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Calvary

Calvary, also known as Golgotha from the term meaning "place of the ," is the ancient outside the walls of Jerusalem where of was crucified, as described in all four canonical Gospels of the . The name likely refers to the hill's skull-like shape or the presence of skulls from executed criminals left unburied at this execution ground. Historically, Calvary was situated near a major road and a containing a new , fulfilling Jewish for burials while adhering to practices of crucifying outside to deter passersby. Archaeological evidence suggests it was part of an Iron Age quarry west of Jerusalem's second wall, visible from the Gennath Gate and a westward , making it a prominent location for public executions. The site's identification has been debated since the 4th century CE, when Roman Emperor Constantine's mother, Helena, designated the area now occupied by the as the traditional location, though its position inside modern Old City walls raises questions about the ancient boundaries. In , Calvary holds profound significance as the place of ' sacrificial death, symbolizing for humanity's sins and the fulfillment of prophecies. Early Christian pilgrims venerated the site from the Byzantine era onward, leading to the construction of churches and chapels that preserve its memory amid ongoing scholarly discussions of its precise topography. Recent excavations (2022–ongoing) beneath the have uncovered traces of an ancient , aligning with account of a garden near the site of .

Biblical and Etymological Background

Scriptural References

The Gospels provide the primary scriptural references to Calvary, known in as Golgotha, as the site of ' crucifixion. In the , the location is described succinctly upon the arrival of the procession. Matthew 27:33 states, "And when they came to a place called Golgotha (which means Place of a )," immediately preceding the offering of wine mixed with to and the casting of lots for his garments at that spot. Mark 15:22 similarly records, "And they brought him to the place called Golgotha (which means Place of a )," followed by the offering of wine mixed with , emphasizing the site's role in the sequence of events including the and the mocking by passersby. Luke 23:33 notes, "And when they came to the place that is called The , there they crucified him, and the criminals, one on his right and one on his left," highlighting the immediate execution alongside the two others at this designated place. The Gospel of John offers additional contextual details about the site's proximity and features. :17-18 describes, "and he went out, bearing his own , to the place called The Place of a , which in is called Golgotha. There they crucified him, and with him two others, one on either side, and between them," situating the event outside Jerusalem's walls, as the place was near the city (:20). This verse also ties the location to a prominent sign inscribed by Pilate—" of , the King of the "—written in , Latin, and , which many read due to its visibility near a frequented (:19-20). Further, :29 records the offering of on a hyssop branch at the site, fulfilling during ' final moments, while :41 specifies, "Now in the place where he was crucified there was a , and in the a new in which no one had yet been laid," indicating the crucifixion's closeness to this . The name Golgotha, translated as "Place of a Skull," is consistently rendered across the Gospels to denote the site's grim topography, possibly evoking a skull-shaped hill.

Names and Meanings

The name "Golgotha," used in the New Testament to refer to the site of Jesus' crucifixion, derives from the Aramaic gulgalta, which is a transliteration of the Hebrew gulgoleth (גֻּלְגֹּלֶת), meaning "skull" or "head."https://www.abarim-publications.com/Meaning/Golgotha.html This term originates from the Hebrew root galal (גלל), signifying "to roll," evoking the rounded shape of a skull.https://www.1517.org/articles/golgothas-bizarre-hebrew-backstory The name appears in the Gospels, such as in Matthew 27:33 and John 19:17, where it is described as the place outside Jerusalem where the crucifixion occurred.https://lp.israelbiblicalstudies.com/lp_iibs_biblical_hebrew_golgoleth-en.html The Latin term "Calvary," an English adaptation commonly used in , stems from calvaria, the Latin word for "" or "bare ."https://www.simplybible.com/f784-word-study-calvary.htm This rendering was introduced by Saint Jerome in his 4th-century translation of the , where he translated the Greek kranion (κρανίον, meaning "") from Luke 23:33 as calvaria to convey the original.https://www.freedomhouse-church.org/post/golgotha-the-place-of-jesus-crucifixion-demystified Jerome's choice reflected the anatomical connotation of the site, aligning it with the Hebrew- etymology while adapting it for Latin-speaking audiences.https://theopedia.com/calvary Beyond its literal meaning, "Golgotha" and "Calvary" carry symbolic interpretations in early , often linking the site's name to themes of death and . One prominent , attested as early as the by , posits that the location was believed to be the burial place of 's skull, symbolizing Christ's crucifixion as the reversal of humanity's through the blood of the "second Adam."https://hermeneutics.stackexchange.com/questions/28377/what-is-the-significance-of-the-skull-of-golgotha Another interpretation attributes the "skull" designation to the hill's natural resemblance to a cranium, reinforcing its association with a place of execution and mortality.https://www.gotquestions.org/tomb-of-Adam.html These symbolic layers underscore the theological significance of the site as a of fallenness and divine .

