications have been identified at the site.[32][33]The transition to Christianity in the 4th century CE is marked by the overlay of pagan layers with Christian symbols, including cross motifs incised on reused stones and pavements from late Roman contexts, signaling the repurposing of civic spaces for early worship. Epigraphic records from this period include Christian prayers and ex-votos at Byllis (CIGIME 3, nos. 335, 353–355, 344), often invoking salvation and protection, which appear alongside fading pagan inscriptions in the archaeological strata. These artifacts, dated to the 4th–6th centuries CE, illustrate a gradual Christianization without abrupt erasure of prior religious expressions, culminating in the construction of basilicas where mosaic floors incorporated cross symbols amid geometric designs.[32]
Ecclesiastical Association with Apollonia
During the early Christian period, Byllis emerged as a significant suffragan diocese within the province of Epirus Nova, closely associated with the bishopric of Apollonia under the metropolitan see of Dyrrachium. This ecclesiastical linkage is evident from the 5th century, when Byllis was recognized as an episcopal center alongside nearby sees such as Apollonia, Aulona, and Scampis.[1] The combined title "Bishop of Apollonia and Byllis" reflects the intertwined administration, particularly as both dioceses shared oversight in regional synods and councils.Byllis's integration into this structure is documented through the participation of its bishops in key 5th-century ecclesiastical gatherings. Bishop Felix, explicitly titled Bishop of Apollonia and Byllis, attended the Council of Ephesus in 431 CE, representing the province of New Epirus.[1] At the Council of Chalcedon in 451 CE, Eusebius subscribed as Bishop of Apollonia, underscoring the close ties, while later in 458 CE, Philocharis, identified solely as Bishop of Byllis, signed a collective letter from the bishops of Epirus Nova to Emperor Leo I, affirming the diocese's active role in imperial-religious correspondence. These events highlight Byllis's status as a functioning suffragan see, contributing to the doctrinal and administrative decisions of the era up to the 6th century.[1]Archaeological evidence further illustrates the ecclesiastical influence between Byllis and Apollonia, particularly through shared religious artifacts indicative of uniform liturgical practices. This architectural and artifactual similarity underscores the flow of Christian traditions and oversight from the 4th to 6th centuries CE, before Slavic invasions disrupted the diocesan network.
Modern Significance
Archaeological Park Development
Byllis was officially designated as a protected archaeological site by the Albanian government in 2003, marking the beginning of systematic efforts to preserve and promote its ancient ruins as a public heritage asset. In the 2010s, significant infrastructure improvements were implemented to transform the site into an accessible park, including the construction of walking trails that guide visitors through key areas such as the theater and basilicas, the establishment of a visitor center for orientation and exhibits, and the installation of multilingual signage explaining the site's historical layers. These enhancements were supported by national and international funding aimed at sustainable tourism development.[34]The park's integration into Albania's broader cultural tourism routes has positioned Byllis as a key stop for itineraries exploring Illyrian and classical heritage, alongside sites like Apollonia and Butrint. Visitor numbers have been growing, with a 20% spike reported in a recent year, including approximately 8,000 visitors in the first eight months, reflecting increasing interest in Albania's off-the-beaten-path archaeological destinations and contributing to local economic growth in the Mallakastër region.[35][36]To engage visitors with the site's rich history, educational programs have been introduced, featuring guided tours led by local experts that emphasize Byllis's role as the capital of the Illyrian Bylliones koinon and its architectural innovations. These tours often include interactive elements, such as discussions on Illyrian urban planning and the transition to Roman and Byzantine influences, fostering a deeper appreciation of the site's cultural significance. Recent excavations have occasionally informed these programs by revealing new insights into daily life at Byllis.[37][38]
Conservation and Research Updates
The Byllis archaeological site in Albania confronts ongoing challenges from natural erosion, exacerbated by the site's hilltop location and exposure to weathering, as well as illegal looting that has damaged structures across the country's ancient heritage.[39][40] These threats have prompted targeted preservation initiatives under the European Union's IPA 2018 program, which includes a €6 million project implemented in partnership with the Italian Agency for Development Cooperation (AICS) and Albania's Ministry of Culture.[36][41]Key efforts under this funding include the development of the country's first community-informed and legally binding Management and Conservation Plan for Byllis and the nearby Klos site.[36] This six-year initiative (with an additional year for defect liability) has focused on stabilizing the 2.25 km of ancient defensive walls, many of which date to the 4th century BCE and feature later Byzantine repairs, through structural reinforcements to counter erosion.[36] Similarly, conservation work has addressed the site's extensive mosaics, including those in Basilica B, covering over 1 hectare and depicting 6th-century scenes of daily life; these were placed under protective gravel and are now subject to specialized restoration to prevent further degradation from environmental factors.[42] In March 2025, an EU-backed agreement between AICS and the Albanian Institute of Archaeology advanced conservation efforts at the site, marking a significant step in long-term site recovery.[43]Recent scholarly work from 2021 to 2025 has built on these conservation foundations with new analyses of Byllis's artifacts and structures, including a 2019 Franco-Albanian excavation report that synthesized 13 years of findings on the site's urban layout.[42] These updates emphasize the site's role in regional trade and highlight the need for continued monitoring amid emerging threats.Climate impact assessments for Albanian cultural heritage underscore rising temperatures as a growing risk to stone preservation at exposed sites like Byllis, where temperatures exceeding 37–40°C in recent decades have accelerated erosion and material deterioration in limestone and marble elements.[44] Such studies highlight the urgency of integrating adaptive strategies, like enhanced shading and drainage, into ongoing EU stabilization projects to mitigate these effects.[44]