Historical Location and Development

Criteria from Ancient Sources

The location of Calvary, known in the Gospels as Golgotha or the "Place of the Skull," must satisfy several criteria derived from first-century biblical accounts and historical practices. According to the , the site was situated outside the , as "suffered outside the gate" to sanctify the people through his own blood ( 13:12). This positioning aligned with both Jewish sacrificial , where sin offerings were burned outside the camp (Leviticus 16:27), and Roman execution customs that placed crucifixions beyond city boundaries to maintain ritual purity and public deterrence. Biblical descriptions further specify that the site was near the city, enabling visibility to a large crowd during Passover, as "many of the Jews read the inscription" on the cross because the place of crucifixion was close to the city (John 19:20). This proximity to a frequented road is implied by the presence of passersby who mocked Jesus (Mark 15:29–30) and the involvement of Simon of Cyrene, who carried the cross after being compelled en route from the country (Luke 23:26). Additionally, the location was adjacent to a garden containing a new tomb owned by Joseph of Arimathea, where no one had previously been laid, facilitating the hurried burial before the Sabbath (John 19:41–42). These details underscore a site that was accessible yet somewhat isolated, combining public exposure with immediate burial feasibility. Roman crucifixion practices in the first century emphasized sites on elevated ground for maximum visibility as a deterrent, often on hills, rocky outcrops, or slopes overlooking major thoroughfares to ensure the spectacle reached a wide . Executions were staged as public displays of power, with victims paraded and affixed in prominent locations to degrade and humiliate, reinforcing imperial authority through widespread observation (, Against Verres 2.5.54.140–2; , Jewish War 5.449–51). In , such sites were typically outside the city walls along roads like those near the Gennath Gate, allowing visibility from multiple directions while avoiding urban desecration. Jewish burial customs of the period also shaped the site's requirements, mandating prompt interment of the dead to honor the body and avoid ritual impurity, which influenced the tomb's close proximity to the execution area (Deuteronomy 21:23; m. Sanhedrin 6:5–6). First-century tombs were often rock-cut in gardens or quarried areas near settlements, where cultivated spaces coexisted with burial sites without violating purity laws (m. Ohalot 17:4). The crucifixion site's inherent uncleanness, due to blood and death, rendered it ritually defiled under Jewish law, leading to its avoidance and eventual desecration; following the Bar Kokhba revolt, Emperor Hadrian constructed a temple to Venus over the area around AD 135–150, enclosing it within expanded city limits and further stigmatizing the location until its reclamation in the fourth century.

Early Christian Traditions

In the second century, early Christian writers drew on Jewish traditions to interpret and locate Golgotha, the site of Jesus's . , in his Peri Pascha (ca. 160–170 CE), described the occurring "in the middle of a plateia and in the middle of a city," positioning Golgotha centrally within , between the city and a , which aligned with emerging Christian understandings rooted in Jewish spatial and lore about sacred sites. This reference reflects an adoption of Jewish traditions associating the "place of the skull" with the burial of Adam's remains, a motif that symbolized humanity's fall and , though explicit textual linkage appears slightly later in Origen's works. Similarly, Hegesippus, a Jewish-Christian active around 110–180 CE, preserved oral histories of the through his Hypomnemata, emphasizing continuity with Jewish practices and communities amid Roman pressures. These accounts indicate that Jewish-Christian groups maintained traditions linking Golgotha to prophetic and ancestral Jewish narratives, ensuring the site's significance endured despite and suppression. Eusebius of Caesarea, writing in the early fourth century, documented how local Christian memory safeguarded Golgotha’s location following the Roman destruction of Jerusalem in 70 CE. In his Ecclesiastical History and Life of Constantine, Eusebius recounted that Jewish-Christians fled to Pella before the siege but returned afterward, orally transmitting knowledge of holy sites, including Golgotha, which survived the city's leveling and rebuilding as Aelia Capitolina. He noted that despite the devastation, "the faithful preserved the memory of the place," with traditions identifying it near the northern gate and a major road, aligning with scriptural criteria of a site outside the walls yet visible from the city. This communal recollection proved vital when Constantine's envoys excavated the area in 326 CE, uncovering a tomb consistent with early descriptions, underscoring the resilience of these traditions against two centuries of disruption. Pre-Constantinian oral traditions and limited pilgrimages further sustained veneration of Golgotha amid 's efforts to overlay the site with pagan structures after the in 135 . erected a temple to directly over the presumed location to eradicate Christian and Jewish associations, yet Jewish-Christian communities in and perpetuated the site's history through and familial transmission. Evidence from texts like the (mid-second century) references the "place of a ," suggesting pilgrims or visitors sought out biblical landscapes, including Golgotha, for devotional purposes despite restrictions. These practices, often discreet due to , relied on oral chains linking back to eyewitnesses, maintaining the site's identity until Constantine's era.

Traditional Site

Church of the Holy Sepulchre Overview

The Church of the Holy Sepulchre is situated in the Christian Quarter of the Old City of Jerusalem, venerated by Christians as the traditional site encompassing both Golgotha—the hill of Calvary where Jesus was crucified—and the nearby tomb where he was buried and resurrected. The structure occupies an area that archaeological evidence indicates was a former limestone quarry in use from around 700 BCE until the first century CE, after which it fell into disuse and developed into a garden-like space with tombs nearby. This identification aligns with biblical descriptions of Golgotha as a site outside the city, visible from a distance, and near a garden. The modern church complex is a shared sacred space administered by multiple Christian denominations under the 19th-century Status Quo agreement, primarily the Greek Orthodox Church, the Roman Catholic Church (Franciscans), and the Armenian Apostolic Church, with lesser rights held by the Coptic Orthodox, Syriac Orthodox, and Ethiopian Orthodox Churches. Within this intricate arrangement of chapels and altars, the Rock of Calvary stands as a primary focal point, marked by the Chapel of the Crucifixion where pilgrims venerate the precise spot believed to be the crucifixion site, accessible via a marble slab and encased portions of the underlying rock. At the time of ' crucifixion around 30 , the site lay outside Jerusalem's second city wall, fulfilling the Roman requirement for executions to occur beyond urban boundaries. However, approximately a decade later, during the reign of I, the construction of the city's third wall around 41 extended the fortifications to enclose the area, incorporating it within the urban layout that persisted through the Roman rebuilding of Jerusalem as after 135 . The church itself was established in the fourth century under Emperor , who commissioned its construction following the identification of the sites by his mother, Helena.

Constantine's Construction and Early History

In 326 , Helena, the mother of Emperor , embarked on a to the , where she oversaw excavations that uncovered the and identified the site of Calvary and the adjacent , following the demolition of a to erected by in the 2nd century . These discoveries were guided by longstanding local Christian traditions regarding the location. subsequently commissioned the of a grand church complex on the site, comprising a (known as the Martyrium), a rotunda (the ) enclosing the , and an open courtyard encompassing the rock of Calvary. The project, directed by Bishop Macarius of Jerusalem, progressed rapidly after the removal of pagan structures and was completed within approximately nine years. The was formally dedicated on , 335 , in a attended by bishops from across the , marking a pivotal moment in the of the Roman world under Constantine's patronage. of , an eyewitness, documented the event in his , praising the emperor's role in transforming the site from obscurity to a focal point of imperial support for . The church endured as a center of pilgrimage and worship until 614 CE, when Persian forces under sacked during the Byzantine-Sasanian War, setting fire to the and rotunda while desecrating relics including the . Abbot Modestus of the Theodosius Monastery led the initial reconstruction efforts starting around 628 CE, restoring essential structures with imperial aid from Emperor , who recaptured the city in 629 CE and returned the . Throughout the subsequent Byzantine era, the site sustained its role as a primary locus of Christian , with annual feasts and processions reinforcing its spiritual significance until the Arab conquest in 638 CE.

Architectural Features and Rockface

The Rock of Calvary, a natural outcrop situated on the upper level of the , is revered as the precise site of ' . This rugged rockface, integrated into the church's structure, features a conspicuous circular hole traditionally identified as the socket where the was planted, surrounded by visible fissures that pilgrims and scholars associate with the described in the Gospel of Matthew (27:51). The outcrop's uneven surface and natural contours are partially encased in protective cladding to preserve it from wear, while glass panels allow direct viewing of the rock beneath the altars above. Adjoining the rockface are two key chapels that facilitate veneration of these features. The of the Crucifixion, under Greek Orthodox administration, directly overlies the outcrop's summit, with its altar positioned such that the rock is accessible through a small opening in the floor; pilgrims often kneel to touch the stone, a devotional act symbolizing direct connection to the . Below this, the of Adam—traditionally linked to the "staining" of the cross through the legend of Christ's blood flowing down the cracks to anoint 's buried skull—houses an altar amid the lower rockface, emphasizing the site's theological depth with its dimly lit, austere interior carved into the bedrock. These chapels, adorned with silver reliefs and icons, draw thousands annually for prayers and rituals centered on the rock's tactile and visual elements. The architectural layout compactly unites the Calvary outcrop with the adjacent tomb area in a single edifice, reflecting the site's origins as a first-century Jewish repurposed for burials. A short stairway descends from the chapels to the lower level, where the rockface transitions seamlessly into the spaces around the Edicule enclosing ' tomb, creating a vertical continuum of sacred within the confined footprint. This integration, enclosed by Emperor Constantine's fourth-century , underscores the church's design to encompass both execution and entombment sites in one protective enclosure.

Alternative Sites

Gordon's Calvary and the Garden Tomb

In 1883, British General Charles "Chinese" Gordon proposed an alternative location for Calvary north of Jerusalem's Damascus Gate, identifying a rocky outcrop known as Skull Hill as the biblical Golgotha due to its resemblance to a human skull, which he believed aligned with scriptural references to the "place of the skull." Gordon's identification stemmed from his observations during a self-imposed exile in Jerusalem, where he mapped the site based on a perceived skeletal overlay of the city's topography, positioning the skull's "eyes" near the current location and the "calvary" at the adjacent hill. This proposal gained traction among 19th-century Protestant visitors seeking a site outside the traditional Church of the Holy Sepulchre, though Gordon's deductions were speculative and lacked archaeological support at the time. Adjacent to Skull Hill lies , a discovered in the mid-19th century and dated by archaeologist Barkay to the 8th–7th centuries BCE, featuring characteristics that some interpret as matching the Gospel of John's description of ' burial place—a new tomb in a owned by , hewn from rock with a rolling stone entrance. The tomb's interior includes a rectangular chamber with two unfinished loculi ( benches) and a visible rock-cut channel for a stone door, though its origins predate the 1st century CE by centuries, rendering it anachronistic for events according to most scholars. In 1894, the Garden Tomb Association, a Protestant group, acquired the property including the tomb and surrounding gardens from landowners to preserve it as a site for Christian reflection and worship. The site's appeal to Protestants arises from its tranquil, open-air garden setting—featuring olive trees, flowers, and unobstructed views of the rocky face—which contrasts sharply with the ornate, multi-denominational crowds inside the , offering a more contemplative space for and study. This preference has drawn hundreds of thousands of evangelical and Protestant pilgrims annually since the early , who value its perceived authenticity to biblical imagery over historical continuity. Despite this popularity, biblical scholars and archaeologists widely reject Gordon's Calvary and as the true sites, citing the tomb's incorrect dating, the formation, which has undergone erosion (including a 2015 collapse of part of the feature), may not have closely resembled a in the due to ancient quarrying and natural changes, and stronger evidence for the traditional location within the city's second-century walls. Recent 2025 excavations at the have identified evidence of a 1st-century garden, aligning with descriptions and bolstering the traditional site's authenticity. Association itself emphasizes the site's spiritual value over historical claims, maintaining it as a non-denominational place of rather than a proven .

Other Proposed Locations

In the 19th century, some scholars drew on early Christian traditions to propose alternative locations for Calvary east of , near the slopes of the . , a British archaeologist who excavated in during the , referenced accounts from early pilgrims and authorities, such as the Bordeaux Pilgrim (circa 333 CE), suggesting Golgotha was positioned where it could be visible from the during the , aligning with descriptions in the Gospels of passersby mocking from the city (Mark 15:29–30). This placement near the eastern wall, close to what is now the area, was based on reconstructions of the city walls and the requirement for the site to be outside the city yet proximate to major roads. However, these proposals lacked physical evidence and were largely superseded by later archaeological findings supporting sites north of the first wall. Medieval theories occasionally deviated from the Constantinian tradition, with some accounts proposing Calvary near the Mount of Olives or within areas later enclosed by city walls. For instance, certain pilgrimage itineraries from the 12th to 14th centuries, influenced by Crusader-era interpretations, speculated on eastern locations to connect the crucifixion site symbolically to Jesus' ascension from the same mount (Acts 1:9–12). These ideas were refuted by subsequent archaeology, including excavations revealing that the Mount of Olives area showed no evidence of Roman execution sites or quarries matching biblical criteria, such as a skull-like rock formation (John 19:17). Instead, stratigraphic layers confirmed execution grounds were more likely north or west of the ancient walls. Modern fringe theories have linked Calvary to the Essene Gate area in the southern part of ancient , positing a near the southwestern as the execution site. Drawing from ' descriptions of the Essene Gate (Wars 5.4.2), proponents argue this location fit biblical requirements for a garden-adjacent spot outside the walls (:41), with rock-cut features resembling a in nearby quarries. Scholarly analysis, however, finds no , as excavations in the reveal primarily residential and ritual remains rather than evidence, and textual sources like place early veneration north of the city. Similarly, suggestions tying the site to quarries outside St. Stephen's Gate () on the eastern flank lack supporting artifacts, remaining speculative without broad academic acceptance.

Theological and Cultural Significance

Role in Christian Doctrine

In , Calvary holds a pivotal role as the site of Christ's crucifixion, symbolizing the ultimate sacrificial death that fulfills prophecies and accomplishes human . The at Calvary represents the Suffering Servant described in , where the bears the sins of many through vicarious suffering, enabling between God and humanity. This event is understood as the culmination of God's redemptive plan, where Christ's death atones for sin by satisfying divine justice and offering to believers. Central to this doctrine is the concept of , particularly the substitutionary theory, in which dies in place of to bear the penalty of their transgressions. At Calvary, Christ acts as the perfect substitute, enduring against to secure justification and eternal life for humanity. This sacrificial act at Calvary is intrinsically linked to key sacraments: the re-presents Christ's offering on the as a perpetual of , while signifies participation in his death and , uniting believers to the atoning work accomplished there. Denominational perspectives emphasize different facets of Calvary's doctrinal significance. In , the site underscores , where Christ's agony on the redeems human pain, inviting believers to unite their sufferings with his for spiritual merit and salvation. Protestant traditions, conversely, highlight in the at Calvary as the sole means of justification, focusing on the believer's trust in Christ's finished work rather than personal merit, as exemplified in emphases on rooted in the .

Depictions in Art and Literature

In medieval art, depictions of Calvary frequently appeared in Byzantine icons portraying the Crucifixion, such as the mid-10th-century panel at the Metropolitan Museum of Art, which shows Christ on the cross atop the hill with attendant figures including the Virgin Mary and Saint John, emphasizing the site's role as Golgotha, the "place of the skull." These icons often integrated Eastern Orthodox traditions, rendering the rocky outcrop of Calvary as a stark, symbolic mound to highlight the redemptive event. Gothic altarpieces in extended this imagery with more narrative detail, as seen in 15th-century works like the Way to Calvary panel from the Passion of Christ altarpiece at the Walters Art Museum, which illustrates Christ's procession up the hill amid a crowd of mourners and soldiers, capturing the emotional intensity of the ascent. A recurring motif in these scenes, from Bohemian panels like the Kaufmann Crucifixion (c. 1340–1360) to triptychs by , was the inclusion of Adam's skull at the base of the cross, symbolizing the reversal of through Christ's sacrifice at the site believed to be Adam's burial place. During the Renaissance, artists dramatized Calvary's landscape to evoke pathos and divine scale. Peter Paul Rubens's The Road to Calvary (1634–1637), commissioned for Affligem Abbey, portrays the hill as a rugged, ascending path lined with turbulent figures, underscoring the physical torment of the journey to Golgotha. Similarly, El Greco's Christ on the Cross (c. 1600s), held at the Getty Museum, integrates the atop a swirling, ethereal landscape that merges the hill's stark elevation with stormy skies, amplifying the emotional and spiritual drama of the event. An 18th-century copy after a composition by , Golgotha, now in Warsaw's National Museum, further emphasizes the hill's prominence by centering the three crosses against a barren, elevated , drawing viewers into the site's isolation and gravity. In literature, Calvary features as a pivotal locus of redemption and suffering. Dante Alighieri's Divine Comedy (c. 1308–1321) alludes to the hill in allegorical terms, with some interpretations identifying certain mountains in the poem, such as in Inferno Canto XIV, possibly with Calvary as sites of ascent and atonement. John Milton's Paradise Regained (1671) evokes Calvary indirectly through its underlying Passion narrative, framing Christ's wilderness temptation as a prelude to the hill's ultimate victory over sin, with Golgotha symbolizing the restoration of paradise. In modern fiction, Lloyd C. Douglas's The Robe (1942) vividly narrates the Crucifixion at Calvary from a Roman soldier's perspective, depicting the hill as a chaotic execution ground where the protagonist wins Christ's seamless garment in a dice game, catalyzing his spiritual transformation.

Archaeological and Modern Perspectives

Evidence Supporting the Traditional Site

Archaeological excavations at the have revealed that the site functioned as a during the first century B.C.E. and into the first century C.E., with dimensions approximately 660 by 493 feet, consistent with Jewish quarrying practices for building materials outside urban areas. This 's irregular rockface and deep saw cuts indicate sporadic use for stone extraction, and nearby discoveries include two first-century C.E. rock-cut caves, aligning with accounts of Calvary as a place near outside the city (:41–42). Further evidence from the Greek Orthodox Patriarchate of (GPIA) excavations beneath the adjacent Church of the Redeemer uncovered traces of this , including soil stratigraphy showing post-quarrying erosion and artifacts from the First Jewish Revolt (66–73 C.E.), supporting its role as an execution site in a peripheral, rocky area suitable for crucifixions. Kathleen Kenyon's excavations in the nearby area corroborated these findings, confirming the broader locale as a disused by the late . Historical records indicate that the site lay outside Herod the Great's second wall during Jesus' crucifixion around 30 C.E., satisfying biblical requirements for executions and burials beyond city limits (Hebrews 13:12), but was incorporated within expanded fortifications by the time of the First Jewish Revolt in 70 C.E. Josephus describes the second wall in The Jewish War (5.4.1–2) as extending from the Gennath Gate to the Tower of Antonia, positioning the quarry area just beyond its northern boundary, while the third wall—initiated by Herod Agrippa I after 41 C.E.—later enclosed it. This topographical shift aligns with Eusebius' account in Life of Constantine (3.25–29), where the site's extramural location in the early fourth century still echoed its first-century status, as verified during Constantine's identification process through excavation of Hadrian's overlying structures. Excavations at the Church of the Redeemer have further suggested remnants of the second wall south of the site, reinforcing its original position outside the urban perimeter. Christian veneration of the site dates to at least the second century, as evidenced by ' Peri Pascha (c. 170 C.E.), which preserves the tradition of Golgotha as the location originally outside but resited within the city due to wall expansions, demonstrating unbroken oral and liturgical memory among early believers. notes in Life of Constantine (3.26) that the faithful had long revered the spot despite suppression, with no contemporary Jewish or Roman records disputing its identification, indicating its acceptance as authentic from the apostolic era onward. This continuity persisted through Hadrian's construction of a to over the site around 135 C.E. to eradicate Christian practices, yet the tradition endured without challenge until Constantine's rediscovery.

Recent Discoveries and Debates

In 2025, archaeologists conducting excavations beneath the in uncovered evidence of an ancient garden dating to approximately 2,000 years ago, providing new support for the traditional identification of the site as Calvary (Golgotha). Soil samples analyzed through archaeobotanical methods revealed pollen from olive trees and grapevines, consistent with cultivated plots in the area during the first century . The findings also included low stone walls delineating garden beds and remnants of a that had been repurposed for agriculture and burials, aligning with the site's historical transition from an extramural quarry to a place of execution and entombment outside 's walls. Led by Professor Francesca Romana Stasolla of as part of a restoration project initiated in 2022, the excavation employed techniques such as 3D mapping and to document these features. This discovery corroborates the Gospel of John's description of a near the crucifixion site (John 19:41–42), bolstering arguments for the as the authentic location of Calvary. Prior to this, debates centered on the site's position relative to Jerusalem's second wall, with critics arguing it lay inside the city by the fourth century when Emperor identified it. Evidence from Jewish rock-cut tombs (loculi) beneath the church, however, indicates the area was extramural during the first century, fulfilling and Jewish customs for executions and burials outside urban limits. Ongoing scholarly consensus favors the traditional site, though alternatives like Gordon's Calvary (near the ) persist in popular discourse, primarily due to its skull-like rock formation and serene garden setting, proposed in the by British general Charles Gordon. The , dated to the and reused in the seventh–ninth centuries , lacks first-century attestation and ancient Christian tradition linking it to the events. The 2025 pollen evidence, absent at alternative sites, has further tilted academic opinion toward the Holy Sepulchre, though definitive proof remains elusive without additional excavations.

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